Tag Archives: news maps

Mapping Trump

As news anchors stared directly at the camera on Election Day 2016, they might gesture mutely to the apparent dominance of Donald Trump’s presidential victory, shown the blanket of bright red polygons that took the viewer’s breath away by their sheer continuity affirmed that the people had spoken definitively.  The map was a bit of a total surprise, evidence of the disproportionate appeal of Trump across most states other than the coasts.  And it is an icon with which Trump has taken to celebrate in an almost proprietorial way as the result of his labors and his own hard work that he tried to celebrate in addressing the Boy Scouts’ annual jamboree this year.  Casting a now-forgotten moment of compact between himself as Presidential candidate and the nation, incarnated in a map, and presenting it as a personal triumph, he recalled the electoral map as a definitive rebuttal of a “dishonest” press and media, urging we all “remember that incredible night with the maps and the Republicans are red and the Democrats are blue; that map was so red, it was unbelievable,” and rhapsodizing how the map struck so many dumb with disbelief so that “they didn’t know what to say?”  The electoral map, for Trump, provided the ultimate confirmation for a “dishonest press” and “dishonest media,” but just how honest was that map, anyway?


Trump at Jamboree.png


The map seemed to show a dramatically lopsided margin of victory, but it of course concealed just as much.  It seemed to celebrate red nation, indeed, until one considered the concentration of population, and drilled deeper down into population distributions than an electoral map can reveal.  The map however remained so cognitively powerful that the geodemographics of the 2016 Presidential election seems to mark the return of a landscape of blue vs. red states, and a sense of the self-evident nature of a newly redivided republic.  The promise of national maps to parse the division of the popular vote–a conceit fundamental to the electoral college–however creates a false sense of the breadth of support or the links between an individual candidate and the land–distilling the distribution of the vote into a false if compelling continuity of a sea of bright red.  And it is not a surprise that the map has become a favorite demonstration of the extent of Trump’s popularity, and the myth of a landslide victory not seen in earlier years.  Even if its geodemographic illusion demands to be unpacked, the scale immediately gave rise to the magnification of a margin of victory that is entirely to be expected from Trump.

But for a national figure who has convinced what seem continuous swaths of the nation’s so-called heartland he could speak for their interests, it is striking that despite some considerable variations among voting patterns, the intensity of that red block so clearly endured.  The distribution illustrated the intensity of the affective relation to the candidate, or rather the failure of achieving any deep to Clinton as a candidate–but became a symbolic icon of Trump’s claim to represent the nation’s ‘heartland.’

reference-mapBen Hennig, from results of 2016 US Presidential Election

The geodemographic conceit was not much evidence that he actually did.  Despite the strength of such affective ties, Trump has only slim familiarity with that heartland–and rarely showed much tie to it.  Despite the compelling nature of the geodemographics that suggest Trump’s close tie to the nation’s center, the region Candidate Trump convinced was ignored by the media and press alike was largely avoided by Candidate Trump.  And few of its interests can be said to have been sustained by the President we now have, whose electoral success in the upper midwest will be hard to measure with a feared decline in health care subsidies, should the Affordable Care Act be repealed and Medicare gutted, leaving older working class voters in the cold, as a new tax code does little comfort.

But was Trump ever so tied to the band of red running vertically down the country?  For the region that voted for him is increasingly becoming disaffected, as he qualifies his opposition to NAFTA and his assurances about the need to construct a border wall, in ways that raise questions about his strong showing across middle-America and his identification with the people’s will.  Yet the iconic map itself may have provided for Trump himself a bit of a mirror illusion–as if to trigger a sense of recognition of his identification with the entire nation in ways that came as something as a surprise, it also effectively validated his long-time aspirations to the presidency, not only for the media, but for himself.  To be sure, the notion of a “heartland victory” reflected the growth of a tendency to shift Republican on a county-by-county level, which reflected a targeting of the midwestern states that seem to have been conducted below the eyes of team Clinton in the 2016 US Presidential election; Trump’s vote share substantially grew in Ohio, West Virginia, Iowa, Michigan, Wisconsin, Minnesota and Missouri.


Republican Blush.png


By normalizing the same choropleth of Trump votes, or using a color ramp that will foreground the percentages of voting intensity, a recommendation for all future voting maps Kenneth Field rightly suggests, the deep intensity of reds are brought out better, focussed almost in targeted sites in ways that might merit more retrospective scrutiny.


Trump votes normalized choropleth.png

Kenneth Field

But the deep reds of the electoral map were the most compelling to The Donald, and continue to lead him to retreat into rhapsodies, some eight months after the election, in Cedar Rapids IA, about how “Those electoral maps, they were all red, beautiful red.” As much as Trump has seemed to be processing the legitimacy of his victory well past the first hundred days of his term, a framed version of the electoral map infographic is rumored to have been hung, framed, as an icon in the Trump White House for visitors, to which he can point only to ask, as if in desperation,  ‘Aren’t you impressed by this map?’”  The map has become something of a calling card to which Trump seems both boastful and still gleefully processing, perhaps precisely because it was so often broadcast on TV.  The image transformed to a wall-map seems a needed confirmation of the areas that sent him to the White House, and has become a distributed visual for news interviews, as if its presence reminds interviewers that they are engaging with the representative of the real country.





Why post the map on the wall?  The infographic presumably captures those areas of the US where Trump must continue to address outside Washington–and of the disempowerment of the mainstream media–as if to remind him of his ongoing sources of strength.   Trump cannot conceal his pleasure to continue to crow, reveling in his unexpected ability to cathect with voters across so much of the northern midwest if not the silent majority of the national interior, and the map confirms a moment of joy:   the map of a “sea of deep crimson” offered credible needed visual confirmation of the legitimacy his newfound power that responds to continued crises, and a sort of symbolic consolation:  Trump, as if planning a billboard to the nation, requested no one less than the Washington Post run the image on his hundredth day in office, perhaps in hopes to brainwash the nation by the repetition of that apparent sea of deep, deep red.  It reveals, moreover, the very silent majority that Trump had long evoked:  Trump’s skill at resuscitating the Nixonian conceit of a “silent majority” supporting the Vietnam war and rejection counter-culture became a bulwark of sorts against the press; it  was particularly pleasurable as it re-appeared within the very news maps that the media produced which were broadcast on television screens, in ways Trump himself wants to continue to broadcast.  Trump not only holds TV in famously high regard–even if he did not mostly watch television for all of election night–it is almost credible that the iconic electoral map was framed for the White House walls, if distorting , offered a recollection of the magnitude of his margin of victory that must be comforting to show guests.

The considerable shock of the electoral results led many readers to recognize the reduction of support for the Democratic candidate, so well-qualified, to isolated regions near the more diverse and reliably Democratic coasts.  The visualization of disembodied counties for Clinton registers an immediate anxiety in projecting the angst of isolation from the same heartland, as if to show what seem only pockets of Clinton supporters in a very tenuous archipelago with outposts hewing predominantly to the nation’s coasts, as the outliers of the vision of America that Trump was able to propose.  As much as showing the lack of contact of Clinton’s messaging to so many counties in the in-between “forgotten heartland” that the Trump vote seemed so successfully to invest coherence in, the image shows a heartland that is almost abandoned by Clinton voters who seem not to have migrated from the country, but seem exiled from an increasingly fractured nation, in their own filter-bubbles, in which their own place has been rendered up for grabs.


clinton_v2-Artboard_6.pngTim Wallace/New York Times

The geodemographic illusion of such fracturing however belies the sharp dissonance that a deeply provincial figure long resident in one of the nation’s largest metropoles felt to much of the country and the nation that he so convincingly claimed he was able to represent.  Trump’s ability to have convinced much of the country he could guarantee their continued safety lies in contrast with the limited presence Trump ever remained in many of the regions that the force of his Presidential campaign so solidly and deeply colored red.  The clear divisions in the country that emerged in the 2016 Presidential election revealed a clearly widening set of divides between islands of populated blue and regions that trusted different news sources, more suggestive of a divide driven by eduction than wealth, using available census data on education from the Data Observatory in a CARTO visualization of the lower forty-eight, to create a more finely-grained record of the distribution of votes that allows the chromatic vacation to pop–

Carto Trump.pngMichelle Ho‘s Carto Blog

While the “split” between “heartland” and “blue islands” pops out better in the above courtesy the Carto dashboard, the surface of a flat map can conceal the extent to which the vote broke among more and less populated counties, as the following sizing of counties by votes received by Clinton (blue) or Trump (red).

Coutnies.png Carto

The thin distribution of red dots calls into question the existence of “heartland” in the nation, and how much the notion of a coherent heartland is the creation of a map, suggests the extreme oddity of an election where votes so clearly broke with electoral votes.   Notwithstanding the visualization of Alexis Egoshin being picked up on right-wing sites as a basis to argue for the need to continue the electoral college to represent the mass of land, pictured as a plateau, with which Trump won decisively, and could be called “TrumpLand” as it was so solidly voting in his favor–


–the thinly stretched archipelago of Tim Wallace might defy geographical explanation, and be rooted as much in media bubbles, fractured politics, anti-immigrant sentiment as it can be said to be geographically determined, and perhaps the tendency that we have to believe that there could be a geographic explanation at the root of the Trump victory, or a definable “Trump” community or constituency might be more tied to the contingency of information economies than anything as easily mappable in purely objective terms.

1.  Trump’s own overly inflated claims to represent the red expanse of the rust belt was, for one, most strikingly undermined, however, by his regular return flights on his Boeing jet to his New York penthouse while on the campaign trail.  For as he campaigned, Trump maintained a remove from much of the country, even as he evoked the “rusted-out factories scattered like tombstones across the landscape of our nation,” and excoriated the policies that he claimed created them, urging voters to “take our country back again.”

While we are still trying to understand what he meant by “American carnage” save as a way to conjure fear, and a landscape beset by violence and “drugs pouring into our country and poisoning our youth,” within an “environment of lawless chaos,” the exaggerations of specters of social threats that proliferate from Trump’s mouth seem to be as emotionally figurative as they reflect actuality, and more a reflection of the America on television news than statistics.  The call to “shake off the rust” appealed, however, by binding themselves to the possibilities of “wistful time travel” that Donald Trump’s candidacy seemed to promise voters, as Zadie Smith has keenly observed.  Who better, in fact, to convince most of the country that he could bring it out of the shadow of threats of terrorist attacks that 9/11 has continued to cast across much of the nation, as if creating a bond of reassurance that stood in for any other tool of manufacturing consent.

And the tie was reified in maps.  A land map magnifying the extent of Trump’s 2016 US election results in the electoral tally was widely trumpeted by right-wing news sites, as well as the nightly news, to proclaim Trump’s was a landslide victory–even though the differences in popular voting was not only decisive, but Trump’s own relation to the nation he now leads is poorly understood.

Trump can be claimed to have converted more far more Republicans to his candidacy than recent Presidential candidates, but Trump was long an outsider.  And Trump’s imaginary tie to nation seems just that, despite some considerable crowing over Trump’s close relation to the American heartland that he claims as deeply tied to and to be the territory that he best represents–


–although these stark divisions in the distribution of voting patterns disappear in the district-by-district electoral votes map posted by Mark E. J. Newman in clearly contrasting stretches of red and isolated islands of blue with only the occasional all-blue state.

county-map-2016University of Michigan/M.E.J. Newman

But the map of the distribution of electoral votes is only the start of the attenuated relation Trump has to the country.  Trump’s insistence on an alleged “mandate” or a “massive landslide” seems designed to provoke collective amnesia by its repetition–Trump’s own convictions seem born from the illusion of democracy displayed in broadcast electoral maps on TV news.  For the vagaries of the current electoral system meant that a shift of four counties from one state to a neighboring state, data scientist Kevin Hayes Wilson pointed out, would have redrawn the map of the election, and our picture of the nation to a more comforting baby blue–although this tantalizing alternate reality is not to have been, but is in fact not so far away at all:

imrs-1.php.pngKevin Hayes Wilson/Redraw the States

Yet the victory of a continuous stretch of red is so iconic that the mapping of votes by counties is taken as an affirmation of regions of deep scarlet, as if the county is a meaningful unit for displaying voting tendencies:


The image of “red” states or counties is so potent, however, that the image is taken as evidence of the appeal of Trump’s promise to “Make America Great Again”–as if the slogan spoke to the heartland–that converting the map of counties to a cartogram which sized counties by population and voter size seems to be a weaponized warping of the nation for polemical intent, in which the center of the heartland has been stretched into a skein of thing red strands that slighted the region by stripping it of its political voice, as if created by a leftist cartographer who polemically diminished the heartland by rendering it as so much connective tissue in contrast to the prominence of blue cities.

Stretched thing

vote share.pngBenjamin Hennig (detail of Hennig’s cartogram of 2016 US Presidential election)

The rendering of the heartland as a stretched skein of what seem ruts in the American landscape seems the polemic of a leftist cartographer from a metropole, to many, ready to slight the heartland in favor of the magnified cities whose names appear on the map.

hennig skein

To be sure, the tea leaves of county voting patterns do parse voter populations:  to be sure, Trump did almost twice as well as Clinton in those counties that were at least 85% white, rural (fewer than 20,000 inhabitants), and won huge preponderance of the votes–70%–where less than 20 percent of the population has a college degree.  But the continutiy that one can translate into spatial terms is much less clear, and the county is not the clearest organization or translation of a voting bloc, despite the clearly greater diversity of the cities, and the dominance that Trump exercised in counties that were predominantly–85%–white, in ways that may have single-handedly overturned the electoral map, and were the audiences to whom the visions of prosperity Trump promised most appealed, and where the Democratic candidate’s losses in comparison to Barack Obama were big–and where Trump won almost twice as much of the counties.


Bloomberg, “The Voters Who Gave Us Trump” (Nov. 9, 2016)

But, by and large, the rhetoric of the red intensity of maps perhaps have originated as pollsters talking among themselves, and against each others’ expectations, as much as the distribution of a close connection to the candidate; the intensity of the red appeared in a contrast of the predictions of the popular vote distribution against the actuality, even if it seemed within a margin of error, as the final actual distribution–


Beta News

–broke ever so slighty, but so definitively and so strikingly, from their expectations:


Beta News

2.  Trump’s claims for a personal relation to the nation is far less apparent.  It demands to be scrutinized, as it only seems demonstrated in electoral maps.  Even though seven out of ten Republicans voiced expressed a preference for America of the 1950s rather than that of today, and Trump’s candidacy both entertained and invited such acts of willed nostalgia, it’s hard to believe Trump’s own proximity to the nation’s heartland is based on “lived” experience.  The surprising story of Trump’s campaign may be the alchemy by which he cemented a bond among evangelicals, with the help of his only nominally Catholic running mate, Mike Pence, paired with the poorly thought-out strategy of Hillary Clinton to focus on cities, rather than rural areas or the economically depressed areas that reject the effects of globalization, which could have spread those blues out along the map with far greater surety–a need that the map of Hayes Wilson reveals by the washed out areas of even the states whose delegates she won.

For while growing the share of Republican voters across several states presumed to vote Democratic, including many in the so-called “rust belt”–here colored dark red–


–President Donald Trump seems himself to be quite alienated from the very folks whose economic interests he persuaded he would strongly defend, and less than ready to spend time there, save in his Florida estate, the new Winter Palace, Mar-a-Lago, ensconced as if forever a foreigner to much of the nation.

3.  The familiarity that Trump created with the nation seems rooted in an imaginary, built on the lifestyle of the Trump brand–even though his election leaves us with a shrinking horizon of expectations.  To say Trump ever knew much of the country is not only an exaggeration, but an outright deception that was willfully perpetrated if not orchestrated by his campaign.  Despite the broad appeal of a Trump lifestyle, Trump seems to have little connection for the man in the street or his job.  But his keen sense of playing the salesman for his brand, which promises to be a central part of his Presidency, led him to have so much practice at delivering people’s fantasies and recasting the art of promising anything but the greatest product ever to “innocent . . . exaggeration.”

For his policies betray little familiarity with the nation, beyond empty sloganeering, evident the belief that a repeal of the ACA would help the nation–when it would most likely, as Paul Krugman noted, “send the numbers right back up—[after] 18 million newly uninsured in just the first year.”  And the imposition of punitive measures against American companies who chose to locate their production overseas or in Mexico, and even more punitive tariffs against foreign competitors demand to be called out as instances of economic bullying, rather than anything like a realistic economic policy or plan.  And the notion of a 20% import tax would be passed on not to the Mexican government, but to heartland consumers who would pay for it in their purchases.  And ending the American Care Act would put almost a half a million aging folks off of health care, in ways we cannot yet fully map, but will have deep consequences for the very deep red “heartland” that Trump champions.  And as Anwar al-Awlaki, the radical Islamic American-born al-Qaeda preacher, foretold that the “West will eventually turn against its Muslim citizens,” Trump has successfully made his prophecy an actuality.  (“You were a nation of ease,” al-Awlaki had addressed the United States ominously, inviting a similar sort of time, but “imperial hubris is leading America to its fate.”)

Although Trump claimed to speak for the country, he was most famous for retreating to the confines of Trump Tower:  he was, confessed long-time political operative Roger Stone, something of a homebody.  His attachment to owning properties in Manhattan and his estate in Mar-a-Lago were so great to start rumors Trump declined to make the White House his regular residence as President.  And when Trump regularly returned to New York City or Mar a Lago, he always kept most of New York at a remove while sequestered in Trump Tower.   While totaling some 276,000 miles in the air by late September since announcing his candidacy for the U.S. Presidency  on June 16, 2015, Trump traveled over half of the days since announcing his candidacy, even while visiting far fewer places than other Republican candidates and fewer than his Democratic opponent, Hillary Clinton.  And if one is to judge his familiarity with the country in terms of the cities where he chose to build and promote hotels as evidence for the sites he earlier visited, it is striking that the sites of Trump’s North American properties are located on its coasts, or outside of the very areas where his campaign was so wildly and only perhaps improbably successful.

North Am Trum Properties.png

For on the campaign trail, Trump buzzed about the country to create the sense of direct contact with constituents even without spending that much time in a single place, but regularly returned to New York, he may have visited places like Brooklyn, where Clinton’s campaign was based, far less frequently–and spending a considerable amount of time on the campaign trail sleeping in Trump Tower, if not resting in the large bed stationed in his 757; tweets from sites on the campaign trail conveyed his endless motion, but many began “just returned from . . .” in multiple tweets during the early days of the primary.

Were the steady accusations of his opponents’ tiredness but projections of his own somnolence or power naps?


Trump was regularly cast by ABC news as Palm Beach’s Most High-Profile Homebody by the year’s end.  Trump was no doubt tired out by the extensive campaign where he projected his exhaustion first onto Jeb Bush and then, more dramatically, Hillary Clinton:  for two weeks in December, rather than assemble his incoming cabinet, the PEOTUS remained in the sumptuous Mar-a-Lago, rarely leaving the estate for golf and dinner at the Trump International Golf Club, or Christmas Eve mass, and meeting with his transition team just “a stone’s throw from the croquet garden,” before returning to Trump Tower in January to assemble the rest of his incoming cabinet in the nineteen days before his inauguration–and expressed reluctance in leaving his aerie in Manhattan for periods of a week after assuming the Presidency, proposing frequent returns to his three-story penthouse on the 58th floor of Trump Tower for family time during his Presidency.

4.  Even if he has warmed to the White House’ decor and furniture soon after moving in, Trump is a man who has stayed put in his lavish multi-floor apartment for much of the last three decades, and it has provided the perspective from which he looked at the United States–and may offer a perspective from which the strong opinions of his policies were formed.  For a candidate who saw the sumptuous quarters designed in Louis XIV style as a tribute to his creation of his own self-image, was his creation of a time-frame also particularly revealing?  Did his identification with an apartment decorated in 24-karat gold and marble and furniture and tapestries  in Louis XIV style with a Tiepolo ceiling put him in ideal place as a candidate to promise a project of time travel to Americans seduced by his timeless lifestyle–


so effectively isolated as he was from the changes in the external world over the past twenty to thirty years?  (And doesn’t being called a “homebody” mean quite a different thing for such a home?)  For a man who grown up in a house with four white columns that were adorned with a confected crest and coat of arms and white columns, as a palace set apart from Queens, N.Y., with twenty-five rooms and nine bathrooms, the palatial abodes that he has continued to created for himself and his family similarly stepped outside of time.

The series of luxury hotels with which Trump’s name has been synonymous promote lifestyle packages promote pastiches of European luxury that are, after all, the tricks of the trade of a master hotelier–whose expertise is to offer an escape to a new comfort zone.  Since winning an election for United States President seems to provide only an extension of the art of escapism he has already refined in the political sphere that can translate to the trade of the hotelier, it seems no surprise that recent publicity even integrated the image of the White House facade to a promise of escapism at Trump International located in Washington, DC–even if this reveals something of a conflict of interest or confusion of jobs, or rather imagines the sort of “Suite Escape” in which Trump Hotels specialize the possibility of looking at the photoshopped blanched federal Environmental Protection Agency  through drape-graced windows in utmost Trump luxury, even if it does, as Philip Bump noted keenly, capture the “mess of conflicts of interest” that Trump is now likely to himself face far beyond that hotel.



5.  For it seems that a large part of the promise of Trump Hotels is to offer to assemble for their eager visitors pastiches of the “finer things of life,” such as the guesthouse in the Blue Ridge foothills, combining a Georgian-style mansion with old-world elegance from Waterford crystal chandeliers, oil paintings, and statuary in surroundings recalling the Tuscan countryside; every one of his Trump International hotels or Trump Hotels is prized for its own thematic program of interior decoration that offer to their visitors.  This is distilled in the utterly escapist residence Trump loves in Trump Tower, whose time-shifting decor to transport one to an idyllic past, free from social consequences or concerns, that might be the emblem of the escape he offers the country.


The notion of Trump sequestered, as a self-made Rip van Winkle, is somewhat appealing.  Donald Trump rarely travels, and seems something of a homebody, flying home regularly while he was on the campaign trail on his private jet–and asking the Secret Service to follow him home, on an air company he owns.  To the tune of $1.6 million, agents accompanied him on regular return flights on TAG Air, on which he logged some $6 million personally, boasting “I could be the first presidential candidate to run and make money on it,” as he walked to the bank, even outfitting his own ostentatious Boeing 757 jet at a cost of $1 million that situated his own name prominently in red, white, and blue. Trump often made late night trips back to New York during the Presidential campaign, to sleep in his own living quarters, according to the New York Times.  (The cost of outfitting his plane in suitable luxury may have given Trump grounds to criticize current government contracts with Boeing for the real Air Force One of $4 billion–“Cancel the order!“–although the mechanics of what was entailed in that plane were probably not in his grasp.)


All those daily flights home on “Trump Force One” to sleep in Trump Tower during the Iowa Caucuses were at first feared to cost him some votes across the midwest.  Trump had regularly returned to his morning view of Central Park and his lavish home quarters, however, and seemed to relish returning with regularity during the campaign.  He didn’t allow any press members to accompany him on these flights, though the staff grew.  But he didn’t hesitate to outfit the luxury jet which was a frequent backdrop for news conferences and televised appearances, at a cost of an extra cost within the 3.8 million taxpayers payed to Tag Air, Inc., to operate the jet which approximated his personal quarters in Trump Tower, from a master bedroom approximated with silk wall coverings, mohair couch that converts to a bed, 57-inch television, home theater, shower and gold-plated toilet on this fuel-inefficient plane–all the while insisting on returning to his penthouse in Trump Tower almost each and every night.  (Trump claimed his flights were funded by checks he wrote to his own campaign, and the sale of MAGA hats and souvenirs at rallies, but the $27,000-$36,000 increase in daily operating costs of such regular flights home–the result of a deep resistance to overnighting outside his home long noted on the campaign trail–left the Secret Service sending a tidy check of $1.6 million for much of 2016 to Trump’s own airplane company.)

6.  The web of financial ties to Trump are far-flung in their nodes, and their ties to members of the incoming Trump cabinet–including Betsy “Ah, Betsy; Education, Right?” DeVos–and seem to stretch to areas only begging to be fully mapped, but which extend far, far beyond the properties of the Trump Organization.

Trump Mafia.png

–in a virtual web of business connections, many concealed within his tax statements.  The ties to much of the nation and newfound legitimacy and recognition of the Trump brand seems undeniable–even if Donald Trump, Jr. dismissed the idea that Donald, now that “he’s got real stuff he’s got to deal with” and “real people’s lives,” is anything but occupied with his governmental duties or realizes the extent to which hid new platform of recognition might encourage the expansion of a luxury hotel chain to new regions of the country.   While scoffing at the “notion that [President Trump] is still running the business from the White House is just insane,” however, the network of hotel chains he has administered provide something like the template for Trump’s notion of his relation to space, as the deals he brokered with construction firms, cities, and property taxes have provided him with the basic tools by which he seems destined to project Presidential authority.  Even as Trump sons Eric and Donald, Jr., the surrogates of his hotel empire, claim “There are lines that we would never cross, and that’s mixing business with anything government,” the inescapable confusion is one from which they will benefit.

Indeed, the range of hotel properties Trump owns are wide-ranging, although notably removed form the African continent or Australia, not to mention an almost entire absence in Asia, restricting interest in South America to the tourist destination of Rio and a planned residential development in Uruguay; and with no properties in continental Europe outside Istanbul–and an avoidance of Mexico which, for the owner of a chain of luxury hotels and hotelier, seems almost to be rooted in something like a deep personal dislike–


The selective seats of Trump International perhaps befits an entity long styled as “real estate super-brand” and linked to the lifestyle it marketed.   But the absence of Trump’s ability to market the Trump lifestyle and brand of hotel destinations in Europe, save the recent and requisite golf courses in Scotland Ireland, may reveal a long ambivalent attitude to Europe and NATO countries, given the absence of Trump interests outside golf courses in Aberdeen, Tunberry and Doonbeg.  (Indeed, Trump took no time after assuming the Presidency to rail against the EU based on his own experiences from “another world” of business–based on the firm refusal  of the EU to resist a proposed seawall on the dunes of Trump International Golf Links and Hotel in Doonbeg, Ireland, on the grounds of the environmental protection for endangered animals.  Trump was forced to curtail his planned seawall, the basis for the objection–an endangered snail–post-dates his aversion to expanding Trump International in Europe.

But is emblematic of the disproportionate scale with which Trump seems to view the world.  While mocking local disturbances faced by his building projects as annoying disturbances, he promotes his vision of a single way of life cobbled together from historical periods, providing residents a view from Mumbai at the Park at a remove from the poverty of homeless families who sleep on cardboard on Mumbai’s streets–in an image long suspected to be photoshopped.

58681cd31500002f00e9ddcc.jpegPaul Needham (2014)

The withdrawal of Trump Tower is the opposite of global engagement, but is the site to which Trump seems to invite us all to retreat in an age of global refugees.  Is it any coincidence that the self-confessed germaphobe so fearful of contamination from crowds is most inclined to adopt metaphors as floods, swarms, or infectious to describe the experience of refugees as threats to the social body, metaphorically re-framing their plight at a remove from social, politics or economics–and insisting on our need for better self-protection?  The distorted view from Trump Towers elides the experience of many through the distorting lens of real estate.

7.  Indeed, Trump’s gift for getting his name put on every empty surface known to man–including Trump-themed fiction–seems to have been taken as an excuse for his interest in political representation, which it is not.  But it is no secret that business interactions have most importantly shaped and helped formed Trump’s world view.  And the somewhat striking absence of Trump hotels in much of Eurasia–save residential developments in Seoul, and some under construction in Mumbai, Pune and the Philippines–raises questions not only of the appeal of the version of Trump glitz that they offer, but also of the place of these actual locations in Trump’s current mental map; the distance of the Trump brand entirely from the neighboring state of Mexico is more than clear, and may derive from personal distaste.

The presence of properties under construction in Uruguay, India, and Makati may indicate constraints of the Trump lifestyle, whose limited truck in Europe is not destined to grow in the future.  The relative absence of Trump’s presence in Asia–save Baku–suggests not only a compromised notion of geography for Trump, but an untimely withdrawal from international markets that analyses of the previous administration suggested place millions of jobs at risk.  How can we collectively trust a man with so compromised a notion of geography to can the Trans-Pacific Partnership?  The punitive measures proposed to be taken against companies making products overseas suggest a deeply skewed notion of the place of the American workplace in the global economy, and punitive measures against foreign competitors, suggest a limited and deeply narcissistic notion of global economic transactions, distant from and out of touch with the distribution of global populations.

populous nations.png

The remove of a spatial imaginary of real estate was long prominent in Trump’s mind.  The sharply concentrated and geographically small circuit of properties Trump owns in New York suggests not only a limited knowledge of the huge diversity of New York City but define the notion of the Trump lifestyle he has sold to America as an outer borough boy.  It betrays his narrow range of interest in coveted properties around Midtown and Trump Tower, revealing Trump’s longstanding interest in focussing his sights on Manhattan, despite his father Fred’s disinterest in the far fancier borough–and his open discouragement to Donald for chasing such properties from a firm that had roots from the Verrazano Bridge to the Long Island border, and offered middle-class housing, for hubris in reaching beyond his Brooklyn roots.  Is the focussed expansion of Trump Properties into Midtown, by now long naturalized by its epicenter at Trump Tower, a form of inter-borough envy with roots in the class conflicts of New York City’s urban geography?

Such inter-borough rivalry seem to have guided not only the expansion of Trump properties as it expanded to the area around the future Trump Tower, site of the tony area of Tiffany’s, the Plaza Hotel and Central Park South–

Trump NYC.png

–but the position in which he sees himself in relation to the world, and the caricature of the populist millionaire that became the conceit of The Apprentice and since become a basis for Trump to sell himself and his brand to the country.

Indeed, the eagerness of Donald to move to the toniest areas Fred Trump disdained, by casting himself from the “streetwise son of Brooklyn’s largest apartment builder,” allowed him to expand his stylized image as a colossus of Manhattan, but to disdain the outer boroughs of New York City as a place to plant the gold-plated image of his name.

Fred and Donald.png

In staking claims to building in such a restricted area of Manhattan, Trump may have used midtown as a sort of arena or performance space to broadcast his identity with such well-polished sheen that it served as a launching pad for Reality TV, long before declaring his Presidency.

8.  More scarily, however, is that the quite limited previous experience Trump gained with world affairs from his perch in New York seems destined to shape the judgements that he shapes on issues of global consequence:  as being in Queens and looking at Manhattan defined Donald’s appreciation and interest in power, the very tactics of aggression that worked for him to launch his brand in New York has become generalized in the trademark launching of hotel facades, and the confrontational bullying of world leaders seems to be the chosen metier of foreign policy, as cultivating allies and personal rapports; divisions between personal space and national destiny seem far closer than in the past, who seems to see foreign policy as conducted in confidence and in tête-a-tête rapports; foreign non-immigrant workers of HB-1 visas are viewed as “cut-rate” bargains, analogous to foreign construction workers; constant commentary on foreign affairs in Twitter permitted; brinksmanship is a working strategy; market negotiations as a primary means of statecraft with overseas partners and adversaries alike.

Trump’s deep need to impress world leaders takes precedence over policy or statements of national interest; tax-cuts are for corporations, whose rate is cut to 15 percent, and tax brackets collapsed from seven to three–while omitting how the US government would be able to afford the cuts.  Trump works on small-scale corporate deals with companies about aircraft, but the big picture seems to slip away.

For Trump’s apparently unremitting focus on staking claims to what he considered higher status in New York City’s real estate market, and to promote his name in doing so, developed with an intensity that led him to continue to stake claims to that status for new arenas.  This began in New York City, greedily and relentlessly, from the West Side Highway where his promise of a waterfront apartment building led the city to permanently close an exit ramp, to Soho, to Wall Street.  This apparent search seeming to chase an image of prestige in the mirror of his own gold-plated marquee, combining deep desire with disinterest in much of the external world, almost desiring only to look in the mirror of the gold reflective surfaces naming the multi-billion dollar towers to which the developer lends his name and the status they take pains to create.  Trump indeed boasted to a biographer Harry Hurt III, back in 1993, about having the best living room view in all of New York City, by virtue of being able to see from his Trump Tower apartment his own name on all sides:  beside the Hudson River in the West Side Yards; on Third Avenue, atop the thirty-nine story Trump Plaza or the fifty-five story Trump Palace.  Hurt compared it all to a child-like fantasy: mirrored in miniature on the ultimate stage of self-indulgent fantasy, as Trump’s name is branded not only on buildings but also “on a Monopoly-tyle board game branded ‘Trump'”, in a sort of ubiquity that needs its own constant affirmation, and itself engenders a desperate need for confirmation of loyalty and admiration.

For Trump seems to have lived in an extended or protracted mirror stage, where the materials of building provide themselves the foil for revealing the “I” that the builder seeks to cultivate, forged in a pre-linguistic stage but continuing as a distorting monumentalization of selfhood that desires to obscure if not obliterates the very map across which it spreads, disorienting the viewer.  The reality of the Trump presidency seems retaining the sheen on the name that seems to gain a greater aura the more that it is reproduced.

Gold reflective.png

Trump Tower



But how long can that last?  While Trump boasted that his ability to have “added show business to the real estate business” is an apt characterization as “a positive for my properties and in my life,” is the nation able to be defined as his property, or is he able to fulfill the fantasies of his constituents through inflated promises and empty patina?

Rather than build such bold pronouncements of self without oversight in Washington, DC, Trump seems to offer the nation new ideas of the landscape of governmental authority.  For rather than seeing the role of the Presidency as representing the nation, Trump seems to have relentlessly presented the function of the Presidency as expanding own his personal enrichment at the cost of the nation–and indeed at the cost of the Presidency’s historical prestige.


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Filed under American Politics, data visualization, Donald Trump, electoral maps, real estate

The New Separatism and the Gas-Tax Latitudinal Divide: Tracking the After-Images of Southern Secession across the United States (Part I)

No region is an island, but divides are defined in ways that create a transmitted insularity along what might be called the Gas-Tax Latitudinal Divide that cuts across the United States, bisecting much of the nation along what almost appears a meridian.  Even before the efflorescence of confederate resentment in southern states clear in the 2016 Presidential election, but not at all clearly perceived in recent years, but evident the apparent toleration of the claims of white supremacy and the far right.

Indeed, the depth of memories seem to have been provoked by the stripping of symbols of localism and place like the Confederate flag–the emblem of the separateness of the southern identity–exacerbated by a resurgence of regional solidarity reflecting a perceived loss of regional identity and a intrusive federal objections to a symbolism of nobility.




The resistance of localism–and the national drama, indeed, of the attempt to strip the region of its symbol of autonomy–has perhaps not only had a greater impact in how early twenty-first century politics have played out in America, but of the deep presence of the divide of the seceded states across generations.  Can the survival of this divide be mapped?


1. All maps encode narratives, and we turn to maps to spin narratives about the nation every election cycle.   But the rebirth of federalism from 2015 changed the division between red and blue states on the map, and created a deep resentment toward Washington, D.C.  The birth of a division between “red” and “blue” states which emerged in the late 1980s has been revised as several states have started to melt purple, and others shift their demography.  But that creates its own narrative of nationhood:  increasingly, from 2000, “red” states came to describe the national political geography, far more than, say, regions of the “South” or “Northeast” could hope to do, or that the “West” once did.

To be sure, recent threats–or concerns–that supporters of Donald J. Trump in the 2016 Presidential Election would not support the decision of the nation might serve to remind us of just how important the unity and bridging of regional divides is after a presidential election–if only to repair the rifts that might have been particularly pronounced in our current political campaigns, no doubt as the campaigns have become more extended and increasingly conducted in rallies and over televised conventions, and voters more ready to demonize their candidates’ opponents on social media.  Trump’s request to monitor election booths to prevent voting fraud may have  encouraged fear of fraud in the nation unlike the recent past, but revealed a deep disturbance as to the trust in common institutions, no doubt reflecting the lack of a common news source.  The increased skepticism as to the authority of the results of the election may seem a bizarrely clever ploy–given the guarantee it created of silence as to the apparent results of the election that Trump later won–but the seeds of doubt the charges seemed to create were most able to find an audience in southern states, in part as such deep doubts existed about the proprietary nature of a white, male identity.

The unpacking of the regional identity of the Gas Tax Latitudinal Divide provides an interesting instance of the transmission of identity across time–even despite the clear lack of qualitative local detail that the map of regional anti-federalism provides.  The access that maps offer to narratives widely vary from the itinerary to the abundance of topographic maps.  But data visualizations as that of gasoline taxation provide a problematically pronounced thin description of expanse, the relative opacity of whose surface is difficult to enter, and whose past is more difficult to excavate.  Such visualizations focus so closely on mediating the immediate short-term, stripped of narrative context, and removed from history, one can ignore the divide they reinstate over memories of earlier divides.  But when one examines the continued adoption of voting rights restrictions in the United States, the echo of political legacies in the land as to the role of government–and its openness to the participation of all citizens–is especially evident in the stipulation in the Voting Rights Act that certain states cannot change election policies without oversight from the Attorney General, and that longstanding legacies of voter exclusion warrants continued federal oversight of voting laws.

As it stands, the vacation of the fifth section of the VRA has led to a new fault-line in the country about where restrictions on voting have been introduced in the 2016 election, with dangerous consequences in our notion of what sorts of exclusion from the voting booth are enshrined in local laws.  But the divide was very present to the segregation laws on the books in the United States as late as 1949, when an early attempt to take stock of the continued segregation of the Southern states was mapped for the benefit of readers in Edwin S. Newman’s  Law of Civil Rights and Civil Liberties: A Handbook of Your Basic Rights.


civilrightsmap-jpg-crop-original-originalfrom The Law of Civil Rights and Civil Liberties: A Handbook of Your Basic Rights


The preponderance of separate voting and indeed of institutionalized segregation south of the parallel 36°30’N that divided once seceded states suggested a coherent code of conduct, not completely separate from the diffusion of policies of segregation in the rest of the union but concentrated  in the southern states as enshrined in the law–as it had remained in Arizona and much of New Mexico close to the southern border.


southern-segregationfrom  The Law of Civil Rights and Civil Liberties: A Handbook of Your Basic Rights


It is perhaps no surprise that many of the states that have recently introduced such new restrictions can be mapped onto those states where voting registration was not only less uniform, but lay below 50% in 1964–states including Alabama, Georgia, Louisiana, Mississippi, South Carolina, and Virginia, as well as parts of Arizona and North Carolina.  The introduction of new restrictions in the area that lies south of what might be call the divide of the United Sates along the lines of political secession when the nation split along the parallel 36°30’N.  For among the multiple divides that maps of the United States so often mask, the continuing salience of the divide of slave-owning states, a divide that long animated national electoral maps, the parallel is made particularly evident in the history of national data visualizations.




To be sure, the data visualization of disparaties in local taxes of gasoline provides the clearest way to place in evidence the increased economic and political polarization that has emerged over the past three decades.  But doesn’t the growing reliance on infographics and choropleths–those convenient snapshots of the political and socioeconomic status quo–also manipulate the viewer to focus on an explicitly short-term image of the country’s divisions, tailor made, as it were, to suit the very rhetoric of polarization that our political parties have openly curried and engaged?  Indeed, the location of six states whose voters face new voting restrictions in the current election–the .  The limited notion of government that such restrictions presuppose is in a sense an ugly scar, not often visible in the symbolic unity of the national map.  Of the eleven states with highest African American turnout in 2008–when Barack Obama was elected President–six have adopted restrictions on voting rights since 2010, including Georgia, Mississippi, West Virginia, and South Carolina, in an apparent systematic if not reflexive effort to retract access to the ballot box and restrict participation in public elections of national import.



The enactment of strict voter ID laws in much of the nation, expected to curtail or repress turnout of in blacks, asian Americans, and latino communities, in what seem attempts to repress voting rights and take advantage of the disadvantaged by excluding the votes of many.  The clustering of new voting restrictions in the southern United States–broadly construed as Texas, Mississippi, Alabama, Tennessee, South Carolina, Florida, and West Virginia–suggests that the very discriminatory practices that southern states adopted which led to the Voting Rights Act to prevent states from changing voter laws in ways that excluded minorities from the vote–most often by adopting Voter ID, cutting back on voter registration, prevent on-site registration, and pre-registration–threateining to disenfranchise a half a million minority voters.

We were struck by seeing this divide resurrected in a “gasoline tax map” by ExxonMobil blogger Ken Cohen, or in the rather stark divide among states where children are more likely to be raised in a two-parent family–a divide that also runs across our divide into “blue” and “red” states, but contains a striking latitudinal divide according to Census data–a divide that is particularly cautionary, given the benefits children gain from being raised in a household of two parents–and the steeper economic inequalities fostered by the predominance of single-parent households.

two-parent households

New York Times

It is striking that such inequalities are present in an area of such historically steep social inequalities.

To be sure, the country is as politically divided as it has been since the Civil War in recent decades, due both to rising income inequality and to the overlay between money and politics across the country–and the increasing drift to the right of the states-rights no-tax pro-industry Republicans.  Data visualizations that materialize this division, such as the recently-mapped Gas Tax Latitudinal divide, an almost oppositional division of the country by local levels of gasoline taxation, exemplifies how a vision of the present seems to blind us to the past–and to the divide of the country during the Civil War that it seems intentionally to evoke, even as it does so while erasing the historical memory of the division of the country during the Civil War, and the question of states’ rights that the Civil War was fought to resolve.  The current currency of a map that rematerializes such divides, however, and the very picture of an oppositionally divided nation that it insidiously naturalizes and perpetuates.  For the data visualization functions by naturalizing divisions on any issue as if they were inscribed upon the land, and gives an irrefutable evidentiary value to the very claims whose existence they chart.

Is the evocation of a degree of opposition that previously surfaced in the Civil War reveal an after-echo of earlier social and political divides, or does it reflect the distinct political priorities that shape the political topography of the South?  For the division of much of the nation along a deeply etched parallel 36°30’N has been forgotten by the condescension of posterity, as we forget the salience of its transmission in regional memory.

1.  The stark divergence that the data visualization records seems to show how local interests trump the collective.  Its oddly straight divide obscures disturbing inequalities that cut across America, however, and distract viewers from the actual inequalities which have been with us for some time.  And it makes us wonder what other lines cut, similarly, across the country, even as it seems to suggest the arbitrariness of an imposition of taxes at the pump above its seemingly randomly chosen boundary.  The rhetoric of the visualization of the almost latitudinal divide in a “gasoline tax map” by ExxonMobil blogger Ken Cohen shows taxes descending below 40 cents/gallon below the thirty-seventh parallel as if to naturalize a division that might as probably reflect a line of Vitamin D insufficiency that seems specific to the states that lie below the same meridian, whose apparently arbitrary definition conceals the deep significance with which the line was invested in the formation of the United States.   For the Gas-Tax divide raises almost unconscious visions and memories of how different levels of the collective that is our country can coexist on each of its sides–and raise a question of what sort of clear division exists along that line that makes a tax of 40 cents per gallon such a significant division of the nation that it might be poised to replace that between “red” and “blue” states. The visualization below, as mapped by a blogger for Exxon Mobil, compels us to examine the depth that this apparently purely conventional divide has long held in American history, and indeed to try to unpack the persistence of the division along the deeply etched parallel 36°30’N as a divide of national significance, not forgetting the extent of its significance, in a manner often masked by the symbolical and formal coherence of a national map.

Less than 40 CentsAmerican Petroleum Institute

latitudinal divideWikipedia

Is it possible that we are increasingly becoming a nation of readers that has come to accept the relative inequities that data visualizations inscribe, and in need of bringing a deeper skepticism to interpret the stark geographical divisions that they inscribe?   For the authority of the organization of the lower forty eight states in the union that the Gas Tax map seems to perpetuate take the variable of attitudes to a Gas-Tax as evidence of the inequity of an imposition of a specific tax to make a polemic point, but erase the deep divisions it defines in a landscape that the map invites viewers to see as otherwise undifferentiated, but suggests something like a crease in the map of the United States whose memory stubbornly persists among its residents.

The continuity of a bounded region is the implicit subject, to be sure, of any map, and any disruption or divide calls attention to itself as disturbing the otherwise harmonious surface that a map offers to the world.  But the manner that data visualizations invite us to make pronouncements based on a division of hues or an oppositional palette invite its viewers to leap to pronouncements about the variable mapped, even as it seems to empty that division of historical meaning.  All too often, the data visualization works by removing individuals from the history of the habitation of the country, or of the inhabitants of the land, by not inviting us to tell their story, but to present itself as a sufficient statistical record of how the land is inhabited.  As one form of condescension of posterity, much lamented by E. P. Thompson, the data visualization seems to remove the land from the lens of the past.

The difficulty of the autonomy of the visualization as a register erases its status as an argument, investing itself with the objectivity of a map, and removes it from the redolent memories that its flat colors seem to mask.

Jasper JohnsJasper Johns, Map (1961)

2.  Only by reading beneath its surface, and uncovering the transmission of those divides, can they be both excavated and unpacked.  By providing an intensive reading of a map that begs for a surface reading–and that presents itself as a transparent sign of divides within the country that seem disenfranchising, to say the least, or unjust, this post seeks to take the “divide” of tax levels as something of a commentary on the deep divides that have haunted the nation, and that continue to preoccupy those who, like the Supervisor of the US Census Henry Gannett, who famously mapped the divisions of the electorate in the post-Civil War election of 1876, when Southerners joined in a Democratic block, search for a convincing embodiment of national unity.  L.P. Hartley rightly warned the “past is a foreign country:  they do things differently there.”  But the after-images of secession replayed a deeply set collective memory, even as maps sought to contain the different ideas about the nation–and national governance.

Latitude in Gannet's MapLibrary of Congress

At the time of the 1880 election, continued presence of the federal government in ensuring universal voting rights in Southern states, whose advocacy by the Republican made the election a sort of referendum which most all the Southern states would reject.  If the map embodies an image of the nation, the sharp split in the early statistical map that Gannett elegantly designed after the presidential election reveal a divide that eerily mirrors what seems a possible broad rejection of the Democratic party, which fell so sharply and strikingly along the historical break of political consensus along the dividing parallel 36°30’N strikingly recurs in mapping lower gasoline taxes across the United States.

One might do well to read the gas-tax division less as a self-contained statement, than yet another layer of lamination that is placed above the deep discrepancies in economic mobility that are evident across the country, in a recent 2010 census, and then go deeper to excavate the historical significance of that divide, in another deep divide striking as a stark reminder of the coexistence of multiple national economies.


New York Times

While the demographic category has ben not mentioned so far, a prominent element to this picture of national division is race, and the undeniable echo–far more difficult to trace or visualize–of what race continues to signify in different populations that inhabit areas of the land:

Black non-Hispanic 2010 census

3.  The convenient conceit of the national map is to mask faults in the coherence of a sovereign territory.  But the ethics of infographics that are designed to expose fault-lines have not been conceived, and nor have what these infographics encourage us to notice and to ignore.  The spread of our current electoral maps, or their GIS variant geographic distribution of voting habits, reveal surprisingly stark divides that undermine or challenge the nation’s unity and how the technology of mapping suggest a different manner for imagining national unity and noticing national divides.  The habituation to dividing the nation into distinct blocks of a data-driven landscape oddly omits deeper understandings of the regions, even if they are organized around somewhat selective samplings of information, even as they erase the historical context or situations that motivated these divides.

If these are artifacts of the infographics that flood the airwaves and even more the internet, such on-demand maps provide readily orchestrated images that all too often prey on our sense of a historical divide, for all their almost intolerable historical thin-ness.  The GIS-derived maps work by defining imagined boundary lines through preferences that embody new regions of coherence, creating coherent of blocks of voters and regions that seem definitively removed from one another, and almost removed from time, focussing on the present and short-term decisions about politics of apparently diminished historical perspective.  Infographics such as that depicted in the header unwittingly challenge the notion that the state can still perform a symbolization of the nation–or will ever be able to do so effectively–by challenging their readers’ relations to the symbolization of space.

The United States seems to fracture once again on parallel 36°30′, slightly below the line of Vitamin D insufficiency.  The latitudinal line is less rooted in reaction to a historical moment like the 1861 secession, however–the event which began the US Civil War–but to the region’s numinous mythistory.  The mythos of image of regional independence, if stripped of a clear political ideology, is recast as a symbolic frontier of lower gasoline taxes.  But the line gains its symbolic purchase in no small part for its historical resonance of an actual past historical divide–even if it makes no reference or gesture to note it.  The line mirrors not only those states once-seceding from the union, but a map of where the institution of slavery was most prevalent in 1860.  This is the same map, in other words, where the sociologists Avidit Acharya, Matthew Blackwell, and Maya Sen posited a longstanding divide shaped in no small part by the existence of incentives for reinforcing racist institutions even after slavery was nominally abolished; the map oddly recalls, in a tacit sense, albeit one submerged in our cultural memory, the distinct institutions and political attitudes legitimized institutional discrimination as strategic means of containing or resisting Reconstruction, which today inform, they argued, opposition to affirmative action.  It is striking that the division of the nation into two halves was encoded in graphic form when the Superintendant of the US Census, Mr. Henry Gannett, used electoral statistical to distribute the popular in the Presidential election of 1880, for the Scribners’ Historical Atlas of 1883, to explain how the nation, in the face of deep Southern resistance, elected the Republican James Garfield to the White House.

In Gannet’s map, one encounters an afterimage of the Civil War and moment of secession in the continued coherence of anti-Republicanism that seems embodied by the South.  If Acharya and colleagues suggested that the “cataclysmic event” of Emancipation threatened to undermine the longstanding dynamic of economic and political power, Gannett’s selective shading in his color map charted the distribution of the popular vote into red-dyed regions of anti-Republican sentiment that express the rejection of of observers to ensure Emancipation was achieved, and the echo of fiercely anti-Republican sentiment, that give an eerily similarly quality to the shifting physiognomy of the nation in a single statistical map. But the historical referent of the receding past of Secession and of slavery suggest a far more accurate reading of the national pulse than the demagoguery of the infographic of the Gas Tax Latitudinal Divide.

1880 popular vote for HGLibrary of Congress

Gannett’s map embraces a land of two colors, but its divide between political parties evidences the two standards of toleration of slavery that had been effectively  sanctioned in the Missouri Compromise.  Denis Wood observed that all maps “perform the act of statehood.”  This function may be doubly true of maps of electoral results.  The divides that re-emerge within such infographics offer a technology for parsing the nation, however:  and it is no surprise that the resurgence of political polarization of the nation along an issue framed as nation, casting local debates and allegiances as congruent with nation concerns, has brought the efflorescence of infographics that cannot only be tied to GIS, so much as the materialization of dissensus in a vision of the nation.   To be sure, the widespread defection of a generation Southern Democrats after the 2010 Obama election set in motion a divide, that encouraged a latitudinal divide to materialize in maps in ways that shifted the national landscape and the image of the nation that maps create.

Longstanding resistance to accepting the imposition of federal taxes at the pump was not only a residue from a century and a half about federal presence in the south, but the “inequalities” it illustrates reveals disrupted what Wood called the “performance of statehood” along a startlingly similar–and deeply resonant–geographic dividing lines.  The recent remapping of historical divides in gasoline taxes are not in themselves bids to rewrite the coherence of territorial unity, but clearly gesture to threats to the coherence of the sovereign status of the country that  maps of Southern Secession try to process, and which haunted the first statistical mappers of the nation in the period following the Civil War.  The Gas-Tax Map is of course ostensibly focussed only on the present, and far more dominated by the short-term than the historical, but offers something like an afterimage of this divided vision of the nation.  The addition of historical perspective on how infographics work in figuring and forging an image of the nation may be a needed counterpart to the declarative insistence of discrepancies of unequal taxation that it seems to suggest.

The transformation of the map into differently-hued blocks illustrates the mental jujitsu somewhat specific to the medium of infographics, which replace the symbolic coherence of the nation with a fragmented version, upending the performative power of a symbolic unity.  One often can’t help looking at the above data visualization, or the images that render the mid-term elections in clear divides, as a reflection of deep divisions that haunt the local political landscape.  This is especially true of the “Gas Tax” divide posted some months earlier in the Exxon-Mobil blog, which now seems almost a premonition of the more recent electoral divide. For despite the premium on the short-term in such data visualizations, which act as if they were transcriptions of the nation’s temperature or public opinion polls, in apparent ignorance among those who craft such visualizations of historical national divides, the symbolic divide cannot help but reference the traumatic divide that split the nation in ways that seem difficult to bridge.

2.  The Gasoline-Tax Divide eerily resurrects a divide between northern and southern states around slave-holding.  Indeed, a sit is rendered, the return of the repressed gains a new immediacy that threaten to replace or overwhelm reality, given the persuasive format of the division in the nation they insidiously perpetuate.


If such a division seems emphasized by the medium of the infographic, the status of infographics in collapsing or synthesizing a large range of data in a readily consumed image demands to be examined for the facility with which it creates national divides.  Although the infographic may only be about the present-day, it places a historical burden on the national divide it resurrects, in gesturing to the current divide as if the entire nation was at stake.  GIS data visualizations, for all their focus on the present and the short-term, tend to challenge the coherence of the nation, by evoking images of the traumatic divides that have rent the country, including the historical divide of southern Secession which had seemed to have receded in collective memory.  But this divide seems to haunt the country during the Obama presidency, seems to haunt the response to riots after the killing of Michael Brown in Ferguson, MO or the debates about the Voting Rights Act.  The point isn’t that, as Rand Paul argued in Time magazine, that the “something is wrong with criminal justice in America,” but that the south, where Paul resides, where the owner of Celebrity Foods Restaurant in Ferguson can ask, “If you have a commander-in-chief, in a high position like that, facing racial profiling and slander on a daily basis, what do you think it is like for simple, every day, law-abiding African Americans?” is still haunted by a divide.

4.  The recycling of this still-traumatic divide is examined in another post on the persistence of Southern Separatism in the Gas Tax map, which also offers the pretext for this over-lengthy rant on the disturbing images that continue haunt the visualization of  current national divides, and the danger that we face in their compulsive naturalization.  The cognitive quickness with infographics as the above or of the midterm elections of 2014 write off a large area of the South was not only written off as a block of red states but a separate part of the nation in many recent data visualizations, in ways that which, for all their recording of the present, seem haunted by the image of regional secession–and most especially by the very divides that undermined the coherence of the nation from 1861, when the continuity of territorial mapping was overcome, as it were, by the separation of South Carolina and then other slave-holding states south of the parallel 36°30’N that enshrined a scarring divide across the nation by affirming the rights to own in the Missouri Compromise.   Recent projections of political elections eerily and somewhat inexplicably still reflect the same line, as if its fracture line were still evident.

959px-Missouri_Compromise_Line.svgWikipedia Commons

The historical occurrence of the divide however appears to intentionally evoke the very trauma of the breakage of the nation along a known fracture line.  The very format of defining blue and red blocks within the country are imitated in how we remember the unfolding of the Secession of Southern States, here shown on Wikipedia in the Missouri Compromise along the parallel 36°30’N:  if the fault line in the nation around the institution of slavery seems to haunt the divides television maps create of the nation’s voting, which form an odd alchemy by coloring the map to mirror how we have come to color national political divides, they are in turn haunted by the fault-lines of secession, or as by the notion of two republics.  This was the line below which the rights of former slaves were not fully protected by presidents after Lincoln, who were sensitive to the strong Democratic redoubts across the south, as Rutherford B. Hayes feared loosing the south, which, if in 1870 he had won some seats in, in later elections it had gone almost uniformly democratic, as an island in search of protecting its own relative liberties.

5.  Such early data visualizations attempt to describe the historical past in a single map, and struggled valiantly with the limits of the narrative content of a data visualization of two- or three-color blocks.  For the above image is almost blissfully mute about the historical experience what happened on the ground, presenting deep divides whose coloration cannot offer perspectives on or how the institution of enslavement was actually lived.  How could such an experience  be contained by a latitudinal parallel, one might ask, across a divide that has apparently effectively created two separate polities, and how could such a line survive even as socioeconomic relations have shifted in the national terrain?

While old maps can afflict us with nostalgia, it’s impossible to wax nostalgic as we view the divided landscape that this “Compromise” sanctioned and the human costs that it created.  While the dividing line between slave-holding states and a north where the institution of human ownership and chattel was curtailed undoubtedly was informed by practices long existed on the ground, it was perpetuated in the map in odd form, as if naturalized to part of the national terrain.  The contemporary use of primary colors to delineate the divide drawn around and west of Missouri oddly echo contemporary electoral maps both in raising questions about the unity that exists between such a chromatically divided country and the possibility of the future unity with such a fracture-line so prominent.   It is striking that a map in Wikipedia Commons, printed below, also adopts the identical chromatic split to render the Missouri Compromise, as if to naturalize a longstanding national divide:  the historical “Compromise” allowed the institution of slave-holding to survive permit slavery in that state, but set a barrier to its expansion north or across the plains, effectively marginalizing the institution in the country to a lower latitude envisioned as constituting a sharp delineation of red states from blue states in ways that the most recent projections of political elections eerily and somewhat inexplicably still reflect.  The way that this division intentionally or unintentionally haunts the division of space within the map makes the pointed if blunt rhetoric of the infographic so troublingly compelling.


Such symbolic divides seem to haunt maps, as if scars were inscribed upon them, seem “afterimages” of  the historical moments that and experiences that earlier maps encode.  The concept of mapping an after-image is rarely the focus of a strictly cartographical pursuit, but emerges rather with the distribution of the dataset that give style suggestion of making the land speak, or attributing a voice to map signs.  The line of the gasoline-tax divide offers something close to an after-image that continue to haunt its political landscape.  Exploiting our addiction to the data visualization to allow us to look at spatial divides in new ways, the image promises the apparent immediacy and credibility and unmediated access to our representational democracy–from the prevalence of execution of imprisoned men across the Southern states, and the response of mass incarceration mapped in an earlier post, as both political parties responded to the deep anxieties by quintupling our prison populations from 1972, when it stood at 300,000, to over two million today, independently from crime.

Can such afterimages of the institution of slavery be traced in these maps, despite their apparent denial of the past?  The impact of slavery’s institution–and the reluctance to relinquish such divides of difference or to redirect taxes for a public good–may have been all the more indelible in proportion to the institutional forms of promoting racist sentiments and resistance to cultural and institutional changes that promoted changes in the economic status of blacks in the south.   For the authority of both images are deeply informed by the extreme descriptive thin-ness that are endemic to all data visualizations of the country.  The sheen of two-, three-, or four-tone data visualizations which promise to orient us to a polarization of political beliefs that invite us to divine tea leaves in the divides between monochrome color blocks.  But they do so without even stating the local interests or political debates at stake, reducing the “informational” value that tan image that reveals in its county-by-county distribution a clear latitudinal divide.

The use infographics to process information with limited demands on the reader, grabbing visual attention in an over-saturated news market.  But since they provide such compelling pictures and predictions of national debate, even to occupy a prominent place in the political discourse, they demand to be examined in the context of the expanding archive of data visualizations foregrounding divides.  Even without offering local variations to the viewer, each trumpets its own actuality, as if they mapped the country with an apparently definitive objectivity not previously accessible with such immediacy.

Indeed, the alleged objectivity in the medium of infographics might seem to lie in the ease with which they are created.  But it is even more striking how such infographics have resurrected the claims of objectivity, long debunked, in the political map.  Such opaque flatness is exemplified by the alleged inequities illustrated in the Gasoline Tax Map in this posts’ header, about which this post offers meditations–and might be read selectively by scrolling through its images.The data visualization, if based on a selective sampling of few data points, orients viewers to the country by discrepancies in levels of gasoline taxation as disrupting continuity among states, as if to trumpet the purported inequities of the tax burden that result.  Devised by Exxon-Mobil blogger in order to make apparent the case against tax inequality, the map not-so-tacitly echoes the divide of the Civil War of which it seems to constitute an after-image–if not the Missouri Compromise that legislated the distribution of slavery in the United States.  On the one hand, it seems to use the haunting imagery of secession effectively to suggest a breakaway republic-in-a-republic of lower taxes, where big government’s role has been diminished, in a Land of Cockaigne where gas flows free from the pump, unencumbered by government oversight.  On the other, the two-tone tan graphic of course evokes a break-away republic:  for it registers a prominent political divide that still seems to haunt our country’s coherence in ways far more seriously than folks at the American Petroleum Institute who released the map or the Exxon-Mobil blog may in fact realize:  the break of secession, and its aftermath created a traumatic divide in the nation that the gas-tax differential is haunted.

The muteness with which it charts a break between northern and southern states–and alleged transparency of unequal tax burden drivers face–suggests the limited information endemic to selective data visualizations, if not the irresponsiveness with which the data-modeling of national elections’ results pose as evidence of national division.  This post attempts to excavate such images, by considering such images in deeper historical relief.  By opening a history the associations of a divided country that such an info-graphic so pronouncedly reveals by its evocation of a national map, this post examines the way that such visualizations exploit a historical rent in the fabric of the nation, by is tacit invocation of the secession of the southern states.  The traumatic break that was the aftermath of secession and reconstruction is not only evoked in the map, but the info graphic seems to belong to a series of images that replay the divides between north and south along a latitudinal line.

Indeed, the chunky data visualization provokes a reflection for this blogger on the role of maps in the performance of national unity, from the first statistical maps of population devised by Francis Amasa Walker based on the ninth U.S. Census, give viewers a comprehensive picture of the nation, to the political maps of his successor, Henry Gannett, who confronted the problem of visualizing how voters behaved at the polls, to our own attempts to evoke or come to terms with nation divides.  Walker’s maps of racial, immigrant, and economic distributions not only characterized the nation but provided ways to understand the divides of its composition.  Walker’s map of the distribution of “colored population” in the states revealed in its focus on the  presence of African Americans across much of the country according to the 1870 Census–a map revolutionary, to some extent, in including all inhabitants of the United States within the nation’s population, even if its instructions reveal a preoccupation with those of “African blood.”

Colored Population 1872

Color 1870 census

Walker’s map of Walker contrasted to the map engraved by the Liberal German immigrant engraver Edwin Hegesheimer in a visually striking choropleth map of the distribution of slavery across the south quickly provided a strongly pro-Union image, convincingly rooting the economy of the southern states in the institution of slavery to which many wanted to direct attention:

1861 slave population map

While Hergesheimer’s choropleth map created a strong otherness of the southern states economy, and foregrounded the isolation of slavery shortly after ten states had seceded from the nation, when it was sold to support the war effort, the distribution of the electoral vote of 1880 sought to reveal the containment of Southern opposition to the Republican platform.  Does the Gas-Tax map tacitly echo of this earlier divide?  A modern reproduction of the same graphic of the concentration of blacks in the South in 1860 has been argued to reflect a modern map of sociocultural disparities of economic opportunity.

6.  The two-color maps by which Gannett and Hewes charted the distribution of the electoral vote, county-by-county, across the United States, as shown below, by using red to indicate the persistence of antirepublican sentiment across much of the south.   As Gannett and Hewes’ other maps, it demonstrated the new political lay of the land “by graphic method” to unite the “present condition” in a synthetic image:  if maps of the nation had been increasingly displayed in classrooms, post offices, railway stations, and shopping centers around 1860, the Gannett maps of the country’s divided electorate reveal what approaches to be monochrome fields that, while showing the persistence of anti-Republican memories linked to secession, in ways that realize the true trauma in the collective memory in the post-war attempts to create a union.


Vast lingering shades of red

 Library of Congress

Employing such a visually arresting shade of carmine red in the map is not only striking.  It seems to suggest the persistence of a deep resistance among the local population to integration and what would be called the backlash to efforts of Reconstruction, but also to use red as a pigment to describe national division, and promote a narrative of national dividedness that was a strong carry-over from the Civil War, if not to “map” the memory of slave-holding and the Missouri Compromise in an effectively arresting cartographical format, making a retinal impression on the viewer as well as conveying information.  Maps in the color supplement of the Chicago Tribune have been associated with two-color mapping of presidential contests that chart Democratic votes in red in predicting the victory cof William Howard Taft over William Jennings Bryan.  That election divided the country in ways reflected in Henry Gannett’s prominent use of “red” to designate the anti-Republican electorate in the Scribners’ 1883 Historical Atlas.  

Gannett’s map would, as much as illuminate a national divide, suggest the increasing post-war coherence by which representational government was laboriously but precisely fashioned.   The intensity with which the afterimage of Secession made its presence known through successive presidential elections that he and Hewes documented for the 1883 Historical Atlas, and which they followed through the Presidential elections of 1884 and 1888.  The maps provided a tool to trace the persistence of an anti-Republican voting block across the south, in which the divide of Secession materialized in new ways as a part of the Republic.  These images imprinted an image of a divided nation over time, questioning the map’s performance of the nation–seeming to register the memory of secession and autonomy in the aftermath of Reconstruction, and seem to process the deep trauma of this divide through the widespread resistance to the Republican program of Reconstruction perhaps more effectively offered a way to map the memory of secession, and the lingering trauma of the attempted imposition of Reconstruction across the areas with such deeply rooted racial discrimination in the Southern states.

1880-popular-vote-for-hgPopular Vote of 1880 (Library of Congress)

Both the map whose shading reveals the intensity of the popular vote’s distribution and the inset map of electoral votes explicitly capture “afterimages” of southern secession by relying on repeating clear chromatic differences.  The divisions came to be incorporated in a performance of the nation’s continued coherence in a government-sanctioned map, and indeed create a tacit narrative about national division that all readers of the map would have retained.

The mapping of shifting distributions of the vote in later years traced the persistence of this after-image and data visualizations of the nation, which continued in 1884–when Gannett mapped the ration of the predominant vote to the total vote, focussing on the density of Democratic votes in pockets below the latitudinal divide–continue to register the attempts to record the integration of the nation, as well as the persistence of a deep divide, as a persistent carmine registers pointedly in South Carolina, Louisiana and Texas, and parts of Alabama.

1884 {popular vote from totals}Popular Vote of 1884 (Library of Congress)

The reuse of the familiar chromatic format from Gannett’s earlier map of distributing the popular vote is clearly dialogic.  The attempt to map the totality of the nation in 1888–by which time the carmine block of red-hued anti-Republican votes,  long understood as concentrated in the Southern states, had gained a considerable collective density in the Deep South, which shift from rosy pink to carmine on either side of the latitudinal line–with the deeper carmine reserved for South Carolina and Mississippi, and north Carolina and Tennessee and even Alabama fading to a far lighter shade of pink.  (The pronounced pockets of deep red in South Carolina and on the lower banks of the Mississippi, suggest,as well as a probable suppression of the black vote, afterimages of Southern independence.)

1888 ratio map to predominant votePopular Vote of 1888 (Library of Congress)

The sequence of maps identified an unconscious “afterimage” that reference the symbolization of unity in the country, but also the pressures that threaten to tear it apart.  Using the conceit of an “afterimage” to describe the map serves to illuminate its very historicity–and the way that the map narrates a story of the unity that maps such as that of the Missouri Compromise created, or that the first maps to register southern secession, from Harper’s Magazine in 1861–expressed northern and southern states as two differently shaded entities to frame a crisis in national identity rendered in explicitly cartographical terms.  The different shades used to depict regions the initially seceding states that followed South Carolina in early 1861 and join the Confederacy by May precipitated the Civil War–and secession created a fracture line in the country, in which the northern states were shaded deeply in gray.  Several “border states” elected to remain in the Union; the Harper’s map displayed their “comparative area” east of the Rockies, etching a spatial division that left an imprint that has been difficult to erase from the land, if often difficult to sharply define–whose after-images can be readily recognized in subsequent maps.


As much as reflect the trauma of secession, to be sure, Gannett’s maps traced the afterimage of secession and the rebuilding of the nation during the trauma of Reconstruction:  if Freud argued, in Beyond the Pleasure Principle, that traumatic events, rather than really experienced or fully recognized as they occur, but are consciously processed only after the fact, when they are informally or formally remembered, the recognition of Secession was understood in Reconstruction as voters were asked to participate in a shared political process.  In an age when the unity of the continental United States had just been processed, as in the “Washington” that the future Confederate Matthew Fontaine Maury designed shortly before the south’s secession.  The map designed to be exhibited in classrooms, rail stations, shopping centers, and in window display cases, symbolizing the nation, was ringed by a ribbon of presidential faces, provided an emblem of sovereign unity, the data visualizations that Hewes and Gannett created offered less a mosaic of states than a mosaic of two divided political parties.

Muary's Washington Wall Map for schools, window display in shopping districts, public life

It was a map of an area rich with unsettled local resentments, and of oppositional divides, the likes of which we have, not so oddly, only recently begun to see recurring once again, but were, it feels like, also very much always with us, but just repressed or something that we were just not able to look at or recognize, and ready to suppress.   If Gannett’s map seems to knit together these regions, in the “Gas Tax” map on the Exxon blog, the two halves seem to be pried apart once more–without recognizing the trauma of its historical division–in ways that erase the memories that earlier maps so clearly tacitly preserved.

We are of course not new at all to such symbolic prying apart of the nation state.  The intensity of the frequencies of colors of like red and blue to designate differences in the map seem to appeal to how color-divides continue to haunt the land.  Although “afterimages” of an optical nature are the result of retinal impressions especially intense colors or sudden bursts of light leave in the eye–whether in optometry exams or after staring at sunsets or, less pleasurably, backlit computer screens.  Such bursts of light imprint the fovea and leave after-effects, continuing even we close our eyes, in our retinas, that float in apparent day-glo hues that seem suspended in our line of sight, and only fade with time.  In the manner that these oddly colored images hover in our field of vision as disembodied forms, removed spatial bearings, mapped events can haunt a place.  The scares evident in specific maps can act, superimposed upon space, like scars, capturing divides that continue to haunt data visualizations.  Their survival seems an interesting extension of the analogy we draw between maps and vision, even if data visualizations don’t appeal to perceptual models, and are oddly echoed in the strong colors that data visualizations adopt, as if to leave similarly strong afterimages in our minds, despite their relative historical poverty.

7.  The existence of such cartographical ‘afterimages’ seems an especially appropriate concept to use to discuss the chromatic divide red v. blue that has materialized the nation’s divide in televised newscasts, soon after the diffusion of color TV became a standard source from which we derive news information.  While some of the first maps to use chromatic difference to suggest a divide that haunted the nation–the divide of Secession–did so quite consciously to depict the survival of oppositional polarization in a vision of the nation–here crystallized around the reaction to the continued presence of federal troops in the south and program of Reconstruction–the conceit of recording such an “afterimage” has become more unconscious, and more disruptive.  We have read the divides of recent presidential elections so often that they seem to be etched into our cerebral cortices after having followed the twists and turns of the 2000 election, dividing states “blue” or “red” in essential ways, but are shocked at how the line of latitude still scars the nation’s political topography.  The divides mapped offer less of a metaphorical window or mirror of the territory than a reflection of the after-images of divides or differences that continue to inhabit different practices of political representation across the land, as if to offer a divide along which issues of national significance are still prone fall.

The use of “red” to reference Republican states is often attributed to Tim Russert‘s political commentary on the aftermath of election night in 2000.  The two-color divide gained a symbolic currency as electoral votes were tabulated with continued inconclusiveness, the evidence of alternating colors for political parties in televised electoral results was revealed by Kevin Drum to have lacked clear identification with a party in the color-coded electoral maps shown from Presidential elections 1976–states for Jimmy Carter were mapped “red” in 1976 and 1980, and states voting in majority for Walter Mondale were in 1984; if states voting for George Bush were shown in red in the color televised results of 1988 election, states footing for Clinton were mapped in red in the presidential elections of 1992 and 1996.  (Across the border, in Canada, “blue” is claimed by the Conservative party, designating the Liberals as “red”, and New Democratic Party “orange,” though it leans further left.)  But although states the voted for Democrats Hubert Humphrey and Ed Muskie in 1968 were colored in red on the nightly news, the Wikipedia electoral maps have retrospectively canonized the identification of red as Republican since the visualization of the results of the presidential election of 2000.


However, the election might be best known in relation to this post for how it revealed a similar division, not to sectorization, on behalf of Wallace’s Independent South-based candidacy, largely viewed on TV in black and white:

Cronkite 68 Election NIght

But in 2000 the use of red to reference “Republican states” was almost naturalized, and by 2004 the opposition became among the words of the year, so clearly was the visualization embedded in viewers’ minds as something that made common sense.  For William Safire,  Russert was “the leading popularizer of a blue-Democrat, red-Republican assignment [which soon] took hold nationally”:  but Russert was such a huge television personality valued for his skill at both distilling and framing news into bite-sized yet informative, that his adoption lent currency to the division as a compelling symbol, credit for inventing the dismaying division of choreographic unity aside.  The image of a chromatically divided country took hold as it crystallized in common use or a collective consciousness, perhaps for the very reason that it makes a single story about the nation so difficult to tell.  So dominant is the storyline of division, it is difficult to orient oneself to Gannett’s statistical map and remember that the light azure signifies Republican votes, and the carmine intensity of the south reveals the relative density of a Democratic preference.

While we recognize something like a similar scar looking at the map of levels of gas taxation that break along a familiar latitudinal divide in the header to this post, the survival of the scar of secession is so quickly recognized because of how it disrupts the notion of the map as a performance and representation of the unity of the nation, however, and the ways that images disrupt national unity suggest the death of the map’s primacy as a tool for embodying national identity, and its rise for spatializing a pie chart in potent ways.  Of course, the new separatism is quite new, and wasn’t so visible after the results, say, of the Senate elections of 2008, although these were particularly distinctive in their Democratic tilt, despite the quasi-separatist victory of George Wallace in his 1968 presidential candidacy as an Independent:

2008 Senate Races

But the recent resurgence of Southern separatism, even if temporary, makes the map of the 1880 popular vote particularly interesting, as a way of narrating national unity–if not a symbolic restoration of the nation’s symbolic coherence–at a time of apparently increasingly bitter national divides.

An overly familiar latitudinal divide was resurrected in the “Gas Tax Map” first posted on the Exxon-Mobil blog to suggest the steep differences of what drivers pay at the pump.  The map does not detail the variations of gas prices per gallon, however, but the taxes that it suggest create a policy of “passing on costs” to drivers.  Readers of data visualizations are immediately capitulated into the role of news analysts, who can read the legible national divides rendered in the monolithic blocks of bright colors along which one country breaks.  The aesthetic of data visualizations respond to the increasing value on the art of readily putting results at our finger-tips–of a piece with the shrinking horizon of expectations of online news, but also to the condensation they provide that seem to underlie an actual map:  they parse the political preferences as filtered through representational democracy, investing regions with contrasting–if not opposing–ideological divides, as if to expose the fault-lines in the democratic state.  For they respond to the demand for sources of ready to digest information by arranging the division among voting preferences on not too unfamiliar fracture lines.

8.  Our current collective fascination with how data visualizations reduce a problem and sum up a status quo seem to find their corollary in how the chromatic division the land are accepted as explanatory tools to decode the politics of our conflicted present.  This leads us to valorize images that obscure their historical poverty, and privilege distributions only over the short-term.  But if they perpetuate the restricted temporal horizon, in privileging the access to the things as they are like a snapshot of the nation, we privilege the false definitiveness of the spatial distribution of data as if it were transparent or comprehensive–in ways we know it will never be–and promote the notion that the “visualizations” they offer reflect reality in a definitive way.

While we admire the elegant aesthetic of reading the purported clarity of such divisions of space, the thin-ness that they create tease us through the familiarity of other lines of spatial division, which they reify without offering any way to explore.  For by substituting the actuality of their findings for a historical reading of the very ways they map space, they focus and limit our attention to the present moment’s actuality–or the superficiality of their snapshots of spatial division.  The odd and largely unstated assumption of the latitudinal divide Cohen traced across the country reveals the staying power of a division, an “afterimage” of a political divide and resurrecting the notion of a divided nation.  Examining precedents of mapping of fault-lines of national divides place in relief the very historical precedents data visualizations erase and help process reasons for the persistence of a fault-line over time.  Detecting the survival of such “after-images” offers an excavation of the historical depth of such spatial divides, and of throwing even the most generic data visualization into a slightly more subtle temporal relief.

Gas Tax

The divide traced between northern and southern states traced in an infographic that seems to advertise the “Gas-Tax Latitudinal Divide” offers an invitation to meditate on the longstanding holding power of a map sign, and excavate the transmission of such a stark divide between northern and southern states’ political cultures, and the historical depth of the division that the selective criteria that these infographics foreground, otherwise sacrificed in its transcendent view. Reading the cartographical rhetoric of the “map” of gasoline taxation reveals an after-image of secession that contrasts to the messiness of recent electoral maps.  It gains new relief when placed in a historical context of the contested nature of political unity that maps create–or disrupt–in rendering regional unity, as the image that is so readily apprehended as an unfair division of tax burden suggests alternate visions of public space, if not of the daily presence of federal government, which many now seem to which would just go away.

Whether the latitudinal line of southern secession inhabit the Gasoline Tax Map, the data visualization it presents embodies the separatism of a region, whose coherence long erased from national maps.  The divide along the 37th parallel, adopted in American law to demarcate the space permitting and sanctioning slavery in the Missouri Compromise that prohibited slavery north of the latitudinal parallel 36°30′ strikingly recurs in tracing lower gasoline taxes across the United States.  Certain cartographical signs often seem inscribed upon the land, as if revealing traces that recur in data visualizations at different times.  They suggest the survival of such an “afterimage” seem to reveal divisions as if they were rooted in the topography of a place, as if they were “afterimages” of a deeply drawn political divides that have continued to shape the very landscapes they ostensibly describe.  Such after-images are far too abstract for cartographical practice, but emerge as familiar fault-lines that can be readily recognized in distributions of datasets:  they arrange the land as if it its divisions could independently signify across time.

9.  The overly tidy geographical mapping of political polarization to be sure mirrors the divide in vision of government in daily life often reified and naturalized as a dichotomous divide of Red vs. Blue States. We have read the divides of recent presidential elections so often that they seem to be etched into our cerebral cortices after having followed the twists and turns of the 2000 election, dividing states “blue” or “red” in essential ways, but are shocked at how the line of latitude still scars the nation’s political topography.  The divides mapped offer less of a metaphorical window or mirror of the territory than a reflection of the after-images of divides or differences that continue to inhabit different practices of political representation across the land, as if to offer a divide along which issues of national significance are still prone fall.

Recent maps of the divide or break between “red” and “blue” states are being dismantled to a certain extent in recent infographics, which trace how migration patterns have partly dissolved the clear lines of distinction in purple states in recent years.  But the power with which this color scheme presented tools to trace the changing political landscape of the United States emerged suddenly and quite sharply in American politics and on televised news reports of election-night when in 2000 the NBC graphics department decided to designate a national divide that explained the breakdown of the vote in a presidential election in a seemed a compelling way.  The map was popular as it revealed a fractured landscape of electoral preferences, and occasioned continued glossing as being the result of economic interests, a deep social or cultural divide, or difference in lifestyle that would somehow provide a way of understanding the changing political landscape of the country, rather than a purely political divide, in quite definitive terms.  For the gas-tax latitudinal divide not only maps questions of taxation; the status of taxing gas taxes maps a region marked by federal suspicion, and reluctance to accept taxation for gasoline.

The stark chromatic rift of consensus is rendered all the starker, curiously, in infographics used to process votes in contemporary politics, as if to further naturalize a divide within the nation.  Even in  map projections of the future composition of the US Congress, such as the interactive projections the website of the New York Times offers readers to ask us to predict how the outcome of mid-term 2014 elections for the US Senate by our own intuitions, we can imagine the break of states along a blue v. red divide.  And conceit recurred, most recently, in Election Day 2014, when the red split apart with apparent unity, now including much of the northwest:

Design Your Own Electoral MapNew York Times

Is it a coincidence that the problem of race, long suppressed, was resurgent in this election, when a far whiter, and far older, selection of voters made their voices known at the polls.

White 75%

While the interactive visualization of the balance of power is powerful, the Congress that will assemble from January 2015 will reflect a resurgence of a historical divide separating northern from southern states, and a similar run of red in the northwest.  The red that spans the “Gulf States” below recalls a time when electoral politics broke along something like a difference in vision of the nation, of the sort that was already mapped so clearly evident in the resistance to taxing gasoline used as this post’s header from the Exxon-Mobil blog, which begs to be read as bearing information of the very sort such infographics contain.

One of the first infographics ever designed, based on a far more detailed statistical map that tabulated the popular vote by county, was designed by Henry Gannett, then Superintendent of the Census, to process and mend the divide of political polarization after the presidential election of 1880, when states divided over the question of Reconstruction–but when the results of the popular vote revealed a more complex picture, even if one that in large part echoes the Gas-Tax divide.

1880-popular-vote-mapLibrary of Congress

This dividing line–and Gannett’s mapping of the central trauma, the war over and the aims of secession no longer sustainable, of reconstruction, mark something of a divide that has haunted the very lines on which the electoral votes across the nation have often continued to divide–a divide that seems to have solidified in political institutions, if one looks at the breakdown of the electoral votes, and how the South voted democratic as a block by 1880, if Rutherford Hayes won votes in 1876 both along the Mississippi and in South Carolina and Florida.


Library of Congress (detail of above)

The echo of this divide that has appeared in the recent midterm elections of 2010 suggested the naturalization of a similar break, as Republican candidates ran, on an almost national platform, based on the vilification of the current president, with strikingly analogous results–if “red” now designated a majority of votes for Republican candidates, the sense one gains, looking at the electoral map, is a collective refusal to accept the paralysis in Washington that was blamed on a Democratic president.

The barrage of maps encountered on election night 2014 strikingly replicated the familiar divide that once more divided the nation.  In an age of immediate news and cultivation of the snapshot of political preference, many might even bemoan the absence of readily available consolidated results of elections, which are run by individual states, and not the federal government, so habituated are we to making available a synoptic view as if on demand–it is a lament that, with the lack of a single source, the map cannot be readily created and put on view with the immediacy increasingly demanded and required.  (The time required for mapping political preferences, albeit dramatically reduced in recent years, to generate data maps of elections even as the results are first reported, has lead us to notice the lack of a national standard for the reporting of electoral results, and leads to the “difficulty” with which different states’ polls close at different times–in another instance of how reality has trouble producing the data visualizations we might otherwise demand.)

First results

NYT #2

New York Times

While Virginia remained “blue” by the end of the night, as Illinois, one did not even need to know, implies the data visualization, a political rationale for how the votes broke along the latitudinal divide.  The progression that continued to western states suggest a continuity of opposition to a status quo–or to a President with whom Republicans persistently identified their Democratic opponents, as they tried to make mid-term elections a personal referendum on a President with qualified popularity across much of the Southern half of the country–and those states where the President’s popularity has not that recently plummeted.  Although the Republican Party and Tea Party folk tried to treat the mid-terms as something of an imaginary referendum–as if this would validate a shift in the country’s political composition, and could revise the results of the Presidential election of 2012 or repeal of the ACA–the very notion of running against Obamacare (as preposterous as it might seem) evoked a frightening fold along the latitudinal divide.

Last Map Tues Election Eve

New York Times

Of course, the mid-term elections assembled perhaps the whitest and the oldest electorate in some time, as resistance to Obama’s presidency mobilized much of the southern vote.  And for that 36.6% of those eligible who did vote were excited to vote by the slogan, as much as the idea, of defunding Obamacare–and, for right-wing bloggers, presenting the election as a grounds for a decisive rollback the President’s agenda–and opportunity to re-map a country actually being center-right:  as if misconstruing the ‘mid-term’ elections as a midterm examination President Obama had flunked.  The divide between states by primary colors of course concealed the fact that an astoundingly low number of the electorate participated–a number that fell below one third of those edible to vote in Missouri, West Virginia, Oklahoma, Mississippi, and Tennessee.  It was with considerable presences that CNN’s national correspondent, John King, asked viewers “Do you live in Red America or Blue America?” before a map of the potential results of races in the House of Representatives, earnestly informing the nation, “if you live here, you live in Blue America,” but “if you live here, you live in Red America,” before a map that he claimed simply “says it all.”

Blue America or Red America?CNN

One can’t attribute low turn out in the election to the finality of the infographic–although this CNN data visualization surely provides less of a mirror or image of the country than John King boasts, and does seem to disenfranchise the members of the television audience to which King speaks, evoking the inevitability of the current complexion of the nation as if it were a medical patient.  The limited amount of information the infographic offered viewers, and the limited analysis John King presented, however suggest the dangers of treating the map as if it spoke–or as if it dictated the region from which one was from.  For rather than using the map as a performance of the nation, King seems to have relished use of the map as a symbol of national splintering, in the ways that have become increasingly current since the election of 2000, gesticulating as if to fashion a consensus from the division made palpable on the screen behind his hands.

The map of purported voting preferences–this said on account of the quite historically low turnout, skewed to both a whiter and older electorate–has become a bit of a totem for 24-7 news stations, descriptive of a land beset by political paralysis.  It was difficult to frame consensus in as during the polarized political opinion in the aftermath of Reconstruction after the Civil War, but there was considerable interest in trying to frame and assess that consensus within national maps, and indeed anxiety about the lack of post-war consensus that would lead to the formation of a government.  In 1880, when maps provided such important tools of investing symbolic unity in the relatively recently expanding nation, the map provided a way to create such a symbolic condensation of public opinion that seemed to stand as an icon of representative democracy, although the images have taken on a deeper and more introspective tenor in recent years, as if the voting preferences for different parties provided a reflection–seeing the map as mirror–of what the nature of our nation is.  But the polarization of politics at the end of Reconstruction was of course of necessity bridged–if messily, and in ways that created more of a scar of inequality than necessary in the view of some–or attempted to do so, whereas the pseudo-maps that are infographics which we produce  or, today, see produced  are examples of how maps lie, and how we rely on them to frame our national unity–and to mend the growing gap evident in visualizations of the national electorate.  For the notion of mapping national unity goes to the point of peacefully moving past the national divisions of an election, and embodying consensus in the face of a divisive election.

10.  If such data visualizations perpetuate a “red” versus “blue” dichotomy that arrests the eye, it obscures areas of grey.  Such areas are more evident in a map of Senate races.  Although it distorts voters’ preferences–actual voting preferences of the electorate are often effectively silenced or erased by their amalgamation in a single dominant hue– the precursor of modern infographics to which U.S. historian Susan Shulten recently called attention as helping process political polarization shortly after the Civil War creates a far more detailed accounting for local divides on a county-by-county level.   Such maps work with considerably greater thin-ness than the colors employed in Gannett’s statistical map.  Gannet’s map showed a nation strikingly divided on somewhat similar lines in a similarly polarizing election that was rooted in a clearer political divide, but where the salience of the divide was closely examined.  Indeed, the current map manufactures a divide along lines we’ve become a bit overly familiar, as if to present the election as a verdict on the divide between parties and in the nation, although the current divide seems most likely to be less sharply pronounced than that one hundred and thirty five years ago.  The greater possibilities for engagement in Gannett’s tabulation of the popular vote, made not on-demand for a news cycle but with the care of hindsight, suggests a far more subtle shading of the country to explore.

Gannett remapped the recently reasserted unity of the country in an attempt to heal–or historicize–how it divided into two camps over the issue of Reconstruction then championed by the Republican party’s platform–and did so in ways that first broached the question of such a political divide.  Although in his map, red signifies counties with a majority of Democratic vote, the chromatic construction of the map queried the unity of the nation around the question of its political representation, using the available body to map county by county.  (Despite the charges of widespread fraud and poor tallying of votes in the contested 1876 election, in which the winner of the popular vote, Samuel J. Tilden, lost the election, the map was also something of an elegant manifesto of its own of the presidential election’s legitimacy.)  In using infographics to process the political polarization of his own day, Gannett first chose red votes to designated counties voting Democratic, and against Reconstruction, shading the surface of the increasingly common map of the United States to distill how political divisions first mapped onto clear geographic lines in the Presidential election of 1880, when the tabulation of national votes was first tabulated with accuracy, as if to compensate for the widespread suppression of votes and gridlock associated with the US Presidential election of 1876.

Gannett rendered the distribution of votes in a qualitatively descriptive elegant fashion, worthy of Nate Silver, to provide an retrospective optic to visualize the political divide in the country in detail.  It recognized as a resistance to Reconstruction at a local level that deeply rooted in several southern counties, broadly split along the divide of the Missouri Compromise, in something like a growing scar across the land.

1880-popular-vote-mapLibrary of Congress

The map however seems and attempt to process a traumatic moment of which we have lost sight, which demands to be excavated for its own uneven topography because it is such a compelling achievement in revealing a complex engagement with issues–and indeed a varied surface of political debate that impels one to regard it as if it lay at the bottom of a palimpsest, over with later layers of distributions have accrued but can be peeled off, lending something like three-dimensionality to the infographic itself.

One might start from considering what it means to discuss the survival of such a similar divide across the nation.  Such broad brush strokes of regional differences, despite clear local variations in tone, suggest an apparently contiguous block of red across the southern states that is eery to recognize.  Although the aesthetic contrast between the two data maps is evident, both snapshots suggest the depth of a diachronic division along parallel 36°30′ N, a line along which the country has often folded, despite the flattened nature of the polling data synoptically digested in both images of divides that plague the nation.  The divide is echoed as an after image  thirty six and half degrees north of the equator in the distribution of levels of gasoline taxation, as if an after-image of a line of political secession has haunted the political landscape of the American south, that appears a unified block of voting red:

Latitude in Gannet's MapLibrary of Congress (detail)

Such data visualizations reveal a persistent divide or dissonance between the geographic unity of continental United States from their vision of political coherence.  Schulten argued that Gannett’s statistical map promoted a new understanding of the country’s division despite its political polarization, and provided a way for readers to struggle with understandings of national unity–in an early antecedent to the aesthetic of the infographic–and breach the historical depth of local or regional political divisions.   The images not only created an after-image of secession, but created a powerful surrogate for the relation to the nation, and indeed peacefully progressing to the conclusion of a contested election.  It maps the depths of divides absent from the historical flatness–and short-term purview–endemic to the tastes that datamaps both exploit and respond to.

Excavating the “after-image” that lies within an infographic offers a way of investigating the flattening of time that infographics all too often both perpetuate and perform:  the conceit of the “afterimage” provides a way to unpack the flatness of an infographic, and offers something of a remedy for the specter of the short-term that haunts most data visualizations–if not a way to investigate the presence of the past that lurks, as if within the map that lies underneath its surface.  For whereas infographics foster a reduction of historical perspectives on their interpretation, curtailing the long-term in the pathologically short-term attention span or ingrained “short-termism,” acknowledging after-images offer a way to unpack the false claims of comprehensiveness they promote, excavating the map of political divides that underlie how infographics divide the nation.  Detecting after-images provides a way to uncover the historical depth by which such spatial divides formed.

While we’ve often forgotten the above maps, which have only been recently resurrected to the eye of history from the dustbin of data visualizations, the divide traced between northern and southern states in the “Gas-Tax Latitudinal Divide Map” provided in the Exxon-Mobil blog offers an invitation to meditate on the longstanding holding power of a map sign.  It might also offer an invitation to excavate the transmission of such a stark divide between northern and southern states’ political cultures, and the historical depth of the division that the selective criteria info graphics foreground, and which are sacrificed in its assumption of an Apollonian transcendent view of the nation-state.

11.  The way that data visualizations function as maps in the performance of statehood has been increasingly disrupted in a range of info-graphics.  The disruptions such visualizations chart reveal the persistence of poverty across certain areas of the country–a poverty we far too often naturalize, or which is absent from the national maps that we draw and the divides that we emphasize within them.  It’s striking that the very divide mapped in the header to this post–the Gasoline-Tax Divide–creates an eye-grabbing continuity across many of the same southern states that jumps out within the contemporary maps of the national distribution of well-being, a county-by-county assessment of QOL (an alternative to GDP, taking a sextet of life-expectancy, income, education, disability, obesity, and unemployment, rather than only a financial metric).

Indeed, the disparities in the Gas Tax might reflect a reluctance to impose taxes on poorer and relatively non-urban areas–and imposing a tax at the pump would cause undue duress.  But the weird continuity of orange, even if a snapshot based on present-day statistics and metrics, no doubt conceals the very sort of historical context that the narrow temporal perspective of most infographics tend to erase–even as they structure data by a geographic map or interface.

County Ranking of Happiness--Education, unemployment, disability, income, life expectancy, obesity

The above map is less of a descriptive vehicle, to be sure, than a compelling tool to structure data.  “It is a cold thing, a map, humorless and dull, born of calipers and a draughtsman’s board,” wrote the twentieth-century pioneering aviatrix Berryl Markham–who rarely relied on them, to judge by her surprise in reaching Newfoundland in her pioneering transatlantic flight.  But the infographic is far colder, more stripped of quantitative detail about place, the socio-cultural mosaics evident in data visualizations offer provocations to dig deeper beneath their surface records of the short-term.  As if to conceal its relative poverty, employing cartographical outlines to organize data in a transcendent view seems designed to endow the data with apparent objectivity and legitimacy that validate its relevance to the work of imagining a nation.  Even the most abstract data visualizations adapt cartographical conventions to frame transcendent views that provoke questions of national unity.

Every so often, the divides revealed in illuminate otherwise hidden divides that haunt a landscape.  If the conventions of mapping often naturalizing spatial divisions, data distributions expose deeply drawn divides in how maps work to organize national space.  Even as the scientistic claims of mapping has so grown in considerable ways in computer-assisted data visualizations, the transcendent view that they offer conceals–even as it reveals–significant divides that have accumulated over time, and inform the political histories which they work to create. For all the flatness or superficial oversimplification of spatial difference suggested in the three-color snapshots that info-graphics provide, even the crudest divides become palimpsests ready to be excavated and illuminated when they are placed in relation to a long-term.

The romance of detecting such afterimages of southern secession offers a corrective to claims for rendering the division of the status quo that the seductive form of data visualizations as registers of a current inequality in levels of taxation.  It might be profitable to read the divide as an echo of the far deeper inequalities that underlie the nation’s terrain, and its bitter-tasting residues.  Divisions that underlie the symbolic unity of the lower forty eight are evident elsewhere.  They recur, for example, in the different legal cultures of each state, the different attitudes to imprisonment evident in topographies of the widespread mass incarceration of minorities in correctional facilities across so many southern Gulf Coast states, mapped by Elwin Wyly against a backdrop of the share of African American males within that total incarcerated population.


While Wyly’s 2004 map concentrates on a clustering of Federal Prisons, state prisons, military barracks, and larger private correctional facilities and police lockups outside of a  national context, it raises clear questions of a culture of incarceration specific to a region of states.

Many of the states that lie below the parallel that defines the “Gas Tax Latitudinal Divide” were slow to abolish the poll tax, as was stipulated in the 24th amendment adopted in 1964–if Texas did not do so until 2009, Virginia, North Carolina, and Alabama were slow to add themselves to the list, and it was never ratified by seven southern states, including Mississippi.  And even if the US Supreme Court has recently struck down government oversight of specific states’ election laws as stipulated in the Voting Rights Act, to protect minority disenfranchisement in those regions with ingrained histories of discrimination, the depth of the political divides that define the south are still difficult to map.  If an earlier post in this blog described the deep divides of disparities between insured and uninsured Americans that many images of the nation conceal–or fail to illuminate for all the seductiveness of their totality–and asked about the motivations of these blindspots–and large numbers of uninsured across much of southern states from Texas to Florida.

% Uninsured in States Saying No

12.  The deepest discontent about the representation and concealment of social and cultural divides in infographics lies in the relative absence of local context–or of historical depth–that would offer adequate contextual representations.  Even as they vaunt their own authorship, most infographics are hampered by blinders of the short-term.  The  dilemma of the short-term horizon of infographics so readily produced from the multiple databases daily generated in the twenty-first century haunts the pervasive nature of their use, and especially haunts the necessarily incomplete images of imagined objectivity they offer.

Even as we have come to be suspect of the objectivity of the map, we’ve come to accept the objectivity of the infographic as convenient forms to grasp or process social and political changes, despite the rather insidious erasure of context in their embodiment of a strictly short-term image of opinion, political preference, or social divides.  What would it look like to express or imagine a historical perspective on the divides traced on a map, mapping something that was less a statistical snapshot than an image of the relative continuity of deeply drawn divides?  For an infographic acquires an illusion of temporal depth when one considers it less as a distribution of inequalities, but an “after-image” of the depth of earlier divides.

If Ferguson, MO is a predominantly African-American as a community, low voter turnout means that not only are its police force mostly white, but so are its elected officials, mayor, local commissions, community groups, and parks board–and indeed, its neighborhoods reflect the persistence of starkly segregated communities that seems typical of such suburbs, according to the American Community Survey of 2010, although Ferguson transformed quickly from a predominantly white suburb to one predominantly identifying African-American.  It was in such a strongly segregated sense of space that the unarmed Michael Brown was shot and killed on Canfield Drive off West Florissant, after he allegedly “intimidated” a 240 lb. white policeman and refused to “clear the road.”  Brown’s death has sparked a series of protests at the unjust actions of the suburb’s largely white police force–making it the flashpoint of a problem across America.  The recognition across America of the injustice of the ruling might lead one to re-evaluate Rand Paul’s mean-spirited observation in Time magazine that “Something is wrong with criminal justice in America.”  Paul writes as if the Department of Justice weren’t troubled by the million black faces of those incarcerated in the skyrocketing federal prison which has since 1980 grown by 800%, observing caustically that “The failure of the war on poverty has created a culture of violence” which placed Ferguson police “in a nearly impossible situation.”

But the problems that this population no longer feels served by a system of justice may be the far deeper threat:  and the persistence of disenfranchisement creates a deep sense of alienation and indeed a geography of alienation, as much as being created by a culture of violence encouraged by the “war on drugs,” or demanding a reassertion of “moral codes that have slowly eroded and left us empty with despair” and politicians who have betrayed the public trust by encouraging the “poverty trap.”  Yet news reports attend to how much marijuana was in Michael Brown’s system, and the inability of police to deal with the violent nature of urban life–as if that would warrant shooting at a man without a gun in a suburban setting.  Such pieties as Paul espouses conceal the outsized dangers that all young black men face of twenty-one times to be shot dead by police than white teenagers:  a difference between 31 young black men shot per million by police for every 1.5 young white man.  Paul is quick to identify the danger for black men as the product of high-crime areas:  but the suburban community of Ferguson was hardly a center of crime.  Reform of justice might begin from a bigger rethinking of the inequalities of race, indeed, and the geography of alienation that afflict urban and extra-urban areas alike, a geography perpetuated by the mythistory of the South and its perpetuation of segregation.

Renewed violence in the wake of the verdict that did not prosecute Darren Wilson, the officer who shot the unarmed teenager Michael Brown, spurred local and international protest at the miscarriage of clearing the Wilson of wrong-doing, even as many protestors were arrested; a rash of tweets exploded across the nation, most intensely in the Missouri region, the eastern half of the US, and the largest cities on the west coast.


Twitter Map

Can we start from recognizing the costs of the deep southern separatism on the ground?  Even as President Obama noted “is not just an issue for Ferguson, [but] this is an issue for America” that “there are issues in which the law feels as if it is being applied in a discriminatory fashion” that can’t be “tamped down,” Missouri Governor Jay Nixon, perceiving himself increasingly isolated, called for the National Guard to quell discontent at the failure to convict the officer who had repeatedly shot and killed Brown at point blank range.

13.  The atlas that emerges from these of data visualizations reveals traces of the past, to be sure, and deep fractures in the topography of representational democracy that single infographics elide that undergird Ferguson.  But attention to the persistence of afterimages might offer ways to read the infographic against its conclusive finality, and might help to contextualize the stories that the infographics tell about the nation, as well as the echo-chamber of the infographic that the repeated symbolization of national divides creates.

At the risk of offering a presentist argument, such a reading might even enrich the cartographical template beneath infographics’ color-enhanced veneer:  one should be able to cultivate a skill of cartographical interpretation to better illuminate divides that haunt the data science, and scars not otherwise clearly revealed in their distributions, by noting the traces of an afterimage able to be recognized only within the semantic space of the map that underlies the data distribution, and by which the simplicity of its often overly crisp coloration can be read in greater depth.  The cartographic format of data-visualization offers a timeless two-dimensional rendering that vaunts its transparent rendering of divides.

The act of excavating the existence and persistence of afterimages is foreign to actual cartographical practice–or the aura of objectivity that is invested in a map as a comprehensive collation of accurate readings of place.  But the premium on dividing space into monochrome blocks seem too clearly borrowed from television screens to qualify as being seen as an actual map meant to orient the viewer to political divides than inventive ways to condense the current electoral habits of the voting class.  Excavating afterimages in the blunt medium of the infographic is something of a strategy for reading that seeks to puncture the adoption of apparent objectivity of what might be called a cartographical point of view that national infographics and electoral maps all too often assume for themselves.

Scrutinizing the afterimage that might be present in any map–or data visualization that invoke a map-like objectivity–becomes most apparent when one recognizes something like the embodiment of a spatial divide in map signs that betrays signs of the long-term, which the adoption of the alleged objectivity of a map obscures; as if removed from the subject they chart, the divide documented in the above data vis is not only an objective break in tax levels, but an underlying disruption as an afterimage that invites us to explore, or conduct something like an archeology, of the divide that it traces, and investigate the very opacity of the data visualization as a historical construction.

Even for those not overly familiar with mapping techniques will recognize their signs and conventions as the trigger of a spatial divide seared into our map-reading minds:  the recurrence of a clear parallel as the line of the gasoline-tax that has been newly diffused by Exxon-Mobil to document disparities  in gas prices across the United States.  For it also testifies to a particular powerful afterimage of a continental divide that continue to haunt its political landscape, and indeed the relation of a region to the prospect of national unity–perhaps more deeply than the divides so often drawn so often in recent years between red states and blue states.  For it traces a transmitted border of regional separatism as much as tracing a line of the inequality of the imposition of taxes on gasoline that suggests the possibility of lower gas taxes for a select few, rather than anything like a federal policy or situation that federal laws might remedy:  the map reflects local refusals of accepting the inequity of further taxes at the pump, rather than it reveals an unequal distribution of tax rates.

Gas Tax

gas keyAmerican Petroleum Institute

Despite the intent of its corporate promoters to relieve Americans from the apparent shackles of unequal taxation at the gas pump, the graphic unwittingly builds upon a deep distrust of national government even if it seems unconscious of what lies behind the very division that it seems so intent to track and promote in revealing the disparity of the gas tax.  (The curtailed short-sightedness of the infographic appeals to the short-term self-interest of the consumer or driver and effaces the historicity of the latitudinal divide.)

14.  Data visualizations recall the new discourse-functions such early printed maps claimed, and as “after-images” of the earlier divides they traced.  But they also perpetuate them.  The after-images we see in the “Gas-Tax Latitudinal Divide” are compelling since they refract the performance of inventing national cohesiveness in maps, and of picturing and re-inventing social unity, as much as frame a “hidden gas tax campaign” of which we have been largely unaware and which needs to be revealed.  Even if the map distributed by Exxon-Mobil is intended to reveal the undue impositions of the federal state across the country, it reminds us of the continued fractures of political space maps sought to paper over in rendering a national collective in ways that would fulfill their role as crucial reference points in the performance of statehood.   The “national inequalities” it illustrates might be placed within the longstanding resistance in this region to accepting federal presence, or seen as residual resistance to federal presence; but the mapping of resistance to further taxes at the pump are compelling because they suggest a intentionally disrupted performance of statehood.  By recuperating the situated nature of the historical production of such images, we can start to challenge the aggressive rhetoric of objectivity they adopt and their short-sighted aims.

It might make more sense to read the context in which data maps work to create the country, rather than how they indicate or present a set of traits transmitted over time.  But one cannot fail to be struck by how a split between northern and southern states arrestingly suggests an enduring dividing line of deep historical resonance, as if its cartographical signs could speak across time.  The clear divide that the rejection of taxes on gasoline seems to map among state legislature south of the 37th parallel that creates such a strong Gasoline-Tax Divide echoes the line of southern secession in particularly haunting ways.  It is striking that the past inhabits the very divides the map describes, as does our own cartographic consciousness of the rift between states created by this cartographical line of longitude that is so familiar.  It is as if the unconscious of the mapmaker were rendered or emerged in the “Gas Tax” map, given the clarity with which the dataset reveals a divide that we, as viewers, immediately recognize and are as quickly conscious of it as being  long suppressed:  as much as offering a window or a mirror on the landscape they describe, recognition of that divide asks us to interpret its content, less by our position in relation to its space than analysts of its continuity with past landscapes, or of how map signs serve to configure our relation to the nation-state.

For all our usual attempts to historicize the map as a document, the distributions of space that reveal the after-image become oddly unmoored from their specific time as the patterns we detect seem so uncannily present:  as if unhinged the historical context they were created, we innately recognize the “afterimage” preserved in them, as the scars that seem to be left by other traumatic spatial divides, triggering our own sense of cartographic consciousness of the space.  The strong presence of such “after-images” resonate with the presence of the map and map-interpretation in our lives, and recapitulate a tradition where maps consciously came to terms with national divide–and came to occupy a distinctly new set of discourse function oddly repeated in the latitudinal divide of local levels of taxation on gasoline.

One might hence begin from re-examining the nature of the narratives about national unity that Gannett’s map raises–a question I return in a later post reflecting further on the map’s historical context and legacy–and the ways that maps refigure national identity.  The specific political circumstances of Gannett’s map suggest that Gannett used the data available in tabulations of the popular vote at local levels to digest a far more sophisticated and refined picture of the national complexion of the country–or the political complexion of its regions–than the framework afforded by televised infographics that map the results of the elections back onto the country–as if that would reveal actual variations in voting habits, despite the narrow margins of so many elections that the same sort of data visualization so evidently obscures.  If the projection of election results in the 1880 election that he labored to create, Gannett used great care to how the map was read by its readers, without a need to respond to insistent demands to provide a record of immediate results.  Indeed, rather than suggest that his picture revealed a divide, the use of chromatic differentials in lithography allowed him to create something of a keen record of local variations, no doubt bearing out a keen interest to register the extent of an afterimage of secession in the map of the popular vote, quite unlike the short term visions of most electoral maps on the nightly news, which is only slightly tweaked in the work of political scientists.  Because of this attentiveness, it might be beneficial to expand a more detailed reading of how Gannett’s map was sensitive to the persistence of an afterimage of the clear divide between northern and southern states.

The geographically polarized divide emerged in the division of states described in a county-by-county representation of the degree to which the popular vote leaned Democratic or Republican.  Schulten powerfully presented Gannett’s earlystatistical map as the product of an early age of political partisanship, if not a founding moment of political divide, when the resistance to Reconstruction caused southern voters to attempt to reject the Republican platform, in ways that almost reflect a particularly salient latitudinal divide.  Indeed, after the 1876 election had been decided by a committee, and apparently against the popular vote, despite widespread accusations of voting  suppression, the statistical accuracy of the 1883 map published first in Scribner’s Statistical Atlas revealed how despite the deep carmine coloration of much of the South and indeed the national map, once translated to the electoral college, a difference of “just 7,000” votes gave James Garfield a decisive victory–yet the margin would hardly mend the national divide.

1880-popular-vote-mapLibrary of Congress

The political division that it mapped as “Political History” barely concealed how the charge to manufacture an image of national unity. During the divided era of Reconstruction, as secretary of the US Census, Gannett approached the subject of national unity when he mapped the popular vote in the aftermath of the bitterly contested 1880 election.

The distribution of the vote revealed a predictably haunting cultural divide–as well as a preoccupying way to remap the nation.  As a material artifact, Gannett’s map seems removed in time and political culture, but introduced–if in a reverse color scheme–the division between Blue States and Red States to communicate most readily the deeply contested election in a county-by-county rendering of the votes that political parties won.  Gannett’s map reveals with considerable immediacy and precision the extent to which the division of slave-holding states adjudicated within the Missouri Compromise left something more than a bitter taste, but a scar, that continued into the aftermath of Reconstruction, hardly ended in the Great Compromise that concluded the election of 1875.  The longitudinal parallel that came to define the dividing line of secession for southern states, as had the Missouri Compromise, effectively engraved a legal divide in a sovereign state that create two polities in uneasy balance with one another.  The boundary generated a deep after-image in secession that haunted how Gannett considered national unity–both in the war and its aftermath, as mending the uneasy echo of blue versus red states.  As much as seeking to “visualize the spatial dynamics of political power” in an icon of political polarization, it processed the legacy of southern secession by affirming the strong after-image, just twenty years secession had been advanced.

For all its similarities to computer-assisted data visualizations, Gannett’s map presents a divided landscape, if one whose color choice is reversed from the polarization by which we area accustomed to divide the country, that is less fractured than united.  We’ve grown so accustomed to denote “red” and “blue” states as to naturalize specific political preferences–and even profess shock at a “blue state diaspora” which created purple states, and offset red states’  growth, or describe folks fleeing blue states as if their blueness would be inherited in a naturalized political topography.  We naturalize the very coloration of an infographic as if it defined the nation’s political terrain.  Gannett’s map not only echoes not only the line of southern secession, but how the first maps of the United States became tools to represent the failure of secession and triumph of union as they “perform[ed] the act of statehood,” in Wood’s terms.

By placing the divides it creates in a deeper historical context of finer grain, Gannett’s map began a genealogy of the data visualization, historian Schulten argued “invented Red and Blue states” as a graphically efficient and persuasive way to process each party’s different levels of support.  The antagonistic opposition evident in the popular vote of the 1880 election also recorded a searing and long-lasting national divide whose memory, when scars of blood spilled on the battlefield not far receded, rooted in rejecting an overly intrusive federal presence south of the latitudinal divide–and  the centrality that the issue of Reconstruction occupied in Republican platforms in that year.  Schulten justly acknowledged how the map offered a new way to understand national divides, by using increased levels of cartographical literacy in the late nineteenth century to create an effective graphic register of national political divides during Reconstruction.

The historical map of the popular vote of the Presidential election of 1880 constituted a resonant moment in which afterimage of the continued divisions could be traced.  Even in the wake of the Civil War  the terms that Reconstruction throated to dictate to the southern states elicited a degree of collective opposition that revealed the deep divides that continued across the country, and had hardly begun to heal.  The divides revealed in Gannett’s political map remind us, in their graduated shades of blue and red, of the divides that were delineated, as if indelibly, and translated in how the “Popular Vote” was distributed.  The map offered a far more textured and finely grained visualization of voting preferences county-by-county across each state and territory than had ever existed in its rendering of the polity against a clearly defined projection of longitude and latitude, and in the provision of that data to a large body of readers cannot help but recall the recent popularity of synoptic summaries of recent presidential elections, also colored “red” and “blue” to indicate opposite ends of the spectrum.

The distribution sought to reveal considerably more local messiness than exists in the recent state-by-state colorations of info graphics, only recently contested in maps of more subtle parsings of voting tendencies by political scientists who interrogate electoral behavior more closely than the electoral counts.  Even a superficial reading of the lithograph of “Political History” suggests the continued difficulty of overcoming memories of Southern Secession in 1880–although, as the lower right inset map reveals, stark differences were really only revealed as the popular vote was translated to the electoral count.   Yet Gannett’s map is compelling since it maps a striking after-image in the distribution of the popular vote that seems to recognize to unique propositional qualities in maps as signifiers, as well as to their power as rendering of big data in  close detail.  Despite the very different modes of production from the engraved map to the crude datamap to the interactive map, the power of their codes and conventions becomes unmoored in the mind of the map-reader that illuminate the how strongly the map’s representational functions resonate with the representational claims of the state.

Even in our dataphilic age, after-images move across media echoing the divisions first inscribed in print–the earliest ancestor of the infographic exists in the statistical maps of the US Census to map a still imperfect union among the states that seceded from the Union and the Republic, in an early detailed distributions of the popular vote in the presidential election of 1880 as a way to embody the union–and embody, if perhaps unintentionally, the depth of the resistance to the Republican platform designated by deep pockets of rich carmine in those counties that lay below the thirty-seventh parallel.  The divide that the abstract line continued to embody both in the years immediately following the failure of southern Secession–which elections of both 1876 and 1880 sought to overcome or as much as possible repair–itself occasioned deep cartographical reflection, even if somewhat papered over in exquisitely detailed remappings of the oppositional divides in the popular vote that Gannett’s office undertook to reveal the continued unity of the nation.   Gannett presented his statistical map of the distribution of the popular and electoral vote in a time of political antagonism–it explained the clear victory of the Republican party in a polarized contest–as if to present an argument that unity still existed across the land.

1880-popular-vote-mapLibrary of Congress

Even in a time of such heightened political extremism, and when the memory of secession just less than twenty years earlier was still strong in one’s mind, the debate about Reconstruction that were so central in presidential platforms were less a cause for divisiveness, as was readily demonstrated by voting statistics.  Gannett was quite clear-headed when he introduced his collection of printed folio-sized maps and diagrams with the promise that they could digest graphically the “dry and difficult” study of statistics by how both form and color provide a manner of “clothing the dry bones of statistics in flesh and blood” by embodying and revealing material continuity among them, in which “features of great importance, hitherto but vaguely comprehended, are made to appear at a glance, . . . so vividly impressed as not to be easily forgotten” (1883).

Such aids, Gannett perceptively realized, not only “make public sentiment and shape public policy” in ways  “essential to intelligent and successful government” in any representational democracy, but most especially in the Reconstructionist postwar world.  Gannett’s elevation of the medium expanded his role as the Superintendent of the Census to a public portavoce of the state in a sequence of folio maps such as his image of the divided popular vote.  The resistance to the alleged interposition of further federal taxes at the pump reflects something of a similar resistance to the mapping of a symbolic unity, which seems at the core of what the visualization in the header to this post seeks to contest.  For the unexpected division of the symbolic unity of the United States gets at the heart of the sort of discussion that such infographics seek to begin, if not the local stories that they tell.
15.  The distribution of states between the Democratic and new Republican party defined a symbolic divide that was the inheritance of the Civil War and processed the aftermath of southern secession in the polarized political community it traced.  Gannett almost acted as an emblem-maker whose vision rooted the evolution of national consensus.  But the depth of the division that he traced between recognizable colors–red and blue–provoke winces of recognition.  Indeed, the distinctly familiar contours it charts among political environments makes the first infographic used to gloss a Presidential race so striking to readers today.

The organization of the nation by coloring states through the electoral votes that they assigned to each party in the Scribners’ Statistical Atlas (1883) offered informed readers a basis to gloss electoral division that seems a clear precursor of the recent divide between “Blue” and “Red” states, as Schulten has noted, by giving political legibility to the country in a manner few readers had been accustomed to resolve the Secession of the south in the presidential process.  Gannett’s statistical map aimed to overcome the depth of the lasting political division–here noting Democratic votes in shades of Red, and Republican votes in shades of Blue–that Gannett himself would have been most happy to compare to the divides that continue to haunt the country one hundred and thirty years hence, but whose very division he pointedly used the map of the popular vote (and of how the electoral process mediated the popular vote) as a cogent means to overcome.


Library of Congress

The elegant infographic–inset in Gannett’s larger map of the popular vote of 1880–distributed electoral results the particularly divisive presidential contest, in which Reconstruction loomed large as if to affirm the integrity and coherence of the United States by the links between regions of slightly varied hues.  We can bridge the depth of the historical divide in which the map was designed by the head of the US Census because the sharp divide among electors is so recognizable to the infographics that we consume each recent presidential election that redraw fault-lines over the same form as if they forecast impending fractures:  earlier maps become resonant by conjuring divides that echo with unfortunately continuing fractures in the political topography of our own national space that our pundits are so happy and ready to gloss repeatedly.  When the far cruder data capture shown in this post’s header also offers an unexpected persistence of afterimages of a past we readily detect in its own spatial analysis as stubborn prompts of the depth of duration of the “after-image” that Gannett’s map renders so indelibly in detail.

While we could view these maps as screens on which we project our own divides, the recognition the map provokes suggests something more than a mnemonic and more than a harbinger of political modernity and its graphical symbolization.  So clearly do some maps reveal the historicity of radical rupture in the past that their delineation of divide seems transmitted in unconscious ways.  The Exxon-Mobil gasoline tax map was distributed by the American Petroleum Institute to illustrate the unfair differences in gas prices across the United States, but might be more striking for tracing the continued presence of such an after-image of southern separatism.  If earlier maps of southern secession struggle with the wrenching divides of a national space, their continued after-images in later datasets remind us of the echoes that some divides however improbably continue to retain, as they appear as if scars or scratches on the map’s face are suddenly revealed  in an X-ray or by application of ultra-violet light, for all its banality of chocolate brown, chestnut and tan.

Gas TaxAmerican Petroleum Institute

16.  For such afterimages reveal the continued unexpected resilience of divides across the topography of political preferences that surprise us by their sudden appearance.  The shock they provide reflects how we continue to carve up space in our minds in ways received from cartographical records:  to risk a poetical analogy, mapped after-images offer etchings of crises that haunt the landscape, and rhyme with past divides.  One example might serve to make the point.  The forestalled break of Scotland from the United Kingdom–despite worry about its possibility–carried little sense of the story implied by an earlier after-image or prefigurement, save perhaps Hadrian’s wall or the marine gulf that the thirteenth-century monk Matthew of Paris mapped between England and “Scocia Ultra Marina“:  a return to what Scotland was wasn’t clear as an embodiment of the region–for all its untapped potential of oil production–presented little meaning for most ridings’ votes.

Scots Referencum

Scocia ultra marinaBritish Library

Of course, Matthew of Paris used map signs holding far less currency among contemporary map readers, and drew the map in ways that the “Yes” vote were less ready to exploit since they hardly seem forward looking.  But the division he drew that separated Scotland from England and Wales was curiously reiterated, this time as an imagined string of the Cheviot Hills whose westward progression reflected the separateness of Scotland, in Samuel Augustus Mitchell‘s 1860 “County Map of England and Wales, printed and published in Philadelphia on the eve of the U.S. Civil War:

Cheviot Hills Divide Scotland 1860“County Map Of England, And Wales” (Philadelphia, 1860); courtesy Rumsey Cartography Associates

The potential shock of the separation of Scotland from the UK would be something like the reverse of disrupting the memory of a recognized map through the for-now forestalled shock of redrawing the United Kingdom:  even folks at Colliers–already familiar with recent redrawing maps of Europe as a whole--have hesitated at dividing a national space of apparent unity that the outline of the United Kingdom has long defined.  In the recent 2014 referendum, the complicated and perhaps incomplete defeat of secession might perhaps have turned in part on the lack of convincing maps of separatism–everyone seems to have one–and the limited mobilization that the historical divide summoned–aside from Braveheart, perhaps–in conjuring the unity of mapped space apart from the apparent integrity of the UK.  (There seems to have been little possibility in providing or drawing on a map that embodied hopes for to separatism, perhaps, or an “after-image” of the mapping of a prospect of Scots autonomy that the referendum’s supporters would build upon.)

We clearly recognize something like a scar in the map when we watch how levels of gas taxation that break along a familiar latitudinal divide:  the scar of secession is quickly recognized in the map, in ways that lead us to map the basis of what motivated resistance to taxes on gasoline, and to ask what the divides that are so present in that map show, aside from the readiness of resistance to taxation.  Such cartographical after-images are revealed in ways that are specific to particular maps, and linked to both the sort of stories that the best dataset can show and the graphical coherence that the map provides. to the viewer which offer the possibility to grasp the meaning that the map embodies as a sort of argument about how we divide and understand space–and understand space by dividing it.   Tthe Southern Poverty Law Center presented a compelling a “geography of hate” by mapping actual hate groups.  The persistence of such advocacy groups grew from “pressing concerns” of collective hatred, from the Kentucky-based IKA–the “Imperial Klans of America”–to the Illinois-based BOK–or “Brotherhood of the Klan.”  But if the resulting image could be interpreted as evidence of the persistence such an “after-images,” the persuasiveness of dividing states in the “Hate Map” is, dismayingly, not so compelling as a distribution of a clear political topography that divides the United States:  the point is their persistence in our country, but the map blurs the resolution of specific pockets where these groups might be allowed to flourish in a broad range of states, or the relative size of these insidious organizations that perpetuate discontent:  the map is a chilling image, but also an unclear reflection, although it is clear how the cresting above forty (terrifying as it is) distinguishes Texas, Georgia, South Carolina, and Florida–as well as California, the loss leader in this metric.


The map appears to isolate regions where hatred finds its focus, but of course can’t be readily mapped onto each region’s residents.

17.  The concept of such cartographical “after-images” suggests more of a trace or imprint on than part of its representational functions.  The devil lies in the details, or in the extent that the details allow the viewer to enter into the local landscape a map presents:  after-images register differences that might be read as a lasting scar left on the land, but are best discerned within the content of subsequent maps.

The scars or “after-images” left by such a political rupture are often most easily decoded and read in immediately subsequent maps–especially maps that turn on such sensitive questions as those of political representation in the immediate wake of the Civil War.  The lack of volition specific to after-images make them unlikely metaphors for the highly structured field of the map’s space, but as disembodied forms they compliment the inherited structures of space that are rarely registered in the actual landscape, but as if imprinted on the landscape in ways somehow independent of them, such “afterimages” are registered with surprising clarity in the distribution of the crudest data overlays to the far finer grain of Gannet’s lithograph.  If maps offer an alternative way of “seeing” the transmission of divisions imprinted on their surface, they reveal the after-effects of secession by spinning compelling narratives about the division of north and south. Even the crudest data maps might be aptly described as compelling “afterimages” of the lines secession drew across the land’s expanse, shaping local inhabitants’ view of the nation and national government as much as reflecting them.  Gannett’s registration of such dense redouts of anti-Republican animosity transcends mere conviction, but was rooted in reluctance to adopt what is seen as external imposition of civil rights’  policies, and reflects the retention of meaning that existed in the past demarcation of a Confederacy-Union divide.  But the recognition of the longitudinal divide among states which refuse the taxation of gasoline constitutes an odd after-image of the secession of southern states, as if an anachronistic echo of self-declared construction of a divide in the political landscape of the twenty-first century.

The concept of the “after-images” appeals more than that of a trace and an imprint on the map’s surface.  For rather than being an accomplishment or renewal than it registers the shock that occurred in the status quo, in ways that might the recognized as something of a scar that was left upon the land, but is able to be discerned only through a later map.  The afterimage reveals the result of the continuation of a cascade of events in how spatial divides are redrawn whose echoes–to synthetically shift or mix metaphors–continue to reverberate in how we read the landscape that it maps.  Instead of being defined in the map, the afterimage emerges from the resonance between maps, and from comparison–and is not able to be reduced convention or line on a map or be mapped, and helps maps empty the relatively abstracted distribution in the divide of local levels of gas-taxation onto an inheritance of political divides.

Gas Taxgas key

1880-popular-vote-mapLibrary of Congress

The persistence of divide does not reflect only the outline that the image-maker or map-maker created–“fictor cum dicit fingo figuram imponit”– but also track the depth of a difference maps stubbornly reveal.  Much as the ghostly remnants of sudden ocular over-stimulation glide, disembodied from spatial coordinates or position in our vision, they offer unlikely metaphors for the collectives registered on a land-map.  But as an image of speech they suggest the unconscious ways that narratives of spatial difference are imposed on different ways of inhabiting space–and are imposed by the legal boundaries of difference that were created in the United States from the boundaries in which slave-holding remained permitted from the early nineteenth century, and were indeed defended as a right of the states toward the Confederate south that seceded from the union.

The divide in Gannett’s map of returns in the presidential election of 1880 revealed that Garfield barely won any of the counties in Southern states.  In transcribing the results of an election widely perceived as a referendum on Reconstruction, Gannett vaunted the precise tabulation of national votes and the recent coastal survey to create a color-coded record of the distribution of the popular vote by tones of red and blue for the first time, Susan Schulten wrote, to overcome the continued polarization of the post-war electorate in the United States.  Although the division of the electorate did not precisely correlate on a county-by-county level, the regions which resisted the Republican candidate (here represented in blue) constituted a shift to increasing crimson in comparison with a pinker–and far more light blue–northern states.

Around Mason Dixon LineLibrary of Congress

The division the statistical map reveals across the United States more broadly reflects the complex spectrum of progressive in some southern cities, but reveals dense pockets of

carmine, thanks to Gannett’s innovative graphical choice of gradations of blue and crimson to differentiate electoral preferences in sharp detail.

Latitude in Gannet's MapLibrary of Congress

How such afterimages emerge may be less specific to their subject, most importantly, but based on how they allow us to navigate the political landscapes that they describe.  The most highly structured maps prompt and invite compelling stories about their distributions–whose after-images seem to haunt the political landscape:  as much as define the distribution of votes, in other words, Gannett’s “infographic” offers a solution to visualize the fracturing of national politics.  The compelling nature of such after-images that are revealed in a sequence of maps is less directly signified by attributes of what is mapped, than characteristics whose significance the viewer recognize as they read, as something like traces or indelible imprints separate from their proper subject.  Such persistent afterimages offer narratives that accumulate upon the objectivity of a map.

18.  The divide between regions red and blue was not born on televised news reports of election-night, as Athena out of Zeus’ head, but as NBC’s graphics department decided to designate a national divide the compelling  map of the popular and electoral vote for president  offered a fractured landscape of electoral preferences newly divided.  Whether a social or cultural divide, or a difference in lifestyle, the division offered a way to understand something like changed political landscape of the country with George W. Bush’s victory, although the rhetoric of redrawing the political map seems tired.  The history of sharp divides between “Red” states and “Blue” states responds not only to a search for meaning in our choreographic collective, but to the frustration of birding these divides within a system of representative government, in ways that would overcome the chromatically essentiallized attributes of any region or location as distinct.

They tellingly employ the patriotic hues from the primary colors–red and blue–not only to visualize  either end of the spectrum, but to suggest the continued coherence of the data visualization in a map.  There is less intensity strong enough to generate such perceptual after-images in a map, or presume after-images might be expected to exist, given the shifting political landscape of polarization, which suggest something like a search for narratives of differences that is mediated through political institutions process a political space.  For the divides that they have imagined have also emerged as far more complex, as elections have created a remapping of finer grain than the results of the electoral college would show.  Rather than mapping “blueness” and “redness” to reveal lands divided between Star Bellied Sneetches and Plain Bellied Sneetches, GIS tools, complicating the oppositions of the data visualization.  Ways of opening up these divides over time, suggested by the comparison between the after-images Gannett’s map evinced and the image that was echoed, as if it captured either a figural expression and emotional posture of the country.

The attempt at creating an atlas of data visualizations, comparing different paper maps, would extend to a chronological ordering of the shifting spaces of political affiliations that the quadrennial recurrence of presidential elections would allow.  The terrestrial geographic map of the United States white carries intense contiguous azures in select spots and a roughly rosy interior, David Sparks found, adopting a uniformity of colors to earlier political parties and mapping how political affiliations shifted over one hundred plus years since the Civil War–or roughly from the time of Gannett’s map.  Sparks’ chronologically collapsed isarithmic map of continuous coloration suggests some continuities among voters from 1876 to 2008, if it contains multiple narratives in voting habits by predictable fuzziness in electoral allegiances for most of the country.  But the condensation Sparks devised in a video and collective synthesis reveals a proclivity among states below the thirty-seventh parallel, rendered even fuzzier in the synoptic one-minute animated graphic crafted from multiple frames from 1920 to 2008, whose animated choropleth reveals clear preserves of one-party voting, almost as if regions were inhabited by the ghosts of earlier political preferences. And the replication of the latitudinal divide immediately strikes the viewer, despite its almost air-brushed quality:

isarithmic election map 2008Many divides in maps are frustratingly opaque as they are read over time, and after-images difficult to discern, but political scientists indulge in this sort of mapping, as if in an attempt to invest historical dimensions to the individual data visualizations.  Sparks’ synthesis also interestingly compares, when extended to 2012, to the county-by-county parsing of the Romney-Obama presidential election, in which blue democratic counties spun out in the Southern cities and in the Southwest in ways that broke an earlier landscape of opposition, but which a simple geographic distribution can no longer explain, given the population density of many of the regions of the map in the Northeast and Pacific coast colored blue, a distortion mirrored the unique mosaic of votes in the Midwest and Florida–

County-by-county 2012

-.although a cartogrammic warping of the same election by population reflects the same deeply dyed blue divide of the Northeast, area around Lake Michigan, and West, and an ominous shrinkage of the population of red lands

County-by-county cartogram 2012Mark E. J. Neuman, University of Michigan

The variability of party preferences suggests the irregularity of the blanketing of red states across the interior around 2000–elections which first provoked an actually anomalous red state vs. blue state geography of polarization:  voting patterns from 1920 to 2008 chart electoral preference moves like swells across the country in improbable waves that appear driven by a combination of fashion and circumstance, as much as different areas of work or economic relationships of a fixed geography:

But if temporal synthesis muddies topographic variations in the political landscape, mapping regional electoral preference in presidential contests from 1876 to 2008 effectively define loose contours around the South–and the red blur around Salt Lake City–from the blue-leaning industrialized cities in the northeast, Great Lakes, and west.  The after-image of Reconstruction extends to the longstanding disenfranchisement of African-American voters, still evident in the recent redistricting of Alabama voters.  Despite some shifts, the landscape is recognizable:   “after-images” are not shared memories or distinct allegiances transmitted across generations, but rather reveal evidence the continued impact of removed experiences, per their resonance until they might be said to eventually fade from the picture in which they first created such strong stimuli.

The latitudinal divide that has inscribed itself on the landscape reveals itself best in maps of fine grain–but that in due course diminishes to vanishes, or mutates into new divides.  After all, the divide is not linked to the terrain; it is perhaps even best revealed in the truly compelling (and dynamic) Tableau visualization of the 2012 election’s translation to the elector college that Adam McCann created, which creates something like a distinct sea of Red below the very same conceptual divide:

2012 Tableaux

The Tableau map perhaps best reflects the national division emerging among states adopting laws not mandating that employees join unions–seen widely as anti-worker laws with the most pernicious result of endangering pensions and benefits, increasingly adopted (or introduced) as explicitly pro-business measures.

%22Right%22 to Work Map

%22right%22 to work laws in antion

Data-visualizations often intentionally offer distorted oversimplifications to readers, and fabricating divides in space as if they were permanent in nature.

Afterward:  Re-Examining the Divided Vote in Henry Gannett’s Map as an Image of the Nation

The electoral drama of 2000, when the emergence of a swath of red states reified the Republican victory in especially iconic terms, created a visual rhetoric of division that is particularly insidious.   In contest, the mapping of the popular vote after the Civil War responded to a specific localized crisis in  the country’s chorographic representation.  By giving the spatial distribution of the popular vote for the 1880 election in readable form, Gannett explained the problematic electoral divide–a divide far more salient and problematic than most other periods of the blurred lines of the red-white-and-blue airbrushing of the lower forty-eight that Professor Sparks devised, and that reveal a crisis in political representation–as well as chart the depth of the after-image of Secession in the era of Reconstruction.  Their close proximity to the aftermath of the war led them to create a clear mirror of the political  debates of Reconstruction and in the years before the 1880 election that Republican candidate James Garfield won, but by barely claiming a razor-thin majority of the popular vote, that the statistical battery of the distribution he had at hand caused him to produce a compelling explanation of the vagaries of an electoral system much of the nation’s voters didn’t fully grasp or comprehend–especially since the results of previous 1876 election had been inverted not by the electoral institution but by the Senate’s compromise.

Gannett acted as something of a medium of reflecting deeply-held opinions in inscribing the electoral differences across the United States.  Acting like the cartographical conscious of the divided nation, he mapped how the translation of popular to electoral votes restored a coherent if deeply fragmented sense of community–although one that also provided a basis for future after-images of a divide.  For Gannett set out to create such a statistical map that explained the Republican victory in ways that could be readily digested by a larger audience, to be sure familiar with territorial maps as illustrations of the continuity of the new country, but less sure of how to reconcile that very continuity with the obstinate divisions between political parties who divided around issues of Reconstruction and slavery that the war had provoked.

Political polarization has not only characterized the American political landscape for some time.  The division that began in quite different guises, however, in the aftermath of the Civil War, that pale before the recent divide between Republican and Democrats.  The divisions in the popular vote of 1880 were so stark to lead Gannet to come to terms with their divisions.  He preserved in cartographical terms a record of the divided nation that would readily explain the Republican victory in ways that could be readily consumed, that provided a compelling record of the after-image of the divided polity for an audience whose familiarity with maps of political unity was only relatively recently developed.

The intensity of given counties’ deepest opposition to the Republican platform that advocated Reconstruction as even more intense than Republican support was in much of the north:  although the map is, most prominently, a record of the rejection of secession, and election of a Republican president–Garfield–so used are we to seeing such topographies of opposition in the most recent electoral maps, we almost reflexively detect a steep opposition in counties across Arkansas, Texas, Louisiana, Alabama, Mississippi, and Georgia as well as Virginia:  the divide immediately catches the viewer’s eye, and data “speaks clearly” to the viewer, given the sophisticated ways that Gannet, as the Superintendent of the Census, used tools of line engraving to calibrate the intensity of voting preference–Republican or Democratic–to map a topography of preference in his map six deepening hues of red, ranging from light pink to deep carmine, or from baby blue to deep azure, saturating counties different colors to reveal the intensity of their inclinations in a stunningly clear topography of majoritarian divides whose modernity immediately strikes us as considerably refined parsing of the popular vote by color coding the proportional distribution of the vote per county for his readers.

3_scribners_1883_625_0Library of Congress

KEY Rep:DemLibrary of Congress

4_scribners-1883-electoral-vote_625Library of Congress


The United States was effectively redrawn, in the redolently patriotic topography of red, white, and blue that both respected local variations even as it recognized a landscape of continuing political differences.  In ways that use of the artifice by which electoral maps can resolve the outcome of contested Presidential contests, the map proves something of an emblem that can be glossed so as to unite the country even after he most bitter divides.  The post-civil war divide during Reconstruction occasioned what Schulten calls “the ancient map that invented Red and Blue states,” as an economic way to describe the different levels of support of each party, and the limited rootedness of that support across geographic divides.

It also reveals the increasing authority of data sciences and statistical mapping as a means of understanding and distilling a complex moment of political change–we can excuse her for dating ‘ancient’ from the burst of statistical maps of early big data in the late nineteenth century, when statistical geography tried to reconcile the big data with the need for images of national unity, although if they offer an early precursor of the hunger for data,  they remain distinct from the less refined skills of visual discrimination that were used in early twenty-first century computer-assisted graphics, and the recent proliferation of their explanatory force.  While the Gannett map reflects the authority of the engraved map as a form of understanding the nation in the mid-nineteenth century, based on new techniques of lithography, to clarify pressing questions of continued national coherence, the fad for the data-visualization–an artifact with deep roots in the nightly news–provoked a search for the selective criteria that best summarized national divides which effectively removed the nation from its past.

Questions of wrestling with American identity from a deeply historical perspective had arisen during Reconstruction because the Republican party had allied its anti-slavery platform as  preserving the integrity of the nation and as the centenary provoked historical perspectives on national identity; the measurement and digestion of recent historical events in graphical guise, Schulten reveals, provides an early form of the info graphic, adopting recent techniques of shading in color lithography to process the popular vote of 1880 in which nine million Americans had voted, and the victor, Republican James Garfield, drew only 7,000 more votes nationwide than his Democratic opponent.  For Schulten, the innovative statistical map of such fine resolution newly “enabl[ed] Americans to visualize the spatial dynamics of political power”–or an election’s results–as it “more systematically measured” election returns, “showing a nation organized not according to railroads and towns, or mountains and rivers”–mapping the vote across counties at a fine grain that invited viewers to navigate and note salient divides in the political landscape that was still haunted by Secession.

The map provided a basis to materially render a political divide in ways that materialize the electorate’s distribution.  Gannett’s map is also striking for how it registers something of an “after-image” of succession, as much as it preserved an image of national unity.  The map offered an image of representational democracy–in which an election could be determined by but 7,000 votes, or shifts in several counties in New York State–in other words presents a new problem of unity, and of Republican dominance after the Civil War.  The map responded to significant uncertainty about the continued integrity of a nation by a Republic president after the election–the cartoonist Thomas Nast seems to have foreseen their electoral victory in a comic news map, representing a sturdy behemoth elephant that would carry the nation, but which obscured its eyesight, piercing Maine and California to balance the midwest on its broad back:  “The Republican Animal Will Carry It,” Nast foretold in a brief legend–the prolific political cartoonist who had long despaired at Republican compromise with the south was displeased by Garfield, but resisted commentary and conceded that the elephant was laden with the map it would carry, and drew few more cartoons about the election.


Gannett let statistics speak eloquently in graphic form to explain how the narrow election translated into electoral victory.  The spatial dynamics his map reveals itself presents a detailed after-images of former slave-holding Southern states–in the continued intensity of popular opposition to the Republican candidate.  Although the narrowness of the margin of victory Garfield won in the popular vote–still the smallest in American history–translated into a handy electoral college victory, the map revealed the continued dominance of opponents of the Republican party in the south, here gauged by the intensity of their opposition:   the two-color chart reveals not only the intensity of deep carmine distrust of Lincoln’s Republicans, but calibrate the intensity of opposition county by county, as if to document the efficiency of the suppression of the votes or voice of many former slaves and free African Americans, now enfranchised by the Fifteenth Amendment–save those Republican redoubts where they were possibly more effectively mobilized by those blacks who had returned to the South during Reconstruction.

The divisions that then defined the electoral landscape still held clear marks of Southern secession, traces apparent in the fields of crimson bridge the symbolic and empirical.  In an age of digital mapping and data visualizations, readers are often invited to tease out as lines fracturing the political landscape.  The local variations in the voting patterns, Gannett sought to show, clearly translated into blocks of red in the electoral map he prominently inset in the large national map at its foot, revealing how the nation seemed broken into two competing constituencies.  The map has special resonance in light of the narrowly resolved election of 1876.  Indeed, the map came tacitly seems to come to terms with the divided electorate in that presidential contest, between Democratic Senator Samuel J. Tilden and Republican Rutherford Hayes, where the vast majority of Southern states had voted against Hayes and for Tilden, as in 1880, but rather than leaving the vote to Congress, Gannet’s tabulation of the vote with precision elegantly resolved a narrow popular vote, but served to explain the spatial distribution resulted in a clear winner.

The map offers an early precursor of the recent divide between “Blue” and “Red” states, Schulten noted, but serves to illustrate not only a divide but the resolution of a divided electorate through the political process.  The map appears to resolve a newly opened chasm within the electorate, and to hope to resolve that gap in ways that readers could process as they ordered out the county-by-county tendency of the bitterly contested popular vote that determined a race that seemed as if it could go either way as the popular vote was tabulated–and which staged a drama that demanded resolution in a more conclusive cartographical form.

1880-popular-vote-mapLibrary of Congress

The clear variations in a something of spectrum of light blues and light pinks that was so specific to Gannett’s map was interestingly not retained in the inset map of electoral votes–at first sight Minnesota and Vermont were deepest blue, and Texas, Louisiana, Mississippi, Georgia and South Carolina deep red, but this only suggests the distribution of electoral votes by shading states in graduated tones to show the popular vote in the synoptic fashion that we have become most familiar, if only because electoral votes are counted by the state as a whole.

4_scribners-1883-electoral-vote_625Library of Congress

The divisions of the country by political preference were, in the end, less accentuated than its unity.  Republicans had cast themselves as the party of saving the union in 1876, and the preservation of the Union remained on the front burner of American political culture during the divisive presidential election of 1880, which was in ways a contentious repeat of the resolution of a country divided by Reconstruction.  As US Census Superintendent, Gannett devised the project of compiling a highly detailed county-by-county account of the distribution of the national popular vote of 1880 whose publication was designed to overcome division by registering the depth of votes for the Republican candidate, Garfield, that made his victory–if actually as narrow as that of his predecessor, Rutherford B. Hayes, itself resolved only by the electoral college–a form of affirming the electoral system as well as a persuasive statistical synthesis, presenting the results of the electoral map in ways that viewers could readily process.

It has to provoke pause that a similar latitudinal divide across the United States continues to haunt the mapping of distinct local levels of taxation on as quotidian a commodity as gasoline by similar forms of shading.  For the gas-tax latitudinal divide not only maps questions of taxation; the status of taxing gas taxes maps a region marked by federal suspicion:  the divide in states’ boundaries registers deep continuities in attitudes toward the political acceptability of introducing a further local taxes that would hamper access to what is taken as a marketplace right.  And the picture of a deep divide that the presidential election of 1880 created as sharply defined precedent as any to trace through the stark shift in public priorities and notions of good government revealed in the Exxon-Mobil gasoline tax map not only “explains a lot” about the United States, as American Petroleum Institute blogger Ken Cohen offered, but traces a continued after-image of secession.  Discussing the haunting of the info-graphic with a removed divide that seems uncannily present in the map itself, will be the subject of a set of future posts in this blog.  For the demographic divides that the map instated left the union haunted by stark divides that at times seem burned into our collective consciousness.  Maps bear traces of the collective experiences with which entire nations wrestle in the modern era, where big data offers the basis to take the temperature of national unity.

Gas Tax

gas key

The recent election in Scotland, to be sure, suggests less of a trace of the past in its distribution of the popular vote or a continued mark of an electoral divide in the UK’s political culture.  With thirty-two of thirty-two reporting, the referendum of 2014 reveals less of a divide than an uneasiness of self-segregation, or uncertainty of autonomy, despite a clear vote around Glasgow.

Scots Referencum


Despite longstanding notions of Scottish separatism, in addition to the difficulties of rejecting the continued benefits of union, and the promise of its institutions, the absence of a separate political culture or perhaps of an existing after-image of separatism on which separatists could draw to mobilize their cause.

The fear that the tax-resisting California Drivers’ Alliance has stoked to mobilize against a hidden gas tax set to take effect in 2015, as part of the state’s efforts to expand the cap-and-trade program, is promised to be poised to put the squeeze on drivers who find themselves at the pump of up to 76 cents per gallon,  as if this were an entirely unwanted and unwarranted imposition on consumers–a point on which the Wall Street Journal readily agrees might prompt “an immediate jump in prices at the pump” onerous to the poor, to raise needed funds for carbon permit auctions.  The rise of this pro-industry if non-partisan community-based movement is based on a similar rhetoric of fear–evident in the forecasting of a loss of jobs that would result of some 18,000–justifies itself on the charge of failing to protect consumers in a similar rejection of representational democracy that has not heard the “pleas of California drivers who will be hurt by higher fuel prices” as if it would only create a “slush fund” for politicians disconnected from their constituents’ needs and are intent on curtailing public debate.  The basis of separatism has less of precedent in the state, however, where there is less recognition in a deeply “blue” state of a discourse of local autonomy and self-interestedness, and far less currency or symbolic capital of mapping the state as an entity apart.

Anyone who has made it this far and seeks more on the visualization of national unity in Gannett’s 1880 map can continue here; and is invited to look at Susan Schulten’s exemplary website, a companion to Mapping the Nation.  For those with an appetite to consider of the survival of the Gas-Tax Latitudinal divide in recent info-graphics betraying an after-image of the divide Gannett first commemorated, do look here.


Filed under data visualizations, infographics, mapping national divides, Red states v. Blue States, statistical maps

The World Once in Oakland

There are multiple layers of nostalgia in the antique map found in the marquee of De Lauer’s Super News Stand in downtown Oakland, California.  While the sign has long been an emblem of their comprehensive sales, the value of a map that so dramatically foregrounded the prominence of the United States in such an exaggerated fashion is both heavy with nostalgia of a past sense of the global centrality of north America in world news, and also of a time when the news was able to be mapped or derived from different fixed news bureaus, and bridged places otherwise removed from one another as proudly displayed on its magnificent if quite intentionally geographically distorted marque.

De Lauer's Globe


The black and white marquee of De Lauer’s Super News Stand seems a time-capsule of an earlier sense of Oakland as news entrepot, and of an era when newsprint provided a primary sense of immediate access to the wider world.  Amidst fluted pairs of caste-bronze gas street lamps in downtown Oakland, a kitschy illuminated globe marks a site of pilgrimage for newsprint, founded by a family who sold newspapers from pushcarts since 1907–both a mecca of the printed word and monument to past empires of print.  The intentionally distorted globe on Broadway carries maps, but uses the image of the US-as-world to boast of the breadth of its array of some three-hundred plus American and foreign newspapers and some 6000 magazines was a paradise of crumbling paper and glossy picture magazines, from fashion to crafts to hunting arts, complemented by comic books, triangular sandwiches and an array of cigarettes and cigars.  The magazines that often seem dog-eared from use are encyclopedic in variety, and extend back to the roped-off adults only area in the back, and are flanked by paperbacks.  (Rumors has it that incense from nearby Chinatown was burned regularly to disperse the smell of newsprint.)

The 24-hour round-the-clock schedule, before the news cycle contracted, doesn’t help the slightly worn appearance and feel of the store that might be at odds with its boast for such comprehensive news coverage.  But it symbolized a sense of easy access to news sources in an earlier era of print, as a venue to which anyone could obtain to at virtually any time of day.


delauers with papers at hand


Beside Oakland’s Tribune Tower, between 13th and 14th on Broadway, De Lauer’s Super Newsstand boasts a range of papers from round the world, and a wide selection of foreign magazines whose scope its patrons boasted did not exist west of Chicago.  Laid out in the sort of space usually reserved for a small supermarket or bookstore, its deep interior has the spaciousness of a sort of library and proud arcade of the quotidian, linking “your home town paper” to the world, back when newsprint linked the world.  And where else to buy books of superheroes than a super newsstand?


news marquis


Built beside the line of old streetcar lines and trolleys that formed an extended network across the city until 1958, De Lauer’s was a destination and a site of the distribution of news, whose papers from the Tribune Building next door spread across the East Bay–the dense business in the downtown area is evident in this Key Car Map of the old city center around the Broadway line and nearby Feeding Point by the Lake:


Oakland Key Car System


The site described as the best site of its sort west of Chicago was a survivor of downtown Oakland, whose own map had changed so much from the bustling department stores of the 1960s.  It was the site for comic books, foreign news, fashion magazines, and more, before gossip, cooking and craft magazines dominated the press.   The luminescent globe on its marquee carries the sense of global news coverage and the optimism of the early 1960s–before the 1968 riots or 1964 Free Speech Movement–that placed North America triumphantly stretched across and filling its parallels and meridians beneath the banner of the one-of-a-kind newsstand itself:  De Lauer’s Brings You the World, it still boasts, with a grandiosity of a world’s fair under a single roof, even in an age when newswires are readily accessed on the internet, and print seems a charmingly antiquated medium ill-fitted to the 24-hour news cycle.

But what about that map?  The globe on its axis is illuminated as something of a relic from an age of the Magazine Emporium; the marquee of the Super News Stand on 13th Street charmingly symbolizes the illusion of comprehensive coverage in an era of world news mediated by print, that occasioned the marked distortion of the prominence it gave North America:



De Lauer's


The prominence is more than a slight distortion of the prominence of America on the globe–


globe map

–but echoed the centrality of news that affirmed the connected place of America in the world, as well as the profusion of newspapers and sources in the United States.

The emblem of news funneling from all over the world into one newsstand was the premise not only of De Lauer’s, but of the world of print media that it nourished, now sadly an artifact quickly receded with the advance of on-line news, where we are less focussed on the global importance of American news, or, for that matter, the authority of one site to present world news.





The ostensible focus on the world and actual depiction of North America on the marquee is not meant as a cartographical argument, but echoes the limited concern with other regions or territories in this uncredited map showing the “dependent territories” of the United States, from a classic 1904 manual of American history, which similarly foregrounds the United States as central to a global context and obscures other national boundaries in a uniform gray:


Uniteed States and Dependent Territories

But geographic knowledge was not the point of the De Lauer’s logo or marquee, so much as the comprehensiveness of their stock; De Lauer’s concentrated on all the nation’s newspapers, if it also expanded to include a range of those world-wide, in a gesture of cosmopolitanism of the city, and a complement to the grandeur of the Tribune tower, constructed in 1923 after Renaissance Venice’s bell tower of St. Mark’s–as UC Berkeley’s Campanile–as if to echo the grandiosity of claims to empire on the sea, and is inflected with a distinctive Moorish style.  But the grandiosity of the terra cotta apex of the Tribune Tower suggests the bold design of the storefronts of older buildings in Oakland’s once-grand downtown, several buildings of which are adorned by arte nouveau reliefs.


Tribune Tower


(The sense of Oakland as news entrepot was even more evident in the previous if less majestic tower on the building that resembled a transmission tower and recalled the early role of radio, long before broadcast news:




The subsequent expansion of the 20-story tower added to the building in 1923 reflected gave it a more elegant sense of keeping time for downtown.)

The newspaper store had grown rom a single outdoors newsstand, first moving into the Tribune Press building on 12th Street, the expanded 1301 Broadway store housed a wide range of papers and magazines, complemented by books, postcards, school supplies, maps, cigarettes, energy drinks and souvenirs, a repository of the news and arcade of daily communications from the newswires more than a 5 & dime store. De Lauer’s oddly became a bit of an intellectual hangout by the 1970s as a site of leftist magazines.  From the 1970s to 1980s, the illuminated marquee on Broadway was a sort of beacon of world-wide news sources and foreign magazines within Old Oakland’s downtown–where newspaper offices are still clustered in the city, encompassing the world’s news and leftist reviews, and, before the accessibility of world-wide news sources in online form, selling to a wide range of folks and providing a sense of open-ness which perhaps later led the store to permit homeless to camp out by its windows’ permanent 24-hour glow.

Charles De Lauer worked tirelessly at the stand seven days a week until his sad death at age 91, providing out-of-town newspapers, racing forms, and magazines 24 hours a day even in a declining market for news and the rise of USA TODAY.  The building consolidated a family business once represented in some forty newsstands and wagons across the Bay Area–albeit a Bay Area of far reduced size from the present–and earns wide praise for surviving an era of news streams in digital form, as well as providing a source for newspapers and glossier magazines hard to locate in papers , although it’s perhaps now better known for illuminating the  transsexual prostitutes who stand on Broadway below its night lights after the neighborhood closes down.



The landmark was rumored to be threatened with closure in 2008.  It was saved for a reprieve by an Oakland non-profit, but by he had reached his nineties the aging De Lauer was overwhelmed with fears that the time had come to close the curtains on a store from which over three hundred papers once circulated:  “This is a business that time is passing by because everybody has a computer,” he observed stoically, fearing the end of viability of his Catholic commitment to print.  As rumors circulating it was shuttered and provoked an outpour of support, just a month before the already retired De Lauer died of lymphoma and leukemia, the shop stocking 300 newspapers was bought by Citrine Advisors, and the store remains afloat, doing a brisk business of not only cigarettes but triangular cello-wrapped tuna fish sandwiches and soft drinks, energy drinks, adult magazines, paperbacks on world history–and range of local and state maps.

The wonderfully antiquated if imprecise cartographical crest of De Lauer’s that still illuminates Broadway 24 hours a day, by the BART and Civic Center was never so much an actual map as an emblem which celebrates the promise of the all-embracing content stored in the magazine racks of the print arcade; the sign declares the US the information center of the world, and the world as existing and refracted through the US press–contemporary with the  Pan Am logo, say, or other images of inflated optimism.  The map was hung, perhaps not coincidentally, just before the Cuban Missile Crisis, and panic about Soviet missiles located in that island, itself notably absent from that map above the Super News Store’s storefront.
The departure of even the map that was once so central to the store’s image in recent years left the logo the long adorned the now sadly stripped marquee and abandoned wall–
as if yet another casualty of the internet economy, which has transformed the store into only something of a mecca for glossy magazines.
It was, after all, only the range of magazines stocked gave a new sense to the global map that hangs outside the store.
It was long a hub from which newspapers once flowed through the East  Bay, and from which you can obtain all seven papers distributed by the Alameda News Group, as well as a range of out-of-town newspapers that are hard to obtain from the few vending boxes that still dot the streets.  The illuminated-globe logo of this 1960s emporium announced  a cross between a library and entrepot of world news, and the store, still surviving in the digital era, now survives by selling food and porn, like a steadfast guardian of the printed word and random convenience store.  It remained more than an icon, but an active center:  open in the 2010 riots at the same time that all other Oakland stores were boarded up, and doing  brisk business at the same time as the 2011 Occupy movement led to more shuttering of stores in July and August, when the store provided Occupy protesters with an unending supply of sandwiches, power drinks and cigarettes as they made headlines in the news.  Yet after years of running in the black, the store now run and by Fasil Lemma, who had long helped De Lauer keep the business afloat, with his partner Abdo Shrooh for over four years, is feared to have found a new tenant–and a 7-Eleven had already leased the site in 2011, although their permit was still awaiting pending city review.


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Filed under De Lauer's, De Lauer's Super News Stand, History of Oakalnd, Key Car Maps, maps and advertising, News Maps, newsstands, nostalgia and maps, Oakland, Oakland CA, Tribune Tower