Tag Archives: American Politics

Mobs and Jobs

Although we imagined that the barbarians crossing government barricades would arrive from the edges of empire, the edges from where the acting President had been mapping threats of their arrival for five years, imagining the crossing of caravans from south of the border with near anticipation, these barbarians arrived from all over the nation, from outside of the gridlock of Washington, DC, but to the Capitol building, to reclaim it for the people. While we focussed on the crowd assembled at the Rally to Save America as an event announced as an event that “will be wild,” on December 19, as if to make plans before Christmas to attend a final rally in Washington, DC, a final event to “swing victory to Trump” on the eve of the inauguration of Joseph R. Biden. Trump approached the crowd of admirers less as a farewell speech than one energized by being surrounded by MAGA gear, a confirmation of the fact it was “statistically impossible” to have lost the 2020 Presidential election, but rather than a denial of his loss, setting the stage for January 6 as a reversal of the election’s results–and led so many of the MAGA crowd to bring election garb and flags to the event organized to stave off a peaceful succession.

While the January 6 Committee found Trump consciously energizing an armed crowd of supporters to charge the U.S. Capitol–a script that echoed Hitler’s instrumental use of lies to undermine the workings of government by appealing to a love of country and nation to the Nazi party, by casting the incoming President as a criminal, and demanding the saving of country by an overthrow of the government–and perhaps even hoping that if the march on the Capitol was as much of a fiasco as Hitler’s 1926 Munich Putsch, it may have allowed, as David Gumpert excitedly argued, a means to mobilize a politics of grievance. He cast January 6 as an event of retaking the nation, the Save America Rally morphing into an occasion for personal redemption, in ways Trump, even after the insurrection or failed coup, which he recast as not an armed insurrection but one of those “things that happen when a sacred landslide victory is so unceremoniously & viciously stripped away from great patriots who have been badly & unfairly treated for so long” in a rambling social media tweet.

Trump had staged an attempted coup–or a half-hearted attempt to improvise one–inviting admiring acolytes to “walk down Pennsylvania Avenue” as a body to halt the joint session of Congress tabulating electoral votes–in an invitation to enter the halls of government with violence to overturn the election on that day, or create a good story of preserving the nation–and capital-“C” Country. The term “Country” invoked over forty times in speech transcripts are not capitalized, but he ad-libbed an invitation supporters to move toward the Capitol, framing the march as an attempt to prevent what “will be a sad day for our country,” urging them to “stand strong for our country, our country [as] our country has been under siege for some time,” invoking opponents eager to “hurt our country,” reminding them, eighteen minutes in, “you’ll never take back our country with weakness.” Trump, impresario of the insinuating ellipsis, mastered the genre at the Ellipse, as if elevated by a sea of MAGA signage more dense than seen since the campaign, reminded the crowd they would not support all senators or congressmen, but only those standing by his claims of election fraud.

Republican Kevin McCarthy squarely blamed Trump for the riots that night, but two years to the date responded to the former President who demanded thanks as “I did the Country a big favor“–using the capital C–to secure votes for McCarthy from election deniers, an act of obeisance McCarthy fulfilled, appeasing Trump’s ego by noting “I don’t think anybody should doubt his influence” in Statuary Hall–where men in MAGA regalia, two years earlier, gleefully carried the Speaker’s podium. McCarthy–the key witness other than Trump who refused to testify to the January 6 Committee–calling it illegitimate and refusing to allow any of the Republican party to participate in what he called “an abuse of power.”

January 6 MAGA Protestor in Statuary Hall/Win McNamee/Getty Images

Telling the rump of constituents that had congregated at the Ellipse they were “protecting the country,” the master of extended ellipses crafted a speech at the Ellipse rich in innuendo and and suggestion of danger to the nation–and mentions of “Country” that the transcripts of the speech cannot fully capitalize. The identity of the crowd that Trump created was planned over the long term–not crafted in twenty days between the call to assemble in Washington DC on December 19 and January 6. We might well map the arrival of energized participants in the culmination of Stop the Steal rallies across the country, a rally that promised to Save America as if to echo the end of times, by flared arrows, as they migrated down Pennsylvania and to the Capitol, as if on the street directions issued by the outgoing President.

Trump was verbally mapping an image of a wrong country, whose barbarians were standing at the gates, not at the Ellipse. Channeling the rhetoric of hell-fire preachers promising redemption and national will, as if to go back in time to undo the election as Inauguration Day approached, the question of whether the crowd gained its unity as the President spoke, urged on by militant groups on the way to the Capitol may be debated. The master of the ellipsis found his stride at the Ellipse, basking in the display of signage and flags, perhaps, to stray from his Teleprompter to improvise an ad-libbed call to advance to the capitol, directing his followers to advance to the Capitol building as if to sanction their unity as a violent group,

The almost entirely all-white crowd of men–and very few women–carried signs of starkly ideological bent that seemed to overflow on television screens, as if designed to throw civil society off balance rather than allow the election to conclude. They mapped their own progress in the name of the multitude of flags they bore, dominated by the flags of the election that they refused to admit they had lost, as if to elevate the claims of election fraud Trump promoted as a crusade for the country. The crowd he assembled so provocatively, heard how a “system absolutely, totally rigged” had led to a stolen election was not only marked by “massive, widespread, total fraud,” as he had insisted since November, but had found the moment to “fight to expose this voter fraud and demand transparency and election integrity” by advancing to the Capitol. The call to erase any gap between political representation and voters was a call to arms masquerading as a call for transparency, mobilizing a crowd as truth-tellers who might invade the Capitol while fully armed as one body. When Elias Canetti pondered the force acquired by a crowd as an entity, and the consolidation of a crowd in terms of an elemental power, he addressed fascism, but also raised questions of the responsibility by which a crowd could be invested that seem to remain on the table after the hearings of the January 6 Committee have ended,.

If the January 6 Committee after exhaustively interviewing the Trump White House staff and campaign associates found Trump consciously assembled and riled up a crowd to enter the Capitol to prevent the ceremonial transfer of power, creating a crowd as the crucial backdrop of consensus to flaunt the election’s results and to rewrite history. The staged coup was a way of marking a final attempt to retain the Presidency, it may have echoed the prominence that Hitler would assign the Bavarian Beer Hall Putsch in his prison memoirs, the forward to Mein Kampf, a book Trump once kept on his bedside, and that echoed the disgust with which Trump queried the loyalty of the American military while in office–“You f—ing generals, why can’t you be like the German generals?”–as if to model the subservience of the American military he imagined German generals had for Adolf Hitler, shortly after his election, in 2017. Hitler had commemorated the 16 party members killed by state police as he tried to kidnap government leaders by gunpoint became the propaganda victory for the Nazis, calling them martyrs in the preface to Mein Kampf, and burying them in “temples of honor” in downtown Munich where he staged party rallies to their remembrance on the anniversary of the putsch even after he was elected chancellor, celebrating their devotion to Germany. Trump had not only adopted increasingly violent language by the summer of 2020, but was immersed in these speeches: presidential historian Michael Beschloss set off a social media flurry over Trump’s relation to Mein Kampf or a volume of collected speeches My New Order, a sequel of Nazi propaganda repeatedly cited the Putsch as critical point of the Kampfzeit and sacred history of the Nazi Party– Heilsgeschichte–whose martyrs were commemorated in national parades in the German Reich, its “martyrs” buried in sacred temples.

Did Trump aim at creating a similar moment of national commemoration, akin to the bizarre National Garden of American Heroes he had imagined on July 3, 2020, while attacking the “angry mobs . . . trying to tear down statues of our Founders [and] deface our most sacred memorials”? The announced park would featuring “the greatest Americans ever to live” included Davey Crockett, Billy Graham, Henry Clay, and Antonin Scalia raised eyebrows as currying a cult as provocative as confrontational, if cast in an Executive Order as “opponent of National Socialism or International Socialism.” The calls for a statuary garden of almost exclusively white men seemed to mark an entry into the late era of strong man delusions, increasingly rambling in his speeches imagining visions of grandeur that was slipping away. If Hitler’s account of National Socialist martyrs was known to Trump, the armed confrontation to save the nation was eerily echoed in the Save America rally featured a repeated evocation of Country in ways that similarly concealed his grab for power. It would not have been known to the crowd he assembled, but the script did not matter. The ‘story’ that he told was less important than the need for saving the nation, long honed against the spiking of the word “insurgent” in New York Times articles from around 2000. By 2020, the concept of an “insurrection” that had suddenly come home to roost, or been staged for national television, as the term that had not often used in peacetime loomed large in people’s minds. The nativist tenor of the March on Washington seemed reflective of a weird, old crazy America, reborn to prevent a stolen election, and the dire consequences that from such theft–as if it were akin to a new Original Sin, might ensue. The advance of barbarians were invented by the founders of democracy, the Greeks, Mary Beard argued, animated by the fears that their conquest, either imaginary or real, would be destined to triumph–from Persia or, later, from tribes living in German lands–but the fears were born from the awareness that the true barbarians lay within their midst, even if the fears were projected beyond the borders of the democratic nation or the boundaries of the city-state.

Barbarians Who Attacked and Destroyed the Roman Empire

Barbarian Invaders Filling the Vacuum of the Disappearance of Late Roman Empire, c. 480 AD

The fears of the barbarians had been conjured by Donald John Trump from outside our borders, as in a film like Touch of Evil, that recreated the fears of the danger of gangs and drugs on US-Mexican border in the 1950s, by a film-maker who Trump has described his deep affection for and steadfast devotion to, but the barbarians who sought to defend the Trump Presidency, and the call to Keep America Great, or even Save America, were born within America’s borders, indeed from across America, born by the busloads of flag-waving Trump supporters–they carried their own flags and self-styled garb–to reenact a call from on high summoning “patriots” given the license to “be wild” and to exercise their own rights of insurrection.

Joedson Alves/Anadolu Agency

As if in an appeal to force the representatives they had elected to perform the task for which they had elected them, they sought to clog the machinery of government and stop Congress to achieve by force what the election and their own representatives had not accomplished. In a screenplay and scene evoked in 2022 as supporters of former President Jair Bolsonaro mobbed Brazil’s Congress and Presidential office, as Bolsonaro’s claims of another rigged election were amplified on social media by calls for a massive show of crowd force to overwhelm a constitutional frame. In summoning crowds urged on social media to “take their country back” by mobbing capitol buildings, and post social media footage of their entry into government buildings as if to restore the Putsch as a repertoire of politics. One might go farther: if the assembled crowd wearing MAGA garb and clothed in American flags mirrored Trump’s anger, as they were deputized as agents of his rage, pro-Bolsonaro protestors who arrived at the modernist center of Brasilia’s complex of structures wore Brazilian flags that mirrored the self-described crowd of the January 6 riots who advertised their patriotism, as they arrived at the palatial complex to deface its monumental plate glass. They imitated January 6’ers in goal to take back the country, Putsch-style, imitating or reflecting the MAGA election deniers: lauded by former aids of Trump on social media, as “patriots” or “Freedom fighters,” alt right media of election denial had fed calls to retake government from the Capitol Riots, as if they were claiming transparency and a return to values.

If the movie set was quite different, rioters bussed into Brasilia adopted emblems of patriotism to deface the facade of Oscar Niemeyer’s modernist buildings of the Planalto Palace and Supreme Court were akin to a scene from Blade Runner. Trucker blockades had led many Bolsonaristi to stage blockades of the national infrastructure, akin to Canadian truckers’ blockades, waving national flags, the day after the national election that their leader lost, who was supported largely in the smaller villages rather than the large cities of Brazil, as if in an attempt to close national roads to stir up economic chaos by disrupting the winter corn crop in the moments before Bolsonaro conceded, demanding a military coup. Bolsonaro had since fled the nation, but his refusal to recognize his successor as his successor precipitated the emulation of the MAGA crowd as crowds of Bolsonaristi entered the open Niemeyer structure that was a symbol of the nation’s democracy, as if bent on exploding the political process.

Brasilia, January 8, 2023

Issuing heroic calls to action that they tried to perpetuate in social media, the Capitol Riots had in two years morphed from an anomaly to a model sanctioning extra-constitutional political violence to take a country back. The calls to patriotism that echoed on the internet assembled an onrush of a new version of the mob, or, perhaps, an older image of crowd rule, manipulated by a Leviathan or a new nature of a commonwealth, promising to resolve the brute nature of what Hobbes called “the condition of Civill warre”–or that cast a state of civil division as its bogeyman, promising that sovereignty would descend not by a constitutional or hereditary Right of Succession but by social media calls for assembly at emptied halls of governance, filled with new images of the nation that had so successfully appealed as a source of strength. Weirdly akin to the January 6’ers in their lack of any strategy or goal, save defacing buildings to spark a greater revolution or a memory of a struggle for the nation, they incarnated an oppositional politics verging on a return to a Hobbesian State of Nature in the destruction of symbols of political authority. To be sure, the riots of Bolsonaristi recall the largely rural political unrest during the pandemic in 2020, by motorcades demanding an end to the quarantine governors had imposed in the pandemic– the central government had offered no recommendations for health policies–as pot-banging protests intensified outside cities as a form of political dissent for the absence of a national policy. (Were these not akin to the George Floyd riots as a form of national politicization?(

Political Unrest During the Pandemic in Brazil and Nicaragua, March-June 2020/Mapbox; OSM data

The rural Brazilians who had entered Brasilia on busses were deeply analogous to the rioters who arrived on March for Trump busses sponsored by My Pillow executive Mike Lindell. Yet the protest was similarly a new relation between center and periphery, designed to circumvent voting procedures.

How was the contestation of politics as normal, or constitutional political process, begun in Washington, DC, but as a call to identify themselves with the multiple visions of the nation that Donald Trump had been so successful in binding? We fail in mapping the crowd moving from the Ellipse advancing along streets, itineraries or fixed spatial vector lines, heading due East to the Capitol. A simple route cannot track the coalescing of the crowd congregated at the Washington Monument with a greater density and unity as a crowd, what Elias Canetti asked us to interrogate as called the moment of discharge, investing an energy that did not earlier exist, but constituted the crowd assembled by the former President who had summoned them there as he energized their numbers and empowered them as a crowd to act outside constitutional framework, and to assume a status beyond political parties by a call to defend a country.

The on-line call to action triggered the arrival of men with heterogeneous rsymbolic emblems–of minutemen, of pro-police thin blue line flags, even flags of crusaders–dominated by MAGA signage and outdated election flags of a candidate who had lost. It was far less ununited or disunified than it may seem; it incarnated a broad based following that stood in opposition of refusal to accept authority of the tabulated election results, incarnating anger that Trump had invested in them at the Ellipse, and channeling his anger. It was not only a product of social media, but reflected the anger of that moment in a liminal space now in Washington, DC–as Trump supporters were, as he tweeted January 5, in real time “pouring into D. C,” who “won’t stand for a landslide victory to be stolen.” It was the behavior of an unruly crowd with its own logic, a “Trump Team” engineered by personal ties to his feed, energized to preserve a country they mapped by clearly ordered boundaries and one social order.

January 5, 20221

The crowd’s members had assumed a newly energized unruliness and new coherence of surplus rage, as they approached the Capitol building, and stormed its barricades, dismantling fencing, breaking down doors, and entering the halls of government they sought to disrupt and to cleanse or purify–apparently, if necessary, by their own blood, in the ultimate sacrifice as Christian soldiers, to take back the capitol as a site of government. “We will not take the name off the Washington monument,” he told the crowd ten minutes into the speech, and neither “take down ” or “get rid of the Jefferson Memorial, either take it down or just put someone else in there,” calling for a restoration of order, and rejection of fraudulence, giving a direction to the crowd by reminding its members they had gathered “for the very, very basic and simple reason, to take back our democracy,”

The new unity of the crowd, the moment of “discharge” or release of surplus energy that it gained, may be mapped in the increased coherence of the vectors by which they moved down Pennsylvania Avenue, as the outgoing President had instructed, down the National Mall, as if a negative image of the crowds that were present at his own inauguration. But the heterogeneous signage that they were bearing in banners, the surplus energy of the flags, secessionist symbols, or historical imaginaries and imaginaries of historical reenactment held up for television or live-streamed, transcended the drama of inauguration. It created a surplus signification of demands for a government that was white, male, Christian and powerful, that denied plurality and diversity, in way that the visualization below cannot represent.

They gained energy as they approached, forming new bonds of social cohesion that were hoped to fill the Capitol building with a new air of direct democracy as they advanced. They grew more energized as the possibilities for discharge grew to cross the boundaries of police barriers, locked doors, and the border of the Capitol with a heady combination of the sense of preserving freedom and instinctive desire for submission, entering a multitude of diverse constituencies beneath the identity of Trump, and Trump’s new claim to Keep America Great and Save America Again.

The invaders of the U.S. Capitol defined themselves by their tie to the outgoing President, but as an army not levied by the commander in chief in words, but responding to an invisible call and response that had anointed them the MAGA Army. This new identity was not as a crowd of disparate individuals, but a contingent or a battalion of Special Ops troops, activated by Psy Ops tools, subsuming personal identities not only as “Trump supporters,” from across the nation, but as “Trump’s MAGA Army.” A rag tag group of militants seeking to find the authority of the dead leader restored, they charged across inauguration stands, fighting off the near-inevitability of the future, as they readied to defend an imagined nation on January 6, 2020 that led reach catharsis as they entered the U.S. Capitol grounds to seek clarity on representational democracy. The heavily armed crowds arrived at the Capitol in an tactical gear and climbing gear as a sea of placards that echoed campaign signs who had arrived from across the nation, but had now found meaning in Washington DC, where they wanted to make the US Congress hear what they felt deep down, in their guts, and what Trump felt in his gut too.

Geotagged Phones that Livstreamed January 6 Insurrection from the Ellipse

The crowd that masqueraded as the electorate, and the common voters, had arrived in full force as a river, channeling energy off the internet and podcasts washed up not only the detritus of the 2020 election. They filled the Mall and Pennsylvania Avenue with alternate signs, an array of declarative statements of national identity substituting for the Constitution, marking a return of the repressed in telescoping the darkness of American history to short slogans of defiance–the Tree of Liberty; the lynching post; the Confederate States of America; QANON; 3%ers; Betsy Ross flags and 1776 paraphernalia; the AK47. The white identity of this truly “white space” was striking, but even more was the weird, almost child-like absence of “whitespace” in their sea of signage, clotted with abstruse symbols of resolute posturing, refusing to leave empty almost every inch of their placards and the signs held to call the nation to arms by urgent calls for government reform, imagining themselves to be victorious, amidst calls for lost causes, unable in that moment to stop speaking, shouting, and affirming the ideological battles they hope would not die. By resurrecting images from a rich historical imaginaries, as if to declare they were not dead. Not yet.

They subsumed all individual identity, beneath victorious ravings, brandishing flags trumpeting multiple allegiances of identitarian origin seemed a nervous breakdown of the nation, as well as a telescoping of American and world history, refracted through on-line merch bearing the imprint of PSYOP origin and design. Ranging from Second Amendment Flags of gun owners to libertarian Gadsden Flags to Confederate flags to Knights Templars, to the twentieth century perversion of the old Lacedomonian cry, “μολὼν λαβέ,” taken by Texan revolutionaries to stake intentions to keep a bronze swivel canon that arrived to defy Mexican sovereignty, and since 1831 to defend a church remade as a garrison at the Alamo. Reborn, it was not only confined to Texas, but a cry to refuse to surrender weapons embossed on handguns and personal arms before the Trump era.

Trump was central to the staging of this new heterogeneous identity that was forged perhaps in the 2016 Presidential campaign, or in the months of ongoing rallies of the Trump Presidency, which seemed is own form of never-ending tour. By revving up the crowd by threateningly noting that if they did not act, “weak Republicans would turn a blind eye to Democrats as they “threw open our borders and put America last,” and he would be replaced by a President who had only just the other day promised to “get rid of the America first policy” after committing “the most brazen and and outrageous election theft , . . in American history.” He urged the crowd to fight for the future of America, and a vision of American history, and the creation of a wall between Mexico and America to protect American jobs from being lost by those not defending the nation.

The implicit charge was to fight for the nation, and subsume themselves to Trump’s desires, as the crowd gained newfound identity. As they some two hundred crowd members were already advancing on the Capitol by 12:33, before Trump had finished his speech, they were drawn to cross its protective barriers. The first rioters had left for the U.S. Capitol two minutes before Trump began to speak–at 10:58–but after the crowd had been warmed up by his lawyer and others; telling news reporters that “We’re taking our country back,” they moved past inauguration stands, police blockades, and officers who were not outfitted with shields, setting momentum for a crowd that would gain new coherence before the Capitol building as they arrived to fill its halls. Was it any surprise they shouted with near exultation,“Hey! We’re breaking the wall!”? The crowd cohered as it entered into the Capitol: the rioting crowd of armed protestors waving banners and bedecked by separatist insignia broke barricades and overwhelmed the police by 12:53, less than an hour after Trump had asked them to march to the Capitol, down Pennsylvania Avenue, along the Mall, to shift to a second rallying site planned before the Supreme Court that was being asked to overturn the vote, rioters skirmished with police around the Capitol, entering the building’s chambers soon after 2:12, having overwhelmed Capitol police forces who were ill-equipped to contain the human wave, bearing TRUMP flags they hoped to see flying from the top of the Capitol Building.

The members of the crowd might be said to have been both were at the Capitol and not there. They were subsumed into a mass listening to President Trump empower them and the talismans they bore proudly to an alternate source of sovereignty. Yet they moved to flood the U.S. Capitol in ways that the knew were to be streamed across the nation, and world, both on social media and alt right news, as well as global airwaves. They would dominate the airwaves with the long repressed heterogeneous icons of “rights” and false precedents, not sufficiently represented on global new media.

In doing so, they were emulating the “increasing reliance on sophisticated, near-real time media dissemination methods” advocated in PSYOPS manuals that insist that the most powerful medium of audiovisual communication is the face-to-face, not following a script, to get the build rapport and create response in the targeted audience. The planned storming of state, local, and federal government courthouses by armed protests over the coming week and Inauguration Day had been planned to culminate on Inauguration Day, per FBI reports, a sequence of civil riots and armed uprisings across all fifty state capitols “if Congress attempts to remove POTUS via the 25th Amendment,” law enforcement had learned. Despite the strict laws against using PYSOP techniques against American citizens,”information operations” at Camp Eggers in Kabul had targeted American senators and congressmen, using tools “to play with people’s heads, to get the enemy to behave the way we want them to behave,” from 2009, –Flyn was director of intelligence for Joint Special Operations Command from June 2004-June 2007, shaping counter-terrorism before he began the Flynn Intel Group on retiring from the military, offering “Target Audience Analysis” techniques honed in the military on display the day of January 6, 2021 by insinuating the objectives and line of persuasion.

Did not Flynn, and later speakers on January 6, not insinuate a need to intervene themselves within the institutions of democratic government that were at risk of departing from their own influence, speaking by defining centers of gravity, using “key communicators” by which to achieve the greatest impact to which the audience were especially susceptible? Flynn warmed up the audience the previous night by urging ralliers to realize that the very future of the “constitutional republic” was at stake if they accepted the announced election results, impressing on them the need to fortify themselves to “fight back against this fraudulent election” and never to take their fresh air of liberty for granted. Flynn touched patriotic nerves, telescoping the nation’s history: more dead voted in the 2020 Presidential election than had died at the Battles of Gettysburg, Vicksburg, or Normandy, telling the audience to develop the moral fiber to fight for patriotism and truth on the Mall the very next day, impressing upon them the consequences of a change in government over which they would have little or no control if they did not act the following day to actualize their needs, by calling into question fundamental PSYOP appeals for legitimacy before danger of inevitability and the need to preserve their own deep self-interest by creating a sense of historical continuity. In PSYOPS, facts are reduced to either good or evil, even if simplifying complex problem, and by fostering increased suspicions of individuals and groups through insinuations and suggestion to lead the audience to draw their own conclusions.

After the long evocation of the dangers that migrant posed to the state and nation, the danger to the nation was defined as in the Capitol building, and by the recognition of electoral votes that were falsely determined, and needed to be called into question, as Josh Hawley and had already promised to “highlight the failure of some states . . . to follow their own election laws,” joining Rep. Mo Brooks in demanding that the U.S. Congress investigate voter fraud before proceeding with the certification of electoral votes for the Presidential election and create a vote to affirm the electoral college on which protestors might, by invading the Capitol, apply needed pressure that Donald Trump still desired–and a decisive moment of determining who was a friend or enemy. This would be a decisive moment of sovereignty, and of political order, forcing a new political order along lines of friend v. enemy. The march may not have been designted to go to the Captiol, but the target of the Capitol was defiend by “Stop the Steal,” a group with designs to march on the Capitol to prevent Congress from certifying electoral votes, whose non-permitted march to the Capitol would piggyback the rally on the Ellipse of Women for America First. “Stop the Steal” had advertised the final chance to “fight back against this fraudulent electionto continue the Presidency of Trump as a patriotic act, needed to ensure continued safety of the country as a decisive moment as national borders.

The sinister iconographic telescoping of history in the flags, insignia, and placards at the Ellipse motivated the crowd of “soldiers” to fight for the outgoing American President. The crowd realized it was moving both at the Capitol, and providing, in its heterogenous range of militant emblems, a polyvocal script that might radiate to new audiences across the nation to signal that all hell had broken loose. The principles and allegiances to demand the U.S. Congress to reject the election results that were in the act of preparing to certify. Dressed for the event as the “vox populi” of the people prepared to call representatives to account, they had huddled together for warmth since early morning, arriving from across the country to find needed reassurance that Trump was still President, and his Presidency would be preserved, and the threats to democracy that had infiltrated the election, as they had threatened to cross the border, would be repulsed, once the symbolic center of the US Capitol was secured.

They were, as well, performing both before the Capitol and in a global conflict. Believing that this was a decisive moment of action, they crossed three layers of barriers around the Capitol and breached its chambers, releasing tear gas into the Rotunda as they entered congressional chambers with urgency, working methodically as if invested with power to resolve the latest and most urgent national emergency, the greatest ever, as larger crowds moved toward the Capitol, chanting, calling for the vote to be overturned at the top of their lungs, surrounding all entrances to the Capitol, and menacingly confronting Capitol police with their weapons. And when President Trump praised their patriotism, at the end of the afternoon, before electoral certification, affirming the fraudulence of the election and continuing to perpetuate a destabilization of the election in a range of online forums, podcasts, and rallying speeches. The recommendations for procedures of using direct address to stir up crowds by face-to-face communication, but enforced through online disinformation, leaflets, and placards.

Psy Ops Student Manual, c. 1993

The crowds assembled form across the nation consolidated into a mass, individuals recently arrived in caravans from across the country had arrived to become part of the final drama of the Trump Presidency, newly energized to defend national sovereignty as if without Trump in office, the center could not hold. They marched as America needed to be saved, mobilized more by honed methods of psychological operations of destabilization than the U.S. Constitution, fighting as if to protect republican government at that very moment lest it be abandoned in the Capitol building.

The emergence of a broad threat of social media posting, automated bots, and systemic spreading of false and fabricated misinformation via social media and online by non-state actors had come home to the United States. If such strategies had long preceded the internet, the seedbed that routers, chatrooms, and podcasts provided suggest a far more data-rich, fast-moving, and difficult to attribute, as well as fast-paced as it proliferated online.as a form of psyops on steroids pinned to persuasive hashtags and conspiracy theories: the very psychological tools used to demonize migrants as national threats were turned against the opposition party, deeply damaging democratic debate.

FILE - President Donald Trump arrives to speak at a rally in Washington, on Jan. 6, 2021. A federal judge has rejected former President Donald Trump’s request to block the release of documents to the House committee investigating the Jan. 6 Capitol riot. U.S. District Judge Tanya Chutkan on Tuesday, Nov. 9 declined to issue a preliminary injunction sought by Trump’s lawyers. (AP Photo/Jacquelyn Martin, File)
Arrival of President Trump to Address January 6, 2022 Ralley in Washington, DC AP/Jacquelyn Martin

The urgency of this army grew. For the center could not hold, without the charismatic center that threatened to disappear, this time for real, in this very moment, due to a massive act of fraudulence, and that the crowd would be able to cast its ballot for the final time for Trump and check the box beside his name. In a cathartic moment of response to the call and response calls of an outgoing President, who was calling his supporters from across the land to “be there and be wild,” as “if you don’t fight like hell, you’re not going to have a country anymore.” If they ostensibly arrived to protest election integrity and transparency peaceably, they were armed to the hilt and prepped to advance down Pennsylvania Avenue in consent.

Geotagged Social Media Uploaded from the Mall to within the US Capitol/Dhruv Mehrota, Gizmodo

The energized crowd surged over barriers to cross the perimeter of the U.S. Capitol lest forces of globalization from entering the nation to undermine its sovereignty, but entered the capitol only to venting their rage and vandalizing the government building. The barbarians entered the gates of government to prevent the erosion of the nation and follow the call to Make American Great Again–national integrity was in danger of being undermined, insisted online misinformation, detailing how nefarious foreign forces had shifted the result of the 2020 vote, as the software of electronic voting threatened to disenfranchise Republicans and end democracy. The danger of the subversion of the vote would require complete auditing of votes, lest ballot counting systems be allowed to maliciously delete over 2.7 million votes by voting systems in twenty-eight states, from Pennsylvania to Michigan to Georgia–

The image of a usurping of the popular will had gained new traction in 2020 in online news media. While votes had been increasingly audited to ensure that votes were regularly tabulated-and audits were expected and required in twenty-four states after the 2020 election, including Georgia, Pennsylvania, and Arizona, and “Risk-Limiting Audits” in Pennsylvania and Michigan.

The fears of foreign interference in vulnerable electronic voting technologies gave nagging credibility to the destabilization of democracy and the popular will that suggested the national emergency of destabilizing a status quo. The use of hand-marked ballots only in light and dark green regions broached fears of a deceptive undoing Republican institutions created to a crisis endangering the state’s charismatic center.

The crisis of representational democracy was imagined to be the result of a fatally flawed tallying system without transparency. The fears of widespread use of paperless voting machines run by independent companies gained new currency in the claims of Trump’s lawyer at the Ellipse on January 6, just before Trump spoke as a theory of election fraud on a scale that necessitated the invasion of the Capitol building. As the latest attack on the nation’s sovereignty by Dominion Voting Systems that while baseless had been nourished in alternative news sources, linked to global boards of management for voting machines, to Venezuela, antifa, and Asia, and to restore their transparency.

Verified Voting/Renee Klahr and Brittany Mayes/NPR

To preserve that transparency, they entered the halls of government to fill an apparent fracturing of the republican project. If Trump claimed the deletion of 2.6 million votes in the fall, alt right social media promoted the “transfer’ of 8.1 million “excess” votes by August 3, 2022, across seven states, as a retired Army intelligence captain who vaunted his expertise in elections data released a “USA Election Fraud Map” of unclear statistical methods, alleging little vote tampering in the “heartland” states but “rampant” fraud in Michigan, Pennsylvania, Arizona, Florida, Atlanta, and North Carolina, as well as California and the Atlantic northeast due to “insecure” electronic voting machines. 

The recent spate of “America First Audits” alleging “sloppy record-keeping” or intentional fraud, as charges of “Russian hacking” morphed into manipulation of votes by machines with “foreign DNA” able to change votes electronically led to charges of widespread irregularities in the manipulation of ballots resulting from electronic voting machines lead votes not to be counted, undermining the popular vote by their software’s vulnerabilities.

The map of red and blue states was warped by the canard of electronic voting machines and and election systems software that was blamed to have undermined the will of the people. Concerns over “election integrity” morphed from a rallying cry of the GOP to query how shifting demographic patterns no longer left Republican candidates dominants: self-declared cybersecurity experts, often former military, amplified rumors of inconsistencies of electronic ballots Trump repeatedly identified on the Ellipse as having “cheated” and “defrauded” his supporters in a rigged election whose vast “criminal enterprise,” Trump’s lawyer insisted, led local election officials perpetrating fraud on electronic machines by using software programs to adjust final vote tallies to push Trump’s opponent Joe Biden to victory after the polls closed.

The fear that digital “ballot marking devices” would undermine representational democracy and republican government, the audience on the Ellipse was told, was a real fear of the information age. The danger of distorting the practice of direct democracy had been rehearsed and repeated on podcasts, cable news, and radio in a misinformation campaign that was rooted in a desire for psychological destabilization. At the rally Trump cast his loss in the election as in fact a crisis of political representation that only confirmed a rigged economy. in which globalist and leftist computer programs shifted votes to undermine the republic, a result of the destabilization of direct democracy that was akin to a global invasion of offshore ballot-counting that had actually subverted representational institutions, shifting the tally of the votes in a new way of stripping Trump’s own constituents–the American people–of a voice.

But the alleged alteration of the vote totals by malicious software to ensure Donald Trump’s defeat painted a picture of extraterritorial servers and transnational corporate malfeasance with the knowledge and participation of local state election officials who broke state laws. This was the invasion of the imagined sanctity of the American republican tradition that had long ben conjured as lurking outside our borders, in a globalist fantasy of the erosion of the integrity of the nation.

Uploading of Live Video on Social Media via Parler/January 6, 2020
GPS Location Data for Parler Users Inside US Capitol Building January 6, 2020/Gizmodo/Druv Mehota

We had all been waiting for barbarians for some time. The President had, for over six years, mapped the threat of the barbarians advancing from across borders as a security threat. but these barbarians came not from Mexico. For those ready to accept a wall between the United States and Mexico as a function of good government, it made sense to breach the Capitol, lest that border wall not be built . The fear that the charismatic leader who had been elected against the mainstream media’s prediction, and the interests of political elites, was about to be removed from office, and the borders of the United States in danger of opening to immigrants, gangs, and drugs, in the imagery of Trump supporters who feared the rising tide of globalism that Trump had staunched about to overwhelm the nation. This national emergency was the threat of a sudden loss of a charismatic center. With YouTube channels live-streaming fake projections as maps of election results as polls closed to hundreds of thousands, framing the narrative of the electionas a theft of the nation, as self-made maps proliferated and confused all clear consensus and interpretation of electoral results, it made sense to enter the halls of government to force the issue of Presidential succession in a decisive manner.

The poster and invitation didn’t specify a time or location at first, when issued online, but the meme generated energy from across the nation, with an energy that evoked not only the fear of the end of a Trump Era, but the fears of an end to the collapse of a vision of globalization, maintained by that charismatic center, a wall built around the nation against immigrants more than against Mexico, a defense of unfettered wealth, and white privilege, a call-and-response rally able to generate a massive dynamo of popular wildness and will to secure America’s red, white, and blue whose philosophy was all there in black and white set the terms for the license of January 6.

Call to Protect Election Integrity

This would be an event of truly direct democracy, staged by the government that had, in mid-December, considered the impounding of all voting machines from across those states where the President needed to “find the votes” to overturn the election results, “to seize evidence in the interest of national security for the 2020 elections,” as a group of militant self-proclaimed defenders of the Trump Presidency, among them Trump’s former National Security Advisor, Lt Gen. Michael Flynn, who as military intelligence veterans trained in psychological operations to undermine public opinions and objective reasoning–“PSYOPS”–had manned the front lines to challenge the legitimacy of America’s Presidential election.

Veterans of Afghan and Iraqi wars, veteran intel experts as Col. Phil Waldron and Gen. Flynn with expertise in clandestine operations to undermine adversaries by targeting “their emotions, motives, objective reasoning, and ultimately, the behavior of . . . individuals” turned their sites to the national election. The rag tag PSYOPS folks were second cousins of reality television, and the fit was clear: they helped erode Americans’ trust in democratic legitimacy and institutions, alleging election fraud, auditing votes, and working to destabilize public trust by evoking primal fears of the illegitimacy of an election. The claim that voting machines were being undermined by offshore Venezuelan interests, big tech, or Chinese hackers of voting machines rumors were claimed to destabilize the election; more, to be “rigged to elect only those who care nothing for the people,” often even with the complicity of election officials.

The fears of a rigged election echoed those Trump had already stoked in 2016 in threatening not to abide by the announced results of the election. Trump never openly undermined the legitimacy of the 2016 election, but had refused to respect its results. His victory reflected a very narrow shift among 37 million individual voters from the very states–Florida, Georgia, Michigan, Nevada, Ohio, and Pennsylvania–but was converted or transmuted into a landslide; the legitimacy of votes in many of the same states he now questioned, alleging the subversion and erosion of democratic principles he had already evoked, when telling supporters in rallies that the 2016 election was “rigged” against him, and querying the decentralized tabulation run by individual states he called into question for a second time in 2020. This time, he also seeded fears of overseas interests–not Russia, but Iran, Cuba, Lebanese Hezbollah militants, servers in Frankfurt, Germany, or Italians in the Via Veneto Rome embassy, by using software to shift votes to Joe Biden for global interests outside our borders, that suggested a betrayal of national integrity and “the people” to global interests endangering American institutions.

Trump’s refusal to honor results of the 2016 election had prepared supporters to contest future electoral results. After promising to “keep [television viewers] in suspense” in 2016, he went on to claim a “massive landslide victory” and “one of the biggest Electoral College victories in history” without grounds, concealing his opponent’s greater votes, reframing the election as a massive defeat for the Democratic party; by fetishizing the dominance of red in a county-by-county map as confirmation of the scale of his victory as if a margin of victory, he defining his own reporting of votes as more consequent than its official tabulation.

Swing vote 'trumped' turnout in 2016 election | YaleNews
Ali Zifan

If the election hinged on painting pure red several states divided around the sharp edges of national population density–Florida; Michigan; Nevada; Pennsylvania among them–his claim to “Make America Great Again” affirmed hopes to secure the unstable status of many who congregated at the Capitol, many from the redder counties on the map, ready to contest the terrifying fear that the charismatic leader they had elected who had wrestled the specter of globalism, immigration, and pluralistic diversity might be absent from national scene.

The real 'art of the deal' is an America covered in purple

The fear of the loss of that charismatic center had brought them to Washington, DC to challenge the insecurity of democratic institutions. The attempt to breach the wall of government in the moments before Trump’s successor would be formally recognized by the tabulation of electors, weeks after the election had itself occurred, votes tabulated, and the states had ratified their votes, per constitutional practice, as an act of separatism and an act of restoration of a republic. Those attending had been personally invited to restore the imagined of Donald Trump, which they proclaimed by flags of the former President’s former candidacy for the office he no longer held; this wall would be breached, as the walls around the U.S. Capital would be scaled by men in MAGA hats, demanding that they not be disenfranchised and disrespected.

President Trump had personally invited them to Washington and incited them to enter the U.S. Capitol and climbed the inaugural stands that surrounded it, crossing a boundary of the U.S. Government with a rapidity that the Border Wall had never been breached. In the hours after Trump evoked the imminent crossing of the U.S. border by migrants, a danger of which the nation was long warned as imminent, the walls were scaled by the excluded, in an attempt to affirm democracy, that they deemed righteous. For those who scaled the wall were trying to affirm tyranny.Breaking down barriers, planting American flags atop it, lest U.S. Senators abandoned their oaths and certify the Presidential vote.

A mob swarmed the US Capitol and this is what some said - CNN

If we were stunned by later pictures of the Capitol flooded with a cloud of tear gas and bemused rioters pausing in its galleries that transformed the staid neoclassical architecture to sites of raucous violence–

The Capitol Invaders Enjoyed the Privilege of Not Being Taken Seriously |  The New Yorker
Leah Mills/Reuters

—we have yet to fully map the routes by which eight points of breaching of the U.S. Capitol building were achieved, or the heightened passions that led to the august chambers being demeaned, and, as if in a charivari of an upside-down world of early modernity, or the arrival of farmers into Versailles, the building itself attacked as if it was a representation of the lack of attention of government to local needs–bread prices; the fear of the border’s vulnerability; low wages–and the growth of a widening wealth gap that most Americans experience as greater than ever before.

New York Times

Temperatures among the rioters had risen before calls of trial by combat, as the crowd took new coherence as it followed the map Donald Trump had verbally announced to “walk down Pennsylvania Avenue,” “going to the Capitol,” as if this were the final moment to disrupt the civil process by a range of crowbars, arms, and an escalation of violence. The ecstasy of violence at this wall was democracy on show, direct democracy against the members of the U.S. Congress as they were attacked by the police, entering the Capitol and smoking weed, wanting to chill in the chambers of government and find the allies they knew must be on their side. Indeed, the allies were soon found: many members of the Capitol Police who guarded the legislators as they readied to vote seem to have been eager to have selfies taken with the rioters. Even though the police were tipped that the crowd forming on January 6 had made it clear in preparations that “[the U.S.] Congress was itself the target,” even before the spectre of crowd violence, police officers were requested to refrain from deterring the crowd by stun grenades or aggressive means, even if they were warned that the event of January 6 would be sure to “attract white supremacists, militia members, and others who actively promote violence may lead to a significantly dangerous situation for law enforcement and the general public alike.” 

The men who arrived were akin to the vigilante groups that patrol the United States border, in search of migrants they might apprehend, although here they were taking justice into their own hands to prevent the transition to a new President from formally or even smoothly occurring, in a last gasp of authoritarian reveries. And without any weapons to push back or deter the rioters, the terrifying scene of an invasion of the Capitol was able to unfold on national television and be streamed live, all of a sudden shifting attention from the pro forma tabulation of electors in the U.S. Capitol to the raging mob that was assembled outside. Without riot shields, without stun guns, and virtually unarmed, the Capitol Siege was able to occur with cameras rolling, live-streamed by participants, in an event that would disturb the national media ecology more than anything else that Donald Trump had ever done. It was a swansong, or a fantasy game, or an ecstatic transferral of the energy of a Trump rally to the organs of government themselves. But it was also a call to action, broadcast across the country as it was live-streamed to ensure the transition of power would not be forgotten, or that the time for a true reckoning about American government was at hand, more real than any border disturbance at the southwestern border, but a needed occasion of national purification. It may have been theater, but the rioters were warned: “Bring guns. It’s now or never;” “Overwhelming armed numbers is our only chance.”

Live Videos Uploaded to Parler on January 6, 2021

Vigilantes had patrolled the border for years, animated by an ethos of defense of national borders, and mobilizing within the Customs and Border Patrol to find meaning in the slogan to defend deportations of migrants that “we need strong borders,” and “we have no country if we have no border,” as if he were defending American families, and the “blood” of those families, and celebrating his defense of borders and accusing his opponents of open borders. But the border of the U.S. Capitol was rendered open on the morning of January 6, 2020, as the Congress was about to confirm the electoral votes as barbarians entered, as if invited, into the Capitol, to make their voices heard.

After a long, hot summer of mass arrests of “violent mobs” who charged with intent to “desecrate” hallowed federal property, mob tactics were adopted to enter the U.S. Capitol. Despite the escalation of invocation of “national security” as the basis for building the border wall, the border between the Capitol and the approaching protestors who sought to turn back the electoral tally seemed as if it lay wide open. The President had urged his audience to “walk Pennsylvania Avenue,” as if knowing that they would do so full armed, bearing banners with his name emblazoned prominently on them, as the flags from a concluded campaign became battle flags. The urgent need to securing the border was distilled into the platitude “a nation without borders is not a nation” after the 2020 election.

But if the question of shoring up the border became the basis on which Trump was elected, the busload of flag-waving supporters of the President became a revanchist cry for the former President, as on the eve of his formal exit from office. He animated a crowd to break down police barriers, doors, and windows of the United States Capitol was not from outside the nation, but bussed in from multiple domestic states. Calling a reprisal of his earlier rallies to question the reported tabulation of the 2020 election, Trump encouraged his base to refuse the certification of the election, rallying the barbarians to the gates to destabilize the democratic process by fighting for him. Whereas the violation of constitutional principles had long been feared to be coming from the security state, the questioning of votes in states that were expected to vote Trump and deemed “red” led many to buy tickets to Washington, for the final paroxysm of a Trump rally, a large contingent of armed men, many in tactical gear, arriving to break the security barriers, doors, and windows of the Capitol itself to ensure that their candidate continue to Keep America Great. Was it any surprise that of the 1, 200 Capitol Police working at the site, only about 7% had access to the riot gear they would need to repel them?

The setting seemed an inside job to invite protestors to act out their fantasies of direct democracy, setting a stage for the dangerous faux populism in which Trump revels. Calls for a strongman President emerged in the late morning insurrection of January 6, Trump’s surrogates had been calling for the adoption of martial law in swing states December 18, 2020, on Newsmax, if not seize voting machines to invalidate the results of the election he had lost: the military mode to which protestors adopted was facilitated by the cataclysmic invocation of a fear the Republic would be destroyed, if the Electoral College Vote, tainted with suspicion of foreign intervention, was not suspended by the delaration of martial law. The militarism was improvised, with home-made tools and recycled banners, but the increased normalization of martial law as an alternative outcome electrified the crowd, and placed its members outside normal comportment even at an electrifying rally, offering justification for advancing with newfound energy and purpose with eerily united intention.

Donald Trump has been rumored to be convinced of his program of overturning the election’s results as he promoted the continued “audits” of votes in several states from Arizona, Pennsylvania and Georgia, long crucial electoral puzzle pieces for Trump’s Presidential campaigns, carefully calibrated to manufacture victory. If the focus on “audits” that were unprecedented as able to overturn the election, that have reverberated in the online forums of QAnon and other outlets of a revisiting of the outcome of Election Day. The crowd-sourcing of a final protest that overran the Capitol building, cast in insurrectionary terms as a struggle for governmental control, and rooted in the false populism social media has magnified, perhaps with the acknowledgment only declaring a state of emergency or provoking an insurrection would enable the results of the election ever to be overturned.

The proliferation across the nation of pro-Trump “caravans” promised a direct sense of access to government. They offered to carry protestors to Washington, D.C., to fight the aftermath of the election were a new register of group think, rooted in the fear of an end of a “Trump Era” posed an earthquake of political proportions rarely recognized in full, moblizing multiple caravans before and after the election, in a show of force to prevent Trump from loosing the election, and waving MAGA flags from Michigan to Florida to Oregon to North Carolina, seeking to mobilize swing states by a show of force on the road, honking horns, and sharing images of themselves on social media, often rebroadcast on the Russian funded RT television network as public shows of patriotic gore, reveling in thumbs up.

This time, they were promised to arrive in DC, to participate in the greatest call and response chant ever, an interactive overflowing of communal energy that would crystallize and energize the crowd that assembled on the Ellipse before a moment of massive discharge as they moved down Pennsylvania Avenue into the Senate Chambers, arguing to restore them to their former dignity and to show their disbelief and discontent at the certification of a vote that was declared fraudulent and corrupt.

Busloads of local Trump supporters participated in D.C. protest | News |  northcentralpa.com

The very invitation to Washington, DC was a way of responding to the President’s Call. Did those who boarded March for Trump busses consciously appropriated the “caravans” that formerly feared to threaten the United States. But if the Caravan led Donald Trump to call a National Emergency in November, 2018, and prepared for the National Emergency of February, 2018, the busses now ferried Trump supporters to what was designed as a march to take the nation back. Trump had presented the migrant caravan as a specter of globalist proportions as a threat to the nation, whose numbers were fleeing countries who “have not done their jobs” from Guatemala, Honduras, to El Salvador in halting cross-border immigration, nations he blamed for the crisis of refugees of global proportions, but potentially including among them “unknown Middle Easterners” tied to terrorists or affiliated with ISIS.

Trump supporters oddly appropriated the “caravan” as a term of force and extra-ordinary circumstances of crisis that called for collective action. Was the assembly of such “caravans” not communicating a sense of the impunity of moving across space, demonstrating patriotism by flags that almost celebrated separatism from a rule of law? These caravans served to confuse global geography, and created an instrumental crisis of unprecedented proportions as Trump sent the troops to halt an unprecedented 1,000 Central American migrants applying for refugee status in three days. Proclaiming the need for “bringing out the military for a National Emergency” led over 5,000 active-duty troops to arrived at the border lest the “caravans” enter American territory, a specter that seemed only to reaffirm the need for $8 billion for a continuous border wall. The specter of these invading migrant caravans from afar grew as a vulnerability, as the mythic migrants of the Golden Horde known by the hue of their tents: migrant traffic triggered subsequent declarations of national emergencies in Central America, rippled through Guatemala against Hondurans, and triggered fears of compromised border security.

“Oregon for Trump 2020 Labor Day Cruise Rally” in Oregon City, ORE
Michael Arellano/AP

And when they did arrive on the grounds of the U.S. Capitol, the picture was not clear: ten thousand had entered the grounds, and some had scaled the scaffolding set for the inauguration two weeks off; even if the border was fortified by a complex system of defense, informed by threats a border that without adequate defenses would leave the nation facing an existential threat, the grounds of the Capitol were breached to protest the transition of that the Presidential election had determined. Waving confederate flags, the rioters may not have only been inspired by the outlandish claims of fraud and failure of governance in Trump’s speech that morning, but of insurrection. Was the logic of the men who attacked the U.S. Capitol, live streaming the siege as a similarly mediatized event?

The crowd that assembled to hear Donald Trump at the March to Save America Rally were animate with a level of urgency to save the nation that they viewed in danger if Joseph R. Biden’s Presidential victory was certified, and the electoral college victory long announced by the Mainstream Media came to pass. Their world was about to shatter. The recourse to a siege became the only option for an audience of Trump supporters existentially uneasy at the fear of the compromise or end of an old order where Fox News would be the dominant voice reporting White House actions to its 4 million viewers. The action was extreme, but the logic of insurrection was embodied in the confederate flags so many held, trumpeting rights by evoking the logic that the South had a right to separate the union–a “sacred right of insurrection” that excused their disturbance of civil peace. The march promised to be a reiteration of earlier marches for Trump and a reunion of sorts to invade the capitol by actual “caravans” that would arrive from across the country, shunning mask mandates, and posing as Patriots, from Florida to California to Arizona. They announced their imminent arrival to one another exultantly as they made their way to protest the election in Washington, DC, boldly announcing their imminent arrival on social media to the world. “DC Hear We COME!!!!! #StoptheSteal” [sic] above emoji of American flags; when they arrived, they waved the same flags that melded their identity as “Trump supporters” and “Trump’s MAGA Army from across the nation” with defense of an imagined nation, boasting solidarity by brandishing the same flags to again reject the election’s loss.

Washington DC Rally in November 14 2020/Evy Mages, Washingtonian
The Million MAGA March on November 14, 2020. Photograph by Evy Mages.
November 14, 2020/Evy Mages, Washingtonian

This was all staged. While invoking such a “right of insurrection” was not central in the impeachment proceedings House managers presented, and not articulated in President Trump’s speech, the rights to perpetuate a distasteful drama was one that he delighted in amplifying in his final day as U.S. President–and scarcely needed a map to do. Donald Trump loves a drama, and reprised his role as dramaturge in the month long aftermath of the election. The seeds of doubts placed in the vote tally over multiple months had occurred in local audits amidst charges of rigged voting, reprising the power of “rigged” as a rallying cry in 2016, animating his base and motivating believers with the false news that there were 1.8 million dead voters, already registered, who would be casting ballots in 2016.

The decisive votes of such voters were argued to have thrown the election, in terms that the largely white constituency of Trump voters were likely to better know from the odds of betting on a horse or sports game: they were not only registered but, Trump assured Sean Hannity, “some of them absolutely vote,” and the image of zombie voters helped kill the promise of representative government. Wth 2.5 million voters that were cross-registered between states, and voting twice, the uncertainty of legitimacy became a narrative of injustice, crafted to disorient and impassion.

The suspension of anything like a neat conclusion of the Presidential election was already primed for uncertainty and indeterminacy in 2016, so that it was almost in the eye of the beholder: while the numbers may be credible,–they were wielded to disorient, suggesting a desire for massive voter fraud able to be attributed to “bad actors” that seemed a scheme to sow division and uncertain outcomes, exploiting potential animosity in the electorate to defray any conclusion in the Presidential election, as if exploiting divisions among parties in an increasing tribal sense. Despite the increasingly disturbing division of the nation into the ‘red’ and ‘blue’ division of electoral votes from states, by far the greatest shares of the rioters at the U.S. Capitol came not from “red” states, at all, but Trump voters from those large urban areas where the votes swung to Biden in the end by a narrow margin indeed–they were from spaces, or counties, that had perhaps themselves felt or experienced the sense of being robbed and the very swing of pendulum in the reporting of electoral votes that Trump had himself felt so aggrieved: his narrative of a shift in voting patterns made sense to them and echoed their isolation. While rioters hailed assembled a broad extent of America, they were most ratcheted up and angered by Trump’s narrative, and most likely to coalesce on January 6, 2021.

We imagine, thanks to news photography in no small part, that the rioters were embodied by the Angry White Man, affiliated with a local separatist militia-style groups, and feeling they were fulfilling an oath with righteousness:

But the scraped metadata from mobile devices who visited the U.S. Capitol on January 6–far more dense than on previous Wednesdays–that provided a picture that was particularly illuminating of the overlap between social media devices used in the Capitol census block with those posting videos on Parler: if few were from Maine, Montana, and North Dakota, the densely isolated tagged locations from southern Michigan, Florida, North Carolina, Arizona and Atlanta correlate onto a sense of outrage and no doubt betrayal by the final reporting of vote tallies, and commitment to forestall the feared results of the election, particularly dense near the US-Mexico border in southern California.

Arcs traced from the metadata of folks who uploaded videos to Parler from that census block on January 7, 2021 traced the sourcing of the crowd for the March to Save America, the final potlatch after six years of MAGA events, protests, counter-protests and festivities that delivered the rage of the nation during the final certification of the electoral votes after the tabulation of the votes from each state: while each was presented as a threshold of deception by Trump supporters and online news sites–from the false voters who deceived the nation by voting by mail to the counting of votes without adequate oversight or by potentially shady ways to the electors’ selection in each state, this was presented as the final moment to preserve a MAGA culture and retain a news dominance and social media presence in the nation: MAGA bastions as the Proud Boys, the Oath Keepers–long present in anti-government activities from the standoff at the Bundy Ranch, the Three Percenters, and other “Patriot” movements that had been founded in the aftermath of President Barack Obama’s inauguration.

Seeing the end of the Trump Presidency as an era marked by widespread Black Lives Matter and Antifa protests, the anger at an end to the Trump /Presidency was presented as an end to sovereignty and a threat to sovereign defense against a deeply illegitimate Presidential election. The overlap between the local disappointment in the Presidential election’s results intersected with the narrative of an illegal gaming of the ballots that expanded fears promoted of a “rigged” election in 2016, by investing the tabulation of an actual election with deep and pervasive illegitimacy.

As the 2016 contest heated, it was notable that Trump’s campaign website appealed in all caps echoing social media to “Help Me Stop Crooked Hillary From Rigging This Election!” by inviting citizen groups more akin to vigilantes monitor irregular voter behavior, he created a logic for political involvement in a coming election. The faux populist movement of the Trump Candidacy would culminate in its aggrieved calls for rectifying injustices done to The Donald into the Biden Presidency, and after the date of inauguration, with the former President issuing, in late February, 2021, Trump proclamatory statements lamenting the “Continuing Political Persecution of President Donald J. Trump” that refused to separate himself from the nation, playing with the tally of votes cast; even if he had decisively lost the election by over seven million votes, Trump let the world and his followers know, of their danger of disenfranchisement. Trump warned, as voting rights were being stripped of African Americans, of how “attacks by Democrats willing to do anything. to stop the almost 75 million people (the most votes, by far, ever gotten by a sitting president) who voted for me in the election,” not being able to remind his readers that this was an election many moreover “feel that I won.”

Was Trump referring to the attempt to stop them from staging a siege of the U.S. Capitol? As they arrived to rally behind the outgoing President who resisted admitting his electoral loss from across America, with a large share from Texas, Florida, Georgia, Arkansas, Louisiana, Mississippi and southern California, did they realize that the Capitol building where they were taking their protest had been largely constructed by enslaved laborers, rented from their owners enslaved laborers to quarry sandstone and complete the construction, unable to attract skilled construction workers to Washington, DC, to construct a hall that the U.S. Congress would move from Philadelphia in 1800? The assertion of a right to preserve Confederate traditions of dissent, separatism, and grievance in a misguided defense of alleged liberties and rights to defend a status quo ante Trump. Archeologists speak of the “haunting” of a place by evidence of the remains of past civilizations or cities that survive underground–as a “city within the city,” erased by time–and one has to wonder at the ghosts of the enslaved who constructed the U.S. Capitol that the protestors faced with their confederate flags raised. Did they encounter the ghosts of enslaved laborers who cleared land for the building, haul sawed lumber and stone to the site ceded from two slave states, Maryland and Virginia?

Slaves of men paid for their labor had been conscripted into labor from clearing the site for building to carpentry, stonecutting, and bricklaying from 1795 to 1800–only one hundred and twenty two are known, by first names, from slaves of the White House architect, “Tom, Peter, Ben, Harry” whose owner was paid for their labor, or “Negro Dick,” whose owner received five dollars a month–and the enslaved Philip Reid, from the foundry that cast the Statue of Freedom for the dome of the U.S. Capitol in 1855, and devised a pulley and tackle system to raise the allegorical figure to its peak. When Michelle Obama described her husband’s Presidency as an overcoming of this past, was a presumption that electing a woman or a black person would be grounds for electing a U.S. President, who should be elected for their own–as if it disguised the claim of an elite that her candidate could bring he nation redemption.

Perhaps few of the protestors who invaded the U.S. Capitol knew the history of its construction in detail, even if Congress had finally recognized in 2012, ten years previous, and Michelle Obama reminded the nation in 2015, in her call to nominate Hillary Clinton as a Presidential candidate; for many, the line was a dog whistle painting a picture so stock to be evidence of their arrogance and sense of entitled self-righteousness. Were they aware of being used to stage a siege they felt reflected their own populist interests of direct democracy? When flag-wavers descended to sites of ballot counting in 2020, waiving campaign flags, American flags, “Don’t Tread on Me” flags to endorse state-wide audits of paper ballots and absentee ballots to review machine tallies with a skepticism bordering on alarmism. But the destabilizing of confidence, deployed in 2016, extended to alleged irregularities warranting voting machines demanded certification as “fraud-free” that threatened to undermine a democratic process, unleashing a river of groundless skepticism in of an alternative media universe of the filter bubble of FOX news, NewsMax and OANN.

The narrative of a stolen election was crucially deployed by Donald Trump in his speech at March to Save America to dovetail with the energy of protests that contested local ballot tallies that had grown increasingly contested as a demand to reveal a hidden or gamed truth. Such staged assemblies that proliferated at state capitols in the aftermath of the 2020 Presidential election seem almost an amping up of the populist rage that reached a crescendo in the license of crossing police barricades, the steel pipe reviewing stands recently assembled on the Capitol’s west front, to break down doors and windows in invading the U.S. Capitol, and proclaim it the “people’s house.” Breaking down the barriers, and flooding the Capitol, was almost a projection of the fears of migrants storming the nation, but this time the barbarians arrived fully armed, asserting rights–freedom of assembly; freedom to won guns; freedom to form a well-armed militia–that migrants never claimed. Back in 2016, public intellectual and linguist Geoff Nunberg observed ‘rigged’ came to be a “keyword” in the national political discourse, but extended the corruption to the mechanics of vote counting. The exposure of a “rigged” politics undermined civic participation in unprecedented skepticism: ‘rigged’ described the uneven economy, the tax system, and increasingly deferred any outcome of the election and injected the news cycle with faux populism replicated in social media to escalate that “built-in biases, so that losers may feel that the system is rigged against them,” by using a term expressing anger at unfair business practices or fraudulent investment into the arena of politics as only Trump could.

The new charge of incompetence of elected officials and claims of widespread fraudulence disrupted the resolution of any outcome. In the past, Trump feigned honesty when telling rallies “the election is going to be rigged–I’m going to be honest!” By late summer he implied to mainstream media he would not even accept a victory by Hillary Clinton in September, pushing the limits of a candidate’s sense of grievances while acting as if airing grievances as just another victim of fraud, mirroring the charge of a “rigged economy” many felt, and boosting his won support. The 2020 Presidential vote was itself “rigged,” involving dead voters, rigged voting machines, a massive scam of democratic principles discounting rights, demanding protest on the grounds of patriotism, that made the flag-waving demonstrators in the mob feel immune to charges of insurrection as they were waving American flags, many the very flags waved at stage capitol buildings months previous with similar megaphones, to assert American values that were under attack. Crowds protested as patriots in Detroit, Philadelphia, Portland, Las Vegas and Atlanta, bearing similar flags outside of arenas and capitol buildings, asserting liberties and demanding and end to improper practices of tabulating votes. At the end of a Summer of Protests, to which the Capitol Riots are oddly assimilated, the demand to Stop the Steal was cast as a petitioning of justice, designed as if to address the Supreme Court. The extension of doubt preceding the Capitol Riots fanned populist grievances as if they were infringements on constitutional rights, deferring acceptance of electoral results by extending a narrative that had no happy end. The protest rallies that sprang into action as lawsuits proliferated in Pennsylvania, Georgia, and Michigan with recounts demanded in Arizona and Wisconsin to prevent states from “flipping” and electoral votes to be claimed by Joe Biden.

Protestors Contest Ballot Counting in Pennsylvania on steps of State Capitol, November 4, 2020/Gabriella Bhaskar

Protestors mobilized a rhetoric of grievance that sought to expand the electoral map, long after the election. Their doubts were amplified on social media to destabilize the electoral map, creating “grey spaces” as if puzzle pieces that did not cohere, letting the world puzzle by holding narrative conclusion in abeyance into 2021, distending the election’s narrative by sewing deep doubts about secure results and preventing consensus from emerging from the electoral college.

US 2020 election live interactive results map: Race still on knife edge as  votes counted in key states | Hong Kong Free Press HKFP

As the problems proliferated from dead voters and cross-registration to how battleground states relied on duplicitous voting machines or made “unconstitutional” changes in voting practices, the narrative of grievance grew, calling into question the distribution of electoral votes that led us to tally up possible distributions of alternative futures, suddenly made palpable on social media and in television news alike.

Pa. Election 2020: Trump sues in Georgia, Pennsylvania, Michigan; asks for  Wisconsin recount in 2020 presidential election results - 6abc Philadelphia

The waiving of flags from the 2020 campaign as votes were being tallied at multiple cities morphed expression of concern about the tally of votes to questions of constitutional rights. Questions of outrage had suggested a criminal theft was at work, undertaken by elected officials, discounting their legitimacy and treating the tally of votes as an extension of the never-ending Presidential campaign but now leveling charges of broad electoral fraud before federal and state buildings, waving flags to assert the constitutional rights at stake.

Fulton County, GA/John Bazemore, AP
Congressman Jim Jordan holding a megaphone and standing with Stop The Steal protestors
Philadelphia, PA/Mark Kauzlarich, REUTERS

The militant-like assertion of flag waving became a basis to assert the preservation of rights, and to “fight for them” to protect them, “fight against big tech, big donors, big media,” “fighting with one hand tied beyond your back,” and collectively “fight like hell and [realizing] if you don’t fight like Hell, you’re not going to have a country any more.” The expansive claims of unconstitutional grievances recapitulated on the morning of the January 6 rally at Freedom Plaza, escalated by a charge they were perpetuated by Big Tech, and announced as the basis for a loss of freedom, and presented as a final chance to fight for their rights. Many believed no other politicians would fight for them.

Trump used the verb “fight” before the men he seemed to sanctify as a militia some twenty times. The repetition of that verb seemed to be more than messaging, but a way of making sure they had heard, letting them know, “now, we’re out here fighting” as if defending constitutional rights that would be taken away, beginning with election security, an election security that was in doubt, and, Trump used the false collective, would be resolved as “we’re going to walk down Pennsylvania Avenue,” and break the third wall between rally and government, “we’re going to the Capitol and we’re going to give . . . “ This time, the members of the mob who had arrived for the March to Save America were streaming uploaded videos of the historic event live, as if to spontaneously generate a movement over social media:

Even without the addition of the activating words “them hell,” the crowd was not only activated, filled with righteousness as they waved more flags, hoping to make their voices heard and their rights to wave flags. Congregating before the Capitol as electors were being certified, holding banners proclaiming their loyalty to Trump and refusal to concede the election, lest constitutional rights be sacrificed. And while it is difficult to say where they arrived from, the ones arrested for their role in breaking into the U.S. Capitol Building in later months reveal a remarkably broad concentration from Southern California, near the border, from Texas, and from northern Florida, as well as from counties in the the midwestern heartland for which Trump had described his affection. The besieging of the Capitol was a search for renewed meaning, and a final means of orienting themselves to the nation.

But these scattered sites across the nation, scattered as so many shards of broken glass, seem to have emerged with force from their collective anomie at the call of the departing President. Is it a coincidence that many were concentrated from the southwestern border, in New Mexico, or from southern Texas? Did the weighting of criminal charges against those from Los Angeles, Floridians from Broward County, and northern Florida, and Jacksonville, Oklahoma, or rural Pennsylvania, and Arkansas send a sign about racial hatred or White Supremacy? Were these isolated areas tied to secessionist groups of supremacists, as Oath Keepers, or is it difficult to tell?

Their righteous indignation was animated by the slogan “Stop the Steal,” instead of “Build the Wall,” but the “steal” would be a robbery of the wall, and of security domestic or electoral. Trump exploit the apparent lack of conclusion as if it were an expanded denouement of the 2020 Presidential election, targeting the Capitol building as the culmination of a false narrative of remedying a deep, deep failure of electoral transparency. Presenting the innocuous sounding “march” as a last opportunity to make their voices heard, the unprecedented targeting of Congress and elected representatives sought to interrupt the transition of power, by interrupting tabulation of electoral votes: in questioning the transparency of congress, the march questioned the transparency of how the nation mapped onto the halls of representation, whose organizers pledged in allegedly figurative terms commitment to appear at Freedom Plaza “fight to expose this voter fraud and demand transparency and election integrity” as a civic duty.

Call to Protect Election Integrity

Despite confirmations of no evidence any voting system, the combative terms sought to prevent an absence transparency argued to undermine American democracy, in the narratives that President Trump devoted his final months in office to perpetuating. The hopes to continue his claim on Presidential power was almost secondary, after a narrow election both for the Presidency and Congress, than the prevention of a loss argued to be enabled by massive voter fraud, fake news, and dissimulation, and claims for fraudulence that multiplied and perpetuated to erode the very foundations of the alleged democracy for which Congress stood.

If electoral loss was apparently determined by the inclusion of absentee ballots of long-undercounted minority voters, the claims of an erosion of democracy was a claim of a loss of the entitlement of white voters that Trump had come to embody, and protection of their interests, tied to hateful myths of “replacement” of the franchise and white majority status of America, a shattering of a global picture that mapped, in the frenzy of counter-charges of the perpetuation of fraudulent voting, pursued in multiple lawsuits, that seemed to seek to turn back time, literally, to the first returns of electoral votes and the projections of possible Trump victory, rooted in a misunderstanding of voter trends and patterns that would not deviate from early results.

But it was also to turn back time, by whatever means necessary, and not only to a time before the election, and before it was certified. It was to turn back time to white regimes of the past, embodied in the sea of white supremacist flags, confederate flags, MAGA flags, flags of crusaders, and TRUMP 2020 flags, preserving fake dreams in the name of continuing what Amy Kremer, in the two week, cross-country bus tour rallying support for what were literally the troops, claimed would be the second and perhaps more important goal of the March on Washington: “to support one another,” to nourish false fantasies of a lack of transparency, and to hearken back to an era of “electoral transparency” that excluded access to the ballot by many, and to arrive at a moment of apocalyptic truth that remade government by entering into the Capitol itself, once seen as an icon of austerity, and proclaimed as such, even in the years after the Civil War, whose dignity was presided over by a Vice President from a dias.

This was an image of governance, combined with the imagery and logic of impending wrath, designed to take back the coutnry by an occupation of the Capitol from “corrupt politicians” who had distorted the votes, as the true delegates from all fifty states might fight the ultimate reality game, claiming to be liberators and “rightful masters,” a mashup of Lincoln’s famous call to power with the urgency of a playstation episode of Star Trek: Invasion, and a call to summon their skills of combat as the moved to occupy the capitol grounds to remediate the alleged absence of transparency, even if that meant crumbling the pillars of democracy. The brewing battle referenced in Gothic font and brewing clouds implied an apocalyptic battle between Trump and the “Deep State” of liberals, staged in the arena of the U.S. Capitol itself, echoed in increased social media chatter on “battle stations” and “dropping the hammer” and an approaching “war” over stolen votes suggested a destruction of government and appealed as inhabiting a huge exercise of cosplay.

The invocation of a revolutionary mythology, a crowd-sourced lightening storm whose disastrous advance was targeting he Capitol from the heavens, as if it came from a 1930s Hollywood studio, or a recent thriller about the need to save society in a single moment, summoned the associations from early modern medicine of a critical point, but the critical point was in the social body–as the impending advance approached the Capitol, rocking its foundations as never before as the thunder was called down from the heavens, more spectacularly than Avengers: Endgame.

The ESRI story map map of the tunnels underneath the Capitol that in some version appears crossposted on TheDonald.Win conjured a troubling sense of enforcing the transparency of government the protestors had claimed, by luring them through maps of a hidden “sprawling underground world . . . curving like tentacles made of brick,” evoking, if playfully, the logic of secret routes of underground access to restore democratic representation by force in a world gone disastrously wrong and demanded repair lest the tentacles of the opposition party–the Democrats–might gain control of the U.S. Congress, by the double whammy of the previous night’s election of two Democratic Senators from Georgia as well as an African American Vice President.

The moment of crisis became imminent, but the routes to power were made to seem almost present to one’s eyes; it helped that Capitol Police were poorly equipped with old plastic shields that broke on impact, lifting the advancing mob a further sense of the invincibility despite their utterly unfounded claims to power. The image of tunnels that could allow the mob to gain easy access to Senate chambers, in air ducts repurposed in the Cold War as structures of civil defense were not even needed. The advance of members of the rally as Trump asked the assembled crowd to walk down Pennsylvania Avenue Constitution Avenue, to “save the Republic” by taking the Constitution in to their own hands, as he wrapped up his speech, some two hundred crowd members were already advancing on the Capitol by 12:33, moving past bike racks and other obstacles as they took over the inauguration stands, moving past officers who were not outfitted with shields, shouting “Hey! We’re breaking the wall!” with glee or sneaking through fences, entering the capitol from the west and from the east as the police finally declared a riot by 1:46, overwhelmed, according to recent forensics, by about 28 to 1, as over three thousand, four hundred members of the mob exulted in their new identity and success at forcing the police to pull back inside the building by 1:56, no longer able to secure the inaugural stands, as Trump was still speaking. The protestors who engaged Capitol Police and city police grew to an estimated 9,000, obsessed with creating transparency in the electoral tabulation.

As fear of direct access to the Capitol grounds grew, increasing the giddy sense of success as police were waiting for reinforcement, and the mob broke windows to the Senate Chambers climbing on the the mid-terrance, and entering the east and west sides as police defense lines before the White House crumbled by 2:28, leaving many wondering why the guards stationed before the White House were not offered protective shields, and leaving the crowd that rushed into the walls breached by red-bereted Proud Boys members to feel that they were in the process of overpowering the system, and need not have recourse to the tunnels by which they might have intended to breach the Capitol building.

Architect of the Capitol via Wayback Machine

The image of direct access to the chambers of government teased Trump supporters as a promise of transparency, as map of the tunnels underneath the Capitol Building that circulated on TheDonald.Win in anticipation of the event not an image in itself of the failure of electoral transparency. Don Jr., never the brightest bulb but the most eager, seems to have been overly transparent in telling the assembled crowd in Freedom Plaza that the time had indeed come to confront Republican representatives reluctant to support the seating of electors that would confirm the transition of power, claiming “we’re coming for you and we’re going to have a good time doing it,” hours before the crowd attacked the U.S. Capitol to affirm his overly earnest claim that “we have a country to save and [rioting] doesn’t help anyone.”–after urging the crowd, “if you’re gonna be the zero and not the hero” to prevent the transition of power, “we’re coming for you and we’re gonna have a good time.”

They were rather supposed to be having a good time. They advanced to the U.S. Capitol, having been urged on by how President Trump nurtured fantasies of “Making America Great Again” with existential urgency, and had delegated responsibility with urgency by letting them know that it was their turn to fight at the gates: “It is up to you and I to save this Republic! We are not going to back down, are we? Keep up the fight!” The barbarians were brought to the gates, and he all but invited them in, by activating their discharge down Pennsylvania Avenue, to bring a conclusion to what he had long postponed or deferred as a conclusion to the election that he had long argued would decide America’s future was at stake, with President Trump telling his supporters that his opponent would “destroy the American dream,” building anticipation for “the most important election in the history of our country” to magnify his supporters’ sense of a mission; as Trump predicted that the cities would be given over to roaming crowds of “violent anarchists,” and intoning about the existential dangers that immigrants who crossed the border, and failed to show up for court hearings would cross the border en masse–indeed, only by sending Immigration and Customs Enforcement and the Border Patrol who had become his personal army to find immigrants failing to show up for immigration court hearings could the U.S. Border and the nation be kept secure and we allow “a socialist agenda to demolish our cherished destiny” as a nation.

The barbarians had been summoned to the gates of power, by the logic of claims of lack of transparency. Perhaps they were also looking for violent anarchists, but they acted more like insurrectionists. Trump had cultivated an image of instability, akin to the specter of the invading migrants by celebrating the border wall as a prop for his Presidency, announcing that all difficulties faced by the United States began from its border, not its interior: “if we had a wall, we wouldn’t have any problems.” If the specter of immigrants as a threat to the nation’s sovereignty, tied to electoral transparency, the moment of revanchism had come as the tocsin sounded when the President called his base into action to forestall the transition of power. “They cross the border, and they they disperse across the country,” Trump had long warned of immigrants; but the the many busloads of protestors who arrived in Washington, DC, assembled before the authoritative structure of the prime chamber of American government, ready to cross barricades to target the U.S. Congress, staking a counterweight to its historic representational functions in their own bodies, as they sought to make their voices heard with urgency, least the boundary to the nation be opened, and the security of the state be fully compromised. The barbarians had now crossed police lines, barricades, bicycle racks, and overpowering officers as they invaded the halls of government. The arrived out of a distinct sense of a mission to defend the electoral results they wanted, with a sense of cheering the man to whom they were bonding for a final time, assembling before mesmeric screens that magnified the face of the outgoing President to whom they played homage, and who would instruct them to interrupt the certification of electoral votes, in deeply personal tones, as if it was the final plea to re-litigate the election.

As late as April, Trump has continued to praise the crowd that arrived for his speech at Freedom Plaza as patriots, before fundraisers, boasting about its the size of the January 6 rally as if it offered a testament to his holding power in the party, but quickly claiming “he wasn’t talking about the people who went to the Capitol.” It is difficult to estimate the size of the crowd, or of the mob that besieged the Capitol as Trump spoke: if he claimed a number as large as 250,000; although 100,000 is a likely exaggeration, it was at least 10,000; as they approached the Capitol,  the crowd gained a density of 5 square feet per person, mosh-pit style, that both allowed it to gain a new sense of identity, and to overpower unarmed police. During Trump’s speech, he spent most of his speech acting as if he had been playing out the tallies of votes on an electoral map in a non-stop loop in his head for months describing fraudulence across states–Arizona, Wisconsin, Michigan, Nevada, and then several counties in Georgia, to conclude in contradictions of an obsessive–“We were ahead by a lot, until within a number of hours, we were loosing by a little”. Trump seemed to have counted on the audience replaying the same electoral maps, tallying cases of fraudulence in comprehensive detail–illegal ballots, never audited; the astounding alleged “error rate” of Dominion Voting Systems in Fulton County–late-arriving ballots in Detroit; dead people voting in Arizona; back-dated ballots in Wisconsin; ballot-harvesting in Pennsylvania, votes received after the deadline, an accumulated variety of dizzying wrongs. They were recited in disturbing detail as if to turn back the clock on the election, and demand that the tallying of electoral votes just not occur, given all these wrongs. All conveyed a deep sense of being wronged, and a vast conspiracy of wrongs, all allowed to exist, if folks did not show righteous rage. Did he imagined we had all visualized the possibility that all states were not called, and the electoral map remained unsettled as more legal cases were pending, or ballots needed to be recounted.

In fact, the lack of clarity in the electoral maps of 2020 flipped, for the first time, the tabulation of electoral votes across the country into what was openly portrayed as a crisis of representation, unable to be resolved by the usual manner of the tabulation of votes, in which despite the clear majority of votes won by one candidate, the final tally of electoral votes were not clear on the map–and some television news stations seemed to expect the block of red states that ensured an electoral victory in 2016 to be repeated, and left Trump deferring any conclusion to the election until January 6, 2021.

Election Night Returns, New York Times
Post-Election Map of Lawsuits, Recounting of Ballots, and Contested Election Returns/Epoch News

Trump affirmed his refusal to concede, and urged the rally to refuse to accept these results as well, stewing in what he portrayed, again, pleadingly, as a crisis in representation that his own Vice President had failed to maneuver around. He taunted the crowed by insisting on the mendacity of Democrats who were all talk and no action, would undercut the America First policy, and fail to defend rights to Free Speech that was in danger of being curbed, with freedom of religion and of owning guns–articulating “rights” that extended from gun control to religious practice. The chaotic jumble of multiple flags dominated by the five letters long used to promote luxury complexes concealed the presence cultivated from white supremacist groups, Proud Boys, Oath Keepers, all groups expected to be at the event, heirs to the supposed promises of a Lost Cause who wove separatist flags of different stripes, suggesting loyalty to deep truths. Trump lionized the patriotism of the crowd, which he insisted were “totally appropriate” in all ways, pronounced the election not only rigged, in a keyword of his campaign, and marred by a range of unprecedented “abuses” that can “never happen again,” distinguishing the crowds of 30,000 at the Save America Rally where he promised he would never concede as the crowd already approached the seat of the U.S. Congress in tactical garb before he concluded speaking.

As if hoping for a last-minute reversal of fortune, Donald Trump invited these barbarians into the gates, having granted them honorifics as “patriots committed to the honesty of our elections and the integrity of our glorious republic,” ready to “patriotically make your voices heard.” “I have never been more confident in our nation’s future,” he said in closing, reminding the patriots assembled that “if you don’t fight like hell, you’re not going to have a country any more.” These patriots arrived on the perimeter of the U.S. Capitol, convinced that they would present a new ideal of sovereignty, a popular sovereignty, that would overturn not only the certification of electors but the falsity of a tainted electoral process, as if they might replace it with direct sovereignty evoked in the sea of flags that so exultantly if chaotically unified the voices and identity of the mob that rushed the U.S. Capitol, streaming their success on social media, to give a transparency to their own actions that they found lacking in the electoral process. The prominence of defensively waved confederate flags beside TRUMP 2020 banners, American flags, and a range of flags from the Gadsden Flag to the Blue Line Flag to states’ flags, suggested defending an imaginary of the nation greater than the actual nation; they proclaimed a project of patriotism and national reinvention, glorifying as “revolutionary” insurrectionism.

There was something deeply fraught and un-American in the dissonance of the crowd-sourced populism of these men and women who arrived to accomplish what could not be accomplished at the ballot box. But there they were, claiming populist roles for themselves and claiming identity as patriots, taking selfies and filming one another, defending an administration that had signed into law the America CARES Act that offered targeted relief for industries hard hit by the pandemic–whose Title IV boasted relief for airline industries and the financial sectors in the form of massive tax write-offs, and over $25 billion of loans and loan guarantees to aircraft carriers alone and over $15 billion to defense industries–as if it was a populist movement, redefining populism as a mission of unwittingly preserving interests of corporate elites. The huge tax write-offs of the CARES Act that allowed “carry-back” provisions allowing companies to deduct losses from the profits they had recently reported, even if they were unrelated to COVID-19 or the pandemic, boasted the outright gift allowed ultra-wealthy Americans to consolidate their social safety nets by deducting personal losses from non-business income, at a time they were worried about their income security, in a manner demanded by the Americans for Tax Fairness non-profit, bolstering their financial profiles of the wealthiest of the 1%, and ensuring their hospitals, health centers, as hospitals were overwhelmed.

What were these people doing defending their ground at Freedom Plaza? These yahoos were not from the edges of empire, from outside of the borders of the nation, but claiming its heartland. They were crowd-sourced from social media platforms and news sources of political disaggregation, animated by the inflation of abstract values–arriving not from the southwestern border we had been warned of an invasion by gangs, drug lords, child-traffickers, and illegal aliens, but from across the nation. They were different barbarians, promoting popular sovereignty. If the maps of the barbarians that sacked Rome in the late antique period were identified as either the “great invasions” or more neutrally the “migration of peoples” in the early twentieth century–the Völkerwanderung of the third century–the crowd at Freedom Plaza was animated by the continued specter of migrants that would invade America, if Donald Trump was not recognized as the victor of the election. They had come from far and wide, and converged on Washington DC to let themselves be heard, seeking not to overthrow the nation but to represent the völk lest they be destabilized, holding their flags to not be seen as a group of invaders, but to reclaim the state.

January 6, 2021
Nick Anderson, MAGA Mob/Tribune Agency

The Alexandrian poet Konstantine Kavafy began Waiting for the Barbarians, by imaging the expectation of their arrival as government ground to a halt: toga-wearing legislators, bored, seem to wait something to break the logjam of their work to lift them from their idleness: “Why should the Senators still be making laws?/ The barbarians, when they come, will legislate.” Cavafy describes the legislators “bored with eloquence and public speaking,” as they found that with the specter of the barbarians from across the southern border were hidden behind, senators fled from the specter of the advancing MAGA mob, relinquishing their offices in fear: after four years of affirming the sacrality of the border wall to the nation, they shamelessly cowered from these barbarians without responsibility. The hope those who invaded the Capitol grounds to forestall certification presented the true emergency they would solved by the “four more years” they had demanded–the end of the Trump Era, the fear of losing automatic weapons, immigrant protection programs, and the fear of a fraying of law and order that the Republican party had encouraged them to believe were all too imminent, warranting the emergency sign of flying an inverted American flag.

Thomas P Costello/USA Today

When Elias Canetti examined the formation of the crowd’s sense of license, tracing it from a moment of ‘discharge’ when they had arrived on the terrace, exulting in sense of short-lived victory. The members of the crowd at the moment of discharge, Canetti argued, sense of bonds to one another solidify. He would have been struck by the theatricality of the formation of a crowd that formed with a clear sense of timing: this crowd was long prompted by an urgent sense that January 6, 2021 was a critical day in the history of democracy, and of the union, and as the final moment of the selection of an American President, not by an election, but the final moment to question that election’s results–a true critical moment in the preservation of a democracy.

The crowd that progressed from the Ellipse gained new clarity as a body as they moved down Pennsylvania Avenue, past the Mall, and entered in waves into the chambers of the U.S. Capitol. They arrived to fulfilled their ambitions to fill the “our house”–occupying the architecture of the ship of state and government. They had arrived with an ease as surprising to many members of the mob as their leaders, as well as the President they would continue to support in his calls for patriotic defense of liberties. The crowd that wanted to preserve the spectral “red map” used as a backdrop of “Tucker Carlson Tonight,” the highest-rated news program Fox airs, and in cable news history: watched by over 4.3 million on average, the maps orient viewers to the world enough to promote Carlson’s improbable rapid emergence and designation as the hands down “front runner” for Republicans in 2024. The red map that is almost synonymous with the recouping of Trump’s 2016 victory is embodied by the “four mour years! four more years!” cries preceding the approach of the U.S. Capitol. Carlson embodiment of a race-baiting, dynamic figure as Trump would affirm a constellation Roger Stone ha promoted in persuading Trump to run for President in 2000 and 2012.

Tucker Carlson
AP/Rex/Shutterstock

A young Conservative pillar whose news show began by featuring the backdrop of the electoral map in November, 2016, the most watched Fox News program of the year, Carlson made clear his promotion of Trump from the start, and adopted the conversion of the electoral map from a form of consensus to a declarative statement that Donald Trump was associated in a telling hanging of the map-of 2016 election results Trump had displayed in the White House in a frame–an image he had long given out to visitors to the West Wing, as if in a sign to the broadcaster who had in early 2016 heralded Trump as able “to fight Washington corruption, not simply because he opposes it but because he has actually participated in it” in Politico, able to become “the most ferocious enemy American business has ever known,” as if he were Teddy Roosevelt: Tucker Carlson even went so far as to openly sanction Trump’s vulgarity by his allegedly pugnacious populism, creating a person of the former President struck a clear chord for viewers.

Did Carlson help to inspire the riots? Carlson’s “fighting words” crystallized Trump’s ability to represent the other America Carlson had tapped at The Daily Caller, piling scorn on Washington as a seat of corruption even at CNN, sanctioned Trump’s vulgarity as of a piece with his ability to attack Washington, e exponent he became as founder of the Daily Caller, who left CNN and MNBC for Fox. Trump had never participated in public politics, if he had threatened to since 1996 or earlier, but Carlson’s uncanny knack to converet any position to a pleas to sound like a righteous rebellion against double talk and political corruption anointed Trump as the one able to take on Washington, before Trump had even won the Republican nomination, and was incarnated in the very map of “election results” that magnified the size of Trump’s small share of the popular vote, by making it seem that Trump “big red, using the visual of the county-by-county vote as a proxy of sovereignty which he tweeted out to his 70+ million followers during his second impeachment. An example that might be understood in Trump’s taste for “truthful hyperbole,” it does the trick of showing his victory in 2,626 counties to Hillary Clinton’s 487, but cleverly masked that she had almost three million more popular votes.

The cultic status of the alternative map Carlson long used as a backdrop to tell the news was perhaps a form of brainwashing. It was the map, to be sure, that the crowd in Washington, DC on January 6, 2021 believed to exist, and obstinately refused to stop believing in. Tucker promoted the map as he baited viewers by denigrating social justice protests as the work of “criminal mobs,” and identified the insurrectionary riot as only seeking to promote “justice.” The crowd hoped to turn back the clock on the electoral map, by a license prefigured by interactive tallying electors FOX invited viewers to build interactively and to share in teh 2016 and 2020 elections–

FOX Interactive Projected Electoral map/July 7, 2016

–maps that may have contributed to entitlement to dismiss the electoral maps perpetuated by “Fake News Media.” The fictional maps provided the grounds for the notion that the election was indeed stolen, that the narrative of a fair and free election had been disrupted, that the Trump supporters must act like minutemen with urgency of the fierce, compelling call of now, lest all be lost.

Much as Carlson had spoken from before the map of Trump’s 2016 victory, the same map before which Carlson later dismissed the presence of white supremacists in any responsible role at the rally–and even denied it was an armed insurrection–the spokesperson who has been a major apologist for Trump, promoting the illusion of a “heartland” victory of 2016 across Trump Country, a stretch of the nation that had come into existence in 2016, convincing viewers to keep their eyes on the prize, and imagine “your own 2016 presidential election forecast” as if the election could be personalized to reflect their historical role to promote a Trump victory on the “road to 270.” Their arrival in Washington, DC was bracketed by a sea of blue streamed from red states across the nation, as if to continue the Presidential campaign and to bring it to a final conclusion, as the 2020 electors were being certified.

Were they not an expression and manifestation of Carlson’s own sense of utter indignation at being wronged? This was the need to actually attack Washington, DC, and what better way to do so than by attacking the Joint Session of Congress at the U.S. Capitol? The collective rage of the crowd was cast in righteous terms, and they had been baited by the very categories FOX news had purveyed. Advancing to the U.S. Capitol as Senators and Congressmen stalled for time to prevent state electors from being certified, the crowd aimed to empty the U.S. Capitol of the sacrality it commands. They did not need the government any more, or need its representatives. The argument in early 2016 that “Trump is leading a populist movement” led Carlson to invoke Teddy Roosevelt, while attacking the elitism of Republicans. In a robust attack on his former party for their attention to details of sexism, he attacked “people who were to slow to get finance jobs and instead wound up in journalism” as betraying the Party of Ideas, dismissing Trump’s critics as “fixated on fashion and hair,” and in an explicit sense to effeminate to appreciate Trump’s robust challenge as lying in straight talk and masculine confrontation–as if he were not a Member of the Tribe. Did Carlson indeed give Trump his framed map, or did the chairman of FOX News, Roger Ailes?

Was this a crowd that channeled the righteous indignation that Carlson had summoned over four years, from when he scolded a political caste of “Washington Republican” to let them know that he believed voters “know more about Trump than the people who run their Party,” the attack on the elites who were beholden to vested interests, as only “proof that you live nowhere near a Wal-Mart” in their priggish readiness to call Trump “a ridiculous buffoon with the worst taste since Caligula.” This wrath of Carlson was in a sense the wrath of the mob, directed by the conspiracy theories he had spun about an attempt to “bypass voters” and the autopsy he delivered from his news desk of a man Minnesota police killed. Carlson’s accusations of “rigging the election” led to the anger of the mob as they targeted that symbol of Washington–the Capitol–to “make their voices heard.”

Were the the true barbarians of whom the United States senators and congresspeople were in fear, and took the place of actual invaders? In a chastening poem that meditates on the dynamic of an end of the Byzantine empire, that evokes the fall of Rome to outsiders, poet and historian C. P. Cavafy drew on his erudition to conjure the dramatic scene of an utter inability of senators as they wait for the arrival of the “barbarians” to see the large picture. They have retreated from the larger consequence of inviting the crowd who posed as “patriots” to enter their very chambers in a perverse attempt to defend their country–or the country of red states and white majority with which they identified.

President Trump had incited the crowd to occupy the sacred architecture of government, in the neoclassical Palladian capitol building that he spoke before–what Joe Biden affirmed, in the hours of the riot, as an unprecedented assault on the very “citadel of liberty” and heart of government, occupying the sacred space of government and “most sacred of American undertakings,” the “sacred ritual” of the certification of the Electoral College vote, by occupying and filling the architecture of government into which they flowed. President Trump talked of the Capitol not as a sacred architecture or citadel, but the arms and tactical gear brought to the rally made clear it was a site to be filled: President Trump described an “egregious assault on our democracy,” a strange collective, as if the Capitol were a site of a wrong, rather than sacred, where the “brave senators and congressmen and women” would be cheered on, as in a sporting event, while not cheering much for others, to “make our voices heard” and in doing so “take back our country,” shifting sacrality from the architecture of the Capitol and making it appear a site to be filled by a cheering and booing crowd, as it had been almost evacuated of sacrality in a Presidency that was committed to the sacrality of the border wall. Teh rioters who affirmed a red-state religion of states rights held many obsolete flags–campaign flags, confederate flags, Betsy Ross flags, crusaders’ flags–not only to create a lineage for their protest but to protest their patriotism during the insurrection.

Storming of the United States Capitol/Sam Corum/Getty Images

Only less than a thousand of those attending the Save America Rally on January 6, 2021 forced their way into the doors of the U.S. Capitol, hardly a fraction of the minimum size of 250,000 Trump claimed to face, as the “low number a few hundred thousand, high 2-3 million” that the rally organizers had promoted–but the spark for the crowd was set by the urgent request to save their country, from a threat that was all too real.

The social media whistleblower who urged his followers to “take action” before the Capitol Riots taunted the Capitol police on poor planning for an event he hoped would attract three million American patriots, as if they were woefully underprepared for the reckoning the Save America Rally would create over the coming days. The apparent abdication of the President from his executive responsibility was mirrored in the refusal of Republicans to recognize the danger of advance of militant resisters of a peaceful transfer of power. If only eight hundred entered the U.S. Capitol on January 6, breaking police lines and forcing their way into locked and guarded doors, the dissolution of momentum as the crowd could no longer fill the cavernous rotunda seemed to let it dissipate energy, but the insurrectionary force of entrance had already destabilized the workings of government and shocked the nation. It seems probably the organizers expected many more would have followed, as they insurrectionists hung Trump 2020 flags atop the Capitol building, from flags of the Trump campaign to other lost causes, from the Confederacy to South Vietnam–and tore down the American flag from the flagpole, to replace it with a Trump flag. When they entered the chambers of Congress, they cried “Trump won that election!

They communicated a truly chaotic sense of exultation and arrival, as if that was their purpose. The many flags of imagined nations that no longer exist were on display at the insurrection linked the riots to an imagined heritage by radical telescoping and “umbrella descriptor” able to conjure “utopic” parallel worlds of whiteness. From the assembly of a “new American to the refighting of lost battles–evident in the many flags of the Confederate States of America; Trump 2020; Thin Blue Line–the array of flags suspended on the walls of the Capitol and from its flagpoles and windows suggest realities that were all no longer past, but, as Danielle Christmas reminds us, but synchrony of imaginary spaces which –from the Betsy Ross flag; the Confederacy; League of the South; Knights Templar; Vinland–validated a sense of belonging to a heritage of whiteness, in the attempts to give a national coherence to white nationalism, and even more a sense of authenticity and transparency to their aims. The attempts to untangle the mashup to sanctify their cause in hyper-masculine tropes eliding patriotism and militancy may explain the ebullient apparent chaos in the use of Confederate flags with neo-pagan flags, militant flags of crusaders, early revolutionaries, and diehards of the 2020 election, were images of white strength. Against the backdrop of accusations of failed transparency, an iconography of “lost causes” staked out an authenticity of faith, for all its fakeness and lack of historical accuracy.

While his social media followers may have been unmoored from any stable epistemological ground, the ability to warp the truth over the past five years may have made it incumbent upon them to respond to this lack of truth, to dislodge them from ties to any reality other than his refusal to concede the already decided Presidential race, as he sent his own troops into battle to rally against the reality of his political defeat. The flags pronounced claims to faith in lost causes that both magnified the crowd and its energetic claims to belonging to groups that were more transparent than the alleged “false media” narrative of an election defined, in contrast, by a lack of transparency. The power of belonging in a crowd no doubt attracted many to the Capitol, as it would reprise the many rallies Trump had staged nationwide since 2015.

But after promising his audience that he would accompany their progress down Pennsylvania Avenue, Trump cannily left the rally he had called, gleefully watching the progress to the U.S. Capitol on television from the White House with friends and advisors, as if relinquishing center stage; he abdicated responsibility for inciting the ensuing violence he followed gleefully in the Oval Office with his son and several advisors, and seems to have waited for his Vice-President to summon the National Guard, so ecstatic was Trump in what seemed an Insurrection Party with a soundtrack of upbeat rock. The open transparency of these patriots was on view for all to see, and was being documented live on camera, evident from the map of cel phone signal towers near the Mall and U.S. Capitol as the crowd advanced.

Animated by the defense of a sense of patriotism, if not of the delicate boundaries of the Republic, when Trump vowed “we will never give up, we will never concede,” at the very start of his speech, repeating the useful conceit “we won by a landslide,” he created a bond of collective relation to the crowd, before he affirmed that if “we don’t fight like hell, you’re not going to have a country any more.” The tweet that arrived to the followers who all had brought their phones to stream the event to which they were amassed to follow lit up at 2:24 p.m. with the alarming news the acting President of the Senate failed to question the validity of seating electors, and indeed lacked the “courage to do what should have been done to protect our County and our Constitution” that triggered the mob to form from the crowd, waving a raucous abandon of flags semiotically difficult to process–TRUMP 2020 flags; Betsy Ross flags; Gadsden flags; 2nd Amendment flags thin blue line flags; and, of course, confederate flags–in an abandon of over-signification born of deep desire to destabilize sovereign unity, lifted by an eery undercurrent of red MAGA hats. The guns, explosive devices, and tacitical policing gear as well as hunting weapons were fetishized as a protected”right,” enshrined in the Amendment ratified in 1789, although those rights derived from the English common law notions of preserving the peace–not the libertarian “liberties” of owning guns that span hunting rights or self-defense, rather than the common defense. Yet the keeping of military arms for use in local militia was appropriated with expansion of the very term “militia”, now fetishized as a right of border protection and vigilantism without local regulation.

INdeed, the personalization of rights to “defend” the nation inside the “well-regulated militia” that the Second Amendment affirmed as a right central to preserving “the security of the state” has become delegated to self-run groups, often composed of Border Patrol members or military veterans, designed to preserve their sense of security deemed “necessary to the security of a free state” has increasingly elevated “right” to bear arms into an obligation, staged with theatrics on the very structure of the inaugural stands transformed to grounds of a tactical campaign of defense, whose propulsive energy soon became one of aggressive assault. 

John J. Appel

About a sixth of the way through President Trump’s address–and just after he claimed that the voice of the crowd of believers that would not be silenced, martial chanting filled the space that Elias Canetti, who found that history of the twentieth century a history of mass psychology–termed the “acoustic mask” of the collective, more akin to sports events than individual articulation, a subsuming of the self in the crowd, of openly martial tones. Canetti’s distinction between the “open” crowd whose expansion knew no limits and from the “closed” crowd that fills an architectural space to take it over, and fills it while sacrificing its mass size. The crowd at the Capitol combined both aspects, as it was a crowd that had assembled at multiple earlier rallies and online, but was determined to expand to fill the architecture of the Capitol, opening a preserve of government as it was determined to make its voices heard. Architecture provided a stimulus for the crowd to gain its sense of a unity, Canetti argued in his distinction between the “open” and “closed” crowds, echoing the image of the Nuremberg Rallies of Hitler, no doubt, when he claimed that architecture “postpones [the crowd’s] dissolution,” but the limited number of entrances to the closed space where the crowd assembles not only attracts them, as a space that the crowd will fill, harnessing the power of the crowd which realizes with a sense of sudden entitlement that “the space is theirs.”

The transformation of the space outside the Capitol to an architecture of protest, even not able to be entirely filled, affirmation of the stakes of the battle for rights that was at hand. For Canetti, the architecture of the space–here symbolized by the inaugural stands, and by the open architecture of the Capitol dome, becomes filled as it invited mobilization. Indeed, the filling of the space transformed the crowd into a collective surge, whose motion through space “reminds them of the flood” or crucial metaphors of conceiving the crowd as a stream, tide, or waves–metaphors usually based on water, to illustrate its cohesion–that are, mutatis mutandi, the very terms often applied to the migrants on the southwestern border, but are now poised to enter not the country but the seats of government power. In the context of a history of crowds over the twentieth century, Elias Canetti sought to understand the psychology of mass movements of Fascism outside of a Freudian concentration on ego, and relation of self to collective, but as a new configuration of. self to collective. The crowd allowed him to focus on the question of the political fusion of self with crowd as a moment when all inhibitions are overcome by a drive toward greater density and physical proximity; the procession of the crowd as it moved toward the U.S. Capitol became a mob, gaining identity to cross the Capitol’s perimeter, realizing its transformation from the open crowd of online space to the physical space that it might occupy: in this case, the mass of Trump supporters that was assembled before the U.S. Capitol was it fear of the arrival of the barbarians that Trump has himself warned against,–but seemed to seek acceptance as a new political unit. They gained power as a mob as they approached the U.S. Capitol, defining their power by their proximity to the U.S. President, and growing in power as their distance diminished to the Capitol building that appeared within their vision on the horizon, just out of reach of their own pressing raucous popular demands as the mob acted as a militia.

The centrality of gun rights as the crowd outside the U.S. Capitol became a militia itself, was recouped in subsequent call for a “Million Militia March” on inauguration day, a counter-protest in grotesque parody of the Million Mom March, which 20 years ago drew an estimated 750,000 to protest an epidemic of gun violence, or the Million Man March, against the continued infringement of civil rights in America by police violence. The sustained transposition of constitutional originalism as justifying a “right” to bear arms is diffused in claiming the assertion of a full-blown “right to insurrection” should government overstep its constitutional right, distilling the notion of a well-regulated set of liberties to a “well-regulated militia” engaged in aggressive self-defense–far from the founders’ original intent. If the fear of southerners of slave insurrections , affirmation of a “right to insurrection” within the Second Amendment is argued as a basis to keep politicians in line, or a check against arbitrary authority of rulers. A protest on Inauguration Day was planned to include a return, this time “carrying Our weapons, in support of Our nation’s resolve.”

Evan Vucci/AP

Was not the call to an insurrection the very term that the members of the mob would adopt for themselves, proclaiming an insurrection that was able to The “right to insurrection” was claimed by the mob as they assembled before the inaugural stands, and proceeded to the Capitol.

Drawn toward the Capitol as if to hope to fill its space, the logic of the crowd that had assembled was oriented toward the building where Trump had baited them to disrupt the votes, as if it was within their power to do so, removing and prohibition from entering the property that they were convinced was their own to possess, instructed by the leader to whom their banners all proclaimed fealty.

Many waved an American flag, but far more wove banners of Trump’s campaign slogan, repurposed for insurrection, or adopting other symbols of an allegiance that was more originalist than the members of Congress assembled to certify the electors. The crowd members acted as if they were mobilized as a separate country–the nation of Trump 2020, of Confederate America, or of America Made Great Again, as they pursued the MAGA agenda into the halls of government to finally make their voices heard; this was a country deeply tied to White Supremacy, to the founding fathers, and asserted that the state of affairs had become an emergency, and a new allegiance to foundational principles had to be asserted and proclaimed. From imagined lands to alternate realities, the flags provided an imagined inheritance of precedent–often of mythical nature, as the so-called “Vinland Flag,” repurposed from an old punk band that suggested an original pre-American world discovered by Norse voyagers who had arrived in North America in the eleventh century, repurposed to suggest a mythic white majority nation for extremists, often combining it with the image of a modern semi-automatic AK-47 as if it was a territory worthy of armed defense.

Tayfun Coskun/Anadolu Agency

The approached the U.S. Capitol, waving Second Amendment flags and hanging their banners that celebrated the recent candidacy of Donald J. Trump as if it was indeed marked by victory, still with meaning, not able to be consigned to a trash-heap of history. The moment of heightened proximity to one another outside the White House walls marked the transformation of the audience to a mass, identified by professions of patriotism, patches, clothing, hats, and the acoustic mask of any cry they could improvise. They wished they had brought a boom box, and had a soundtrack by which to enter the chambers of Congress in a mask of dignity.

As martial chanting was a mask, a new collective identity by assuming the power to overturn sovereignty, the flags, MAGA caps, and weapons and tactical gear were a mask of identity by which they were made suddenly visible, accountable, and politically powerful, in collective denial Trump had lost the Presidential vote of 2020: as much as perpetuating a big lie that Trump planted, they laid claim to the collective identity that would not be ignored Trump championed. The acoustic mask was mirrored in the mask of signs, flags, demands, and an interruption to politics as normal. The flags were a baiting of power, a refusal of the sovereign power of the Joint Session of Congress, and a denial of its authority to certify electors: the mass of Trump supporters offered a new form of power, a delegitimization of the sovereignty of the U.S. Capitol itself, as the crowd presented a new form of power, ready to supplant it, unassailable by Capitol police, but that had in this moment before the Rotunda assumed an identity of invulnerability, in the new identity they presented as members of a crowd, and took a new sense of their own power as a crowd, attracted to their own ability to “save America” lest it not be “Great” anymore. They had all been, after all, invited to the event.

1. Trump urged the crowd to step into the breach opened by political polarization across the nation, to right the ship of state at the site of government, by going to the U.S. Capitol. This was the dominant trope of the deep risk of the Republic that American poet Henry Wadsworth Longfellow had channeled, as a task of righting the voyage of the Republic lest it plummet into fatal waters. And the crowd approached, as if it embodied the hopes of the Republic and of mankind, magnifying its own power as a renewal of the Union, akin to a new state of civil war, and of democratic dignity, if the collective construction Longfellow called for imagined timbres from across the nation would be used to “bring tribute, great and small/and help to built this wooden wall . . . of oak and maple, and pine wood; iron, and pitch, and hemp,” to contain “humanity with all its fears.” For Longfellow, the shore was a site of contact, commerce, and danger of natural forces, rather than the fantasy of native purity Trump mapped as a source of fears to be contained by the still unbuilt border wall as a reimagined architecture of sovereignty. When Schoen read the envoi from “The Building of the Ship” inseparable from American Presidents standing steadfast in the face of disunion from Abraham Lincoln’s admiration of how the verses powerfully “stir men” on the eve of the Civil War to Franklin Delano Roosevelt sending them with Wendell Wilkie to Winston Churchill–“Sail on, O Ship of State!/Sail on, O Union strong and great./Humanity with all its fears . . . /Is hanging breathless on thy fate”–before the United States entered World War II, as a commitment of solidarity the former Lord of Admiralty, desperate for reassurance of an Atlantic alliance, would see “applies to you people as it does to us.” (Churchill would frame the hand-written letter on the walls of his Chartwell home, “I think this verse applies to your people, as it does to us.”

In electing to recite the poem in closing arguments, Schoen’s reading tied Presidential authority and a foundational reading of the constitution to the nation’s fate. His lawyerly reading of the envoi for the ship’s departure summoned an array of Presidential authority in defense of Trump’s accusation of violence that mimicked the exhibition of multiple flags arrayed behind Trump as he addressed the Ellipse on the morning of January 6, 2021, taking the figurative reading as a declaration of the innocence of his client in the face of the violence against the capitol and due process, and even Trump’s own taunting words by which he worked the crowd into a mission to move on the Joint Session. Longfellow’s poem had long provided a powerful topos of national unity, and transnational unity, any sense of the shared collective meaning of a transcendence–and the transcendent role of Presidential authority–were hard to recuperate days after the insurrection incited by an intense partisan opposition of an outgoing President, hard to read as deferring fears of the lack of consensus Trump hammered home in provoking the crowd by insisting the media suppresses “free speech” and urged them “we’re going to have to fight much harder” to prevent a “sad day for our country” of the ship of state hitting the rocky shoals of a smooth Presidential succession. In delegating the defense of the constitution to the crowd he addressed, he summoned a flase populism by inciting crowd members to band together, and gain their unity in order to defend their version of false “freedoms”–freedom of speech without fear of reprisal for hate speech, at a “Free Speech Event” to protest second amendment rights to possess guns; freedom of the”right” to assemble to promote civic disunion.

Schoen’s stilted reading of the trimeter of the envoi beseeched us to place faith over fears–“faith triumphant over our fears”–seemed to steel the nation against the insurrection. Longfellow’s language of righting the course of the ship of state became the language of a mob seeking to make their voices heard, in an insurrectionary slogan that granted license to trespass government property to disrupt Congress before electors were certified. And the mob of rioters who advanced on the U.S. Capitol inspire more fears for the future of the unity of state, than a manufactured by a steel wall of concrete core might stop, impelled by the fear that America as they knew it might suddenly stop if Joe Biden assumed the Presidency, and the America Made Great Again would no longer be America any more.

If the performance seemed theatrical, the summoning of the great bearded poet who crafted Romantic epics of America seemed to suggest the permanence of a society that vested faith in its President, and in the literal reading of the law, whatever deeply disturbing turbulence had almost led to a chaotic picture of the absence of authority in the distress signs that rioters held before the U.S. Capitol as tif to interrupt certification of the electors indoors.

Poetic Intermezzo: the Uncertain Ship of State

The invocation of the timeless precepts of a “ship of state” transcended time, and were hardly rooted in a poetics that Longfellow began: Longfellow was an ardent abolitionist, In a poem that formed the conceit “it is not the sea that sinks and shelves/But ourselves/That rock and rise/With uneasy motion,” the uncertainty of the fate of the ship that forms the dramatic tension in Longfellow’s poem–and about which he was uncertain until the proofs were submitted to the printer–was rewritten as an affirmation of the timeless constancy of the Constitution–the timbers of the ship whose sublime form and graceful design arose from its architect’s model to ensure smooth passage–and nation’s mission.

Schoen intoned haltingly the triumphant trimeter of an envoi to the frigate, but the riots suggested the clear and present danger of the hurricane that in his earlier draft would not defer the catastrophe at sea, but find the ship crashed, “wrecked upon some treacherous rock” despite its “loveliness and strength,” reduced to “rotting in some loathsome dock” despite all of its earlier hopes vested in its sublime design: if the best laid plans may go astray, Schoen distorted the poet’s dramatic focus on a vessel built to withstand stormy tempests at sea as a way to shift focus from the insurrection–the storm that was created by human agency and incitation of the crowd to advance to the US Capitol–to Congress’s ability to right the vessel’s course by following precepts he argued that the founders placed in the Constitution and rights of immunity of former Presidents and protection of “Free Speech.” The addition of the injunction, “Sail on! Sail on! O Ship of State!” which clarified the Horatian metaphor solidified its place in American Presidential rhetoric over the years.

FOX News/Daily Caller Twitterfeed of February 9, 2021

The ship of state–or a ship of diverse affiliations, united as in a new “Unite the Right” rally to support a second term for Donald Trump or to force elected representatives to resist certification of electors–seemed to find a model for perseverance and the continuity of national duty. David Schoen cited the bulwarks of Presidential authority and constitutional precedent, but not “rocking the boat” provided the motif for his stilted oratory. The overcoming of the turbulence of the ocean was a late revision that Longfellow had made to the poem, but the urging of faith and dismissal fears that unruly forces might overpower the American ship of state’s timbers, as the revolutions of 1848 that might cause the ship of state to “with wave and whirlwind wrestle!”

Longfellow’s envoi offered an imprecation for faith in the works of the architect against the tempest’s roar, and “fear [of] each sudden sound and shock” may have tried to quell fear at the abiding chaos of the riotous crowd–whose members bore telling black flags including “2020–the SEQUEL” as they charged the joint session to Make America Great Again by the dramatic force of Trump’s campaign. The call for faith before a “restless, seething, stormy sea” extended beyond metaphor, far from the cosplay social disruption, for faith in how America’s ship of state built on American shores would serve the world. Longfellow suggested security in the stability in the U.S. Constitution, built on clear precepts, e pluribus unum, as the origin of the timbers sent to make the ship’s planks from disparate coastal states of the Republic–Maine, Georgia, Vermont, Virginia–revealed the craft of democratic legislation in 1849, against the backdrop of European revolutions, distinguished America from the instability of the conservative governments who had supported their monarchies, and struggled to meet demands for a constitution.

Henri Félix Emmanuel Philippoteaux (1815-1884). “Lamartine Hangs Red Flag at l’Hôtel de Ville, le 25 février 1848”
Musée des Beaux-Arts de la Ville de Paris, Petit Palais
March, 1848, Berlin
Berlin, Brandenburg Tor

The design of the ship of state Longfellow evoked, of course, was not in need of displaying a flags so prominently, but revealed its craft most apparently in the harmony of its design. To endure turbulent seas, the “worthy master” who had designed it had regularly enraptured audiences of landlubbers who assembled on shore to wonder at the construction of a goodly ship “shall laugh at all disaster/And with wave and whirlwind wrestle.” What was repurposed as an appeal for stability after the whirlwind of the invasion of the U.S. Capitol adopted Longfellow’s image of he framing of a harmonious ship of state, “Built for freight; and yet for speed,/ A beautiful and gallant craft,” to echo the sturdiness of constitutional precepts apparent in a ship both “beautiful and gallant” and of “larger proportion” whose “silent architecture” could withstand the blows of ocean whirlwinds and rocky reefs as it sailed to the Fortunate Islands without any need for fear. Poised on the coast, where ship-building was a collective spectator event in the maritime coastal region of Portland, Maine where Longfellow grew, the architecture of the ship was praised as a wall that oceanic waves would not be able to ever overcome, on which “all the hopes for future years/ . . . hanging breathless on thy fate.”

Illustration of “The Building of the Ship of State,” ca. 1880/Maine Historical Society

Senators were asked to direct attention to the construction of the state rather than the deep turbulence that the riots had revealed. Longfellow had created a dramatic tension between the dangers of ocean travel and the construction of the ship as a metaphor for the craft of his own trimeter and pentameter, but would have long seen the shore and coast as a site of sociability, where he often talked with sailors, and found confirmation of the broader ties to the world when navigation tied the New England coast to global trade, and a romance of the seas: but the Capitol Riots rather stood, festering on the shore, not as confirming the launching of the “goodly vessel . . . safe from all adversity,” but channeled the “boiling, bubbling, seething,/Cauldron that glowed/ and overflowed with black tar,” more than auguring the stability of a ship able to withstand the ocean’s shallows, rocky reefs, and secret currents.

The announcement of the ship’s construction and boasts of its ability echoes the genre of Sailing Cards placed from 1848 in the shops of waterfront ports, featuring elaborately engraved scenes of long-distance travel, offering promises of the possibility of safe passage across a tempestuous windswept sea, that almost echoes Longfellow’s evocation of oceanic peril.

Smithsonian Institute/Clipper Cards, 1850-1860

The expression of confidence in the master architect inspires trust in the building of a ship that resembles the Master’s daughter–the figurehead first inspires love for his daughter, the maiden that the young man marries–and culminates in the envoi of the ship. For readers of “The Building of the Ship of State,” the awe of constructing freight ships was a collective event of spectatorship, as well as an investment in commercial ties, attracting crowds of land-lubbers, as an engraving for the poem foregrounds, but also a prospect of fear. As much as praising the architecture of the craft built from native timbers of different states from the Roanoke, to Maine in The Building of the Ship, Longfellow praised the sturdy building a vessel fit to sail to the “magic charm of foreign lands/With shadows of palms and shining sands” that cast foreign seas as sites for open plunder, across the vast ocean that “divides yet unites mankind” as if the ship was a vehicle for national and global unity, in a barely concealed mercantilist fantasy.

But the affirmation of the final envoi that elevates a call to faith in the architect’s design of the ship over our fears–the imprecation to “fear not each sudden sound and shock” as “‘Tis of the wave and not the rock;/”tis but the flapping of the sail,/And not a rent made by the gale!” was such an odd closure for a trial for inciting attempt to incite crowd violence designed to rock the very ship of state. If Longfellow’s poem is essentially a deferral of these fears–and, indeed, he chose to add the envoi in final proofs of the poem sent to the publisher to alter the ending of the ship striking a rocky reef with a call to national unity that would increase its national appeal in the American canon, that Schoen referenced in treating the ship as a metaphor for his constitutional defense.

Longfellow’s affirmation of faith over fear revealed his commitment to the nation, but led to his canonization as a figure of state, in an era when “In God We Trust” was not minted on American currency before 1864, added only after clergymen gave voice to fears that “if our Republic were not shattered beyond reconstruction . . . . .the antiquaries of succeeding centuries rightly reason from our past that we were a heathen nation.” If the Founders kept church and state were kept strictly separate, the motto prominently featured in 1866 on all subsequent coinage-and mandatory from 1908, emphasizing the motto affirming collective faith in God even above the motto, “E pluribus unum,” that described the collective power of the former colonies as a unified state. Longfellow crafted a call to faith, before the Civil War, placing faith in a human architect, but the coining of the motto, a last minute alteration of “In God is Our Trust,” appeared on the two cent piece as a monument to the nation that had been used in the Union army, placed the nation in a form of divine protection later adopted as a national motto at the height of the Cold War in 1956: a Presbyterian pastor hope that the motto “relieve us of the ignominy of heathenism” demanded “recognition of the Almighty God in our coins.”

The director of the Philadelphia Mint, James Pollock, acknowledged that “distinct and unequivocal recognition of the divine sovereignty in the practical administration of our political system” as “a duty of the highest obligation,” and took the mandate to reflect that no nation could be strong without divine favor–and to acknowledge that “trust of our people in God should be declared on our national coins,” as Lincoln’s Treasury Secretary reasoned. Longfellow called for public faith in the ship’s construction as a locus for collective “faith” had universalized a patriotic creed in verse, before the currency would provide a monument to collective faith of he nation: if the settling of Acadie had been the subject of Longfellow’s earlier epic poetic project, Evangeline, about the faithful wife among Acadians expelled with Francophones refugees in Le grande Dérangement, set in a primeval forest but during boundary disputes of England, France, and Massachusetts over the island’s future as a story central to the nation. While Longfellow seized on the story of religious refugees to tell by a story of faith in the face of geographical separation, in 1848 the waters of state became truly uneven, leading Longfellow to craft a an optimistic statement of the place of faith for national stability that defined him as one of the first of the future canon of American poets. Longfellow had imagined the need for a new epic for the nation in ways that had placed him in a canon of white American authors that had been crystallized in a literary canon–in an image of Anglo clubbiness–

Longfellow among Canonic American Poets from Stedman, American Anthology, 1787-1900: from upper left,
Longfellow, Poe, Whitman, Holmes, Lanier, Lowell, Whittier
Eugene l”Africain (1859-1892), “Author’s Group” (undated photographic composite collotype)

The Canadian photographer and landscape artist, Eugene l’Africain (1859-92), a Montreal-based artist in the photographic studio who specialized in photo-lithographs of composite collective portraiture, and his images of Union and “Southern Commanders” of the era of Reconstruction marketed as a patriotic calling cards, assimilated the confederacy to the nation, in an eerily echo the persistent commemoration of military bases of Confederate generals that were only recently called to be redressed; the problem of national belonging was raised by the 2020 insurrection attempting to block electoral certification by disenfranchising black and minority voters in Michigan, Arizona, Georgia, and Pennsylvania–refusing the extension of the franchise that the confederacy had so adamantly opposed. Notman Studios’ 1885 composite celebrated the Southern Commanders, posing in decorated uniforms, before scenes of martial victory and the very confederate flag carried by many at the Capitol insurrection, placed the commanders in a national pantheon in ways still redressed by protests of commemorating confederates in military bases in the summer of 2020.

Eugene l’Africain (Notman Photograph Company), “Southern Commanders” (Notman Studios, Boston, 1885)
The J. Paul Getty Museum, Los Angeles

The colloidal collotype in which Eugene l’Africain specialized was a precursor of photoshop. Years after the war had ended, the studio for which he worked created collective photo-portraits as a surrogate for national memory, that seemed to create was stubbornly homogeneous and preserved a racial hierarchy; the place of Longfellow in the collotype foregrounds the bearded national hero on its far right, in an imaginary library’s fantastic architecture, as if situated near their stately Boston residences–taking advantage of a new medium pioneered after 1855 to replace pasting individual photographs in to books, refined for mass printing in the 1870s and suitable for wall hangings. Did they complete a national memory after the Civil War so eerily present to protestors who bore confederate flags to overturn electoral results that would retroactively forestall black voters’ choices? The photographic technique produced a quite neoclassical constructed memory of a war that had divided the nation as if it was not lost by these commanders, but celebrated the bravery of separatist commanders as heroes in American public memory, a counterpart to the collective portrait that he also created of Union Commanders, a pair of portraits of a healed nation. The same memory of whiteness informed the naming of American military bases.

Eugene l’Africain, “The Southern Commanders, (1885), detail of albumen print, colloidal collotype photolithograph

But it was hard not to declaim the verses of “the poet Longfellow” in the vein of America First. The sense of a collective healing was something that David Schoen seemed to be creating for the nation in reciting the envoi with which Longfellow had concluded his poem. As has been shown, the very verses that were included in elegiac manner in the poem provided a revision of its narrative as a romantic tragedy in which the ship crashed on the rocks, to become a ruin and monument of sorts, despite the architect’s plans: the transformation of the poem by the addition of a heroic envoi invested it with an epic status, and David Schoen selected a poem of patriotic overtones to instill a similar monumental function intertwined Presidential and Constitutional identity with the figure of speech, even if he was not aware of this, reciting the envoi with breath breaking as if its recitation was a coded warning to Congress of the need to move on lest the ship of state be allowed to crash yet again. Schoen theatrically choked as if to express shared reverence for a frame of state authority, an Anglo poetics of global dominance, to be sure, that dignified the form of government, more than Longfellow’s own abolitionist convictions might suggest.

Schoen’s voice patriotically cracked as he read the poetic imprecation to “Sail on, O Ship of State!/Sail on, O Union, strong and great!”as if the incitation of insurrection was but a Republican version of “Move On”–a group founded in response to the impeachment of Bill Clinton For Schoen recited the poem without any argument that this was for the benefit of humanity, but to mask for the venality of pursuing falsified claims of electoral fraud and a failure of electoral transparency. Schoen’s distorted reading of Longfellow’s verse was an appropriation of its jingoistic slogan as an imprecation to respect its sovereign structures even in the face of the incitation of violence, but was celebrated on The Daily Caller as if the recitation was a patriotic act. The neoclassical epic that Longfellow created had to end with a celebratory envoi, indeed, by the poetic logic of patriotic poetry, in good Horatian or Virgilian form, lest it provide a bad augur of the nation that seemed destined to fragment. While Longfellow was an ardent abolitionist, he wanted to modernize the image of the ship of state for a democracy, as “all the hopes for future years/ . . . hanging breathless on they fate,” removing the Horatian conceit of a ship from a philosopher king not to an architect, but to the principles of democratic government and the states that had contributed its wood; it seemed to invoke the precedent of design and foundational status to the Constitution lawyers claimed would void the prosecution’s case, preserving the craft despite evident and willful distortion of the franchise that President Trump had so actively promoted the morning of the riots.

There was no reference to how Trump had incited the crowd as he mobilized it by directing a barbaric level of anger to the US Congress’ joint session, and sanctioning the advance to the U.S. Capitol as an occasion to teach a lesson to the Vice President he described as able to forestall his electoral defeat. Trump was confident the crowed would act as his soldiers and reinforcements in a time of need. As defendant, Schoen invested the reading of the poem with patriotic intent. To be sure, he read against the poem’s grain, but, no doubt unconsciously, mirrored the revision of narrative thrust of a poem Longfellow had altered only at the final submission of galleys to his publisher, to end with an envoi of perseverance, in place romantic consideration of a tragic ending that sent the ship on rocky reefs due to a hurricane, trying to recast the prospect of conviction as a tragedy of state, as Longfellow called for endurance and devotion on which Schoen choked–“sail on, O UNION, strong and great!”–as if the need to transcend the rioters’ violence demanded by the logic of the poem, in ways that could almost seem to sanction their own sense of urgency.

2. Longfellow was.a poet of “America First” long before the term had been coined as a slogan for the 2016 Presidential election. To be sure, as the collective composite enshrined the poet in a pantheon of the nation in a new Athens, Longfellow carefully fashioned his status as an American poet, promising in Hiawatha, a later epic that cobbled Ojibwe languages to fashion the pristine native world that he had imagined as the Acadian setting of Evangeline, a new Edda for the new nation, in a creole of Native American languages of his own creation in trochaic trimeter. As if to map the nation in verse, he perpetuated the myth of the extinction of indigenous culture that established him as a “White Poet” able to meld indigenous and Christian cultures in an American epic emulating indigenous cadences, and champions the Anglicization and conversion of indigenous culture at its close. The canonic role of Longfellow as a Poet of Whiteness recalled the white poetics in seeking guidance from words that predated the Civil War, and became part of a pantheon of White Poets of America, indeed, whose “faith” in an architect’s design seemed to play to Trump’s base as an argument, was probably provided to Schoen as a theatrical closing argument between a final appeal or proof.

There was an element of the perverse in invoking “the poet Longfellow” to defend a non-literate President, who found defense not in law but a pre-Civil War poetics. The lawyer’s poetic performance was perversely exaggerated as it appealed to emotions of his audience, in the very room where the insurrection had occurred, as if to turn back the tide of history by an appeal to patriotic principles that assumed the ship was stable and afloat. Schoen intimated suggested the video show that featured breaking of windows and light fixtures by those who marauded the Capitol they entered in military garb to destabilize the “ship of state” Greek philosophers assigned exclusively to philosopher kings was but an aberration, and that the trust in founding principles would outlast the perils of rocky shoals that were narrowly averted, but openly incited and provoked against the hall of state where he spoke.

As Longfellow extolled he collective faith in the Master builder’s plan, extolling the plan by which the ship of state was built from timbers from across the new continent, and the benefits the ship would bring to the globe–but a ore recognizably Anglo poetics of mastery of the ship’s course, Schoen broke up in closing argument, as if overcome with emotion in concluding his statement–designed to be rebroadcast in clips on the nightly news, if not inspire faith in the party of the impeached President, that the ship was a work of good that would endure. The verses he credited to “the poet Longfellow” of course elided the role of mercantile expansion in appropriating foreign goods, even if he broadcast his abolitionist convictions: the poem grew canonic as it was recited in public for theatrical audiences as an inspiration reverence to the collective project at stunning odds with the sort of separatism of a mob wanting its voice to “not be silenced,” who seemed incited to reject the illusory possibility that seemed to disappear that morning–but never existed–of staying the orderly transition of power.

Longfellow’s canonic poem was an elevation of nation in clear classical style, as the ship of state image of national perseverance before distress that became a canonic image of nation, perversely in Schoen’s closing argument, to dispatch all memory of the violent entry of the U.S. Capitol by the image of a “noble ship” of “goodly frame,” of select “cedar of Maine and Georgia pine,” wood from the banks of the Roanoke, to endure whirlwinds as it circumnavigates the globe to Madagascar and the Fortunate Isles. To place the nation with confidence on a global map, Longfellow shifted the mercantile aims of extracting wealth from overseas to global benefit of the ship–“the entire world “hanging on thy fate”–naturalizing freight ships’ role to to plunder global communities, ferrying “raw” materials to expropriate wealth, as a global benefit of uniting the world commercially in routes of mercantile exchange. If Schoen appealed to national transcendence, the assault on the Capitol was far from a disturbance, mistaken for the flapping of a sail or waves against the hull of the ship, but a real and present danger to the ship of state.

The intimation that intensified national divides might invite Senators to doubt that demanded reverence for the sacred form was less in keeping with Longfellow’s hope that “foul befall the traitor’s hand/That would loose one bolt, or break one band/Of this gallant ship or this goodly land,”lest accusations of incitation lead to a conviction that would assault the structure of government.

Trump’s lawyer did his best to channel the theatrical declamation of the map of the nation in Longfellow’s concluding lines to elevate sentiment to defend the President–its architect?–as if the trial would be an offense to the very work of state, raising the monument of poetry to the level of the monument of the capitol building, drafted in 1793 as a classical temple whose chambers were inviolate and sacred, rather than the mob who had inhabited the structure, and sought to wrest authority from its officials.

But the poem was a masquerade for the venality of inviting license of the protestors to attempt to overturn the electoral vote. Longfellow wrote the pome in 1849, with little sense of the endurance of the union, until he added in last-minute changes to the proof a distinctly different ending of the ship’s enduring fortune, that made the poem so canonical to America in its poetic claims. But the logic of its recitation had far less to do with Longfellow’s intent than political sloganeering–and the need for a mask of sovereign unity after the whirlwind of the Capitol riots that had occurred in the chambers Trump was bing tried. The attempt to invoke a historical prospect in closing the President’s defense against charges he incited the mob was almost perverse conclusion to how Trump summoned supporters on social media to interrupt the workings of government –the very sort of mob the Founders refused to see as endemic to democracy but recognized as perilous to the Republic. For the halting hat concluded a defense of Donald J. Trump’s high crimes and misdemeanors, choking at the prospect of a national shipwreck conviction might portend, obscured the very violence of the incitation to proceed the the house of government to overturn the franchise on January 6.

Perhaps Schoen sought to evoke the reading of the poem by Abraham Lincoln on the verge of Civil War, describing the accusation of inflaming the mob as the dire national consequences of pursuing impeachment for revenge–or perhaps a Trump ally had suggested the canonic poem of patriotism. Longfellow wrote with fear for the future of the Republic–an earlier version had closed with the far grimmer version of the ship “Wrecked upon some treacherous rock,/Rotting in some loathsome dock“–read against the mob that assaulted the seat government seemed to do violence to Longfellow’s use of the ancient image of the ship of state was violently readopted to present the trial as internecine squabbles among political parties, more than the survival of a government of laws. The “righting” of the ship by interrupting the due course of electoral certification was designed to replace one vision of the nation with another, under the misguided assertion that the voices of Trump supporters were indeed silenced or ignored. But in an era where the purple states seem disappeared, the crisis of the presentation of political or ideological unity was far less apparent than the apparent depth of fractures in the national vote, and the state senators were acting as representatives.

Image result for "ship of state" 1880 map nation republic

If the crowed that entered the U.S. Capitol acted like a lynching mob seeking apprehension and execution of legislators in an improvised court of popular law that echoed the separatist Klansmen, the myth of a white nationalism emerged in the specter of a lynching of public officials–perhaps lifted from neo-Nazi William Luther Pierce’s dystopian fictional overthrow of a government for being traitors to their race, in the The Turner Diaries, as a retributive measure against traitorous legislators. The prediction of a coming violent conflict of Civil War was long a given in alt right media that asked only “how, when, and why has the United States now arrived at the brink of a veritable civil war?” and predicted the nation was “nearing a point comparable to 1860, and perhaps past 1968,” the brimming tensions of which were enacted in the 2019 cartographic meme predicting victory in a coming civil war.

Image

Trump had long predicted that politics were growing increasingly viscious by telling social media followers the “tough people” on his side would bode badly for violent leftists–“I have the support of the police, the support of the military, the support of the Bikers for Trump — I have the tough people, but they don’t play it tough–until they go to a certain point and then it would be very bad, very bad.” The multiplication of scenarios of violent conflict of apocalyptic tenor seemed early modern, blown as it was to historical proportions of a battle of crusaders, or of historical conflicts of east and west, with the possibility of a race war, nuclear conflagration, that had magnified fears of disaster that gave a special prominence to migration: as the nation fought memory wars between the 1618 project pointing to the first arrival of slaves in North America as as foundational as 1776 Declaration of Independence, warned the director of the Claremont Institute, noting similarities to post-Civil War elections of 1864 to 2018–or 2020–Democratic victories in Congress would “prevent the President from building the wall and keep him tied up long enough for them to get their demographic transformation of America past the point of no return.” The result, he warned, “might well be game over for the regime of liberty,” the image of the neo-Nazi leader’s novel of a “Day of Rope” s designaated to mark the systematic execution of legislators who promoted programs of gun confiscations and a crackdown on racists lead to a campaign of terror, and its fetishization in alt right tropes, and fears that “firearms rights” might be removed.

A scholar of American anti-Semitism explains the hate symbols present  during the US Capitol riot
Shay Horse/NurPhoto

3. The violence was long oin coming. Trump was long enamored of architectural symbols of authority, and had used his office to mandate all future federal buildings henceforth would hewed exclusively to neoclassical architectural precepts, all but abandoned by Trump Properties, until the Washington Post Office was converted to prime luxury hotel turf. But fear and shock were central to the storming of the Capitol after the conclusion of what was promoted as a time to culminate the collective energy generated of mass-identity at Trump mass rallies, the staged events of sanctioning violence against those demonized as outsiders tot he project to Make America Great Again, whose target could only be the neoclassical U.S. Capitol whose Palladian dome loomed over the event, an image of sovereignty that had been planned by an open call for designs of stateliness to create an authority worthy of the Republic, but In closing argument, the featuring of a plea for national unity was lawyerly recitation hope national transcendence of the incitation of violence by the outgoing President, hoping to stave off disgrace.

Is it a coincidence that the Trump Presidency had openly targeted ancient sites as targets of destruction, from the city of Palmyra to Iranian cultural monuments, but threatened deliberate violate international law by targeting cultural monuments as official policy? The numerological threat of aggressive bombing that President Trump issued would have targeted 54 cultural monuments in Iran–from Persepolis to Golestan Palace in Tehran to Yazd to historical sites of worship as the the Sheikh Loftollah Mosque in Isfahan or Pink Mosque in Shiraz–a destruction of monuments ostensibly to “avenge” each of the 54 American held in the American embassy-none of whom were killed-provoked international outcry that led DoD to backtrack by issuing a commitment to “follow the laws of armed conflict.” Trump’s bluster recalled nothing so much as Nazi propagandist Baron Gustav Braun von Stumm, boasting that the German tourist guides of Karl Baedeker would provide, in a fillip intimating the interface of superior German cultural authority and the technical precision of aerial delivery of incendiary bombs by the German Luftwaffe, as they would hit “every building in Britain marked with three stars in the Baedeker Guide” in the Spring of 1942. Only a global outcry produced a de-escalation of a rhetoric of wonton monumental destruction.

.As Trump’s lawyer, Schoen sought to channel such theatrical traditions of public declamation, as if in place of offering any exculpatory proof, in an overtly staged gambit to elevate national sentiment to defend the President–its architect?–as if the trial would offend the work of state. Longfellow wrote in an age where epic and ode provided a national form of mapping, replete with toponymic content of national unity as Vergil, Pindar or Horace, but transferring the muse to American shores; he had edited his own compilation of poetry on places that included how Dante famously evoked the fate of his native Italy as a “home of woe/ship without pilot, in an ocean wild” in the translation Longfellow edited–as W.S. Merwin render “a ship with no pilot in the great tempest”–and seems to have placed the building of the ship as a prayer for reslience in the face of Civil War, in which he had sided with Free Soiler movement on restricting enslavement, and abolitionism–but now found his work a slogan of burying evidence of a crime, as it was recast as a monument–perhaps replacing the Capitol itself–of foundational status in the Republic as a faith in national mission akin to Trump’s own insistence on keeping strong in the face of danger on the Ellipse, as if it was as central to the national tradition as L’Enfant had placed the Capitol building at the heart of the nation’s Capitol–and might replace it.

But in the storming of the U.S. Capitol, all gloves seem to have been pulled off by the men and women in combat gear who scaled its walls on January 6, targeting the domed cultural center that L’Enfant placed at the center of his plan for the American capitol.

Perhaps the very architecture of the state Stephen Hallot had designed in 1793 seemed to these rioters a removed site for the foisting of results of an election that had lacked sufficient transparency, and even infringed on state jurisdictions’ sovereignty, no longer tied so closely to the very red states that had shown their dedication to patriotic identity.

For the online call to assemble on January 6 was the announced day that the unheard would materialize from the regions of Red States on the Capitol, to make themselves heard and to interrupt the counting of electors and the mechanics of sovereignty, as they replaced the once most mundane delegation of sovereignty by electoral delegates in the inner sanctum of democracy? The centrality of the overturning or everting of the seat of power is recognized in the urgency of using the domed building of the U.S. Capitol to call for monitoring domestic terrorist operations.

4. The mob formed in response to escalating fears of the mobs of the undocumented migrants that in caravans were prophesied to overwhelm the sovereign borders of the state, whose arrival was mapped as ineluctable catastrophe in memes as overwhelming the border by tide, river, or flow that plot the migration of 185 million undocumented entering ports of entry in 2016 dehumanized to an “immigrant flow” of arrows or water-based metaphors of an unstoppable movements of population northward–

https://www.cdc.gov/usmexicohealth/about-binational-health.html

For as President, Trump had dramatically escalated apprehensions at the border as a sort of personal mission to make American “safe” had opened the U.S. Capitol to an invasion far more destabilizing to the rule of law that would effectively destabilize the scrim of national identity and “homeland” security.

As we watched the mobs entering the Capitol grounds on television, the threat to sovereign identity and security that the mob of rioters posed seemed both more dangerously destabilizing and far more challenging to map as a sovereign threat. Had the invocation of the specter from across the border led law enforcement to take their eye off the ball? We were all disoriented by the spectacle. The sacred defense of the border cast the territory as the primary threat to national security, but the Capitol seemed left unguarded to the costumed and rampaging mobs holding improvised weapons, backpacks with explosives and munitions, as they entered the United States Capitol on January 6, 2021, having been urged to “Fight like hell” if they wanted to have a country, and urged this march was a battle to defend the nation’s existence, not against foreign threats of a transnational character, but from inner threats that would destroy the nation that Trump had for years placed at its borders, not within the nation or in political discourse.

The Alexandrian poet Cavafy described the moment of crisis of the toga-wearing Senators without reason to mystify the public with eloquent speeches. Senators seemed to loose reason to stop the crowds that had assembled to protest the certification of electoral votes from entering the U.S. Capitol, and running rampant through its halls to interrupt the course of the ship of state as it moved in stately fashion from one Presidency to the next. These mobs were not technically barbarians sacking a city of laws, as Visigoths, overthrowing Rome, even if they were dressed the parts, but rejected business as usual and what they saw as the suspension of laws and were told abandoned the constitution: they were invited from across the nation, rather than streams migrating from beyond its borders, seeking to uphold its laws; they were holding American flags, in a chaotic jumble of iconography, desparate to defend their sense of a nation whose integrity was being endangered by the electoral process.

Cavafy, who was immersed in history and historical decline, evoked the drama of expecting the announced arrival of barbarians to overthrow government, leaving senators and lawgivers about to lay down their work as the “barbarians are coming today”–and the coming realization, as they fail to arrive, and as there are, in fact, no barbarians any more, a shocked realization that without the barbarians there is no useful solution sense of the rationale of government. Trump had claimed to the crowd that the replacement of his “America First” policy would fail to protect the nation in the future, and the audience, animated by fears of protecting the nation, moving across the perimeter of the Capitol was in ways the clear mirror image of the migrants who Trump had been able to keep out of the nation to “protect our Country” by enhanced border security. Trump had spurred their action, recalling the unspoken words of his repeated claims we must secure the nation’s borders, lest we cease to be a nation, by foregrounding the sacred border wall: the fears of the arrival of migrants who would compromise national sovereignty were viewed as moving almost ineluctably to the border, but mapped in metaphorical terms as a “tide” that transcended their actual routes of travel, but that posed a challenge to sovereignty and national purity in “migrant caravans” expanded the routes of undocumented immigrants.

If the early maps of the invading migrations of barbarians into the Roman Empire and city of Rome announced the arrival by arrows that portended the feared arrival of the inhabitants who lived on the edges of the known world in antiquity–Scythians, Dacians, Goths–

–those who arrived from “silenced” red states, familiar with the show of power of militia at Trump rallies in previous months, felt that they were outside the world that was known and represented by the acting government in process of certifying the electors. While the “shoring up” of the nation by secure borders served to sanction Trump’s call for deportation and anti-immigrant violence in 2015-16, new fears of undocumented migrants materialized as a threat to the very notion of a nation as sanctioning violence against undocumented minorities: by sanctioning violence to prevent the fear of the loss of nation. Indeed, Donald Trump’s public address was a bookend to Trump’s promises to “stop illegal immigration” and to fortify the border.

Trump mesmerizingly claimed escalating “illegal” immigration were ravaging the nation, elevating need to “make America safe again,” demonizing the threat of immigration, increasing the policing of the southern border, encouraging citizens’ arrests to help police and the Department of Homeland Security, which solicited applications to teach citizens their abilities to detain undocumented immigrants. The Trump administration openly accorded legitimacy to archaic legal traditions of posse comitatus as a basis for exercising white privilege on the southern border and the white imagination in recent years–and the mob seemed to be enacting a similar desire to prevent the “breach of peace” lest the borders of the known world, in nineteenth century fantasies which used claims of objectivity to present a collapse of the ur-nation of Rome in an “age of migrations” that was elided with globalization–opening floodgates to outsiders–Huns, Scythians, Bactriians from the borders of the known world–

Monde Connu des Anciens (1840), with tribes occupying Northern Europe

–and positing a fear of “mutual penetration” that might be seen most likely as one of “contamination” and taboo. If Ferdinand Lot had reprinted his work in August 1945 with a preface stating that even at the very start of World War II, he had chosen not to modify any part of the conclusions or results of his synthetic essay, but impartially and objectively recount the invasion across Roman borders of barbarians without fear of German censorship but to merit the dignity of the French tongue, the fears of non-English speaking migrants animated many of the white protestors who arrived at the U.S. Capitol, waving flags to designate their own identities.

Les invasions barbariques (1937; 1945)

Trump had channeled such rhetoric when he lamented the threat to overturn the defenses on our boundaries, as he addressed the “amazing patriots” he saw as the protectors of liberty, affirming “we are the greatest and we are headed and were headed in the right direction,” as he assured them he would advance to the U.S. Capitol with them to defend the nation’s sacred principles, before he ducked into a waiting limousine. Trump boasted on July 4, 2020 that he had deployed law enforcement to protect monuments, arrest the rioters who defaced them, and pledged Mt. Rushmore would itself “never be desecrated and never be defamed,” but left the Capitol open to invasion on January 6, 2021.

Trump pledged at Mt Rushmore although the “monument” he claimed sacred to the nation was planned as a tourist attraction on land sacred to Lakota Sioux who had called the six granite pillars on the mountain the Six Grandfathers, was apparent; “Mt. Rushmore” was indeed only officially recognized as its name in 1930, six years after the carvings originally planned for The Needles were explored as a site for the monument. But the license of the crowd that approached the Capitol seemed the result of the baiting of the crowds that Trump had, as candidate, defined his unique relation to, and his power over; the relation of Trump to the crowds that assembled to at rallies like that at Mt. Rushmore gained a new height of violence as a mob, reaching an explosive discharge, in the terms of Elias Canetti, who sought argued the power of crowds have gained since the French Revolution and over the twentieth century.

Migrant Caravan Assessment and Overview, October 2018

This crowd crossed into the Capitol to prevent the future crossing of borders by greater threats to themselves as individuals, moving as a group with license to abandon. The barbarians that left the Ellipse responded to the fears of the collectivity of the nation being open once more to assault, not only to transnational cartels, but to the threat that the government might be dismantling border security apparatus in certifying a fraudulent election. The idea was maddening. These threats were magnified as the crowd was sourced in chat groups, promoted in multiple Facebook groups, where, in hours after the refusal to accept the results of the U.S. Presidential election had been called in several states, verb tenses became unhinged from reality in the waning hours of election night, as what would be the largest-growing Facebook groups ever in the history of the platform grew online, a virtual crowd, not able, as migrants, to be tracked by GPS or viewed as puncturing our borders, but rather aimed at puncturing sovereignty from within: the boundaries of states were less important know, despite threats of migrants overwhelming those fortified border check-points by rushing them en masse, already assembled before the sun rose to pierce the perimeter of the Capitol as they were given permission to do so, by streaming down the Mall, down Constitution Avenue, down Pennsylvania Avenue, urged “we’re going to have to fight much harder” to reverse how “traitors” in the U.S. Senate were betraying the constitution and adopt rigged electoral maps.

These barbarians advanced not on the edges of empire, on historical routes by which they traveled for over two thousand miles, drawn by economic circumstances and unsustainable wealth disparities–

FOX News

–but to defend came to express their first amendment rights, and defend second amendment “freedoms” of gun ownership and possession, and to target the betrayals in the halls of Congress as they had come to flout protocols of social distancing and mask-wearing. Flouting normal behavior was the ethos of the final two-day Trump rally that promised the culmination of the liberties and license promised by Trump’s perpetual candidacy, in red MAGA caps and cowboy hats, carrying flags that declared their allegiance to an imagined America, anticipating the moment when Trump would himself assure the assembled crowd, “We’re going to walk down, and I’ll be there with you–we’re going to walk down, we’re going to walk down . . . we’re going to walk down to the Capitol,” hypnotically energizing the crowd, “You have to show strength–you have to be strong.”

The mobs that assembled, sourced over social media, were not the barbarians of whom we had been repeatedly warned as arriving from without borders, to be sure. The real national emergency was not the national emergency that Trump had long described, as coming from the wall, but occurred as the walls of the government were themselves unprotected, dissuaded from amplifying security, perhaps by the very man who had been mapping the national security threat from beyond our borders in such sombre tones. They proceeded to attack institutions of representational government and march onto federal property, to prevent the certification of electoral votes take the Presidency from Donald Trump. The false sense of equality that Trump bestowed on these white Americans as both equal to him, and allowed by him to act out the sense of personal offense he felt at the certification of electoral votes did not need a rationale or require a logic: the role Canetti gave to the moment of discharge as that privileged moment when all social distances or loosened– “when all who belong to the crowd get rid of their differences and feel equal”–and investing them as true patriots, who embodied his America. They were granted license to defend a nation betrayed by discredited representatives, haunted by fears of the dangers of enemies entering the nation.

The true national emergency was the fear of a sense of voting insecurity, and the lack of consensus in the electoral system. They came on March for Trump busses from across its states, carrying not their belongings but the sense of resentment and anger nurtured on the apparently unjust maps of electoral votes, to stall consensus about the end of Donald Trump’s presidency–then were a crowd that had been energized and nurtured on social media, at Trump rallies, and in chat rooms that bewailed the fear of a loss of liberties. The crowd was assembled to realize the Constitutional Crisis that Trump supporters had insisted began on December 15, when the electors met to assign votes to Joe Biden, provoking the very crisis in government that Trump by asserting that the very legality of the current election was compromised, and no winner could indeed be decided who was not under a cloud of illegitimacy. The Disputed Presidency that would later be asserted by pro-Trump plaintiffs in coming weeks would be prevented by a putsch, an auto-golpe in which the base of Trump was invite, encouraged to participate in a ‘march’ to the Capitol that would contest the legitimacy of certifying the electoral vote–a day of wrath that would restore direct participation in democracy that had been so distorted.

Migrant “Caravan” Approaching American Border (March, 2019)

Their routes were longer, and were not conducted on foot–but these barbarians were truly at the gate, if they didn’t come as vectors that wold pierce our borders. They were, rather, crowds that were sourced on social media, in reaction to the threats of regime change that would come by elections, by the creation of consensus.

Rather than arriving from outside our frontiers, as we had been warned, this invasion came from within, by those who ostensibly sought to set the Empire right, rather as an invasion in the sort of ur-maps of invasion and historical decline that were framed in the elegant color-coded historical maps of the post-Napoleonic July Monarchy, that looked back on the invasions that eroded political stability.

They came to change a regime, however, that they saw as false, and channeled a mythological past of the defense of the constitution,–more than crossing from “barbarian” lands, to destroy a vision of empire that had promised civilization to the world, they arrived from the red states to the center of corruption in Washington, DC, hoping to stop the change of government, and change the course of history by moving across the inaugural scaffolding that had already been set up for the transition of power, tearing down fencing and barriers that had separated them from a citadel of governance.

New York Times

5. The leader of the crowd who had come to love them called on the assembled crowd to defend him against the apparatus of power as they accepted Trump’s dissimulation as not a ringleader or a politician, or tactician, but rather the long-suffering subject of attack. Always intent to identify himself with his audience, the grievances Trump expressed with the electoral system, and the apparatus of voting machines or mail-in ballots as a personal compromise of his role as President, transformed the crowd’s motivation from adulation of the President to hostile attack. The timing of the moment of entrance onto federal property and into the halls of Congress were not happenstance, as has been noted, but coincided with Mike Pence’s refusal to realize the extent to which “they’ve rigged it like they’ve never rigged it before,” to “do the right thing, because Mike Pence can do the right thing,” “because if Mike Pence does the right thing, we win the election,” but, as he tweeted after leaving the stage, “Mike Pence doesn’t have the courage to do what should have been done to protect our country and our Constitution,” as he had refused to interrupt the certification of electors. The permission to proceed to the Capitol, to absorb Trump’s own sense of offense, and to prevent the certification, existed as an unmasking Pence as a traitor, and in a moment of unmasking electrify the crowd, if by confirming his own insecurities about Pence, his long time ally, as if he has unmasked Pence’s venality.

The crowd, which continued to be urged on by provocateurs with megaphones atop cars, collectively searched for lawmakers, not legal recognition or asylum, and placed liberty at peril. The actual seizure of the U.S. Capitol was an inside job, utterly unlike the visions of invasions threatened during a series of National Emergencies in recent years–from the migrant caravans, enabled by the “humanitarian visas” given out by the Mexican government, that had made it so urgent to “fix” America’s immigration laws–a pedestrian pilgrimage on a sacred calendar that had necessitated the first $1 Billion to be transferred from the Department of Defense to remedy “critical readiness issues facing our military” as the caravans “thumbed their noses at our drug and immigration laws” as they advanced in four massive caravans “in an effort to enter the US” and threatened to breach borders. If individual psychology cannot explain the motivations of Trump supporters in 2016, the regressive quality of rallies tapped a sense of the collective interests and needs that transcended the individual needs, Freud had argued, based on infatuation with the leader who provoked the crowd: in Canetti’s attempt to “grab the twentieth century by the throat,” the moment of panic that released the crowd lay in the realization that it had no protection as a crowd, that the crowed may not be long for this world, as much as the leader, and faces a threat that even targets its bonds of solidarity: the irrational fear of the opening of borders, and threats that would be impossible to stand down alone–but that can only be resolved by taking power into their own hands, and losing themselves in the permission given to a collectivity to prevent their immobilization by moving suddenly to overturn how a mundane political practice was about to enshrine a vision of power asymmetry they could no longer tolerate.

The sense of greatness of the crowd was correspondingly magnified. For Trump gave the crowd the license to attack to restore the gravity of this offense, not through words, so much as the sense that Pence didn’t want to Make America Great Again. The slogan was of course never about making America great for everyone, but allowing an America of pure self-interest to exist: as Canetti argued that all language worked as a form of masking and baiting, his language was not clear, but a claim to recover greatness that the secessionist banners of the Lost Cause announced as a new crusade. They were given license to Make America Great Again, if “America” was never a discussion of all members of the nation, but a category that permitted itself to be filled by the preservation of self-interest, and indeed the exclusion of all–unemployed; undocumented; homeless; unfamiliar–who were foreign to it.

6. As the motley group of protestors and MAGA-heads headed the Mall toward the Capitol, they were empowered and emboldened by a sense of urgency and license, external dangers as migrants or the undocumented merged with internal dangers as the audience listened on the Ellipse, gaining coherence and purpose as it became where the greatest threat to the nation lay. They had been energized by the need to defend similarly abstract ideals–“our Country and our Constitution”–animated by being full of aggrievement at the prospect of electoral loss. Directing attention at the new scene of electoral loss–the U.S. Capitol–the order of government becomes the target of attention and the destination of the crowd, as it moves past the scaffolding for the Inaugural platforms and proceeded to the site where Mike Pence had failed to unseat electors, seeking to illustrate their patriotism, and to perpetuate the absolute power of Trump as President, allowing him to entertain the ability to transcend his office and the conventions of the transition of power, enabling to claim the honorific that he only part jokingly felt himself entitled of President for Life, half-way through his term, in 2018, at Mar-a-Lago telling Republican donors he would “maybe . . . have to give that a shot someday,” as if planting the seed to claim by April 2019 his base may well just “demand that I stay longer” as President or his term as President might be extended to “at least for ten to fourteen years.”

The audience assembled on the Ellipse became a crowd–and a violent mob–as it reached what Elias Canetti would call its “discharge” and explosion in his study of the inner movements of crowds, in magnum opus, Crowds and Power. President Trump had fired up the crowd’s energy and sense of patriotism, in ways that evoke how Canetti described the relation of authoritarian leaders to crowds, and the role of crowds since the French Revolution. He did so by baiting them, invoking dangers to the nation that a change in administration might bring, and the sense that all he had accomplished in his presidency might fade, and the marauding mobs of antifa that might endanger the cities of the future in the United States: Trump evoked specters of violence, oddly prefiguring what was about to unfold, in threats trans-border migration posed as an illegal presence he elided the illegality of canard of 2016–“if we allow this group of people to illegally take over our country because it’s illegal when the votes are illegal when the way they got there is illegal when the states that vote are given false and fraudulent information”–channeling the baseless fears stoked in 2016 of a rigged election due to illegal migrants, and the need for strong border security.

The crowds that had demonstrated their patriotism all summer long in the election that Trump had criss-crossed the country and aides assured the base that pollsters were making the same mistake of under-estimating rural votes, holding as many pre-election rallies as he could in Florida, Arizona, Georgia, Pennsylvania, Michigan and North Carolina, assuring audiences he would win. “Save America” rallies had since Election Day accelerated in an unending campaign, assembling crowds in need of direction, he took pleasure in incessantly insisting he had won the election, seeking “stay on presidential” before throngs of white supporters.

Ben Gray/AP

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Filed under Capitol Riots, Donald Trump, fascism, January 6, January 6 riots

A Socially Distanced Franchise?

While I was phone banking in Texas, Nevada, and other states in months before the 2020 election, I fielded a surprising number of questions of access to absentee ballots and mail-in voting, as well as being assured by many voters that they had refrained from mailing in ballots, and were planning to drop their ballots off directly in polling stations, or brave the lines, to ensure their votes counted. I’d like to think they did. (The woman I reached in Texas who had moved from Nevada and was awaiting an absentee ballot to arrive two days before the election, past the deadline of registering in Texas, may have not.)

Even as we repeatedly review”Trump’s final days of rage and denial,” and charges of fraudulence and the robbery of red states from the Grand Old Party’s self-appointed King haunt public White House pronouncements and social media posts, the electoral map that provide the formal reduction of how votes were tallied is cast as a contested ground, questioned on the basis of voting machines, absentee ballots, and socially distanced voting practices, as if these inherently distance the franchise and undermine democratic practice. Donald Trump invites the nation to squint at the map, examine its mediated nature and instability, querying the resolution of any election as, shockingly, only a handful of congressional Republicans admit he lost a month after voters cast seven million votes for his opponent, whose victory 88% of Republicans in Congress refuse to acknowledge.

Unlike other elections, for a month after Election Day–November 3, 2020–the nation waited in eery limbo, uncertain about the legitimacy of the election so that even by December 2, CNN was projecting victors in several “swing” states. Although the New York Times and AP projected the conclusion of the election on paper, announcing late-arriving news of electoral victory almost a full week after Election Day, seeking to invest a sense of conclusion in a protracted debates–if oddly channeling “Dewey Defeats Truman.”

New York Times, November 8, 2020

The inset map still indicated three states still “not called.” But the new President Elect appeared boosted by the classic alliance of Democratic voters that Donald Trump saw as unlikely, and had failed to align in 2016.

Months after Election Day, CNN was still “projecting” Biden’s surpassing the electoral vote threshold of 270, shifting two midwestern and one southern state to the Democratic column, with Arizona: the delay of verification in a range of legal gambits still being followed by the Trump campaign, which raised over $170 million to press its case for recounts, investigations into allegations voter fraud through the Save America PAC, disorientingly stubbornly refusing to admit the validity of the electoral map, and even repeating, into December, hopes that  an opening for a Trump victory materialize if one state select electors, to reassemble the swath of red that flooded the national map back in 2015 as if playing a puzzle: “If we win Georgia, everything falls in place!” The electoral map was something of an idol of the Republican Party, as Donald Trump’s hopes for electoral victory faded, but refused to recede into mid-December.

CNN, December 2 2020

Weeks after Election Day, we entered into a weirdly protracted attempt to game the electoral map, long after the initial tallying of votes had ceased. A range of recounts, hand-counts, investigations of absentee ballots and even querying of the legitimacy of voting machines have been launched to challenge the representational validity of the electoral map in ways that should give us pause for how it aimed to undermine the representational value of the voting practices. In querying the functions of the map as representation–by querying the tabulation of votes that comprise the electoral map–Trump has stoked tensions in representational democracy. With unsettling abandon, Trump stoked national tensions by refusing to acknowledge he did not win the election, as if determined to break with Presidential decorum for a final time, as if seeking to leave a legacy of disruption in his wake.

To be sure, gaming the electoral college has emerged as a recognized campaign strategy in 2020, increasingly distancing the franchise of the nation, as campaigns focussed with assiduity on the prospect not of “swing state” voters as in the past, but in flipping or holding a slate of states, that left the electoral map rendered as a sort of jigsaw puzzle that would add up to 270 votes from the electoral college, as the Wall Street Journal reminded us by mapping the Republican “game plan” that Donald Trump long knew he faced for holding onto tot the states where often slim majorities put him in office, as Democrats aimed to flip states to their column: the rhetoric of “gaming” the map to create the victorious outcome was echoed in the news cycle,–and not only in the Journal–in ways that seemed to have dedicated the distribution of public rallies that Donald Trump held long before announcing his candidacy officially, almost as soon as he entered office, in an attempt to solidify the bonds of the red expanse he celebrated as America’s heartland with his political charisma.

If Trump may have wished he didn’t take the southern states so much for granted, he had targeted Pennsylvania, Florida, and Montana–as well as Arizona and Nevada–by staging rallies, in those pre-COVID years, as if to shore up his support as if investing in the electoral votes of 2020.

https://www.npr.org/2019/06/18/733505037/trump-set-to-officially-launch-reelection-but-hasnt-he-been-running-all-along

If that map from National Public Radio, based Cook’s Political Report and the White House, only takes us through 2019, the campaign stops of Biden and Trump show a density to Pennsylvania, Michigan, Wisconsin, Florida, and North Carolina that suggest the depths of commitment to the gaming of the electoral map, and a deep battle in Arizona between the population centers in Phoenix and its suburbs and more rural regions.

The metaphor of “gaming” the map was hard to stop, and its logic seems to have inevitably led to the endless endgame that may result in clogging the nation’s courts with suits about the circumstances of mail-in voting in multiple states. Trump’s insistence in claiming the election not “over,” as if unfamiliar with someone else setting the parameters for television attention, speechless at the unfolding of a narrative shattering conviction of his inability to lose–that “in the end, I always win“–is not only a deepest reluctance to admit losing.

The logic of the gaming of the electoral map clearly has him and his campaign in its sway. The deeply personal sense of the election as a referendum on him and his family may have been rooted in a sense o the legal difficulties that his loss might pose: among the many emails that were sent to his base, pleading for campaign donations to the “Save America” PAC, which seemed the last line of defense to Make America Great Again,” supporters were begged to do their part in “DEFENDING THE ELECTION” and hope they hadn’t “ignored Team Trump, Eric, Lara, Don, the Vice President AND you’ve even ignored the President of the United States” given how much was on the line. The sense of impending alarm reminds us of the confidence that Trump lodged in preserving the red electoral map of 2016, a confidence that seemed almost born from his ability tot game the electoral map yet again, and overcome the polls even after they pollsters had tried to recalibrate their predictive strategies and demographic parsing of the body politic.

1. The very close margins voting margins suggest we narrowly escaped an alternative history of a second Trump term, and can explain the tenacious grip that Trump seems to have had on an alternative outcome, an outcome that he has tried to game in multiple ways and strategies that eerily echoes with the strategies of gaming the electoral map that seems to have occurred through the orchestration of telling postal delays, delayed returns of absentee ballots, and the strategic gaming of the distribution of a distanced franchise. It forces us to contemplate the counterfactual history of the far darker reality of a scenario where his expectations came true. Indeed, it should make us consider the closeness of overturning democracy. In was as if the reporting of the timestamped electoral map of Saturday, November 7 that was an inset of the Times only encouraged resistance to admitting the failure of Trump to preserve the “red swath” of 2016 across what coastal elites long bracketed as “flyover country,” where the effects of economic recession had never stopped.

New York Times, November 8 2020, “Results as of Saturday at 10:30 Eastern/ Map Shows Maine and Nebraska statewide vote

It had almost happened. In Trump’s White House, a boisterous watch party was underway, crowded with FOX anchors, watching the big screen that FOX results showed to the audience, anticipating the reality of a second Trump term. But all of a sudden, Trump was so incredulous he refused to admit seeing Arizona called at 11:20 as a Biden victory, shouting to no one in particular, “Get that result changed!” Hoping to calm her triggered boss, who must have been catapulted into alternate scenarios of having to leave the White House where he had expected to encamp, former FOX employee Hope Hicks fretted about the newsfeed.

Could the map be changed? Trump was frustrated at his in ability to manipulate the news, and already apprehensive at what endgame was in store. At this point, it seems, Trump’s every-ready servile son-in-law, Jared Kushner, hurriedly placed a direct call to Rupert Murdoch to rectify the call, assuring better data would arrive from Arizona’s COVID-denying governor, Doug Ducey (R), to restore the state’s redness on the electoral map, in desperate hopes of jerry-rigging his electoral fortunes. Back in 2016, Trump had indeed only won Arizona by the narrowest of margins–by about half of the margin by which Romney won in 2012–and only third-party candidates’ popularity concealed that Democrats boosted margins of victory in precincts beyond Republicans, flipping seventy precincts to their column–perhaps as Maricopa County featured a PAC that attracted millions of dollars to defeating Sheriff Joe Arpaio’s bid to consolidate an anti-immigrant agenda.

Trump quickly recognized the danger a flipped state posed to hopes for another red swath, as the contestation over the state that he had hoped to pry from the Democratic map was a poor omen of the election, and needed to be stayed.

In 2017, Trump was so enamored of the expanse of his electoral victory to given paper copies to White House visitors–until he framed a version for the West Wing, five months after the election. And if the state is visibly fragmented in an identical mosaic in the map that Trump framed in the White House, the brilliant red of nearby Nevada and bright red diagonal suggest the state was more firmly in Republican hands than we might remember. After hoping that The Washington Post might celebrate his hundredth day in office by featuring the “impressive” the electoral map on its front page, his pride in the map led it framed the map in the West Wing, a reporter from One America News Network obligingly showed.

This alternate world of electoral victory created what must have been a prominent counter-factual map that had dominated the Trump team’s plans for victory in 2020. The White House watch party must have been haunted by the very same map of which Trump was so proud.

Trey Yingst (ONN), May 11, 2017/Twitter
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Filed under 2020 election, data visualization, Donald Trump, electoral maps, Presidential Elections

To Levitate an Elephant

Rarely has a political convention focussed so strongly on distracting attention from current actualities and reconstituting a disparate party as the 2020 Republican Convention that met to nominate Donald J. Trump. The mood was tense, and the nation as desperate for a powerful political icon. While the country had been counting COVID mortality rates and lamenting police violence and the injustice of health inequalities across the nation, a balloon of good news was levitated, a roly poly elephant leaping to the stars. Rarely has an animal assumed so much iconographic power and significance as the in the field of vision of spectators as the monochrome red elephant that the RNC adopted, seeking a needed sense of purity to the circus animal that was a longstanding symbol of the party. Amidst numerous bona fides to Trump’s character that were paraded from the platform in place of a platform, the tacit claim to “Support President Trump to Keep America Great” was captured by the almost floating icon of an elephant rising, lifting its trunk regally, unveiled in 2019 as moment marked by newly invigorated partisan identity, if not a reassuring rebranding.

The rising elephant aspired to the monumental scale of an already anointed candidate’s victory; more than a mirror and a map, its shiny surface akin to those shiny reflective gold plates on the latest skyscrapers adorned by “TRUMP,” was an emblem off which history slid, less as a future map than a monolith blending partisan confidence with revisionist history. Revisionist history was historical fabulation for Donald J. Trump, of course, who had adopted the elephant as something of a mascot for Trump Taj Mahal, one of the three casinos built on the New Jersey coastal resort town in the 1980s–before it went bankrupt in 1991, and Trump Casinos and Resorts filed for bankruptcy in 2004, but the elephants that adorned the Taj Mahal added a weirdly nostalgic glitz akin to a Crystal Palace for the fin de siècle, disguising the value of the property by sheer investments after the city decided to legalize gaming in a bid to rescue a sagging economy, that Trump could not resist as a scheme to make money at three new casinos, the centerpiece still remembered as decorated by gaudy elephants–in what might, in an alternative universe, have been the end of the story.

Trump Taj Mahal, Entrance, Atlantic City, New Jersey

The saddled elephant raring its trunk in orientalist garb might have been from the Crystal Palace’s East India Company’s exhibit. The striking image of luxury promised a new venture for the construction magnate, and the reburnishing of the party mascot of the elephant seemed to disguise the absence of any clear political platform, debates, business meetings, or slates of candidates at the Charlotte, NC convention–only speeches vouching for the candidate’s credibility despite all evidence to the contrary. The new elephant that had a complex racial history of proving the purity of. the party when it was introduced at the same period that P.T. Barnum had introduced to his circus the first “white elephant”–a Burmese beast, publicized as a “sacred elephant” to complement his crew of African Grey’s, as a sign. of the purity of their party. Some four years and one election cycle after the circus Barnum & Bailey had retired elephants from their show, after 145 years, the iconic raised trunk of circus animals entered the Republican party that Trump now adopted, the circus having complied to state and local laws that prohibit the use of bullhooks trainers long used to train the animals for their gaudy performances.

Ringling elephants perform last show, end 145-year run | whas11.com

May, 2016 Final Performance of Trained Elephants at Ringling Bros., Barnum and Bailey Circus

In retrospect, the affidavits of credibility assembled at the 2020 Republican Convention were a rogue’s gallery anticipating the absence of unity or direction in the party with Trump at its helm. Herschel Walker took the stage with black Republican representative Tim Scott to vouch for Trump’s absence of racism. The revisionary history “honoring the great American story” as much as history minimized the place of race or white supremacy in the past or current party; while the convention occasioned no change in a political platform boasted to remain unchanged, the convention featured affidavits that Trump’s “actions” illustrated just “how much he cares about social justice and the Black community,” all evidence to the contrary. Before the red elephant that sought to celebrate the party’s integrity and honesty, perhaps Hershel Walker, Tim Scott, Vernon Jones and Nikki Haley all protested too much, their eyes on the elusive “black vote” in the general election, more than the politics the circus elephant embodied. The speakers bent backwards to minimize Trump’s place in America’s racial politics, claiming “free minds” in “a large and growing segment of the Black community who are independent thinkers . . . believe that Donald Trump is the President that America needs to lead us forward;” Jones vouched that Democrats no longer served “Black Americans’ interests” in the manner they might claim.

Yet the orange-tinged weightless elephant that raised its trunk victoriously behind each speaker seemed a form of cross-messaging in recuperating an icon of tinged origins. The “great American story” offered lip service to racial harmony from Walker–prompted to oppose the first African American senator from Georgia, Raphael Warnock–Scott, and Nikki Haley filled four nights of testimonials black voters would support Trump by testimonials that denied Trump’s open appeal to white supremacists in the election. Audiences may have been assured by the solidly red beast, branded with five stars in a ‘W’ semaphoring victory, that the party was Trump’s, and the platform always the same, and racism had no place in it. But as Haley vouched that “America is not a racist country,” the hopes to levitate the elephant behind the podium told another story, its slick surface resisting the archeology that this blogpost will attempt.

Unveiling the New Logo of the 2020 Republican National Convention, Charlotte, NC, 2019

Racial politics held centerstage of sorts in the new partisan icon. The mascot of a bloated elephant of wide torso not only coronated “The Donald” as the candidate of the party’s future but celebrated the purity of the party’s coalescing about the cult of a the other great elephant who was onstage in everyone’s minds. The rebranding was puprosely thin on any history, which it seemed to deflect off its shiny surface, but pregnant extravagant symbolism–predictably over-the-top, over-determined, gold-rimmed, and also, despite including the crown of Charlotte, SC. cheap. It may have also indicated the beginning of an end of cultivating an image of victory amidst mismanagement, self-inflicted crises, and deep social unrest. But it is more: the flat nature of this circus elephant, apparently returned to the ring after sojourning as a symbol of the party, unlike the abstract GOP elephant of just four years ago, seemed historically flat, bulked up and red hued, five stars seemingly blazoned in a W-shaped constellation as if an augur for electoral “victory,” was seemingly unveiled to celebrate its own utter obliviousness to its sense of past.

Perhaps this was a trick of gigantism: for by transforming what was once a circus animal to a monolith of “red states” and uniformity, used to suggest not a “big tent” politics, but, rather, an immobile and inflexible set of positions, values, and national identity, increasingly elided with the fears of allegations of electoral integrity to the need for a rambunctious, beyond normal political practice, and outside of its performance. The new vitality that was given to the elephant as a sleek, emoji-like character was an attempt to be forward-looking, as if incarnating the false “red wave” that only disguised the advantage among votes cast on election day–rather than those that arrived by early voting or absentee ballots.

Did the elephant symbolize the assembly of a new coalition of red states behind the all-but-presumed Republican nominee? The “red mirage,” or a red wave waiting to happen, was not after all a message of rallying an army of patriots to Save America in 2020–the partisan gains of a “red wave” fizzled in 2020 even more than it would again 2022. But the arrival of a bloated elephant seemed design to promote it, and to do so in coded ways. And in the adoption of the emblem of a ‘star-studded elephant’ standing before a navy blue crown was described in 2019 by RNC chairwoman Ronna McDaniel as incarnating in cartoon form the “traditions of the Republican Party” as much as a common sense of purpose that would fill the bill for a call to “Support the Elephant Heard,” one always suspected that it carried with it a sense not only of gigantism but dung. But was the rebranding of the red elephant not just a ground-plan for electoral victory in a future electoral map, that offered naught but a uniform red field, or a mirror of a monumental vision of a groundswell for a red dynamo of partisan strength–but a terrifyingly coded image? The resurrection of this old emblem of partisan unity as rearing on its feet, uniformly red, broadcast an. icon of consensus to the MAGA crowd with dark roots deep in American history.

But who could doubt that the distinct smell of copious dung all along? And the recent online sharing of an elephant encoding subtly placed KKK imagery, as if a game of seeing as, on the webpage of the Alabama GOP, may have only helped to unmask the “hidden content” and “hidden figures” for which the new county chair of the Lawrence County GOP apologized–as if without knowledge that the image derived from graphics commission by Mother Jones for an article in which David Corn observed how Trump persisted to foreground a politics of personal grievance to make a case for four, as if gaslighting the nation by evading the mismanagement of the real coronavirus crisis he had cast as a border crisis in new guise, and arguing that they party was appealing to white supremacists–and the currency of the adopted emblem in a GOP event in Arizona to promote a local candidate for law enforcement suggested that the image had traction in the party far beyond copyright infringement or accidental internet searches. Is it possible the graphic of hooded figures peering from conical pointed hoods from between the elephant’s column-like red legs was proudly appropriated as an in-the-know icon by party members?

Woody Harrington, Mother Jones (August, 2020)

The droppings of the upward-rearing circus elephant raising trunk on cue from an unseen circus-master were concealed in the three klansmen figures staring out from the Facebook page of Lawrence County’s Republican Party, but eerily conjured a past that few wanted to advertise. The graphic designed by Woody Harrington, newly adopted to announce the retirement of the former county chair and thank him for his service, suggested that the dung was not only always there all along–the graphic was first from an article that described how white supremacy was taking over the Grand Old Party–but its racist provenance. For as much as deriving from cut and paste–or accidental misuse–the original adoption of the elephant as a partisan icon was steeped in an iconography of steeped in a segregationist past.

The Facebook post, claimed incoming chair Shanon Terry, who made it, used an image that the incoming party chair claimed derived from a Google search engine, to have no hidden meaning, and to be without malice, in a “deep and sincere apology” such “hidden images that do not represent the views or belief of the Lawrence County Republican party,” responding to calls he resign from his role. But he may well have protested too much. In unveiling of a new red elephant as RNC mascot, the Republican Party elided the racially coded origins of the pachyderm were quite obscured by the red hued elephant rearing its trunk, the introduction of the emblem was an uncanny recuperation of the original radicalized intent of the circus elephant that recalled the racist connotations of circus elephants that were imported from Africa by P.T. Barnum for his circus when it was adopted as a partisan icon in 1884, or as the southern states emerged from Reconstruction without expanding the popular franchise, or inequities of enslavement, over a century ago, even if, as Terry claimed, “I did not properly review a cut and paste image used in that post from an internet search for a ‘GOP elephant.'” Yet as much as an accident, the Thomas Nast cartoon promoting the arrival in Barnum’s circus of an elephant of pure white skin not as “Towering Monarch of his Mighty Race” but akin to the white Burmese elephant that Barnum had purchased to expand his menagerie of African Greys.

Yet was the importance of the new emblem under-appreciated as a form of branding for 2020? Indeed the revision of the anthropomorphic emblem seems to hearken to the circus elephant that first inspired the logo of the Republican party, transforming a famous cartoon of American history into a partisan icon. The apparent solidity of an electoral “landslide” of 2016 in the sparsely populated “red states” was enlivened by appeal to white supremacy that went unacknowledged: to disguise his far fewer votes, he displayed the electoral map as a victory map, blue regions confined to its coasts and inland seas.

The elephantization of the political party conjured an invisible army of belonging with deep roots in the mumbo jumbo of circus performing–and, indeed, close ties to the popular circus animal, Jumbo, whose size may to some have incarnated the monumental scale of the Republic hopes. If the prestige of the elephant was coopted in England as a “traditional” symbol of divinity in the empire–and India–in the stuffed pachyderm bearing an imperial carriage displayed by the East India Co. of the Crystal Palace, in 1855, in full regalia, in the “Company Room,” just five years before Phineas T. Barnum brought the beast to his menagerie. The new circus elephant, as if to signal that Trump was a new political animal, not in the mold of the Grand Old Party of the past, but a future icon of red hope, seemed to pronounce itself as propelling enough red ink against the map to flood the nation a deep shade of crimson, unlike the more jig-saw like coloration of lighter reds, pinks, sky blues, or powder blues of electoral maps past.

Did Trump not imagine himself not only as a new political beast, whose public performance was able to paint the map red more fully than it had long been seen? The new elephant may have conjured similar aspirations and was a new sort of political symbol for a new candidate–if not a new party, in a variation of an old political icon for new partisan ends.

This was itself a sort of circus trick. It may be no surprise that the origins of the party’s icon of an elephant drew upon the anthropomorphic partisan emblem designed by American cartoonist Thomas Nast, and adapted from the advertisements and publicity that circus impresario and entrepreneur; Barnum was the first circus in America to focus a menagerie on elephants, in the reconstruction era, by tacit references to race and the geographic origins in an American vein: Jumbo, the first Bush Elephant in the circus, captured in Sudan by a game hunter in 1860, left Paris’ Jardin des Plantes for Barnum’s menagerie twenty-six years later, was such a crowd pleaser in New York’s Madison Square Garden in 1882 that two weeks’ ticket sales fully recuperated Barnum’s costs for purchase and transport overseas.

Vintage circus poster shows Jumbo with his keeper Matthew Scott, 1882

The elephant featured as the centerpiece of the “Greatest Show on Earth” was long tied to showmanship, and claims of grandiosity, inflating the spectacle offered circus-goers by skillful messaging and marketing that the Republican Party’s 2020 convention seemed eager to evoke to its own paying customers. If the nation needed a circus, the elephant seemed to occupy center Barnum displayed the elephant to paying audiences as the “Towering Monarch of his Mighty Race“–openly invoking racial ideals as an attraction–at the centerstage of his traveling menagerie, promoting it as the largest elephant held in captivity became a focus of mass communication. In future years, Jumbo was replaced by “sacred white elephant” of Burma, as a new centerpiece for currying racial fascination that, soon after it was presented as a new attraction in Barnum’s menagerie, become, mutatis mutandi, now the mascot and icon of the Republican party in the pen of the cartoonist Thomas Nast, he of father Christmas fame. From the appearance of the November, 1884 political cartoon used the purity of the white elephant assumed to cast the Republican vote as a group of voters scared by the prospects of a Democratic President of dictatorial pretenses remaining in office.

The progression or symbolic conversion from Barnum the skilled impresario to Nast’s cartoon came full circle in disturbing ways in Trump’s 2020 “coronation” as the Republican candidate for President in a convention that featured no contest of securing a nomination–but was a coronation of a victor, before the election. Barnum’s eager hocking of a hoax–a trickster “hocus pocus” redirecting his audience’s attention to concerns that were latent in the display of the menagerie, of detecting racial difference, were converted into showmanship in the circus he promoted, in ways that might be profitably compared to the disguise of racial anxieties and feelings of persecution or economic compromises within the identification of “hoaxes” that Trump pointed out to the electorate in his candidacy.

As Trump’s career as a real estate promoter eerily paralleled Barnum in his promotion of size, immensity, and over-awing over-the-top gilt grandeur–he was a promoter more than an actual expert in construction, and skilled in transforming his boardroom to a television set before the White House became one as well. His promotion of multiple hoaxes and slogans fed a candidacy as they generated new attention in which he based as a candidate, working with similar television set designers. And it comes as no surprise, in effect, that the introduction of a new symbol for the Republican party, a “red elephant” rearing with five stars featured on his body, seemed to embody the tradition of hoaxes and promotions that the use of the elephant as an icon for the Republican party had long enjoyed, since it was introduced by cartoonist Thomas Nast in the era of Reconstruction. But the white elephant–who Nast introduced in the press as a new symbol of partisan purity in 1884 as proudly possessing dignity unlike the beast fleeing from a gun–invested the President with over-sized jumbo value even as he was overstepping his office; the elephant as a trope recast the corruption-free party as a sacred beast as Barnum billed the latest circus attraction of pure skin color as a “Sacred Elephant” in not subtly racially coded terms–terms on which Thomas Nast seized, clever cartoonist as he was, as a braggadocio illustration of the Republican party’s new purity.

Nast’ Hidden Self-Portrait in 1884 Cartoon
Thomas Nast introduced White Elephant, 1884

Trump, in adopting Nast’s clever cartoon, seemed more akin to a circus promoter even as the RNC promoted red elephant promoted as a new partisan brand. America was more than ever in recent memory haunted by blackness in the summer of 2020, as racial justice movements exploded across the nation in the wake of George Floyd’s killing and the cancer of the racist Trump Presidency: the RNC was proud of re-introducing the Red Elephant as an icon of redemption in 2020, a new symbol of the reborn party that would revitalize the nation, and, in an evocation of the associations of the elephant and memory, restore national traditions, poised as if newly resurgent over threats to the social body, a gold-limned red elephant, with a as if tattooed with an auspicious constellation of pentagonal stars across its side telegraphing a sign of victory.

RNC 2020 Logo in Convention Swag

Was this the elephant securing borders, defining the new edges of the polity, promoting those who were part of it and trampling no the rights of the undocumented, the underprivileged, and the unemployed?

The bush elephant Jumbo had indeed moved or been trafficked across borders to reach the London Zoo, and, more recently, been outfitted with a cage of its own bespoke design for transoceanic transport to New York, where it was first billed as an attraction of The Greatest Show on Earth: trafficked across the Mediterranean by a network of animal traders, first to the German traveling Menagerie Kreuzberg, Paris’ Jardin des Plantes, and London Zoo had featured “Jumbo” to impress audiences with his enormity, where “mumbo Jumbo” was a true crowd pleaser who delighted children and audiences alike. P.T. Barnum had renamed the elephant he bought for public display from the term of endearment,”Mumbo Jumbo” Londoners used to indicate its African origins, referencing to the masked male west African dancer, in Mandinka “Maamajomboo”, to promote its exoticism as a pagan idol, to foreground its size alone. If Mumbo Jumbo was a fallen idol of the imperial periphery become a popular attraction for London children to exercise imperialist imaginations, however, he felt it less reciprocal, and increasingly succumbed to increasing fits of rage. The showman Barnum did not curry religious hokum, but shortened the name of the elephant to bolster claims of gargantuan size that fit the Greatest Show on Earth; its iconic image gained center stage on promotional posters plastered towns he toured–long before the elephant was adopted as the emblem of the GOP, Barnum strikingly made the elephant into a curiosity of openly racial intent.

The arrival of the “white” albino elephant during the era of American reconstruction after Jumbo’s death, Toung Taloung, was promoted as a gentler and more civilized version of the African Bush, and indeed of a different race, to delight popular circus-going audiences with the notion of an elephant from a different corner of the world by clear analogy to the debates of blood-purity and skin color that were dominating America, as has been argued: the white elephant was not only an exotic beast, but Barnum’s celebration of its “white” constitution could be understood by white circus-goers as a response to the tensions around racial tensions in Reconstruction America. While the introduction of a red elephant as a revised emblem of a partisan icon was by no means referring to race as explicitly as had P.T. Barnum in displaying African or Burmese pachyderms, the partisan icon of a red elephant–invoking the size of the red states in the electoral map, channeled connotations of race for American audiences. Is it a coincidence that the red elephant was trotted out in 2020 as a purified elephant–now entirely red!–to meet the tastes of the Party of Trump? The large size of the elephant seemed capacious enough to contain the many hoaxes that Trump had promoted from before announcing his Presidency, in order to create a political movement rooted in promotion and promoting the sense of rugged stalwart isolation before the dangers of a rigged world.

The 65 days that led to chaos at the Capitol - BBC News

The introduction of the red elephant as a party emblem boasted the chromic homogeneity of the GOP in ways that almost seemed to revive the long forgotten fascination in elephants as a nativist symbol. If the cartoonist Thomas Nast famously assigned the dignity, probity, and size of the popular central figure of the circus menagerie as an aspiration of how claims to dignity that might allow his party to win the White House once again, Trump consciously chose the beast of a uniformity of color to express aspirations of recreating the red map in the 2020 Presidential election, in selecting it as the new emblem of a party that had grown increasingly identified with his person, casting the new red elephant as a bold statement of partisan aspirations that may have bracketed race–but channeled the deeply racialized character of the white elephant of Reconstruction. While the story of Nast’s invention of the anthropomorphic icon has been often recited, the use of an elephant to incarnated the current capaciousness of a desired electoral victory echoed the rhetoric of securing the presidency by replicating the same margin of victory in red states alone, in the victorious image of a rearing, martial elephant, as if auguring a rise of red states in 2020 as staging a cartographic reconfiguration of the electoral map.

The elephant was an emblem of the go-it-alone spirit of the party, repurposing the animal affirm the capaciousness of a secessionist nation that echoed a Manichaean gloss of “sovereignty” RedStateSecession.org had extended across all of North America by 2019. The image of a “peaceful red state secession” was by no means mainstream in the political party, or a part of its platform, that no platform was ever devised for Trump’s renomination courted the broad worries of the dilution of a white majority nation filled with “illegal aliens” and foreigners Republicans had often mapped onto blue states–and echoed the strength that a “country formed from red states” might provide, in substitution for the internationalist commitments of a non-white majority nation that the actual United States held–promising the rebirth of a “country formed from Red States” alone, in a 2018 Facebook meme might generate a form of national renewal adhering to the U.S. Constitution. The pseudo-map, which circulated on social media and the internet, rather than in printed form, was itself a hoax–to use the terms Barnum claimed–using the smoke and mirrors of data visualization to crop the counties of an electoral map as if they would provide the new borders of a “new country formed from Red States” as if it was more faithful to the spirit of America–while leaving little question in the mind of viewers that the verb “follow” meant adhering to the politics of national renewal that were tied to a closure of national borders, embrace of white-majority culture, and refusal of “socialist” health care.

Red-State Secession - YouTube
RedStateSecession.org, 2018

The pseudo-map existed only as a derivative copied form of the distribution of Republican voters in recent elections, but it was powerful and strong as an image of common like-minded ideological preferences and political cultures, a sort of resegregation of the nation that might reveal the enlargement of the old south, not suggesting only white-majority areas, but areas where conservative voters had won since 2018. While the bizarre image of the “Sovereign States of America” took the logic of rewriting sovereignty of clear borders to an extreme, in its explicit adoption of an electoral map, omitting Broward and Miami-Dade counties in Florida, omitting much of the Northeast, Illinois–home of Barack Obama–and Southern Wisconsin, as well as California and most all of Arizona, the monochrome icon seemed to willfully dispense with California, New York, and Washington out of hand, with a vitriol that only grew in the year of social justice movements of 2020.

The emblem of the big red elephant referenced a notion of a nation created from a congeries of conservative-dominant counties, disdaining “blue states” as compromises not worthy of inclusion, lest they sacrificed ideals of America’s purity in light of the danger of immigration by creating new borders for the nation as a nation. The elevation of the monochrome pachyderm became a floating signifier of the ideals of red purity on which the party would base itself in a new image of sovereignty, often asserting economic independence by the addition of oil- and gas-rich provinces within a “Sovereign States of America” of the like-minded social media bubbles, echoed in the attacks directed to “globalists” on Canada-based alt right networks like Rebel Media, that proposed a repurposing of nation as a concept and conceit, and would be mapped onto the new sacred collectivity of a purely red beast that threw earlier Republican’s red, white, and blue elephants out as relics of RINO’s–those “Republican in Name Only,” and to map a scrappy new collectivity which hewed to one geopolitical agenda and moral script. Did the “fantasy map” not only push the logic of extreme federalism to its ends, but in juxtapose the “Sovereign States of America” with a far-fetched notion of energy independence, dismissing the allegedly “internationalist” regions of the US-Mexico border, the northeast, and Pacific rim as an internationalist “Bluetopia”–by remapping the Keystone XL and other crude pipelines as in line with American economic interests located entirely on sovereign soil.

Tale of Two Countries, 2019

To be clear, the map was a bit of a “hoax,” or the logic of the hoax–a term deriving from “hocus pocus,” the claim of a magician or juggler, and itself the sham-Latin perversion of the sacramental claim that the host present the body of Jesus Christ–an etymological origin for “hoax” that was oddly appropriate to the re-presentation of the nation as another beast, and the rewriting of sovereign allegiance to an underlying fabric of America in red states alone, a blood and soil doctrine that mapped energy extraction to allegiance to the political party representing the nation.

The red elephant rising echoed the glee of remapping of national sovereignty as if sovereignty were lines of affect–ties to the true interest of the nation, evident in the preservation of racial hierarchies, preserved, in the circus, by the in If Trumpism depended on a new “red nation,” RedStateSecession.org materialized a cartographic rewriting of the nation and national sovereignty, often privileging energy independence and clear borders, and imposing those borders on a map, but affirming the elephant as an image of its capacious quality–adding the petroleum reserves of Alaska and shale deposits across Saskatchewan, Alberta, and Manitoba as if to make up for the absence of the wealth of California, the northwest, and the northeast from a “sovereign” map that would end culture wars. Revising the “Jesusland” map of 2004 to include shale deposits in the north integrated a network of petroleum pipelines from like-minded “red states” north of the border, imagining a “United States of America” of radically redrawn borders embracing Calgary, Regina, Edmonton and Saskatoon as its own endless reserve of energy and national wealth–a new fantasy of national “belonging” that denied the actually lopsided nature of the America’s population and wealth.

Mark Joseph, February 2020

The fear of globalism was a steeped in internationalist rhetoric of “open borders,” disguising a disdain for national culture and America First, in its promotion of open borders, was deemed a dismantling of the nation as we know it. The map of “red America” was a rewriting of NAFTA, and a rewriting of the secessionist Civil War, imagining the Mason-Dixon line elevated to embrace all Pennsylvania, imagining the survey that defined the border disputes between Maryland, West Virginia and Delaware as a basis to expand the division between two “United States,” one blue and one red, a spectacle of sorts that engaged observers in the image of a remapped red United States, as if imagining the old northern border of the confederacy to be hiked to include the swing state of Pennsylvania, even above the “West Line” Charles Mason surveyed between Pennsylvania and Maryland in 1768, to create a mythic country of 2020 that expanded upon Trump’s surprising 2016 electoral victory, as if re-imagining the boundary line that became a division of slave states and free states as a division between Americans and internationalists. Indeed the determination of the new “boundary” able to preserve American integrity was cast as natural, but included the area along which the Keystone XL was planned to transport crude and Canadian shale reserves as well within the United States of America–arriving at an economic integrity that the Confederate States of America had lacked.

“A Plan of the West Line or Parallel of Latitude,” Charles Mason 1768 (detail)

Such a realization of economic imperatives transcended the use of lines of latitude as a dividing line; the inclusion of the land where the Keystone ran within the “new nation” gave it an integrity often lacking in the division of the nation by political affiliations or voting patterns–

How to split the USA into two countries: Red and Blue
Dicken Shrader, 2018

–but sought to prevent the fluid Geography_of_Gilead, in which “where the edges are we aren’t sure . . . they vary, according to the attacks and counter-attacks,” but try to preserve an image of American integrity as if it were “natural,” by incorporating the petroleum pipelines and the shale reserves from which they carry crude sludge to realize the adoption in the 2016 Republican Party platform of promoting the Keystone XL within a vision of “North American energy independence” as if the Bluetopian environmentalists of the previous Democratic administration had strayed from such ideals. The map realized an actual division that seemed economically viable, if it would indeed “Support #CALEXIT!” as the “Tale of Two Countries” meme suggested.

If the electoral map has become. a spectacle of repeated glossing, fetishizing, and analysis since 2008, often wrestling with an imagined discrepancy between the appearance of greater sovereign acreage of a party with fewer votes, essentializing “redness” lay in the eye of the observer, and the old partisan mascot served to embody the identity of a party that trumped reality, as if the continuity of red counties might gain sovereign status of its own.

Unreported Stats - FactCheck.org

There was something almost Barnum-esque, as much as Alt Right, in the prominence with which Trump raised th hoax of globalism to expose as a conspiracy of “globalist elites” as a threat to the nation in almost existential terms. P. T. Barnum had hewed the cultivation of hoaxes as a means to attract his audiences in the first age of mass-printing, viewing the “hoax” Barnum viewed as a part of the spectacle and business plan for the circus that he pioneered: from the display of mermaids to human freaks, Barnum promoted illusions to attract the complicity of spectators in “hoaxes” in ways surprisingly akin to the centrality of “hoaxes” as hooks able to attract and to consolidate support for Trump’s Presidency and presidential campaign. If some hoaxes served to distract attention of collusion of the Trump campaign and Russian government, Trump had long reserved ire for the allegedly internationalist “hoax” of global warming and climate change he had disdained revealed in 2015, before announcing his candidacy, through casting the coronavirus pandemic as “their new hoax” in the final year of his Presidency, from February to March of 2020, adopting the term “hoax news” later dropped to the damning “fake news” to suggest the extent of an information society that was rigged.

Trump’s labeling of “hoaxes” is not only an echo of QANON, but used the identification of hoaxes engaged in a “plot the destruction of U.S. sovereignty” to attracted many supporters by seeing economic integration, internationalism, much as Barnum promoted hoaxes (if he didn’t call them that in announcements) as a way to attract audiences. For Trump, hoaxes served to stoke popular anger by unmasking how his opponents disrespected the nation’s integrity: Trump attacked “global warming hoaxsters” of scheming to raise higher taxes in January 2014, and labeling a “hoax provided a powerful way to rally his base before a new sense of the nation, freed from the allegedly pernicious logic of “open borders,” globalist elites, digital media and internationalism–the very same specters he decried on January 6, 2021.

If “hoax” was not at first among the preferred words of rage to use in his social media accounts, it grew as a way of voicing collective rage. A text analysis of Trump’s tweets charts how he grew aligned with political discourse as a way to vent his anger and direct the rage of his constituents, as his use of social media morphed from personal attacks promoting the bogus “birther” theory about Barack Obama’s birthplace–a primal hoax–to the calling out of hoaxes more quickly than they might be mapped, processed, or charted, as he alternated schoolyard insults to channel a paranoid persecution of describing hoaxes with greater traction as he ridiculed investigation into the Russian ties of his campaign and cabinet. The twittersphere encouraged Trump to act as a border guard, identifying “hoaxes” with illusory clarity on a medium that encouraged the retweeting falsehoods; as Trump attacked Fake News, his public statements included an increased number of falsehoods, according to Factba.se’s tracing, rising with his social media presence, calling out hoaxes became a broader truth game that extending to questioning the accuracy of voting machines of the 2020 Presidential election, allegedly both owned and operated from overseas. And as claims of a stolen election seem set to be relaunched in debates about voting integrity, the fierce urgency of identifying a hoax may loose momentum as they are increasingly evidently about race. The candidates’s visibly vertiginous delight in discerning of globalist hoaxes only came back to bite him only as he persisted casting the spread of COVID-19 not as a pandemic, but just another liberal hoax–stretching credibility in the face of cognitive dissonance of rising mortality rates of coronavirus and Trump claiming people’s surprise . . .

Claims of hoaxes–or fake news–had mutated into claims that the candidate alone understood or got global politics. The red elephant introduced in the 2020 Convention afforded a new image of the nation that was the inverse of the hoax. It was a statement of the credulity of the party and the party line, as well as an identity for partisan unity–channeling a mental imaginary rooted not in continuity or federalism, but a uniformity of consensus in Trump’s own words. Trump’s attachment to “hoaxes” as compelling fighting words defined much of his presidency, as much as his social media presence. But the identification of hoaxes as objects of scorn, and insults to the nation, found a counterpart in the newly triumphant icon of decorous anger Ronna McDaniel unveiled in 2019, in hopes to consolidate or conjure a new alliance of red states to promote the Republican hopes for victory in 2020.

Charlote, NC/August 2, 2019

One could detect a sense of the circus when political strategist Ronna McDaniel took it on herself to channel Vanna White and middle America, revealing a reinvigorated elephant as a new logo for the Grand Old Party for 2020, her flowing red dress underscoring to the new monochrome of icon. Having been named to lead the RNC by Donald Trump after she had served as a delegate from Michigan who supported Trump in 2016, as the vacancy opened, with Rience Priebus becoming Chief of Staff, with the only precondition dropping her maiden name to erase any hint she had supported her uncle Mitt Romney’s 2012 campaign, McDaniel was elevated to be the chair of the Party, ensured that she could be counted on for her allegiance to Trump’s agenda and to promote his brand–demonstrating allegiance by imitating Trumps’s own warnings of voter fraud before the 2020 election and warning widespread fraud had led to the electoral loss of the man she trumpeted as as a “moral leader” while using her zealous defense of Trump as a cover to steer RNC funds to companies run by family members or as a quid pro quo for donations.

President Donald Trump arrives to speak at Republican National Committee, Aug. 24, 2020, in Charlotte NC
(AP Photo/Evan Vucci)

Could not one say that the use of the red elephant by Trump, a man widely known to delight in manipulating details of his public image, and indeed his brand, channeled P.T. Barnum in re-presenting the red elephant as a party emblem to the 2020 Republican Convention in Charlotte, NC? The elephant that was displayed in the political convention that was located proudly in a southern state without explanation by RNC Chairwoman Ronna McDaniel in 2019, as an icon of partisan purity by 2020. Was the red elephant not a recuperation of the spectacle of the elephant as a refraction of America’s still fraught racial politics? Barnum was a master of public relations, and used the magnificence of the elephant as a centerpiece for his show, and an elephant seemed to incarnate hopes for an augur of victory in the next Presidential election, in the memes and media circus of unveiling of an icon of partisan identity. The symbol of the 2020 Republican Convention was unveiled to bridge novelty and tradition within the Republican party, but invoked performative rituals of circus-going as a spectacle about race, whiteness, privilege, and spectatorship–as much as a new mascot. Its political symbolism might be placed in a volume of Circus Studies or political symbolism, a regal pachyderm that recalled the Monarch of Illusions by invoking the partisan remapping of American politics as a swath of red states. The energetic red elephant proposed as a new symbol of partisan identity seemed an attempt to reenergize the party headed and embodied by the circus-master Donald J. Trump.

Was not Barnum, a showman who had perfected the arts of mass communication in the Gilded Age, gliding from popular entertainments to mass spectacles with unprecedented ease, able to transform the circus into an economic machine and public spectacle in ways eerily akin to how Trump has changed the political process of the United States? As much as changing Free Speech, Trump has exploited anxieties by offering what audiences “wanted to see” in a new regime of politics and political performance, continuing a Barnum tradition of combining minstrelsy, freak shows, entertainers, collections of menageries, and clowns in a “big tent” of the profitable economy of the circus show. Barnum was not only an orchestrater who expanded the circus as an institution of modern life and mass culture, converting spectacles into profits by promising to transport audiences into the fantastic, but was a promoter who insistently promised “good faith” to his audiences even as this strained credibility.

Barnum was the great American creator of ‘hoaxes’ central to capturing public attention and framing public opinion. Although the “Sacred Elephant” he later displayed to extend anxieties of the determination of racial difference to the animal kingdom was not white, promotion of the elephant that was appropriated by Thomas Nast as an icon of the Republican party prominently triggered fears of the identity of racial characteristics by universalizing them to the ostensibly pleasurable arena of the circus. Hoaxes were there from the very start of Barnum’s career as a promoter of the fantastic and curious wonder for audience’s pleasure: Barnum’s career began with his purchase of a slave he exhibited as George Washington’s own Mammy–a figure able to cross racial lines, peddling racial stereotypes in a spectacle of servility. Barnum promoted the woman, Joice Heth, as a sideshow curiosity, importing the plantation economy into vaudeville, as the allegedly hundred and sixty one year old Mammy of the first president entertained white audiences with barely credible stories of how she had nursed George Washington, that promoted the social dynamic of a plantation as the American narrative, as he deployed race and racial anxieties in a human museum, in the American Museum in downtown New York from 1842: as improbably as the White Elephant he imported from Burma gained crowds as an alleged education on racial difference, Barnum began from exploiting desires, fears and boundaries of normalcy; mass advertising in printed flyers attracted audiences’ interest to freak shows, promising “prices reduced to suit all classes” and boasting of his own populism, offering audiences primarily “instruction and happiness” while pursuing financial gain. The show begged complicity with the master-showman–Barnum boasted at combining “smoke and mirrors” with “a little ‘clap-trap’ occasionally, in the way of transparencies, flags, exaggerated pictures, and puffing advertisements” in “the wildness of wonderfully instructive and amusing realities,” that set their own criteria of truthfulness.

P.T. Barnum’s 1835 Handbill Advertising Joice Heth as “Natural & National Curiosity”

Was prominent billing of a long-lived manny as a “natural and national curiosity” a template for inviting audiences to witness the contrast the “sacred” elephant to darker African elephants, shipped to America at Barnum’s expense?

Mr. Barnum’s White Burmese Elephant, ‘Toung Taloung”

P.T. Barnum had arrived at the use of the elephant as a focus on entertainment and moral instruction followed how his American Museum suggested a welcome traffic with and blurring of knowledge and science in the name of compelling illusions and pleasure. And after the Museum burned down in 1865, rather than being the end of his career, he promoted “P.T. Barnum’s Traveling Museum, Menagerie, Caravan, and Circus” as a road show, publicizing its contents for audiences across the nation. He returned to New York by 1877, promising to cater to all audiences’ pleasures by featuring the new addition of “$500,000 worth of Foreign Features” with assurance of “prices reduced to suit all classes,” emphasizing his egalitarianism. If Barnum boasted “the largest, finest, and best menagerie and circus in the world” he cast himself not as a promoter but as acting “to my countrymen and countrywomen as a minister of instruction and happiness, while pursuing my primary purpose of making money.” The arrival of a Bush Elephant purchased in 1882 from London Zoo as the central exhibit in the menagerie displayed in Madison Square Garden, promoted widely as “the largest elephant in captivity,” whose prominent billing and attracted such massive crowds to recoup costs of transport and purchase in just four days; Jumbo’s later 1885 death in a train accident led the elephant to be replaced him with the commanding attraction of a Burmese albino elephant, shipped to New York, to replace the bush elephant’s center stage in his menagerie. Barnum long exploited print advertising, and promoted the “sacred” Burmese, Toung Taloung, imported from the Near East, as a “white elephant” whose different stock than elephants of African origin was morally instructive, Barnum, as if its white skin denoted a different race, courting popular fascination with miscegenation and shades of skin color in Reconstruction America.

The hoax, as so often in recent years, was part of the point. Even if the display of the white elephant was more about race than exoticism, the shift from the size of the elephant Barnum promoted fit the times of Reconstruction, but tapped into the display of race and racial difference within Barnum’s promotion of a carefully curated image of Americana. Barnum featured exploitation of race in his showmanship in 1835 by exhibiting former slave Joice Heth to paying audiences, as the mammy of George Washington as a national curiosity in New York’s Niblo’s Garden. The hoax who delighted audiences by promising stories of raising “little George” for the Washington family, Barnum adeptly exploited the place of enslavement held in the national fabric of America led directly to his subsequent exploitation of an elephant in the racial politics of reconstruction America by 1884, when he had promoted the purity and probity of an albino “white elephant” before it arrived in New York by ship from London as an animal possessing greater distinct characteristics from the African Grey he had featured in his menagerie and traveling show–a probity featured as Nast used the pachyderm as an anthropomorphic icon of the Republican party that very year.

Who else but a zealot and convert to the cause of a candidate obsessed with political promotion and image would realize the critical importance of rebranding of the party in anticipation for the 2020 election, to take time to promote and announce the roll-out of a new political iconography of the elephant–a red elephant–with purity of purpose? While Trump’s commitment to steer the party to victory in 2018 midterms had failed to translate unprecedented advantages in fundraising McDaniel had ensured to a margin of victory, the largest elephant in the room of animating the electorate for the Presidential election.

Was it at all surprising Trump felt the party needed rebranding? The elephant would be a potent signifier of the purity of red states to those who wanted it, inviting images of a domestication of wildness, a channeling of white anger, and a sense of bucking tradition and loosening of decorum, all rolled into a rearing beast.

President Trump Addressing 2018 Republican National Committee Winter Meeting

The redesigned “red elephant” was perhaps a white elephant of political iconography, but a new regime of truth for the political party. For in abandoning the red, white and blue to promote a uniformity of purpose and single mindedness that echoed the “sacred elephant” cartoonist Thomas Nast had adopted to represent the Republican party’s nobility by anthropomorphizing Barnum’s new exotic addition to his famed menagerie–a “white elephant,” nobler and more kind and docile than its African cousin–in ways that would consciously play to the consciousness of race among circus-goers in post-Reconstruction America. Was the new red elephant, distinctive in its chromatic design, a color that might not only signal rage, or anger at the declining moral standards and protection of liberties, but a conformity around an image, in ways that Trump, a master of the image, must have found appealing as a new branding of the political party under his own imprint?

GOP Square.svg

While the elephant was long red, white, and blue, the new monochrome elephant projected an imaginary of a unified party, no doubt composed of “red” states, purified and poised to advance into the 2020 Presidential election as a united front, long before the social justice protests of 2020 that reacted in shock to George Floyd’s brutal murder by white police, head forced to the ground in Minneapolis by local police before a crowd of onlookers, and the social reckoning these protests bought by the convention itself. Having spent party funds on covering all legal fees related to defending the sitting President from charges of Russian interference in the 2016 Presidential campaign, McDaniel seemed to seek to make a fresh start for Trump’s campaign for reelection, adopting a logo of chromatic conformity for a campaign that would not adopt or issue a party platform, but that revolved around the new leader of the party.

How the party would map onto the country was a question that was on the front plate of many separatist groups by the summer of 2019, when the question of how a non-nation rightly secedes to create a ‘country’ prompted many cartographic fantasies rooted in the appeal that “nation” was an ethno-linguistic group of common customs, and the alleged principle that all states have the right to secede from the union: “red states” did not really follow state lines, but could be carved from electoral districts and drawn by software in a loopy map of alleged unity, not without appeal to many white supremacist ideals, avoiding most coastal regions, and larger cities outside Texas and Georgia. While this internet map originated from a political fringe, the fantasy of a monochrome elephant foretold a red coalition’s coming victory, as in inviting readers to contemplate the legal justification that might exist for eastern Texas, western Louisiana, or the western panhandle of Florida to secede from the nation.

Red State Secession/August, 2019

Redesigning the very republic as if in DIY drawing of electoral districts, in an inelegant from of gerrymandering that dropped sections of Florida, Wisconsin, Michigan, Ohio, Arizona, Colorado and Virginia and a strip of Nevada that echo the demand to “do your own research” to recognize your allies. The oppositional politics of the map of almost Manichean design was best met by a uniformly red elephant as its emblem. Perhaps the deep fantasy of cartographic excision was less based on the secession of the Civil War, than the Looney Tunes logic of separating Florida from the United States to the Atlantic with a saw in 1949, with the cry “that does it–South America, take it away!” to redraw the nation in the Red State Secession by cutting Broward, Palm Beach, and Miami-Dade counties from the Union, in a hardly convincing map of states that “follow the Constitution”–derived from electoral maps. The almost comic cohesion of a red elephant might enjoy suggests a regime of stagecraft and suggestion, that openly showed little but gestured to a rich history of political iconography far deeper than its crude cartography suggests.

Bugs bunny cuts florida off America.

The fantasy of the monochrome elephant might be sufficient to accommodate all local interests in a buoyant beast of even larger girth was hardly new. The image of a monochrome elephant s party logo began with the introduction of the animal by Republican cartoonist Thomas Nast, who took the image of an albino elephant–the first “white elephant” of allegedly greater purity than its African cousin–at the height of reconstruction to appeal to Republican’s adherence to greater dignity in their own party’s principled platform of reform. By the time that the convention to anoint Donald J. Trump as nominee for a party without a platform got underway, as if to tell us we had been watching dangerous performances all summer long in social justice protests spread across America, the remodeled red elephant that hearkened back to Thomas Nast’s pioneering use of the bull elephant to champion the vigor and capaciousness of a party to which he belonged as an image of the nation and the purity of its leadership. The recuperation of what Nast saw as an image of nobility and purity of purpose in Barnum’s new addition to the traveling menagerie boasting moral instruction was also in ways a return of the repressed, tapping into the racial anxieties that were projected onto the African elephant as an emblem of the domestication of the savage beast.

For elimination of all tricolor in the new brand of the President’s party recycled the very racial insensitivity and unsavoriness that the exhibition of circus elephants had long signaled. When circus entrepreneur P.T. Barnum extolled the purity of the exhibited albino “white” elephant he purchased to introduce to American audiences as a nobler alternative to African Greys, he desired to please circus-going audiences in Reconstruction America. Unlike the darker “cousin” Jumbo, who after being captured in Abyssinia in 1861, was sold by animal traders to the Jardin des Plantes as the largest elephant in captivity, and who Barnum had brought to America by boat from London as a centerpiece for his traveling show, Barnum promoted the albino elephant as a gentler, nobler, and more docile breed. The creature, described as of different cast and moral status than other elephants who had toured the nation, became a media sensation whose claims to purity Nast had channeled. While the cartoonist hoped to communicate the new moral character of the Republican party, in the very costume Barnum outfitted and exhibited the Burmese beast, the racial anxieties he tapped were eerily akin to those Trump stoked at the 2020 Convention. Barnum had promoted a beast not captured from Africa, but from Burma’s court, where it was regularly serenaded and invested with sacred character, suggested the subject removed from “blackness” and slavery, a different stock and perhaps race of elephant, in ways that the audiences of Barnum’s circus could not fail to appreciate and discern. Was the watered-down eugenics of Barnum’s beast not implicit in the “white elephant” by which Nast embodied his own political party?

Thomas Nast, “The Sacred Beast” (1884)

The vaunted new red elephant was a new embodiment of the party, but mapped it onto red states. The new logo keyed into a color line, in ways that may hint at the future meaning of the semiotic weight of the party logo for generations who may only know the political animal and not the living beast. To be sure, whatever future semantic properties of the pachyderm as a symbol of political party were raised in 2010–as the animal’s significance seemed remote from then-current political debates–

–found an unexpected response as the Party of Trump reclaimed the elephant in ways that reclaimed its spectacularity in a circus, as the jumbotron in Charlotte, NC, unveiled the spectacle of the pachyderm, devoting far more attention as the party leaders who planed the meeting wanted to discuss the “new logo” combining the iconic elephant and the city’s crown, describing the city they claimed to be far more concerned with business and development of the city. The logo’s unveiling followed President Trump’s disgraceful call for members of the U.S. Congress to “go back to the countries from which they came” in a city viewed as “business-first, not politics-first,” calling the first order of the day being “the unveiling”–a term often associated with commemoration than politics.

August 1, 2019

The Republican Party unveiled a sleek lines of a new red elephant in preparation for the 2020 Republican Convention recuperated the performative origins of the once-sturdy quadruped as it appeared on the jumbotron, whose very size communicated how much air the presence of Donald J. Trump had sucked out of Charlotte’s Convention Center.

What the party billed as a rejuvenation of the vitality of the old elephant staged a rebirth of the party at a time when its ties to the nation had been increasingly tenuous, and seemed to mask the deep fragmentation that the politics of divisive opposition had been stoked by the shock jock tactics of a President over his first term.

The GOP elephant had by the 1970s and 1980s retained its stability in abstract form, but seemed an unassailable image of the party’s security, its sleek form a clear contrast to the far more fluid, and perhaps mutable, Democratic donkey–and, when the streamlined icon emerged int he late 1970s, to assert its modernity.

Democratic donkey and Republican elephant

The new “red elephant” was not only a logo to be used at the 2020 Republican Convention, but a branding of the party that had arisen on social media, akin to the new emblems of patriotic devotion that were first engraved by the U.S. Mint on national currency to offer evidence of the piety of the after the Civil War, when Secretary of the Treasury Salmon P. Chase received letters from ministers beseeching him to include adequate “ recognition of the Almighty God in some form on our coins,” and imploring him “What if our Republic were not shattered beyond reconstruction? Would not the antiquaries of succeeding centuries rightly reason from our past that we were a heathen nation?,” leading Chase to impress upon the Director of the Philadelphia Mint the need of a device able to depict “the trust of our people in God . . . on our national coins” by a device and motto proclaiming national recognization of God, reasoning that it was evident that “no nation can be strong except in the strength of God, or safe except in His defense.” Facebook groups Red Elephant media launched March 5, 2017 or The Red Elephant–a FB group and twitter handle, @redelephantt–founded April 9, 2018–suggested the new hue of the populist party of Donald J. Trump , an aggregator and amplifier of tweets by folks like Rep. Jim Jordan, Rep. Matt Gaetz, Gov. Ron De Santis and Marjorie Taylor Greene, a new republican Party that issued the post-inaugural proclamation to be back in other form.

Donald Trump’s party may not have known how sharp his focus on Law & Order would be in 2019. But the focus on a red-state party, which commanded consensus as much as presented a platform, used the traditional party logo as an “proud and strong symbol” of–pardon the pun–a deeply truncated party, which might have been indeed a stuffed beast, eviscerated of any vital principles, and more of a symbolic avatar of fealty to a new ideal type of red states. The Republican elephant of 2020 unveiled in Charlotte, North Carolina, attempted to invest strengthened unity for a party that had changed its identity, in ways that threatened its resilience. The proverbial four blind men who came to describe an elephant might not detect the chromatic shift, but the seismic shift in partisan identity was huge in a party whose sense of identity was being strong-armed by the sitting President. The prime political parties of American politics were defined since the late nineteenth century were symbolized by animals in ways that reveal the dominance of the popular press and editorial cartooning of Harpers magazine, where cartoonist Thomas Nast elevated the elephant to a symbol of party, embodying the collective vote in less that laudatory ways, have become potent signifiers their partisans invested with positive qualities to define their affinities, invested in tricolor mascots imbued with patriotism, the elephant associated with memory, probity, and intelligence bearing three stars, and the donkey, populist, dedicated, and stubborn in holding its ground, emblazoned with four, no longer the American flag that the GOP had once pretended to incarnate for its members, but far more akin to the image of capaciousness and stolidity of tradition, known sufficiently embodied only by red states. 

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Colossus on the Hudson: Monuments of Global Kitsch

Effigies of stability are, at times, the closest that one can hope for the manufacture of a sense of stability in the nation. When Donald J. Trump used the White House as a backdrop from which to accept the Republican Party’s nomination as presidential candidate in 2020, he noted that the seat of executive power “has been the home of larger-than-life figures like Teddy Roosevelt and Andrew Jackson, who rallied Americans to bold visions of a bigger and brighter future,” in ways that reveal his own aspirations to monumentality, and their proximity to his decision to enter political life. As Trump had once confided in 1990 that he regarded Trump Tower as but a “prop” to create the show that was Donald Trump to sold-out performances,the border wall had afforded a prop of Presidential authority.

The readiness with which Trump used Mt Rushmore as a prop to speak to the nation on Independence Day, 2020, or the White House to address the Republican Convention, revealed an interest in the preservation of statues as loci of authority–and his enmity of identifying as Cancel Culture the criticism of monuments of Confederates, or of Columbus, John Wayne, or of the Confederate Commander Robert E. Lee. Donald Trump’s cultivation of the monumental may have led to a readiness as a candidate for President to seek out the Border Wall. If it is almost a chicken-and-egg question whether the demand for the wall drove his candidacy or he conjured the spatial imaginary of the wall, the proposal was seized on during the dark years of the Trump presidency as a prop to reveal his commitment to national security far beyond tariffs, trade conventions, and trade wars and revive his presidency or lagging candidacy in what seemed a six year campaign. If the border wall was the marquis event of the Trump Presidency, a site to burnish his legacy and his commitment to ideals, it was by no means the sole prominent he tried to insert in the landscape.

Although the addition of a statue of Columbus to the Manhattan skyline was focussed on the microcosm of Manhattan, the first theater of Trump’s public fortunes, the case of the towering bronze statue to an imperious Christopher Columbus, that one-time icon of Italian-American identity, already attacked from the early 1990s, when Trump first floated the possibility of its erection on his properties as a gift from the Russian Federation in 1997. The statue that Boris Yeltsin had proposed Bill Clinton accept as a gift for the Columbian quincentennial was seized upon by Trump in the years that he sought to revive his flagging fortunes in Manhattan as a monument to place his stamp on the urban skyline he identified, regularly drawing on cocktail napkins, with a sharpie, as if he was coveting its gleaming buildings as a young realtor from Queens.

Donald Trump, 2008

The addition of the planned statue of the Genoese navigator had been routinely rejected as a part of the American imaginary by many groups as early as 1997–the year Honduran indigenous destroyed a statue of Columbus to condemn the project of Spanish colonization, five hundred and five years after the fact, beheading the monument, painting it red to recognize the blood it bore, and throwing it into the ocean, in what had become a ritual desecration of monuments to Columbus since the quincentenary of 1992. The fabrication of the statue in Moscow may have predated the protest movements to remove statues in Britain of Topple the Racists, but reached for a discredited iconography of supremacy at the moment Columbus had been widely questioned as a figure of American identity–but when Trump felt that he might make a deal for the acceptance of a monument that would appeal to the recently elected Italian American mayor of New York, Rudy Giuliani. The monument he offered to plant on his properties he was developing on the Hudson River estuary, above Upper New York Bay, near midtown, Harbor, above the Statue of Liberty that rises in the Upper Bay from Beddoes’ Island, would hardly have been precedented for a private residence. But Trump’s sense of combining territoriality of the lands of the old train yards on the expanded west side of Manhattan with a demand for glitz seems to have led him to agree to the deal for erecting a statue, some fifteen feet taller would have provided an improbably gigantic statuary, even if the landfill of his new housing development could probably not sustain its massive weight–yet the image of the massive statue promoting a performative icon of global rule, not long before the first time Roger Stone openly fashoned Donald Trump’s candidacy for President.

Roger Stone holding a Trump 2000 campaign poster

The ill-fated story of the attempted transatlantic voyage of this perversion of a Modern Colossus, a triumphant image of the fifteenth century navigator’s imperious gaze, glorified the imperious form of the navigator without a map or compass, but shows him atop a small caravel, behind three massive billowing flags bearing crosses that concretize his claims to have brought Christianity to the New World, glorifying the man who began the slave trade from the Americas, desperate to turn a profit on his second voyage–who never set foot on the continental United States, let alone approached New York harbor. The imperious view of this statue’s grim visage, an assemblage of sorts, first designed to celebrate the 500th anniversary of Christopher Columbus’ expedition made out of 2,500 pieces of bronze and steel manufactured in Russia, cast in 3 different foundries, was assembled in 2016, just after Trump’s election, some 25 years after its first conception, but at a towering two hundred and sixty-eight feet would tower over the sixty meter iron column on which Columbus stood in Barcelona, erected for the 1888 University Exposition, shortly after the Statue of Liberty arrived in New York Harbor in 1885, or the seventy-six foot column on which Columbus stands in midtown Manhattan, adorned with bronze miniatures of the three ships of the Genoese navigator’s first voyage, the Nino Pinto and Santa Maria, planned in 1890 and unveiled in 1892. Unlike the image of the Genoese navigator holding nautical charts and pointing to the Atlantic in Barcelona, or the image of Columbus with a compass or globe, in period costume, this Columbus stares over the land, saluting imagined inhabitants akin to a Caesar. More than encountering natives, as the bas-relief in Manhattan or Barcelona, Columbus in “Birth of the New World” evokes a figure with aspirations to global dominance, removed from time or space, a thoroughly post-modern figure of the discoverer who lacks maps, as if he followed inborn GPS.

His gaze is imperious, but does not scan the seas, or shore, but seems to ahve arrived with a new sense of entitlement, inflected by three royal crosses behind him, and in the relative immobility of his posture and weight, facts that Trump must have noticed or seen in a mock-up when it was suggested as a gift to the realtor who was negotiating the placement of Trump Tower in Moscow, and saw fit to place on the lot of the planned luxury apartments he had been promoting in Manhattan, as another second act to Trump Tower, when his fortunes and global capital were in decline, having just declared a loss in 1995 of $916 billion desperate to relieve some of his debt devised a deal forgiving half of the $110 million he owed, per Wall Street Journal, escaping his creditors in ways Fortune called truly “Houdini-like” and was eager to create a needed simulacrum of monumentality for the Trump brand that would magnify his own personal wealth in Manhattan and on the global playing field, as he aimed to $916 million loss he posted for 1995, or the millions he had been hemorrhaging of the value of Trump International that was rolled out in 1997, in an attempt to eclipse the filing for bankruptcy of Trump Taj Mahal in 1991, by securing a new monument of global conquest.

‘Birth of a New World’ by Zurab Tsereteli/ Arecibo, Puerto Rico -John Alex Maguire/REX/Shutterstock

This giant statue was the first time in the final months of his Presidency, Donald Trump seemed to bond again with the symbolic status of statues as patriotic memorial, so that by May, 2020, during the social justice riots after George Floyd’s killing, he felt oddly impelled to affirm, almost repeatedly, the litany of statues, memorials, commemorations, or neoclassical monuments. From May of that year, he linked the eulogizing of statuary was paired with the end of the “downsizing of America’s identity” to the national wealth “soaring” an additional twelve trillion, concealed in increasing wealth inequality, describing funds “pouring into neglected neighborhoods,” presenting the Medal of Freedom to Rush Limbaugh, and “reaffirming our heritage” by in the State of the Union, lionizing the heroism of Americans as if a casting call for the Garden of National Heroes he suggested on July 4, 2020: Generals–Pershing, Patton, and MacArthur–and noble frontier figures like Wyatt Earp, Davy Crockett, and other heroes of the Alamo, or the Pilgrims from Plymouth Rock, largely white men, lamenting the lack of heroic statues, rather than affirming a commitment to living humans, and expressing shock and dismay at the attacks on neoclassical statues. Trump had returned as soon as he was elected President to reassert the place the Genoese navigator occupied in a proclamation celebrating Columbus Day the second Monday of October, praising his “commitment to continuing . . . quest to discover . . . the wonders of our Nation,” and, in fact, the “wonders of our nation, world, and beyond,” as if the navigator was indeed a basis for the proclamation of the future vision of the nation, as if replacing the vision of the nation in that other Modern Colossus of the Statue of Liberty, modernizing Manifest Destiny by praising the navigator for having “tamed a continent,” if he had barely arrived at one.

The planned monument was never built. But it evoked a mythos of manifest destiny many found a surprising embrace as a way to “reaffirm our values and affirm our manifest destiny” in the early days of the Trump Presidency. But Trump seemed to affirm his mysterious attachment to global transit of profits in the allegedly cost-free transport of a massive piece of statuary to be built on the Hudson River’s shores as a new way to claim public prominence for his lagging fortunes, jsut years before he first put his hat into a Presidential primary and declared his interest and possible intention to be United States President, as if to familiarize the nation with an idea that was striking by its improbability. The Hudson River, Donald Trump announced to the American press, was in fact the very site where “The mayor of Moscow . . . would like to make a gift to the American people,” a site to erect the massive statuary entitled “Birth of the New World.” He eagerly let it leak to the press after his return from Russia in 1997 that he would be instrumental in the arrival of a new monument for the city’s skyline, based on his negotiations with Russian oligarchs, and that the project hard to imagine as an extension of his own interests to immediately raise eyebrows of a tie: “It would be my honor if we could work it out with the City of New York!” While Trump International was a chain of luxury residences, the elevation of the statue as an image that confirmed his luxury residences as a global attraction were no doubt far closer in his mind than the consensus the new public statuary would imply. Did he realize that the gift was already rejected by two sitting presidents, Bill Clinton and George H.W. Bush, who were approached by what was an ostensible gift of friendship for the quincentenary of Columbus? His image of a new logo for Trump International to show its global ambitions, unveiled in 1997, at Columbus Circle, has an eery parallel to the interest in adopting Columbus as a mascot for his new luxury housing chain, oblivious to the impropriety of placing a triumphant statuary of Christopher Columbus at his own other midtown properties, as if to personalize the contested icon of what had become a disputed and quite loaded figure of global triumphalism–a figure that was almost literally from another time.

4118-NYC-Columbus Circle.JPG

Trump bemoaned desecration of the monumental on the eve of leaving office addressing in his final rally, on January 6, 2021, bemoaning what he saw as rage against monuments, not a re-questioning of their significance, and cultivating an eery silence on escalating police violence. The danger of disturbance of monuments was only stopped by a law and order affirmation, lest, he taunted, “they’ll knock out Lincoln too,” necessitating the sentences for desecrating statues–“You hurt our monuments, you hurt our heroes, you go to jail“–to restrain the beheading, toppling, or besmirching with red paint of public monuments of confederates, slave holders, and colonizers in all fifty states, including the 1,749 statues of confederates that the Southern Poverty Law Center estimate were standing in the United States in 2019, 1,500 supported by the US government grounds; a sixth of monuments to confederates erected mostly in the Jim Crow era lie in black-majority counties, totems of a past white supremacist culture President Trump had found much support. As the call for the removal of statues that natauralize if not celebrate racism as part of the American social fabric, the reconsideration of confederate statues long prominent in many cities seems to have provoked Trump’s outspoken support for the very same statues as a sign of patriotism.

The statue of the instigator of the slave trade, Christopher Columbus, had claimed a special place in the political emergence of Donald Trump, and in the revaluation of public monuments, form the the civic fraying of debate about the status of Columbus that dates from the early 1991, when indigenous protests against the commemoration of Columbus began, and the proclamation in some cities by 1992 of Indigenous People’s Day. Trump’s attachment to the monumental an an emergence that seemed deeply tied to his desire for the monumental placement of an icon that might command statement was long tied to an aspiration for recognition: Trump claims to have long dreamed he might appear on Mt. Rushmore, perhaps explaining the ubiquity of his name on his buildings, and the satisfaction he drew from that. But the escalation of his drive for the monumental–and, indeed, his hopes for a border wall that might bear his name– may have began, not with his inauguration, but just after Trump Tower, in 1990, when Trump was flailing around for attention and for ways to escape his debtors, and negotiated the arrival from Russia of a monumental statue he imagined would stand in New York harbor–which Trump probably argued was the apt location for “Birth of the New World,” a monument two past Presidents of the United States had turned down, but Donald Trump, eager to please Russians, promised he would erect.

While Columbus was Genoese, and long a confirmation of Italian American pride, the image of a monumental figure of male Christian government that the Tsereteli statue, removed from time and space, staked an over the top monument of an image of the white, male figure of state we might long associate with Trump, a figure numerous American cities would rebuff in the 1990s, before it was relocated to Puerto Rico. The proposed statue marked Trump’s first flirtation with a statement of political monumentalism, inspired by ties to Russian oligarchs who patronized the deeply orthodox Georgian sculptor who had designed the towering neoclassical figure of a heroic navigator for “Birth of the New World.”

The monumental size of the statue of the navigator long deemed an icon of national genius was to upstage the monumental Statue of Liberty in New York harbor, at the end of the estuary, celebrating in monumental form the heroism of the navigator, more a symbol of rapaciousness and plunder but recast in bronze in monumental size as a liberator and conquistador of new lands that, before Trump appeared on Reality TV, would broadcast his achievement and Trump’s munificence on the skyline of New York to all its residents. Columbus would be cast in a new level of monumentality, and even aspire to the new language and logic of monumentality to which Donald Trump had aspired. While it is not clear why the monument did not advance, one suspects that Trump’s eagerness to accept the monumental statue of the Genoese navigator forged in Moscow’s oldest smelting furnaces, founded by Catherine the Great, and designed by the Georgian Zurab Tseretelli, would have been placed on landfill in a Trump project in the landfill of the trainyards in the Hudson estuary, unable to support the ponderous bronze assemblage weighing 660 tons–the ballpark figure Trump cited that oddly hovered near the number of the beast.

Sheet of 1916 map of New York City Freight Yard Trump Desired to Situate Gifted Monument, “Birth of the New World”

Did the negotiation of a figure of rapaciousness as a symbol of the nation find its way to the sponsorship of Donald Trump only by chance? The image of a white conqueror that Russian elites offered to Donald Trump at the same time as he pursued ways to export his brand to the post-Soviet oligarchs in a gambit for greater monumentality was a moment when Trump’s language of monumentality–the expansion of Trump Properties to Trump International and the expansion of Trump Tower in Manhattan to a possible chain of Trump Towers in global capitals–suggested a stagecraft of hotel promoting that was met by a triumphalism of staking his foray into national politics by rehabilitating the figure of Columbus as a hero of globalism and economic conquest that would dwarf the figure of the Statue of Liberty in New York Harbor, as if to cement the gift of Russian oligarchs beyond the French Republicans.

The timing of such an encomia to the rapaciousness of the Genoese navigator as an emblem of global economic ties was perfect. At the very time that Columbus’ celebration as a national hero was being questioned, that the post-Soviet government of former Russian President Boris Yeltsin had once offered a sitting American president–and attempted to offer to a second–that Trump, during a visit to Moscow ostensibly to plan a new residential tower on Red Square, acceded to being amenable to erect on shorefront properties he was developing. But perhaps the biggest irony of Donald Trump’s attempt to promote this monumental statue was that it was a way of selling his own success to an American public, at a time when he was in fact surrounded by mounting debt, having trafficked in debts for most of the 1980s, and in need of an illustration of triumphalism to promote his own pet project of a new West Side development, that would be the site where he proposed the statue of the navigator who had claimed to “discover the New World” was planned to be erected.

If Trump had argued that Trump Tower demanded recognition as “the eight wonder of the world,” the statue of Columbus that he sought to importing to the banks of the Hudson River, or the landfill of the former railway yards where he projected an exclusive new luxury complex, provided a possible basis to erect the monumental bronze statue of Christopher Columbus, designed by Soviet sculptor Zurab Tseretelli, a Georgian member of the Orthodox church, far larger than the statue of Columbus in the act of sighting land from atop a column in Barcelona, in 1997, before two sails billowing with wind, each decorated with a cross, in the act of bearing Christianity to the New Wold as an agent of the Royal Majesties, Ferdinand and Isabella. This invocation of the myth of transatlantic travel–Columbus had never visited New York, sailed in the Hudson, or on North America, save Caribbean islands, had grown in 1892 as part of an American decision to stake claim to the theater of Central American islands as a province of hegemony. As the monarchs were storing all maps of routes to the New World as tools of global power, the throwback image of a Columbus offered a basis for Trump to set his sites on global markets, by 1997, far outside New York, and provided one of the strongest ties between Trump and Russia, as Donald was hoping to build an outpost for a newly branded Trump International, by an actual monument that would have been the tallest statue in the western hemisphere to affirm the global scale of his enterprise.

But the image of this immense statue of a robed Columbus who would be saluting Mnhatttan Island, would be a theatrical addition to the six luxury towers he was planning on the West Side, at a time when Trump was all but crumbling under debt. Would the image of Columbus, shown saluting Manhattan Island and perhaps hailing the towers of Trump and the foreign capital that had funded their construction, as the Russian-made statue that Trump brokered was billed as arriving in New York fully paid for, with oligarchs covering the cost of its transport and construction, aside from the installation of the behemoth on the landfill where Trump planned to build. How the monumental statue would appear on the New York skyline, or be integrated with Trump residences, was never apparently discussed let alone described, so much did Trump trust the sense of theatricality that the erection of the statue would immediately add to his image in the city, which was in need of considerable rehabilitation.

The statue met Trump’s insatiable taste for monumentality, even if the image of Columbus as an elitist mariner and royal emissary was about as out o step with the histroical image of Columbus or his place in a democratic tradition. Columbus stood as if arriving and claiming possession over a nation, echoed a belief in manifest destiny that was more than out of step with the times. It idealized a sense of conquest and of rapaciousness as American, if the recalibration of the legacy of Columbus as a national hero had been percolating across the nation for some years, as many questioned whether the navigator who had been heroized by Italian immigrants as an icon of their ties to the nation of America and an image of their own whiteness, was now reclaimed as a logic of the capitalism of plunder, materialism, and enrichment, rather than the social and civic order that the image of Lady Liberty, standing atop the chains of enslavement, was intended to communicate.

Unlike the stoic monuments of Columbus as a world traveller, the statue of the emissary who arrived in classical robes was an odd appeal to a type of classical statuary, togaed and raising his right hand in a gesture of imperial salute, to exchange for the entry of Trump Properties to Moscow, Is this triumphal image of Columbus not an image of enrichment, as much as Christianization, and image of neoclassical monumentality who masks the violence of disenfranchisement and conquest! In raising one hand worthy of Mussolini more than Augustus, the sttue all but invoked a “Doctrine of Discovery” to lay claims to the New World, unlike Liberty,. For the figure of Columbus lays claim to the ownership of the land and its rulership by a sort of Christian militarism, without a book of laws or declaration, or respect for laws, viewing the nation from atop a small symbolic caravel. It did not make a difference that this figure was so dramatically ahistorical, with his hand on an anachronistic rotary wheel, without a compass, sighting device, or indeed a map.to navigate or to conquer and stake his claim.

The monument did not have need of either–if all are the tools included in Columbus statuary, for it was actively rewriting history and memory alike. In the service of a banal monumentality, closely recalling the cartoonish monuments that Zurab Tseretelli had helped erect across Moscow, and send to different posts in the world including Paris and New York, the oddly cartoonish navigator is ostensibly a new map of the nation, as well as a new image of global power that had been offered to American Presidents as a gift of the post-Soviet, but that Presidents Bush and Clinton had alike demurred, perhaps seeing something unsavory in selecting a gift form a Russian President as an image of the American nation. This image famously appealed to Donald Trump, who savored its monumentality, the reputation of the lauded Russian Georgian sculptor Zurab Konstantinovitch Tsereteli, and his reputation for controversial monumental art. Trump had a high tolerance for what might be called kitsch of opaque monumentalism. The frozen figure of Columbus removed from time and place is an assertion in empty air, a floating signifier that only seemed to float, standing on a ship in triumph, a made-in-Moscow massive icon of unheard of magnitude, that would be destined to the largest in the western hemisphere. This project to re-monumentalize the image of Columbus in the act of magisterially surveying a continent on which he had barely set foot, as if to justify claiming the conversion of the New World’s inhabitants, offered a claim for Trump’s own arrival on a global stage, funded by underwater financial currents, laundered funds, and foreign backers–many of whom seem to have continued to support his candidacy in a bid to be US President in 2016 and 2020, often through the same contact that Trump wanted Russian oligarchs to talk about the statue’s arrival, then-Mayor Rudolph Giuliani.

Donald Trump was more familiar with identifying himself with a monument–witness how he became identified with the “prop” of Trump Tower that maps that became a primary residence, a site of his corporation, and a studio set for his Reality TV shows, Trump wanted a monument that would announce his status on a global stage, allowed him to rehabilitate him as he emerged from a mountain of debt, and solidify the claims for a new monument in Moscow, a new Trump Tower a decade later, for which the agreement was to be greased in transactional fashion by the acceptance of an odd statue of Columbus that would effectively remap the nation for Trump’s personal gain. The first second act after Trump Tower, first announced in 1980 as a triumph of the urban skyline, would be erection of an image of Columbus that would similarly dominate the urban skyline, sacrificing debate about an icon of the nation and indeed national identity to meet an undying thirst for monumentalism.

And if Trump repeatedly staked his later Presidential candidacy on his ability to provide the nation with a new monument, a monument to inspire renewed faith in the “sacred bonds of state and its citizens,” as he promised when he unveiled a plan to cut e legal immigration by half soon after his election in 2017, he announced he would run for U.S. President from the atrium of Trump Tower, the nerve center of Trump International, by staking his bonds to television viewers across. the nation by the promise “I would build a great wall,” as a concrete barrier along the United States’ southern border, winking acknowledging “nobody builds walls better than me, believe me” as if referring to the monumental atrium where he spoke. If Trump repeated the claim “I know how to build” and “I am a builder” in an upbeat optimism of the nation, as if the talismanic power of Trump Tower established the legitimacy of his ability to deliver on global wealth to deliver fantastic power, if not a personal fantasy, as he consciously deployed the Tower as an image of power, making good on the promise to deliver a building of unprecedented desirability to Americans and height to the New York skyline as he navigated its construction from 1979 to 1983, the potential addition of a statue of Columbus, the colonizer converted to a heroic figure and White Christian Man, int he 1990s provided perhaps more than a road not taken.

The entrance of this monumental Columbus, proposed for the estuary of the Hudson River, where Henry Hudson, himself in fact once an agent, as it happened, for the Muscovy Company, arrived in New York Harbor in 1609, but Columbus never approached or sailed, would be the first great international showpiece Trump would have promoted as his realty company was pivoting global, by rebranding and expanding as Trump International, on a global stage, as a showman seeking the least modest image of grandiosity able to be imagined. If Robert Musil, the Austrian novelist and critic, had in 1925 imagined that one often passes urban monuments “without [having] the slightest notion of whom they are supposed to represent, except maybe knowing they are men or women,” as you walk around the pedestals of statues that in their remove from the urban environment almost repel attention, leading our glance to roll off, and repelling the very thing they are meant to attract as water drops off an oilcloth, the showpiece that Trump was aspiring to bring to his Hudson River properties would cast Donald Trump as presenting a new image of the nation. The fantasy that Moscow fed Donald Trump to Americans was modeled, like the Statue of Liberty, after the Wonder of the World of the Colossus of Rhodes, was difficult to deny for a man who had declared Trump Tower a Wonder of the World, and attempted to replicate a second global wonder in Atlantic City in Trump Taj Mahal, recently built for $1.2 billion as “the eighth wonder of the world,” but the 360-foot bronze statue of Columbus Russian oligarchs had promised to deliver was. a monument he seems to have siezed on to promote his own public prominence in Manhattan.

Trump’s promise of the size of the statue and its ostensible value–$40 million!–would be a sort of windfall that would serve as a small downpayment on the $916 million loss he posted for 1995, or the millions he had been hemorrhaging of the value of Trump International as Trump Taj Mahal filed for bankruptcy in 1991, or the deals he had cut with banks that unloaded his personal debt for about $55 million–half of what he owed, in what Fortune had marveled was a  “Houdini-like escape” from his creditors, having walked away from personal debts to relaunch his hopes for a real estate empire without the encumbrance of any federal tax claims at all. The monument to Columbus would relaunch his brand, Its size concealing that Trump’s increased search attracted illicit flows of Russian money in hard times to puff up his grandeur and indulge his vanity, in the guise of promoting patriotism, even if the image of Columbus it would advance. At the same time as Giuliani proclaimed Trump’s “genius” during his later Presidential run was revealed in his ability to financially rebound from the devastating indebtedness of 1995, the statue of Columbus would be a similar dissimulation. The massive statue–taller than the Statue of Liberty!–would be an illustration of his ability to create a “comeback,” and to reburnish his public citizenship. The statue transposed from a register of patriotism to promoting a residence would have been the fulfillment of Trump’s past plans to create on the same site the very tallest building in the world of seventy-six stories– complimented by a statue the tallest in the western hemisphere, whose maquette Trump had already presented publicly with paternal pride. The spire of the newly planned central tower would dance in dialogue with a statue of the discoverer, a sort of grotesque dialogue of monumentality commanding global attention, demanding that the world recognize Trump’s return to the top of his game and reclaiming his status as a global real estate developer.

Trump with Murphy/Jahn Model for Television City, 1985/1988

Hopes for marking the complex to be named Riverside South on the banks of the Hudson River in New York City of a monumental bronze statue of the fifteenth-century navigator Christopher Columbus cast in Russia–“Look on my works, ye might, and despair!“–adopted colossal statuary of a figure Trump has affirmed as central to the nation–and preparing for its settlement by Europeans as President as a promotional illustration of his latest property’s value and its status as a global destination. in a new language of architectural monumentality, unsurpassed world wide, a showpiece that would be a credible second act for Trump Tower that would supersede the tower Trump had planted in the New York skyline with an even more monumental eyesore that no one in Manhattan could ignore.

Trump declared himself considering a Presidential run in 1988 to Oprah, offhand, and was perhaps destined to intersect with the boondoggle of a statue offered to President Clinton and President Bush in 1990 and 1994, respectively, who seem to have demurred or declined the grotesque statue that they saw mostly in models, one of which was brought to the White House by Boris Yeltsin in 1990. If the prototype was sent to the Knights of Columbus in Maryland, destined for the harbor, the small model that was on offer at an auction house in Florida suggests the circulation that the proposal for this statue of a man on a boat, the very incarnation of individual agency in relation to the New World, removed from any networks of power or of funding, was intended to make: the odd figurine foregrounding the navigator’s agency unsurprisingly fell on deaf ears, but the token of globalism appealed to Trump, so delusionally sure of his own genius as a realtor to win a statue to take home to New York.

The megalomaniac sculptor Tsereteli fashions himself as a builder for new global emperors, and invested Columbus in a roman toga, as he would Peter the Great, in the colossal monument that finally appeared in Puerto Rico near San Juan off the shore in Arecibo, far closer to the Genoese navigator’s actual itinerary, after the megalomaniac sculptor had shopped it around the globe, hoping the ridiculous sculpture would be realized.

Trump, laden with debt at this point in his life, would have seen in the statue the opportunity for global symbolism, able to restore his public reputation and image of public citizenship in New York, and balance the exclusivity of dwellings destined to be removed from the city and for the superrich with a front of civic generosity and showmanship. While the maquette of Tseretelli’s statue was probably glimpsed while he was in Moscow, Trump was quick to adopt the monument of Columbus as something of a pet project that he might advance his hopes for a Moscow hotel and tower to Moscow’s corrupt mayor and other post-Soviet oligarchs, promoting a gigantic statue of the Genoese navigator in 1997 he imagined might benefit from an assist from then newly-elected mayor Rudy Giuliani, who Trump must have imagined would comply with the role of past mayors in acceding to the bending of local regulations and zoning requirements to arrange sites for his Manhattan buildings. Trump was for his part happy to promote the arrival of the monumental statue as if it was imminently impending, as a true showman, telling Michael Gordon of the New York Times with satisfaction that “[the deal]’s already been made,” while not mentioning the Russian offer had been rejected by two American presidents, allowing “it would be my honor if we could work it out [that the statue be erected] with the City of New York,” on a stretch of landfill he promoted for his properties, as if he had brokered a deal on behalf of the city, only requiring the Mayor to sign off. The Master of the Art of the Deal boasted a done deal, anticipating approval of Giuliani to erect the 660 tons of bronze that he claimed valued at $40 million, on the development site where Tseretelli ostensibly desired it be located, in anticipation of the completion of the stalled construction project that he hoped would be a display of super-wealth for residential towers to be built, in hopes that they would find their counterpart in a monumental prop of global kitsch.

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Sculptor Zurab Tsereteli Showing Possible Situation of Columbus Monument in 1999

It is apt the monument was relocated to Puerto Rico, on whose shores the historical Columbus actually set foot, and renamed from anisland known by Taíno inhabitants as Borikén (Spanish Boriquen), “land of the brave lord,” to a city named after Saint John the Baptist. The commemoration of Columbus in San Juan occurred only in 1893, to be mirrored in the new centennial by the 2016 outsized statue largely visible to luxury liners arriving at or departing San Juan.





Although the “Birth of the New World” was never built near New York, the promise of the arrival of the statue, first planned to coincide with the quincentenary of the Columbian voyage, but long languishing in storage lockers on both sides of the Atlantic, demands exploration as a moment to examine the trust Trump placed on a monument albeit a second-hand one forged in Moscow, for staging his own triumphant return to a global stage. No one had ever seen so large a statue of Columbus–the figurine that survives which the sculptor seems to have made to shop around the discarded project–but the idea of redeeming an image of pompous grandiosity from the dustbin of history on the properties he sought to developed on the West Side in the mid-1990s, when he was clawing himself back to a place on the global stage, was a new fantasy project that Trump had hoped to sell the the nation. The plans to erect the monumental statue, double the height of the statue of Christ the Redeemer in Rio De Janeiro, preceded his project to run as a candidate for President with the Reform Party, a fledgling renegade party begun by former Television Star and World Wrestler Jesse Ventura, later placed in Puerto Rico in all its 6,500 tons of bronze, on the port city of Arecibo, shortly before Trump was elected U.S. President, was a fantasy project that

Birth of a New World’ byZurab Tsereteli in Arecibo, Puerto Rico/ John Alex Maguire/REX/Shutterstock (5736251i)

1. The triumphalism of the statue of Columbus he boasted to bring to his properties on the Hudson had been proposed to three earlier U.S. Presidents as a gift for the Columban centenary that would cement the post-Soviet friendship between the United States and Russia, but the odd arrangement that emerged from protracted real estate negotiations in Moscow had Trump promising the deliverable of a site for the statue of Columbus on his Hudson river properties. Trump’s boasting of Trump Tower as a wonder recalls the huge attention he assigned recreating a modernized version of an actual global wonder–the ancient Colossus of Rhodes–in a bronze statue of Christopher Columbus, taller even than the Statue of Liberty that dominates New York Harbor, gifted to the American government as a “Modern Colossus” that claimed to celebrate freedom of the same height as the ancient wonder of the world, all but intended to be situated on the Hudson to contrast with the slightly smaller Statue of Liberty in New York Harbor. The “white monument”–proclaiming the truth in a Dead White Man History–aligned Trump not with conservatism but a transactional story of glitz, grandiosity and power that provided both a telling warning, touchstone, and recapitulation for Trump’s entrance into a political career, which while never built provided a deeply comic and incredible image of Trump’s tie to the figure of the navigator, “Behind [whom] the Gates of Hercules;/Before him not the ghost of shores,/Before him only shoreless seas.”

The monument would have been impossible to not entertain as a prop of global power, as much as of his own sense of import, and offers a model of the sort of monument he sought–and the deeply transactional nature of Trump’s notion of global power that is important to recall. As Donald Trump had ridden the monument of the border wall to the office of the Presidency in 2015, as a sign of his ability to contest the political status quo, he indulged himself in imagining the monument that symbolized the scale of efforts to curtail immigration Trump would pursue as President by Executive Orders and diktat, days after inauguration, the border wall perhaps demands to be seen as a “prop”–as Trump the realtor admitted he considered Trump Tower a prop for his promotion of real estate worldwide with Trump Properties during the 1990 interview, as if the hundred room triplex he kept for himself in the building were secondary to the public status the building afforded him. To be sure, the penthouse he shared with then-wife Ivana were sites of almost regal lifestyle, importing a version of Versailles to Fifth Avenue, but as “props” created a lifestyle and a global status–he confessed Playboy with some facetiousness, be as happy in a one bedroom apartment–but valued the “gaudy excess” of the building to “create an aura that seems to work.”

The projected tower attracted Trump to a new language of monumentality of truly hubristic size, but he believed he could pull it off. The lines of Joaquin Miller of the navigator who both “gained a world; [and] gave that world/Its grandest lesson–“On! sail on!“–parallels Trump’s own approach to political power, and suggests the deep ties to Russians that led to the homes to entertain the Presidency as an occasion to create a monument to himself. Trump’s hubris in claiming Trump Tower as global wonder lay in promoting his real estate of returns that must have seemed to Trump akin to a Midas’ touch. Yet if the “Modern Colossus” was, as the monumental statue at Rhodes that spanned the city’s harbor with a stride of unprecedented size, was a celebration of freedom, as the Liberty statue, but upstaging it, standing the same height from toe to head as the modern colossus, not to extend freedoms to all races or subjects, but to stand as a symbol of glorification, which Trump imagined he might accept in place of the United States Presidents who had demurred on accepting the monumental cast statue of the Genoese sailor. Trump promoted the arrival of the odd monument to the Genoese navigator as a servant of the Spanish crown as an agent of colonization and conversion for unknown Russian oligarchs as a present to New York, as much as to the nation, but used his ties to Mayor Rudy Giuliani to promote a statue of a figure who was in 1990 emblematic of disenfranchisement and a figure emphasizing the unity of European racial descent by rehabilitated the place of the navigator in the mythology of the nation.

The figure of Columbus wold have been a monument to racial hierarchy, echoing Trump’s championing of statues of confederate generals as part of America’s common history as President of the United States. The appeal to these larger than life figures create a new discourse on monumentality across the nation, as if hoped to bridge national and partisan divides, that seemed an attempt to elevate the loss of statues with the dismantling of many icons of the Civil War, posing a threat to the increased nationalization of white supremacy during the Trump Era. Even as images of Stonewall Jackson and Jefferson Davis were removed–with statues of Christopher Columbus–to question their speaking for America, the need for a new monumentality was felt acutely by Donald Trump, as if in search for his won monument.

To celebrate the Fourth of July a month previous, President Trump had emphasized the place of honoring statues of racists before Mount Rushmore, which proclaimed plans to create his own statuary garden, a “National Garden of American Heroes” in a campaign stunt that sought to paint his defense of “standards” and non-threatening images of authority to many members of his base. Before the massive statuary of past Presidents of European descent, he called for the need for a Garden that featured more monuments of the “greatest Americans who ever lived”–as if to compensate for the loss of Columbus monuments in many cities over the previous years. Trump hoped that the Heroes would prominently feature not only Christopher Columbus and Junípero Serra, as honorary Americans, blurring church and state, but stake out a divisive vision of the past, that echoed Trump’s forgotten plans, shortly before he first hinted at a Presidential run, proclaimed plans to erect a statue of the very same fifteenth century navigator whose place in the nation’s memory is increasingly queried.

The Fourth of July Speech provided a vision of his second term by announcing the National Garden would open in 2024, but makes us turn back to the involvement of the realtor in the scheme to bring a monumental statue of Christopher Columbus to the Hudson River estuary where he had been long planning an exclusive real estate development. Calling for heroic monuments in an era divided by racial tensions used the faces of four white Presidents to call for honoring authority, promoting a renewed monument of the national identity, as the nation’s identity was being questioned.

Donald Trump on Juily 3, 2020, near Keystone, S.D. (Alex Brandon/AP)

Mt. Rushmore–four faces that are the primary national shrine of white, male authority–became the place to do so, as if adding, beneath those impassive faces hewn into granite on Black Elk Peak whose steadfast gazes communicate timelessness, the odd compliment of his own somewhat stilted smile of brash over-confidence. Trump took delight in the speech before a site of national memory where he admitted to having long had the “dream to have my face on Mt. Rushmore”—a dream may have seen no obstacles in a lack of space in the granite outcropping in which immigrant sculptor Gurzon Borglum crammed four visages, whose friable rock could not accommodate another. Perhaps Trump measured the office of the Presidency by monumentality, and hoped shortly after being sworn in to hope for a fitting monument, ignorant of the structural problems whose sculptor had been forced to alter plans and shift Thomas Jefferson from Washington’s wing man, until finding the granite face, due to constraints of space on the rock’s face.

Mt. Rushmore Memorial in fieri
Borglum’s Model for Mt. Rushmore Memorial: Washington, Jefferson, Roosevelt and Lincoln

–Trump had long hoped, in a fantasy the South Dakota Governor, Kristi Noem, long humored, to be included, if a planned photo op might associate him, as he had long dreamed, leading her to gift a $1,100 bust in the past that included Trump among granite visages, a piece of kitsch he was hoped to keep in the Oval Office. If President Trump had already confessed to Noem a longstanding hope to have his face carved in the granite hillside, on July 4, 2020, a photo op would have to suffice to meet his unquenched thirst for monumentality.

President Trump on July 4, 2020/Anna Moneymaker, New York Times

Trump’s attraction to the monument remained so deep that the newly elected Republican governor Kristi Noem presented Trump a version, four feet tall. Noem sought to accommodate Trump in ways Rushmore could not, hoping the model fit for display the Oval Office. But the concrete embodiment of his megalomania was projected on the idea of a Garden of Heroes, as if the scenic park might eventually accommodate a figure of himself, beside his heroes General McArthur, Antonin Scalia, and Daniel Boone. While entertaining the crowd assembled July 3, 2020, profiting from the lack of social distancing policy in South Dakota Governor–who has continued to refused to depart from refusing to issue a mandate for mask-wearing as COVID cases surged in the state–early decreed that social distancing was not a need for South Dakotans during the pandemic. Trump entertained his own taste for monumentality, profiting from Noem’s lack of interest in public safety precautions to stage a public occasion to suggest a new set of patriotic statues, updating Mt Rushmore’s national heroes, and imagining his own place on a new monument that might rival it provided a chance to model how that might look, as infection rates of the novel coronavirus was spinning far beyond his control.

This post focusses on the transactional basis for Trump’s hopes to erect a Columbus statuary on his property, as a new symbol of his place in global finance A sense of the malleability of local politics was evidenced in how he had in 1990 avidly promoted plans to a erect a monumental bronze Columbus near New York Harbor to New York authorities, overlooking and even boasting that it would be more impressive in height than the Statue of Liberty, eager to apply the transactional nature of local politics that he had gained in years of real estate promotion, regularly gaining permission for sweetening deals by working around city regulations or gaining exemptions for buildings’ size, in ways that must have made him learn the plastic sense of politics, by entertaining the promise to Moscow’s mayor to bring an effigy of Christopher Columbus to New York Harbor, whose placement, size, and sense of theatrics seem pregnant with Trump’s sense of showmanship and his desire for a new “WOnder of the World” that might join Trump Tower on a global stage.

The deeply transactional nature of Trump’s understanding of the Presidency, for what it is worth, is nowhere more illustrated than in planning the place in the Garden of Heroes of the figure of Antonin Scalia, whose death may have helped usher in the radical obstructionism whose logic prepared for a Trump presidency and energized his base, and whose juridical ideals he understood as the mission of his Presidency to enshrine both in the news, in the American courts, and “among the greatest Americans to ever live” in a Garden of Heroes, itself echoing the national celebration in Russia of Heroes of the Fatherland or “Heroes of the Battle of Stalingrad.” The posthumous elevation of the totemic Justice of the Supreme Court, Scalia, in such a Garden of Heroes was a reminder of the benefits of Trump Presidency to the Heritage Foundation and to the Right, as the affirmation of the he “greatest Americans who ever lived” offered a legacy to rival Mt. Rushmore, of his Presidency. Was it a coincidence that the very search for a monumentality Trump regarded as inseparable from his own Presidency–the personal project of the construction of a Border Wall, or “new Great Wall” projected in 2015–was eclipsed at the same time that statues of the heroes of the Confederate States of America, that long-lasting alternative America preserved in monuments, was also threatened? The need to affirm these monuments of the Confederacy, whose destruction he criminalized as a federal crime, and assault on national memory, would be composed of an “incredible group” of figures without Native Americans, Hispanic or Latino, or Asian-Americans, even if the figures he mentioned were but “a few of the people” considered in the group of statues of those whose “great names are going to be up there and they’re never, ever coming down.”

Trump’s fantasy memorial is not far from his own initial aspirations to engage in international discussions that placed him on an international stage and an unexpected level of political prestige at the end of the Cold War era, as money was exiting Russian Federation on which he wanted in. A new search for monumental building was indeed in the grain of Trump’s presidency and his hopes. The setting of Trump’s announcement made no mention of COVID-19. Indeed, the lack of social distancing in South Dakota, if it created a full audience on July 4, without social distancing or masks, even if the plans for such a massive celebration would, we could reasonably expect, set the stage for terrifying escalations of new cases of COVID-19, a continued tragic spiking of weekly averages of ne infections, after the eclipse of social distancing tied to the Sturgis Motorcycle Rally–

North Dakota COVID-19 Count, September 1, 2020

–before South Dakota seemed a site to flout social distancing before the founding fathers.

The need for such a spectacle had eclipsed public safety needs or the obligation of the President to ensure national health by a “Salute for America” that used Independence Day as the occasion to promise a Garden including not civil rights figures, or legist, but Daniel Boone, Davy Crockett, Billy Graham, Douglas MacArthur, and Orville and Wilbur Wright, a pantheon of childhood books, perhaps, embarrassingly dated in origin. The spectacle by allowing fireworks for the July 4 address without social distancing guardrails to advance a corrupt vision of monumentalism that reminds us all that “America First” places Donald Trump First.

The plans affirmed Trump’s cognitive inability to separate politics from public persona, and indeed sacrificed the public good. Trump viewed Governor Kristi Noem was complicit in the promotion of monumentality to ingratiate herself in a Grand Old Party now a Party of Trump, in a run-through for the coronation of the 2020 Convention: Noem had bonded with Trump in presenting the President with the Mt Rushmore replica adjusted to include his face among past Presidents as he finished his speech, hoping it might be displayed in the Oval Office. Perhaps the speech was difficult to perform without expecting his own face somehow be included in its triumphal display that he saw as the correct reward for his performance of the office of Presidency, and long fantasized his visage might be placed.

Mt. Rushmore Memorial
President Trump’s Visit on July 4, 2020/Anna Moneymaker, New York Times

Trump described the need to honor past heroes excluding indigenous, which in itself was a desecrated sacred space. Borghlum had planned the spectacular construction promoted in the early twentieth century include pioneer figures–Lewis and Clark, Sacagawea, Red Cloud, Buffalo Bill Cody and Crazy Horse–according to plans of the klansman and anti-indigenous sculptor, who sought to sculpt American Presidents in an American “skyline,” and visages that, by 1941, as emerging from the sacred rock, in a national monument that met the new articulation of patriotism and westward expansion, by effacing the sacred space of indigenous tribes with a new vision that enshrined the expropriation of national lands.

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The Revenge of the Infographic?

Long before Barack Obama was a candidate for President of the United States, he took time to chastise the nation about the tyranny of the infographic that divided the nation.  Obama used the occasion of his endorsement of John Kerry’s nomination at the Democratic convention in Chicago to remind the nation of the danger of presuming the divide red states from blue states by the clear chromatic fashion that already increasingly increasingly filtered electoral maps of the United States, and has since come to haunt us in the Trump victory of 2016.  And if we were energized by the notion of “swing states” that might be shifted to the Democratic column back in 2012 and 2008 that increased the involvement and political participation of many in the electoral grid, the resurgent immobility of the electoral map divided between what seem to be continuous regions parsed into “red states” and “blue states”–

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–as if it were permanent divide as well as a fluid choropleth that refracted the spectrum of the American flag.  Indeed, the stability of the fractured electoral divide invest a sense of permanence as an electoral landscape, as the two-color infographic seems to have crept into our unconscious:  while it may be a proxy for an urban-rural distinction that has been championed both by the Trump campaign and as a dominant gloss of the infographic, has the divide invaded our consciousness in ways we are able to gain little distance?

America was, after all, once collectively energized at the prospect of tilting against the inevitability of a red-blue divide in the nation.  If Barack Obama sought to chasten readers of infographics in order to breath life into Kerry’s 2004 nomination as Democratic candidate for the United States presidency, his words were not only energizing, but prophetic of his own candidacy.  For they articulated the possibility of transcending electoral divides as a touchstone of his campaign strategy, foreshadowing Obama’s later electoral success.  And when we hear Donald Trump’s celebration of the “heartland” as the ‘Real America’ as if it might be searched for and found on the map, somewhere far away from “coastal elites” or intellectuals, it serves to conceal Trump’s truly narrow electoral victory by articulating a “real America” with which we on the coasts lost touch.  The spate of much-publicized post-election pilgrimages into the “heartland” by Mark Zuckerberg as self-defined coastal elites sought to find”normal America” needs to be rethought:  it seems to project a creation of the very infographics we’ve long consumed to understand democracy, or as a surrogate for democratic elections, more than a real place.  For where we find “the real America” alleged in so many maps in the contiguous sea of red–

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–we have recently found that the red is both far more fractured, and even often echoes the very sort of “news deserts” that are associated with the dominance of local news in media markets dominated by the Sinclair Broadcast Group, whose dissemination of a right-wing agenda to the televisions of 40% of Americans seems to have increased polarization in the last election.  The decline of local press–and the absence of paper newspapers–seem in another reminder of how the end of the local reporting poses deep dangers to our democracy–and invites unpredicted sorts of vulnerabilities.

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Vox, using dSinclair Broadcasting Group data cross-checked with Nielsen; darker areas denote where Sinclair runs more than one station

The divide between red and blue masks the dominant place of far more determining sites of constituencies that are more up for grabs–and my determine the election as extra-urban areas that are demographically distinct, and difficult to cast as blue or red.  The refusal to divide the nation into red and blue states, an increasingly meaningless unit, opened the possibility for change that the dominance of infographics in mediating and reframing our democracy has militated against.

Back when Obama energized the convention by reassuring the nation as well as delegates who had assembled in Chicago that, despite the evidence of infographics, the fissures of a fractured body politic that many maps continued to project were not destined to divide the nation:  “We’re not red states and blue states; we’re all Americans,” Obama urged, “standing up together for the red, white and blue,” even if we were powerfully represented as contentious factions on electoral maps.  The reservations that Obama expressed was compelling as an alternative vision of national unity; it in a sense under-wrote the mantra of “Hope” for a new way of seeing the nation, although this division seemed to return with a vengeance in 2016, as if it haunts the nation.

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The divide was, perversely, as powerful back in 2004, back when Obama first chastised the nation so firmly for having adopted the divide as inevitable.  So rhetorically powerful was the visual image of national unity as a rebuke to the fracturing of the map to announce Obama’s oratorical eloquence to the nation.  It seemed a healing balm for a riven republic, even as the 2004 election, despite its clarity of divisions by state, trumpeted in a powerful infographic that suggested isolated bodies of blue set apart form an apparently alienated flyover country that blared bright red indignantly–

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USA Today/BeldarBlog

–in ways that were echoed if not accentuated in the county-by-county breakdown that USA Today issued the day after, and the way Bush dominated what have been called the “battle-ground” states–then Arkansas, Florida, Minnesota, Missouri, New Hampshire, New Mexico, Nevada, Ohio, West Virginia, Pennsylvania–as he did nationwide, even if the distribution didn’t break down at all so smoothly along state “lines”–

Mark Newman Red:Blue ma2004countymap-final2.png

–to muster the bulk of electoral votes out of the hands of California, Illinois and New York and served to create a solid electoral alliance all the better able to isolate Texas.

The “real America” might well lie in the edges of the blue and red, or the “purple” counties where political debate needs to be foster and occur.  Indeed, the image of divisiveness haunted the political imaginary of the nation so much the nation may have yearned for imagining a new collectivity by 2008.  Despite the fragmenting of the electoral map that occurred in 2004, where states seemed to vote red in their entirety, it might be noted that the same map could be resolved, in a district-by-district image of magnitudes, in a far more complex picture of the deeper red areas perhaps aligning more clearly with states than the more selective distribution of the strongest Democratic voters concentrated in regions voting Democratic–the “blue”–

The_2004_Presidential_Election_in_the_United_States,_Results_by_Congressional_District

–that is echoed in the far more complex county-by-county picture of 2016, whose shadings are much more telling of political truths:  despite the image of a “heartland” or a true America that is red, many of the areas that seem deep red on the electoral map are indeed light pink or shaded, and suggest that these areas–the less polarized–might be the “real” America much more than the deep red areas, which seem in fact the most remote.

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The fracturing of the electoral map by manipulating media was not new to such outlets as Sinclair Broadcasting Group:  Trump turned to the Sinclair Broadcasting Group, noted Media Matters, for interviews to reach a broader demographic, using a group notorious for revealing their boosterism for conservative causes, from ordering stations in 2004 to run anti-John Kerry segments over normal programming over the country–

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–using 173 television stations in 81 markets along “180 program streams” in 51 markets:

image.pngGray Television Group Station Map

–as Trump sought to eat into Hillary Clinton’s midsummer lead in national polls, by speaking to voting markets in newly “purple” regions as Iowa, Michigan, Wisconsin, Florida, Colorado, and West Virginia, to circumnavigate traditional media outlets.  We would do well to remember that, in ways that raised raised eyebrows for some, that by November 8, 2016, areas like Iowa, Ohio, North Dakota and Arizona were suddenly shifting pink–as would Florida and North Carolina, suddenly an increasingly light blue.

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1. There was a time when the red state/blue state divide was not so powerful in our minds.  The power of such an image of electoral unity was already so ingrained in 2004 that its rejection provided more than a powerful rhetorical image for the man who would be elected President in 2008.  The image of a nation that departed from a fractured infographic became central, in many ways, to Obama’s campaign, and a powerful image of a new political future.  Obama recalled the problematic nature of the chromatic division in his own campaigns several times, most famously, perhaps, to rebuke the danger of returning to a chromatic divide in 2012.  In the heat of the Presidential campaign for his second term, President Obama redeployed the refrain in a tweet simply asserting that “There are no red states and blue states, just the United States,” as if to dispatch or denaturalize the splintered red state-blue geography that haunted our diet of infographics in Presidential campaigns.   When Obama penned the figure of speech in 2004, before addressing the Democratic Convention in Chicago, John Kerry so quickly recognized its rhetorical power that he asked to adopt the image in delivering his acceptance of the 2004 nomination, although we’ll always remember it as Obama’s.

State Senator Obama warned somewhat prophetically of the difficulties implicit in any national mapping that ran against national interests; the junior Senator from Illinois took pundits to task for presenting a picture of the nation that served only “to slice and dice our country into red states and blue states–red states for Republicans, blue states for Democrats.”  Obama called out the two-color maps as perpetuating a harmful vision, apt to diminish voters’ sense of their ability to effect political change, and diminishing voters’ agency, by inscribing the voting patterns in a static map that fractured the nation into blocks of like-mindedness as if to portray electoral results as predetermined and not contingent.  (The notion of “swing-states” would only emerge as a way to challenge the authority of this two-color map, of course, during Obama’s own 2008 candidacy.)

But the divides that we have come to perpetuate again in the 2016 Presidential election may suggest that the divides were less starkly drawn between red and blue district than Daily Kos Elections calculations suggest, which shows the dissonance between the map of congressional districts were poor vehicles to mediate the popular vote:  for a map of districts distorts geography; the increased crowding of the population in districts that vote “blue.”  Yet can the divide in the nation in fact be best understood by continuing to contemplate this fracturing, and not attending to the sites of smaller electoral margins–where the decision occurs, or at least which create a sense of tipping points, where the truly consequential electoral decisions seem to be increasingly made?  Obama’s caution not to be seduced by slicing and dicing the country seems particularly perceptive, and suggests the danger of trusting a chromatic divide of the country.

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2.  Obama’s phrase has gained a quite surprising second life in the recent unpacking of how the electoral outcome of the election was sought to be strategically manipulated through the manufacture of a clearer red-blue divide through the voting patterns of purple states.  What were words of caution have gained a new concrete sense after the indictments released by Robert S. Mueller III have revealed outside interest in sharpening contrasts in the electoral map in the 2016 Presidential race, that suggests that the infographic has indeed gained an upper hand in the electoral process in even more dangerous ways than Obama had described.

It’s indeed pretty hard to see the United States divided into “red” and “blue” states, isolated from the world, in the same way again, as if each state shaded pink, light blue or strong red and dark blue in complete autonomy, showing their political temperatures in isolation of from the outside world.  Indeed, although the 2014 House of Representative race was striking for its salmon pinkness–and the deep red of the US-Mexico border, as well as Iowa, such colors are increasingly difficult to be seen as self-contained or removed from the larger world.

2014 House of Representatives Mid-Term Election 

Back when Senator Barack Obama so eloquently endorsed John Kerry as a presidential candidate, his admonition–or quite gentle–scolding struck such a chord not only as an effective image of patriotic identity, and not a reality check.  But the powerful phrasing became a theme of his campaign, and it was unsurprising when Obama returned to it in his 2008 victory speech in Grant Park, and welcomed the good news of what seemed a remapping of the United States, and he took the time to congratulate American voters for having “sent a message to the world that we have never been just . . .  a collection of red states and blue states” and which confirmed that, appearances to the contrary, we “are, and will always be, the United States of America.”  The words had reverberated in many ears with a sense of freshness, from when they were first uttered, as if seeking to disabuse television audiences of the image that had haunted the nation from before the 2000 election, but which had stuck uncomfortably in the background of the nation’s cerebral cortex, creating an image of sharp divisions,–even if those divisions were far less clear on the ground even in 2004, as Obama had suggested–but full of chromatic variations, even when they appeared entrenched, with some eighteen to twenty states mapped in varied shades of purple.  The blurred nature of this dive into voting habits as much as patterns suggests a point-value to political preferences that is misleading, but as a snapshot of the body politic, it suggests diagnostic tool that was valued in altering electoral outcomes as much as the image of individual agency that Bascom Guffin worked to create, using the concept that political scientist Robert Vanderbei had in fact developed for the 2004 Presidential race.  For the map suggested the actuality of the more complicated chromatic divides that Obama had then recently described.

purple_nationBascom Guffin, “Purple Nation”

Yet the dynamic of the purple regions seems to have been increasingly changed by the emergence in many places of “news deserts”–sites of no or only one local newspaper–in a phenomenon that is increasingly internet-driven, and reinforced by the growing number of news deserts across the nation.  As mapped in interactive form on Carto to reveal the spaces afflicted by the least local news sources–counties with no or one local newspaper, zero suggested by the lightest pink or one by salmon–

News Deserts--light pink = zero newpapers; salmon = 1.pngColumbia Journalism review/C. Chisolm

–the holes within the information network of much of the nation can be observed that intersect with once purple areas in striking ways, and the hollowing out of a news community in both rural and some urban areas.  The growth of “media deserts” up to 2014 mirror the end of Obama’s second term, and the growth of an alt right movement that has gained an increasingly dominant voice in the American political landscape, where the diminution of local news sources has altered the nature of public opinion have left increasing swaths of the nation dependent on online news sources, altering the information economy in decisive ways that helped allow red/blue cleavages to grow, and polarizing news agencies to reach a larger and more decisive constituency.

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Even more compellingly, it suggests the end of an economy of local news over much of the nation.  huge gaping holes have widened to leave the nation like a hunk of Swiss cheese, in the southwest, modest, and northwest, as the outbreak of three wobbly but hovering blobs over the nation–including the southwestern border, whose hollowing has left them increasingly susceptible and open to both greater malleability and less reporting of the local consequences of issues of national debate.  In this setting, it is no surprise, perhaps, that internet-driven concerns about immigration, crime, and terrorist threats have been stoked and enflamed with greater ease–and populations most easily subject to outside interference because they lacked the resilience of local news.  In what almost seems a free speech violation, and a difficulty of generating public debate, the growing holes of such news deserts–which, much as it would deprive epidemiologists of needed tools to measure local rates of the growth of infectious disease or influenza–create barriers to assess the local impact of issues exclusively cast in national terms?  Is a decline of local reporting indicative of a qualitative change in the nature of communities, now more likely to adopt oppositional agendas rather than articulate their own?  Or is the rise of “news deserts” congruent with the increase in broadcast news that casts both global policy and national politics in increasingly oppositional terms?

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The expansion of such “news deserts” where no or only one source of news exists, according to the American Alliance for Audited Media.  AAUM measured the number of papers that reached at least 1% of each county, and haven’t converted to an exclusively digital form, as a proxy for the decline of news publications, and the increasing reliance on non-local media; while a focus on newspapers is questionable in an era of the dominance of television and on-line news, the hope to measure and map the reduction of local media within issues about issues of national consequence suggested the distinct shift in public debate.  Indeed, shuttering many smaller news publications, both urban and suburban, deprive communities of a local voice in events that seem to spin far beyond the local in increasingly challenging ways, and place global issues–undocumented immigrants; terrorist threats; refugees–in relation to local concerns in ways both challenging and difficult to grasp.

one to two souresColumbia Journalism Review–light pink without local news sources; salmon with one

Considered another ways, the near-absence of non-profit news sources outside of metro areas, and few sources of information were available in small towns, and indeed outside the coasts–understanding the “news desert” as an absence of non-profit news, a dearth felt nationwide save in several cities as Denver, Austin, New Orleans, Madison, and Minneapolis–and to consider the different information markets that exist in much of the nation where Trump performed so stunningly.

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Each graphic invites us to examine the category and meaning of the ‘news desert,’ a term by no means clearly defined in an era of online news.  Is the fear that a common concern of news media that may itself loose analytic force?   Thomas Jefferson insisted that “The cornerstone of democracy rests on the foundation of an educated electorate,” but the expansion of areas without local news venues or voices, or meaningful political endorsements, suggests not only a dangerous remove from national issues, but a vulnerability to external threats in an age where most get their news online and through Facebook feeds–and the expansion of online news threatens to make it impossible for all to feel themselves able to stay informed.

news deserts.pngDom Smith/Stat News

The gaping holes in the above GIF suggests a growing eating out of public opinion.  The hugely successful appeal of Trump’s candidacy in areas of relatively low news presence is not a surprise.  Trump was himself quite acutely aware “I doubt I would be here if it weren’t for social media, to be honest with you,” as he told FOX Business Network as the election approached.  Trump’s avoidance of the mainstream media was notorious, although the success with which this became a strategy blindsided many.  But the sectarian–if not almost Manichean–divisions between red states and blue have been fostered and promoted by a decline in non-partisan or non-profit news sources.  And in a new range of articles on the increasingly partisan news offices at FOX or Sinclair Broadcasting, which reaches 39 percent of households in the country before its pending merger with Tribune Media.  Sinclair’s strategy of integrating national messages with local news suggests particularly dangerous ways of masquerading as local news–and driving fear in increasingly oppositional ways, accentuating the blue/red infographic in ways that were not even on Obama’s radar, although he perceptively sensed the divide emanated from screens more than it existed on the ground.

3.  The increasingly oppositional divisions are not evident in a stark division of political preference and allegiance within the current national map, and enabled a targeting of the parsing of populations and festering of divides.  Indeed, the success of the Trump team may lie in the address of the purplest populations of the nation, in which the success of the Trump vote can be mapped in what seems an inverse relation to printed news subscriptions:  ‘news deserts’ provided a crucial core constituency for Trump’s success, or at least correlate strongly, if one takes the shaky database of newspaper subscriptions that has been provided by the Alliance for Audited Media–an admittedly incomplete dataset whose questionable focus on subscriptions to local newspapers–not really adequate as a proxy for “news deserts” in an age of television and national news, but perhaps suggestive of the power of the local editorial endorsement–even if the description of “traditional news outlets” remains a questionable metric for access to news information.

Politico Deserts.pngLimited Subscriptions to Local Newspapers in America 

The growth of online news seems to have removed regions of the south and northwest from the figure of the local newspaper reporter.  Such a divide echoes the rural/urban divide, and may indicate the remove of much of the polity from public opinion, and a deep-set resistance to opinions broadcast from both coasts during the election seems rooted in the erosion of news communities in ways that demand to be mapped.  The growth of venues such as Sinclair Broadcasting provided ways of growing this divide–or fissure–through a virtual stranglehold on news sources in many sites.

4.  Obama successfully downplayed deep differences between red states and blue states by more than powerful and affecting rhetorical device.  His bridging of a chromatic divide was not only stirring not only to those in cities, but comforting in small towns.  By 2008, Obama’s audience were happy to accept as an invitation as his own coinage, and take it as an invitation to put aside animosity across electoral divides.  But the very notion of such a blue state-red state divide–and the prominence in such a divide of the purple–has recently gained new meaning and relevance in Robert S. Mueller III’s recent indictment charging thirteen Russians of waging information wars during the election.  For the Russians who were identified as arriving from 2014 aimed to splinter existing political divides by fostering increased dissensus and distrust in the political system in the “purple” states as those where the election of 2016 could be most effectively swung.  Indeed, the very vulnerability of the political imaginary that foregrounded a red state-blue state divide for the global image of American politics made something of an unforeseen return, when it was announced that the Russian operatives who had toured several states to conduct something of a political ethnography of the abilities to create greater political divisions and distrust in the political system focussed on the sensitivity of “purple states” as sites to increase and exploit existing political divides, and create increased political tensions in the United States through the results of its elections.

Taking the occasion of the 2016 Presidential election as an occasion to increase political distrust, and for slicing and dicing the nation For the targeting of what were described as “purple states,” in an unforessen appropriation of maps of a less polarized “Purple America” made after the divisive presidential election of 2000, by political scientist Robert J. Vanderbei .  The new visualization was widely adopted by the news media as a dynamic form of infographic, using colors exclusively to communicate the political temperature of Americans.  Yet the image gained a new second life as it provided a ground-plan for planting social media interventions, Special Counsel Mueller’s indictment reveals that the figure of speech, as well as a concrete metaphor, served to target disrupting political consensus from 2014.   Indeed, “purple America” provided not only a target for winning over the electorate for both political parties, but a target for disrupting consensus evident as much from outside of the United States as from within.

If purple can come to seem a sign of vulnerability, this is in large part because of the possibilities of warping through the electoral college produces clear divides, but which indeed offers a sense of stability–affirming a sense of continuities all too easily disrupted by the dogmatic prism of a red state/blue state electoral map, with a brightest red–actually pink–in the Texas panhandle and Dakotas, but the nation is decisively mottled; even in the divisive 2004 electoral map, “red” only dominated Wyoming, Utah, and Idaho, and redness was evident in blue states, as bluenesses in reds.  Drilling down so far is not, in many cases, an adequate picture of the political process, but offers a counter-map to the electoral map, that reflects a sense of cartographical insufficiency.

PurpleStates.jpgEmmie Mears, “These Purples States of America”

Emmie Mears’ deeper dive into the data is a striking photoshop map and suggests an even greater expanse of purple.  The contiguity of purple shades that run the vast extent of the nation pointedly challenged the polarities shared by pundits, and reveals, even in the 2016 Presidential race, a widespread admixture of voting tendencies.  Although Obama’s stirring image of overcoming political divides is often retrospectively cast as pandering to patriotism, it increasingly seems an accurate prognosis of a problem waiting to happen.  While Mears’ visualization was intended to affirm the plurality of political opinions, to undo the tension of oppositional confrontation that was generated already in the nightly news, the danger of adopting such a syntax of a census–familiar from the Dustin Cable’s Racial Dot map or the American Community Survey, which show both diversity and stark lines of ethnicity, education, and income, the danger of the vesting of political preference as a question of character–and not a selection in a given time and place–of course dilutes the representational institutions, and poses the problem of whether a two-party system can ever be able to refract our political diversity.

But it also suggests the broad openings for undermining that consensus, as the recent indictment of thirteen Russians who conducted preparatory ethnography as they planned a long-term project of disrupting American political consensus that would intersect in unforeseen ways with the candidacy of Donald Trump–a long-time fringe candidate, whose ascendancy to the oval office had been represented as an unsavory alternate future in Doonesbury, but whose own deep hunger for approval, recognition, and adulation seems to have created a tenacity to court  audiences without much attention to the public good.  Whether or not Trump shared the vision of the electoral map as ripe for exploitation, although his own deep attachment to the two-color outcome of the electoral map hints at how overjoyed he was with the results, the echo chamber of social media certainly helped dilute the deep purpleness of America that political scientists had mapped.

5.  If it’s the case that Trump proudly selected a framed map of the distorted division of electoral votes in the White House as one of the first images to be displayed to visitors, he certainly took deep satisfaction at the outcome  which was in part the result of targeting public opinion in divisive ways, even if many of the most powerful and divisive images that announced his campaign promises to the public seem to have derived from suspiciously identified social media sources.  The gap in population density between flatland of the regions of “red America” is thrown into a relief in a prism map that offers a county-results in a tiltable 3-D electoral map between counties voting Trump from those voting Clinton, a gap evident in economic integration, education, and lifestyle, that reminds us of the gap in media coverage increasingly centered in cities; but if it corrects the distorted flatland of an electoral map,  it surely exaggerates that yawning gap, as its blue/red dichotomy erased the purple nature of so many counties where social media news feeds helped worked to fill that gap, allowing Facebook feeds to play an increased role in forming a surrogate public opinion that could effectively intensify existing political divides, so that they appear even more extreme that in previous elections with the sort of “political intensity” that indicted Russians planned to foment.  Did the extension of first amendment Free Speech laws to cover data-driven bots and platforms designed to work by keeping viewers engaged help  expand the blue/red divisions that we’ve come to accept in the electoral map?

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County-level Margins of Victory legend.pngBlueshift

Indeed, the current rash of twitterbots that issued viral memes from #ReleasetheMemo to #Guncontrolnow and #Parklandshooting that hail from Russia–if not St. Petersburg–need to be held to different standards than First amendment rights, but under if seen as speech acts, protected First amendment, although originating in foreign lands, they are able to gain a pressing reality in our politics for their consumers and followers.  The shape of such activity seems especially prominent in creating an apparent groundswell of the alt Right in the last election.  When Mueller’s indictment forced social media giant Twitter was forced to purge thousands of newly suspected automated bots posting from overseas that Twitter’s legal division had seen as protected by Free Speech, deleting 50,000 accounts linked to Russian bots created such sudden drops in the numbers of the followers of figures like white nationalist Richard Spencer or long-time Trump promoter Bill Mitchell that they were suspected as victims of a purge of followers of the alt right.  If the move provoked cries of censorship, we were reminded how much twitter shaped the election in the valleys of areas colored red, where a third of pro-Trump tweets among over a million tweets issued by automated bots, and pro-Trump rallies belying his lower standings in most polls save on Facebook, as millions of bots nudged the geography of the map from behind the scenes through an unforseen barrage of propagandistic images and texts that directed the mental attention of a Durkheimian collective.

Many images displayed by accounts suspected of originating overseas, as of the platform ‘Secured Borders,’ create a quite viscerally striking image of the very geopolitical imaginary that the Trump campaign openly promoted.  But if they echo Trump’s rhetoric, the deeply offensive images identifying migrants as vermin, as if to deny them of legal rights, derive from a right-wing imaginary already current in central Europe, as other images used in Trump’s political commercials, showing hoards of immigrants racing across border, and  betray historical roots in Nazi visual propaganda.  These images created a geographical imaginary rooted in fear, indeed, and promote a geopolitical imaginary–a divide made visibly clear in cartoonish ways in the contrast between the barren lands to one side of the wall and the green lands across it, where the suited Father Figure Donald Trump stands wearing his red tie and flag pin, in a new and creepy image of the defender of the nation–as if to protect the greenness of its grass.  (The creepy smile and richly solid comb over look so little like our supposed President, it is quite oddly designed, if replete with visual triggers, and its hortatory text lacking a comma, its limited punctuation seeming poorly proofread.)

Secured Borders: immigrant as vermin?

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6.  Such a reality seems to heighten not only the “political intensity” but heighten divides along what we map in red/blue terms, despite the limited explanatory power of an electoral flatland’s gaps between blue peaks of populated centers and the far redder expanses. Even after refining the flat electoral map, by adopting opacities to render margins of victory, retaining a contrast designed to foreground sharp differences fails to register the range of purple regions that turned red, driven toward an intensity of political involvement or disaffection by memes of social media still protected as “free” speech.

The issue is not only, moreover, the troll accounts that were tied to a Russian “troll factory” outside of St. Petersburg, Russia.  For the so-called ‘factories’ that mined images designed to provoke visceral responses that would trump reflection released a steady feed of fake news, based on innuendo and insinuation as well as outright slander and attack, that polluted the global media, as they were actively retweeted by the Washington Post, Jack Dorsey, CNN’s Jake Tapper, to fed an information ecosystem that was waiting to be poisoned, as some 3,000 global news outlets inadvertently included tweets originating from confirmed Kremlin-linked troll accounts in upwards of 11,000 “news” articles as the 2016 Presidential election approached, based on an analysis of over 2,700 Twitter handles confirmed to be linked by Twitter to the Internet Research Agency, a group tied to Russian intelligence–including David Duke (@DrDavidDuke), Sen. John Coryn (@JohnCornyn), Kellyanne Conway (@KellyannePolls), FOX News host Sean Hannity (@seanhannity), Brad Parscale (@parscale), Anthony Scaramucci (@Scaramucci), former White House press secretary Sean Spicer (@seanspicer), and Sen. Ted Cruz (@tedcruz)–in ways that transformed Twitter into a tool of information war.  By targeting audiences by zip-code, education, and wealth, raising the specter of those who “come to our country to change our traditions,” and increasing the fear and specter of unwanted refugees.

Meltwater

Tweets on new issues of 2016, from illegal immigration to voter fraud, circulated from Russian plants–in cringe-inducing claims such as “If Hillary wins, she will amnesty 30+ million illegal aliens and Republicans will never win an election again”, or “#VoterFraud by counting tens of thousands ineligible mail-ins for Hillary votes being reported in Broward County FL”–mirrored the fears of a “rigged” system and election that Trump had repeatedly conjured, and created a new meme in American political discourse that increased skepticism about the political process.

The overlap between many purple regions and regions with distinct patterns of consuming news in print or online media would have only magnified the divides where social media platforms spread disinformation–that infamous “fake news”–to gain a purchase as real in our political system.  Even if the possibility of infection by viral posts can’t yet be traced or measured with certainty as a map, the disinformation moved by bots or “troll factories” created a pitched battle of electoral intensity, that was staged around electoral votes or at least along fomenting clearly defined geographic/regional divides that Russians charged with visiting states in the United States to gain a sense of their ability to exploit a divided political landscape didn’t even need to travel to America to apprehend, as infographics clearly served as a readily available primer on how best to foment increased divisions.  Indeed, even by creating a distracting static whose constant beat eroded dialogue or trust, from internet accusations of the murder of Justice Antonin Scalia, deep distrust of naming a successor, and a year-long vacancy of his seat, as Mitch McConnell forced the sort of divisive deadlock only able to intensify political opposition.  (While the diffusion of the demand among Republicans began from McConnell’s quick tweet incited a sort of collective resistance, issued hours after Scalia expired in Texas, and lent broad currency to the numerous questions about conspiracies of the nature of his death that circulated online.  The  false populism in many ways echoed Trumpism, issued an hour after Scalia was confirmed as dead, and generated disruptive memes on social media–“OMG They killed Scalia” “I hope an autopsy is done to make sure Obama didn’t have him killed”– which supported an unprecedented, as Glenn Thrush and Burgess Everett reminded us, “rebuke of President Obama’s authority” and “categorical rejection of anyone Obama chose to nominate,” irrespective of their merits, to disrupted trust in political consensus during the Republican and Democratic primaries.  (Was it a surprise that McConnell, the senior senator from deep red Kentucky, playing the part of a disruptor, in late August single-handedly blocked bipartisan decisions to alert the American public to FBI reports of Russia’s unwanted involvement in the presidential election, from staging cyberattacks to ties to the campaign of Donald J. Trump?)

The entrance of this gambit within the context of the political election indeed led all Republican nominees to adopt the issue that drove a wedge between red and blue states and their respective media outlets, in what was cast as a rebuke to President Obama’s lack of respect for the institution of Congress to pursue “his personal agenda.”  A yawning gap between red and blue counties reveals the disconnect in our social fabric but of the consumption of news, and sources of opinion, about which the “troll factory” charged with launching disruptive messages into America’s Presidential election from St. Petersburg were able to play a disproportionately outsized role.  The divide was plain in this 2013 map of print news consumption, where yellow shows the swath of land getting news principally from USA Today, a year later by online outlets Huffington Post and TMZ, where the investment in social media may have had particularly pronounced leverage.  And in a period of increased attachment to divisive news sources that intensified an absence of dialogue between political parties, the expansion of divisive posts on social media platforms helped to undermine civic discourse.

7.  When Jared Kushner openly boasted that his father-in-law Donald was able to secure a deal with one of the largest media broadcasters in the United States–the Sinclair Broadcasting Group to ensure superior media coverage, and presumably promote attack ads, he suggested that the Trump team was on board in broadcasting their message to purple states within the political map–targeting a similar audience than that reflected in the yellow expanse below of states that were the most apt to share news stories in 2013–areas that already ran pretty red.

print-news-consumption-2013Media Map Showing Most Shared News in Each State (2013)

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The metaphorical trolling of the country that foreground the imminent threat terrorists pose to the nation, raise suspicions about Barack Obama’s or Hilary Clinton’s motivations for being President and ties to suspicious organizations, by the same Sinclair Broadcasting Group.  In ways that recall the media attack ads manufactured abroad, news segments ran on the dangers that immigration poses across the nation’s southern border from anchors of chains of local news stations owned by Sinclair Broadcast Group, a media conglomerate which regularly issues “must-run” segments of news to its 173 affiliates, whose involvement in local news markets is now posed to enter urban areas–and making the news corporation the largest in the nation, with 233 stations.  Did the news group offer a disinformation of its own, now seemingly only poised to grow into an urban market with its acquisition of Tribune media?

Would this expand the map’s red?

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The splitting of news constituencies reached by the Sinclair Group along an urban/rural divide that reflects the Trump’s “heartland” has been noted, and since 2013 offered a basis for “managing” a constellation of stations that worked around FCC regulations on media consolidation that are intended to promote local news diversity.  The lack of diversity in the 38% of households that they reached–now posed to reach 72%–already offered a powerful megaphone for addressing residents in “purple” states–in the Midwest, West, and Southwest–and mirror the “gaping holes” of news deserts, where local news sources are increasingly absent.

sinclair1Technical.ly

It is not surprising to see Trump’s FCC to take steps that actively aided the expansion of Sinclair media into American households by merging with Tribune Media, by adopting a loophole that once pertains to UHF broadcasting–and is long technologically obsolete–to allow low-budget stations to grow, thereby allowing it to grow beyond the ceiling of 39% of a national audience to diffuse a fairly reactionary message if one maps its media footprint in ways that would allow it to address more than 39% of its existing market.

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Politico mapped existing Sinclair stations against their media footprint

8.  Although it was habitual to take what seems Obama’s fondness for the phrase as a sense of its particular rhetorical effectiveness, a more charitable interpretation of his attachment to the phrase might be intimations of the deeply corrosive nature of the metaphorical divide of the nation.  The image of an electoral divide perpetuated by pollsters and pundits was shown to haunt the nation not only in the 2016 Presidential election but, as we have heard in the recent expansive indictment that Mueller issued accusing Russian operatives who travelled the United States seeking strategies to sew discord “in the U.S. political system” from 2014.  Traveling in Colorado, New Mexico, Michigan, Illinois, Texas, they defined their mission as  oriented along that very divide.  Defendants Mssrs. Krylova, Bogacheva, and Bovda were charged with conspiracy for not disclosing the motivations of their travels in the United States posing as tourists, developed the idea of targeting “purple states” as sites to foment the greatest divisions–seeking to “create ‘political intensity through supporting radical groups” and transform fictitious personas into “leaders of ‘public opinion’ in the United States” by hundreds of social media account.  While traveling in America a “real U.S. person” advised that they

should focus their
activities on "purple states" like Colorado, Virginia & Florida.

–and the principle of “targeting ‘purple states'” returned in later months as a ground-plan to disrupt the election, and sew a deeper sense of distrust within our democracy.  Even if the term “purple states” that emerged as sites of targeting may not have been seen as sites where social media platforms could have substantially increased authority, the success of increasing divisiveness readily responded to stark divisions on the map.

The parlance learned in the United States was shaped in the media sphere to enlarge factional divides, if the notion of “Purple America” had been born to give complexity to a blue state versus red state divide.  Avatars on fictitious social media accounts used the categories of political scientists to amplify existing prejudices from troll factories in St. Petersburg, often pedaling prejudices that gained greater reality in what seemed public opinion as the election approached.  The “information warfare” waged on social media that was an odd spin on globalization, that kicked into gear with racial prejudice channeled by Russian hipsters working round the clock in twelve-hour shifts from a designated “Facebook department” in Taylorist fashion within a “troll factory”:  the surprising success of targeting voters in the United States was based on extensive mapping of political divisions, and a design to exploit them through social media.  Were the addictive apparatus of a medium that seeks to command the attention of observers part of the plan?

Such images, texts, comments, and posts designed to stoke divisions were based on ventriloquizing Americans, but pushing the envelope on the standards of address:   in a scene straight of Adam Smith’s pin-making factories, the web of disinformation that was spun from Americans’ social media fabric extended not only what seemed to the Russian who created them incredibly “believed [to be] written by their own people,” and even worked directly with the Trump campaign to coordinate rallies in purple states like Florida.  If Trump didn’t detect that the divisiveness Russian trolls devised on Facebook feeds incriminated his campaign, because Mueller did not reveal direct ties between the desire of the Internet Research Agency to sew disinformation and division was distant from his own campaign–“Obama was President up do, and beyond, the 2016 election.  So why didn’t he do something about Russian meddling?”–what Trump confidently imagined to be a wellspring of popular support for his candidacy may well only have intersect with the more successful than anticipated adoption of the Russian trolls’ stories in Facebook platforms that created the intense emotional involvement which drove an under-the-radar aspect to the campaign, from images linking Hillary Clinton to Satanism to targeted voter suppression to diffusing enthusiasm by openly promoting third-party candidates as effective protest votes.

Indeed, Facebook and Twitter did the heavy lifting of ensuring that trolling from St. Petersburg were sent out across America, and to effectively mask the diffusion of messages along various social networking platforms to create something like an inadequate surrogate for public opinion–even as Facebook was foreign to Russian social networking when the Internet Research Agency was begun in 2014.

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The Internet Research Agency, perhaps an acronymic pun on the Irish Republican Army, worked to foment what seemed a similar faith-based war by manipulating styled prejudices to “spread distrust” to online communities they had infiltrated, warning of misleading “hype and hatred . . . forcing Blacks to vote for Killary” to “Woke Blacks” Instagram accounts in October 2016–weeks before the election–and adding “we would surely be better off without voting AT ALL” than cast a vote for the Democratic candidate.  As well as  unleashing an unprecedented epidemic of trolling, the St. Petersburg “troll factory” staffed by 900 employees posted over thousand times each week at the height of the election from over one hundred Facebook, Twitter, and Instagram accounts, in ways that magnified the rifts in the isolated filter bubbles had previously existed in order to turn them against one another.  When Eli Pariser in 2011 coined the phrase to describe the dangers of isolating information ecosystems in selective news feeds forming virtual echo chambers of false comfort in an insulated information bubble,

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the tools of social media sites enabled the splintering to actual communities in an almost mechanical fashion of cause and effect, as if sending ripples able to create the sort of electoral disruption in strategic ways.  In doing so, they mirror the very danger of which President Obama in his final public speech cautioned against “retreat into our own social media feeds” as rendering Americans uncritical information consumers [who] start accepting information, whether its true or not, that fits our opinions, instead of basing our opinions on evidence that is out there.”  The warning delivered after the election of Donald Trump and delivered in Chicago saw Obama trying to move out of the bubble, and was delivered near to where his 2008 victory speech celebrating an America able to transcend its image as a nation divided between red states and blue states.  But the bubbles in which selective calls to not go to the polls or demonize the Democratic candidate were launched as narratives may have made them difficult to detect or counteract.

The sort of fragmentation that troll factories Mueller has charged were orchestrated from abroad are described as being planned after reconnaissance in the United States.  The same divides, it is important to remember, could have been as easily gleaned online.  And even if trips to the United States are described as developed by operatives traveling to the United States to discover, much the same sort of prejudice pedaled in postings crafted in St. Petersburg to disrupt the Presidential election based on a fractured public politics could have been gleaned form an infographic.  The disruptiveness of disinformation created feedback loops that only mimicked oppositional racism as much as it mimicked back prejudices observed in ethnographic study of American social media Facebook groups.

Indeed, the stories of Russian hipsters working twelve-hour days on posting divisive comments on Facebook from 2014-16 in St Petersburg, posing as Americans, and required to write an essay in English on Hillary Clinton to determine whether they were suitable for the job, suggests just how invested the foreign government was in addressing social media to purple states to influence the election’s outcome, and doing their best to dissuade blacks and other minorities from supporting Hilary Clinton, despite an overall eligible voting population that was more racially and ethnically diverse than ever, according to Pew Research, but for the first time blacks declined as a share of voters since 2004.   Black voters were not only among the “three major voter suppression operations” Trump advisors worked to lower turn-out, with white liberals and young women, but one of the most successful efforts seemingly tied to Trump’s director of data digital operation in his San Antonio headquarters, Brad Parscale, whose nightly electoral simulations seemed aimed at providing a basis for to partly its data into a new news organization, mirrors techniques of turnout suppression adopted by destabilizing social media divides.  Facebook accounts such as the “Blacktivist” page that urged that voting for Jill Stein–a candidate with close ties to Russia–was “not a wasted vote,” clearly recycled historical images of African-American nationalism and solidarity, in hopes to decrease voter turn-out in Maryland.  The use of the emblem may seek to re-engineer the energy of black voters for past Democratic Presidential victories, and to scare others who might see it.  With other accounts openly urging Muslim voters to boycott the election, the goal was to dilute and splinter the very coalitions that the Clinton campaign assembled by sowing distrust–and indeed, to exploit social media by triggering a clear emotional response, more than making an argument.

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The studies of social media patterns that began from at least 2014, which were, as if by coincidence, marked by huge Republican gains in Senate and House under a banner of the most angry national midterm elections to be directed against a sitting President, was effectively amplified with the encouragement and traction that the bitterness of 2014 elections had set across the southern states and deep south, southwestern Texas along the US-Mexico border, and in formerly ‘blue’ or ‘purple’ states–creating a particularly obstructionist House of Representatives that succeeded to obstruct so any of the policies President Obama sought to pursue in his final two years.

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National results of the 2014 House races, showing Republican gains in bright red

9.  The proliferation of robo-posts seeking to foster divisiveness upped the ante far more than Sinclair Broadcasting, but the two seem to have mutually reinforced one another–if not using strikingly similar tactics.  The divisiveness continued by injecting increasingly radicalized terms of political debate, and even fundamentalist notions of apocalypticism, that seemed foreign to American political debate, depicting Hillary Clinton as increasingly satanic and promoting open borders, promoting division and distrust around bizarre social media memes.  The offensive cartoonish images promoted by the IRA-sponsored “Secured Borders” borders account, designed to appeal to Trump’s supporters and introducing an icon of his campaign, resembled the icon of the United States Border Patrol to create an image that not only recalled its official insignia–

–but did so to link a specific presidential candidate to patriotism in extreme ways, celebrating the at of rejecting refugees and asylum-seekers and increasing border protection as a need for national protection, creating a false equivalence if there ever was one, and straining any logical linkages.  (The conceit of “liking” advocating political isolationism is a bizarre mashup of Facebook’s prescriptive language of immediate unconsidered emotional reaction and a political position with all too dangerous political consequences.  Was the irony of using social media to raise questions of border protection not ever perceived?  or was the idea to root the image of a tough border so deeply in one’s mind, that one didn’t think that clearly about its politics, consequences or implications?)

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Indeed, an ethnographic study of Facebook groups might target alone groups living on the southern border, Christian fundamentalists, white supremacists and Black Lives Matter as potential groups to manipulate to stoke divisiveness on partisan lines, and sow disorder on the performance of a two-party system by gaming electoral geography.  There is hope in puncturing the filter-bubbles of Facebook groups, however, by the increased calling out of the need for resolve on a true issue–gun control–too regularly and dismissively side-lined by the staged political debates that were shared in posts, and which seems, if only because of the strength of its blunt actuality, to puncture social media with an urgency that can’t be denied.

10.  The decision to direct a social media focus on purple states as sites where divides would stand the greatest chance to disrupt or even to tweak the electoral results reveals a bizarre recycling of what was designed as a classificatory map to increase divisions, and gave a distinctly new ideological flavor and torque to the left-wing concepts of swing states that were so successfully promoted within the 2008 Obama campaign.  By recycling attention-getting image of chromatic divides developed for television audiences, purple states emerged as targets for online spooking, and Facebook aggregation gained traction around affective ideas like casting the color red was a form of patriotism.

But the notion of pressing advantages on social media in states purple, but maybe able to be nudged Republican, provided the deepest rationale for division.  Defendants, posing as members of the group “Being Patriotic,” under the guise of that patriotism offered the idea of pressing their advantage by the notion of a wedge in purple states.  The defendants offered in emails, “we’ve got an idea.  Florida is still a purple state and we need to paint it red.  If we lose Florida, we lose America.  We can’t let it happen, right?  What about organizing a YUGE pro-Trump flash mob in every Florida town?” on August 2, 2106, and offered, “We clearly understand that the elections winner will be predestined [sic] by purple states.”  While not brilliant as strategy, as a selective basis to sew distrust and disorder in one of the most over-polled elections ever, where we watched the results of multiple daily polls as if to deliver the odds on horse races, tweaking the electoral map toward a new color combination was enough.

The “purple” region gained the most striking new sense as sites of information warfare in the United States over a period of years–in ways that might be detached from the actual campaign.  The figure of speech born of data visualizations gained a newfound torque as a form of divisiveness, and the chromatic metaphor operative force, as “focusing on purple states such as Florida” became, for the fictional identity “Josh Hamilton,” a strategy proposed by a false grassroots efforts that was communicated to Trump campaign officials.  White most tracks were concealed, a few were not.  And although the Trump campaign didn’t need to be advised, necessarily, “to focus on ‘purple’ states like Colorado, Virginia, and Florida,” the targeting of areas where there didn’t seem a clear polarity promised to create a far starker one.   But Russian use of a language of infographics served to materialize, in a starkly divided map, existing fault-lines that one needed only to exploit, push apart, and throw into relief to engineer a surprising electoral result, using images that recovered more subtly shaded areas where blue met red as tools that were able to be exploited to show the world a far more bitterly divided United States, as if even raising the specter of a deep red region could sow considerable distrust in a Democratic system, or just vacate whatever appeal its constitutional rights held in Russia and Central Europe.

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New York Times:  2016 United States presidential election results by county 

The organizing of false grassroots efforts according to the Mueller indictment not only to organize rallies that would “focus on purple states,” but to create a divide in doing so that best exploited divisions in our electoral maps.  Indeed, the notion of such a divide that had been picked up by Nate Silver and across the art of political forecasting was not something that would have had to come from any sort of special informant, being in the air of 2016 and widely broadcast on the airwaves, as the “Purple America” coined right after the divisive presidential election of 2000, by Vanderbei, as a way to come to terms with starkness of the opposition between Bush v. Gore; Vanderbei recast what seemed a polarity in the context of a variety of political opinion, leading to articles after 2004 to insist that America is not divided into sub-nations, or on the brink of a second Civil War, and continued to map the mutation of purple America in future elections.

11.  The conceit of Purple America rescued to some extent the simplified opposition implied by a chromatic divide between red v. blue.  Articles ran entitled “Most Americans live in Purple America, not Red or Blue America” rather than in a blue or red state, created a sense of consensus and diversity, befitting a democracy, but the yawning gaps in areas of intense redness meant that purpleness provided a language of opportunity for those seeking to grow division and craft heightened political dissensus.  Vanderbei offered the original “Purple America” to help refine a clearer statistical image of the dynamics hidden between the political polarization of a body politic, and to give greater agency to a varied range of political opinions in most states.  By embodying a red flyover zone, or a blueing of the coasts, the intention was to encourage a deeper dive into the national vote, as well as to retire the tired glossing of the electoral map:  the bridging of a division that Obama would make in his speech in support of John Kerry’s Presidential candidacy fenced the hegemony of a similar symbolic divide, and cast it as at its root dangerous to democracy.

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Purple America (2000)

But it didn’t remain there.  The migration of a language designed for a broad market of TV news infographics to a language of political operatives interested in subverting the democratic process is perhaps instructive.  The map was perhaps replayed in the media as it contained sufficient dramatic tension to foreground problems of crafting political consensus, as if social policies and political opinions were identified with an area in the country, and as if every issue in the political platform was fundamentally designed to capture a divisive issue of political debate–around abortion, social security, gun control, climate change or global warming, environmental regulation, and monetary policy or fiscal restraint–whereas the options on the table were not, in fact, that divergent.

The maps however naturalized the divisions, and, paradoxically, left them open to be exploited, perhaps not so much since we were fractured into filter bubbles as because pundits wanted to create the necessary degree of dramatic tension, and to craft and foreground the dramatic arc of an election season, as if the notion of a ground-plan and an electoral strategy could be portrayed and represented as a military as much as a political one.  The guiding metaphor of divisiveness and division that was foregrounded in this map–as if blocks of population existed with one preference, despite the subtler variations in voting, despite the blue/red divide imposed by majority victory–

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–even if such a decision, a sort of hold-over from a pre-parliamentary languages of democracy, that privileged the notion of a ruling party in a quasi-monarchical way, obscured the variations once one drilled down into voting patterns–

votes- red v blue, by county and interest level

–but obscured the huge number of “ghost votes” across the less inhabited areas, where isolated communities, suspended outside of the metropoles, were magnified in an electoral college that robustly enhanced their political voice in ways bluntly reflected by the flatness of the two-color map in stubborn wasy.  But as Chris Howard, inspired by the blended voting maps created by Robert J. Vanderbei of the 2012 election that showed purple America, and the cartograms of Mark Newman, transparencies could capture the magnification of political voices of low-density in the electoral map, in ways that might have suggested the potential for electoral disruption to those seeking to do so–even if such a perverse reading of the language of infographics was hard to imagine.

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The graphic language, migrating from electoral processes to the nightly news, may have provided a basis for newscasters to naturalize a drama of political  contestation, more than conversation.  Whereas we are increasingly talking not of “states” that suggest the fragmentation of the union, we live in an increasing economic divide largely oriented not along pitched lines of battle, but by urban/rural divisions, if the divide is belied in the flat pasteurization of space of electoral maps.  The growth of megacities across America have raised multiple divisions electoral maps fail to capture, with its fundamental insistence on the county as a unit of voting, despite the increasing evacuation of its meaning as a unit of political representation.  But as a metaphor, or master-trope, the fracturing of states was something of an invitation to a foreign nation to seize up and try to pry apart, however, as French cartographer Luc Guillmot showed in an alternative cartogram, sized by votes in red states in the so-called heartland of the midwest, in the manner of Ben Hennig’s cartograms.

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But President Obama’s own words come back to haunt us.  In the electoral maps for the 2016, indeed, the masking of gradations of division produced the sense of a democratic result we were bound to accept–

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–even if it brought an intensified red that was really clinched at the margins, or in Texas, Florida, Michigan and Virginia, but whose deep red “heartland” created the sense for the victor that he was indeed recognized by the “real Americans” he so desired to court.  Trump was so taken with the electoral map to have it framed, and has been so personally obsessed with imagining the scale of his supposed victory to be present in the intensity of the square mileage of red hued states to take a truly personal offense at the idea that voters swayed by Facebook pages and Instagram groups are seen as diminishing the status of his victory, and an election he imagines a total victory he pulled off by bravado, and dismiss concern of dangerous effects of foreign disturbances of the voting process.

12.  Widespread exploitation of such divisions, and indeed the language of opposition, subverted the democratic process by a vision of polarization that maps reinforced.   And by exploiting that narrow margin of purple states of the nation, local consensus was ready to be flipped, and precedents of civility overturned.  By stoking an an enthusiasm that few saw as even in reach on the eve of electoral night, America seemed to fall into two camps, but with the electoral collect staying clearly in Clinton’s camp.  (The hold on the lighter blue states like Florida and North Carolina were tenuous, however, and the loss in Colorado, Wisconsin, Michigan and Pennsylvania tipped the scales.)

If the blue states seem able to hug the red core to prevent it overflowing to both coasts, the glare of the divisions between blue and red states was so starkly naturalized to masquerade the extent to which flipping purple states would in fact flip much more of the nation red, and alter the outcome of the electoral count in ways that renders the flat dichotomy of a two-color prediction irrelevant.  The flipping of purple and pink states upset the predictive power of a map, but did so in ways that seem only to have reinstated the logic of the divided nation we have created in our infographics which may, in the end run, do far less to inform.

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The fact stubbornly remains that it wouldn’t involve that much demographic science or pinpoint precision polling to know that enough pressure in the purple states could create a crisis in consensus enough to blur the outcome of the vote.  But we clearly can’t go back again to seeing the national shores as creating a red/blue divide that is taking the current temperature of public opinion in each state, in isolation from the rest of the world.

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Filed under 2016 US Presidential Election, Donald Trump, electoral maps, News Maps, Presidential Elections