Monthly Archives: September 2016

Finding Aleppo in a War-Torn World

The deep frustration at being able to map the Syrian civil war around Aleppo–combining the actual inability to map the factions in the conflict, and the actual unmappability of the deeply unsettling destabilization of civil society in the five-year civil war which is waged by outside actors, as much as by the Syrian government–has sapped confidence in the ability to negotiate a cease-fire or indeed to find a civil solution to a conflict that has both created an ongoing flow of refugees and destroyed civil society in the region, as well as an equilibrium of power.  And the more we are frustrated in being unable to map the conflict and its descent into inhumane violence, the more violent it has become and the farther removed from being able to exist again as a country.




Any theater of war is extremely difficult to endow with coherence in a map–one speaks of the “fog of war” to describe the clouded experience in the confusion of military conflicts.  But the difficulty of gaining purchase on the extent of the destruction of the ancient city of Aleppo that is particularly troubling–and troublingly matched by the difficulty of mapping or imagining the targeting of the city and Aleppo’s inhabitants and the refugees who have left the city.  The failure to describe, document, or respond to the costs in the sustained aerial bombardment in recent months seems an abdication of ethical responsibility before such escalated destruction that almost fails to acknowledge its scope.  The terror of aerial strikes against civilians have led to the targeted destruction of schools and hospitals in the rebel-occupied regions of the city hard to imagine, as a besieged city is isolated from the world.  While we don’t have access to the maps and plans that were used during the sustained engagement of rebel forces in Aleppo, and have rather watched screen-shots of the diminishing areas of the region “held” by “rebel forces” over months, those very images distance us from the human rights tragedies that is occurring on the ground with the dismantling of public health care and social institutions, as if extending so many false possibilities of the tenuous grasp over territory of opposition groups.  With unclear data on suffering, deaths, refugees or destroyed buildings in the encircled city, we map territory as the clearest index of the balance of war, but ignore the scale or scope of its ongoing bombardment and destruction, as the country has not only “gone dark”–



–but the city destroyed under unimaginable sustained assault.




News wire sources have tried to “map” the extent of those lines areas held in the heavily bombed city, to be sure, in recent months.  But the absence of clear lines of jurisdiction or control of a battle that is increasingly waged from a move–but shown as if it were a land war–echoes the military divisions of cities in ways that seem incommensurate with the suffering or mischaracterization of the actors of the war, and the lack of limits with which the Assad regime has enlisted foreign help to destroy its former cultural capital and economic hub, as if trying to efface the opposition that it has for so long successfully tarred by their association to ISIS and the Islamic State–and as a media blitz has tried to portray the battle in Aleppo as a fight against ISIS rather than a defining moment in the escalation of military forces against one’s own people by Bashar al-Assad.

Even though the aerial attacks on Aleppo began as early as July 2012, the escalation of attacks by Russian bombers that began to target buildings and humanitarian supplies with intensity from July 2016.  While we were in the midst of the farce of our recent American Presidential election, we have watched maps of the Syrian conflict at an odd remove, depicting the city the city as a multi-colored sectored region, as if a point of stasis in slippy map of sovereignty, as much as a focal point where five different forces seem to lock horns.  The disservice of these opaque colors seem to erase and to be done such a deep disservice with Microsoft Paint.  And as we do so, we can only fail in an attempt to chart the intensification of suffering that is only like to increase in coming months, as the shrinking green lands held by rebel forces have depicted the so-called “situation in Syria” in increasingly disembodied fashion.


syria97410fps.gifThomas Van Linge/Newsweek/@arabthomness


As we watch the layers of colors, trying to map the levels of conflict from an empyrean remove that has echoed the official policy of not putting “boots on the ground,” we fail to account for the destruction of houses, massive departures of residents, targeting of humanitarian assistance and destroyed infrastructure and human services in the city.  The layers with which we discriminate a war-torn city set to conceal terrifying human costs in the rather terrifying palette of pastels in its curious camouflage, as if to hold out hope for an amicable solution, but to erase the destruction of civilian lives, hospitals, residences, or food and needs supplies that tried to arrive in the light green rebel-held areas of the city that suggest an island around the Citadel of Aleppo.


Rif_Aleppo2.svg.pngNovember 1, 2016/Kami888


For the limited information about Aleppo’s continued destruction by aerial attacks as well as bombardments makes the extent of the human costs its destruction increasingly difficult to render with coherence.  This absence of this coherence perhaps leadt some twenty-nine million to be struck by viewing the dazed five-year old Omran Daqneesh and the tragically bloodstained face from which he gazes somewhat stoically and looks at his bloodied hand–as if dazed to be transported from the scenario of violence in which he lived to what seems a setting of sanitized medical care, his blood-stained face contrasting to the clean orange cushions of an emergency ambulance.  The transferal of Omran from the battlefield like context of Aleppo to the emergency health care vehicle show him dazed not only at his change of context, but almost in shock of being in a controlled ambulance in which he sits, if a sign of hope, is also emblematic of the inability or difficulty to bridge the controlled context of medical and clinical care of the Emergency Medical Services and the rubble of the besieged city, almost the negative image of a controlled environment:  the image circulated by Aleppo Media Centre was emblematic of the dissonance between the emergency services and the onslaught of bombs where civilians are targeted daily amidst the rubble of the besieged city, so that the dazed look of poor Omran seems a substitute for our own helpless bewilderment at the war crime of the sustained aerial bombing of Aleppo’s buildings, health care providers, hospitals, and inhabitants.


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If the image is manipulative–and difficult to include in yet another post on Aleppo–its power seems to derive from the failure we feel between inability of the child who touches his hand to his head, to take stock of his head injury as he tries to process the loss of his family, after being carried by an emergency worker into the new setting of an ambulance.   The image was so poignant it was shared so widely all over the world on Facebook, as we searched collectively for an emblem of good, of one child rescued from the violence of Aleppo–as nine million Facebook users tried to transcend the broken windows, destroyed buildings, and slim hopes for the survival of Aleppo’s citizens, increasingly targeted in inhumane ways to which we are so unable to respond.

For if there is a lack of any coherent purchase on the city’s destruction on such an unprecedented scale of its bombardment, even for the Syrian Civil War, the saving of one child after his family was lost allowed the survival of a child to exist in the blood-streaked face of the five-year-old Omran Daqneesh that circulated globally on social media seemed finally to locate a “face of the Syrian Civil War” against the city’s dire destruction.  Indeed, the actual improvised settings of health care in eastern Aleppo–


624143740-graphic-content-wounded-syrians-are-seen-on-a-table-in_1-jpg-crop-promo-xlarge2Thaer Mohammed/AFP/Getty Images


–continued as bombs continued to strike the neighborhoods and where the living and dead lay beside one another in emergency rooms that lacked adequate medical supplies.  The absence of medical assistance or facilities, even as Bashar al Assad rejects the last proposal proposed by the United Nations for a local truce that recognized any claims to separate sovereignty of rebel forces, if it was not armed, arguing that it was a violation of “national sovereignty,” seems to have invited an endgame of increased military raids, as the “area held by rebel forces” has shrunk in recent days to a small region curving around the medieval fortified Citadel, sandwiched between advancing regime forces.




The garishly bloodied face of Omran, the sole survivor of an air strike on his family home in Aleppo’s rebel -held territories, seemed a ghost, but served as a respite from images of the dead, and his transport to an ambulance from the horror of Aleppo seemed a promise of the future.  The image posted by the Aleppo Media Center provided little orientation to the actual struggle, but the apparent shock of the contrast of Omram’s evident transport, his face and T-shirt covered in dirt and blood, to safety offered more than a reprieve from image of dead children:  seated in an ambulance, fingering his bloodied head, his place provided a bizarre juxtaposition of a world of safety and medical supplies who had moved from the bombing of his family’s building in a war-torn city we can barely map.  The arrival of the child into a setting of Western safety almost seemed an image of the precareity of saving a child out of its destruction, and preserved an odd ability of hope even as airstrikes would soon hit four hospitals in east Aleppo, and continue to target civilians.

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Filed under Aleppo, data overlays, human rights, Syrian Civil War, Syrian Free Army

Bombed Out Landscapes over Time

The scars of ethanol-fueled V-2 rockets that speedily struck wartime London seventy years ago are a good place to start to map the systematic bombing of civilian spaces.  As if mapping the liquid-fueled fantasies of destruction of Wernher von Braun, the V-1 and then, subsequently, V-2 bombs silently arrived to create a psychologically searing topography of death that transformed the city, immersing civilians to new topographies of fear.  Tabulations of damages in the recently published Bomb Damage Maps of wartime London orient one chillingly to the progress and degree of bombing wartime London in purples, violets, oranges, and light blue on London’s familiar plan, as much as the resistance of a British culture of grim-faced exactitude to the horrific episode of wartime destruction.  If they seem oddly antiquated and removed, the poignant attempt to come to terms with the radically escalation of destruction in the  devastatingly regular tempo of accelerating bombardment that is known as the London Blitz–even if they cannot capture the panic, commotion, terrified screams or chaos, in the muted pastels in an aerial perspective that affirm the organic city that once existed in a still alive past.

The maps capture an attempt to take measure of the scale of destruction, from black areas bombed out beyond repair to more lightly damaged areas in yellow, as if to process the unprecedented scale of disaster in the precision of the Ordnance Survey Maps.  n ways that seemed to try to contain the violence of the bombs that killed over 9,000 by a coloring the sites that were hit by the daily assessment of bomb damages, Bomb Damage Charts drafted by the London City Council tried to process the daily destruction that took the toll of 9,000 in what Germans portrayed as revenge for allied bombers suggest an English tabulation of the ethanol-fueled violence, called as retribution for allied bombing of German cities, that revealed fingerprints of the fantasy of Wernher von Braun.




And they reflect, as such an attempt to map the devastation Thomas Pynchon so famously began Gravity’s Rainbow by suggesting the sudden arrival of an ethanol-fueled V-2 rocket that struck the zero Greenwich meridian around 1967, by describing a volley of ballistic missiles whose targeted strikes and explosions brought to life something like a new world, and a terrible one that is punctuated in a senseless sequence of devastating strikes.  And as Pynchon famously used the Matthausen testimonies to describe the horrors of the bombs’ production during the war by the remain side, the bomb damage maps would have provided powerful means to elaborate the destruction of the city came to map the fictionalized if troubled ever-idiosyncratic psyche of Tyrone Slothrop.

As much as orient one to the destruction of bricks and mortar buildings, they suggest a way to complete the terrifying topographies of the wartime city, as familiar cityscapes suddenly vanished, taking human lives in a chaos difficult to psychologically sustain.  If Stephen Spender described how in “destroyed German towns one often feels haunted by the ghost of a tremendous noise” as it “is impossible not to imagine the rocking explosions, the hammering of the sky upon the earth, which must have caused all this,‟ evoking the inability to grasp or orient oneself to the ineffability of the sensory barrage of modern destruction with particular eloquence.  Pynchon was particularly attentive to transpose the complicated topographies of what were otherwise blank space by recourse to the “old Baedecker trick” not limited to that genre of travel books alone, but pillaging from WPA guides and other maps, in ways that make it more than likely that something like the Bomb Damage Maps provided a similar basis to orient his readers to imagining the new topography of war in which his characters sought to navigate as best they could, and the tourist maps of post-war London which rendered the continued effects of bombed out areas light green offered an effective palimpsest as any to recover the  psychological trauma of the destruction of the psychic network of place and society–




–itself a mirror image to the German Schadenskarten created to document the parallel six years of trauma inflicted on cities in the Nazi state.


Schadenskarte_Operation_Tigerfish_27.11.1944.pngSchadenskarte des Angriffes am 27. November 1944

1280px-Luftbild_Freiburg_1944.jpgStadtarchiv Freiburg, destruction of Freiburg sometime after or during Summer of 1945


Although the scale of destruction was more targeted and more limited in scale, the hundred and ten hand-colored Bomb Damage maps applied a six color palette to the Ordnance Survey maps in order to register the impact of bombs on the city, ranging from yellow noting mild damage a dire black denoting “total destruction,” which, even if they cannot capture the scale of the 29,890 victims killed in the raids and 50,507 suffering serious injuries, although their over-generous 1:2,500 scale allows one quite effectively to explore parts of the city’s neighborhoods and read the present configuration of individual blocks against the damage of older bombs–whose scale is partly captured in surviving photographs of Debris Survey and Disposal Service crews who explored ruined houses and buildings in plaster-dusted uniforms in the hope of seeking survivors.  The images of police constables Arthur Cross and Fred Tibbs capture the broader effort of repair, reconstruction, and taking stock of a spate of local destruction as it occurred, and the need of the maps as a means to process the rapid arrival of rocket strikes in the not indiscriminate targeting commercial and residential London by unmanned rockets.



139293.jpgRepair of evening coming of 1941 of Bank Underground Station





Assessing damage of Bank of England and Royal Exchange after London bombing raid of January 11, 1941, which created a crater of 1,800 sq feet–the largest in London


A rocket has suddenly struck.  A terrific blast quite close . . . :  the entire fabric of the air, the time, is changed–the casement window blown inward, rebounding with a wood squeak to slam again as all the house still shudders.”   The impact of the V-2 striking the zero meridian punctuates time by sudden intervals, and crossing a zero threshold of how we register external stimuli in wartime and to mark a new threshold in the violence of military violence in wartime.  If the arrival of unmanned rockets sent shudders of fear into the bodies of individuals in London, if not penetrating their consciouness, the topography of fear is one with peculiar effects on the American military intelligence soldier Lt. Tyrone Slothrop, who finds them sources of sexual excitement.  The arrival of unexpected stimuli Slothrop experiences becomes the basis to explain the ways that the distribution of bombing of the city is mirrored in the mysterious maps that Lieutenant Slothrop, the novel’s hero, creates behind his desk in a London military intelligence unit, created by marking sexual encounters with colored stickers that erupt from the map’s surface, but mark the site of the sites of unexpected  erections that the impending arrival at bombs seems to provoke as a particularly unexpected Pavlovian response:  a few days preceding the arrival of the bombs, Slothrop experienced to some surprise serial trysts with different women at the sites he marked on the map with assiduous care, beside the first name of each:   Slothrop’s map objectively map seems a way for him to try to understand himself, and as it happens the psychological conditioning he once received as a child, in ways that only mirror how the Ordinance maps of London were used to take better stock of the scale of damage on the Home Front.

Slothrop’s co-workers are struck by the mysteriously marking the sites as echoes of sites where bombs struck, however, in ways that raise immediate suspicions.  Indeed, even as  try to decipher a mathematical order in the sudden build-up of bomb attacks.  The Bomb Damage Charts attempt a similar successful, if fatally flawed, attempt to invest  normalcy onto the destruction of London’s landscape?  Looking at the recently released hand-colored detail used to render the extent of building destruction caused by rockets and aerial raids in the London Bomb Damage Maps created in wartime London–maps that tracked the progress and degree of local damages the city endured over two years in real time–one is encouraged to re-read Pynchon at a distance, and the meaning of the maps that Slothrop’s unit try to make of bomb-strikes in the city, in which some find an order that mirrors a Poisson Distribution, as if to discern in the sporadic bombing of the city some logic of probabilistic order in the distribution of bombs  that punctuated time.  Indeed, the striking images of bomb damage that the city endured offer compel an attempt to sort them out in so concrete a register to coming to terms with the rapid pace of sudden strikes on the city–clarified as it was attempted to be converted into crystal clear charts to communicate the extent of local damage that future town planners and rebuilders might readily survey, as if to prepare a clean record of the bombing raids one never quite knew when would end.







–and as if to convert the extent of bomb damage to a means one’s mind might comprehend and take stock of a rapidly changing urban landscape and world.  As the maps seem an attempt to freeze, mark time, and take stock of the transfigured urban landscape, they provide an odd echo of the search for self that Slothrop, compelled in odd ways he can’t quite understand to treat the wartime city as a site of pleasure, finds himself creating while he lives in a landscape increasingly transfigured by human death that destroyed over 3,000 buildings by the war’s conclusion and had killed some 30,000.  With the events of the war definitively remote, maps that already assessed the scope and scale of such damage–already evident in details of a 1947 map of London which rendered the areas suffering particular damage by light green shaded blocks that pockmark the city in post-war tourist maps–

Bodleian Museum, London and the blitz


–and the small scale bombing raids that had begun from November  1940 to May 1941 by the Luftwaffe that launched pilotless V-1 rockets and then v-2 missiles fell across the city’s fabric in an onslaught of new technological fierceness of death, that never could be precisely mapped, but whose devastation the London County Council continuously updated and noted even as upwards of a third of the buildings in the city had been damaged or destroyed by unannounced explosions..  How better to imagine the hectic pace of their arrival that so successfully destroyed individual buildings that they were known as Baedecker raids, from 1944 destroying 100,000 buildings or rendering them unrepairable, as the missiles launched from the Netherlands rendered much of the city  and beyond repair.  How better to imagine these strikes than by the image of bomb damage assessments, a gloroious source if their ever was one, as Pynchon sought to find new first-hand information of historically removed fact.  Much as the Baedecker provided a basis to describe in accurate or believable ways that local atmosphere the bomb damage maps provided a new way to come to terms with modernity.


1. The map of bomb strikes in London–rather than a map of damages–strikes his superior quite suddenly.  They provide a sort of cypher and enigma that Thomas Pynchon invites readers to puzzle over in Gravity’s Rainbow, much as Slothrop’s superiors try to discern an apparent logic in its distribution.  The discussion of the meaning of the map comes up quickly in the novel–“Pointsman, do you want to hear something really paranoid?  . . . Have you consulted a map of London lately?  All this great me-teo-ric plague of V-weapons  . . .”  “They’re falling in a Poisson distribution.” . . .  “But have you ever thought of why?”   The presence of the map Slothrop hung with joint personal satisfaction and obliviousness above his desk that shows his sexual adventure in wartime London provide a pretense to investigate his idiosyncratic Pavlovian response to the strikes, leading military intelligence to wonder whether Slothrop might be”able to predict when a rocket will fall at a particular place” or even considering that the hapless Slothrop is, rather than clairvoyant, in fact endowed with a psychokinesis by which “the force of his mind [is] causing the rockets to drop where they do,” using electric signals that manipulate the rockets’ guidance systems by his mind; the “map Slothrop’s been keeping on his girls” haunts the experts in London, since they fall in exactly the same distribution as the rocket strikes in the London Blitz.  Thomas Pynchon himself has describe how, hungry for items of information to weave into fiction, he came as a student at Cornell University to “loot the Baedecker” with an abandon he was only able to acknowledge indirectly in his written stories in 1959, as a source for adapting freely “all the details of a time and a place I’d never been to”–“Who’d make up a name like Kevenhüller-Mensch?”–he found particularly enchanting, whether to describe Egypt in 1899, all the while enjoying to imagining apocalyptic showdowns and exploring that eternal question of whether history was more statistical or personal.  The same question seems to underly Gravity’s Rainbow, in a different way, and if old maps and written descriptions provide a sense of place, the Bomb Damage maps or their description

But even when considering the extent of damage of London neighborhoods, so clearly antiquated are the maps to remind one of the extent we’ve continued to cross further thresholds in the continued onslaught of bombs in the London Blitz impinge on the zero threshold of Lt.  Slothrop’s consciousness in war-time London while he is stationed in the city with allied intelligence–at the same time as the new degree of bomb warfare raise the threshold of acceptable violence for the world.  For the first section of Gravity’s Rainbow, “Beyond the Zero,” describes the intersection of Slothrop’s unprecedented premonition of the arrival of V-2 rockets that enter the perceptual threshold of the military man and the new threshold of violence in war-torn Europe.  Whereas Pynchon explored the threshold of attention of the arrival of bombs across the landscape of war torn London for Lt. Tyrone Slothrop, the graphic response to the punctuation of space registered in the meticulously colored maps of bomb damage.  The maps force us to consider to the thresholds of violence and attention that the scale and violence of subsequent bombing raids have almost mercilessly continued to cross–providing a chilling record of the reaction to their sequence in historical “real” time.

The painstaking hand-colored detail used to render the scale of local destruction that the city suffered appear to provide a record of coming to terms with the “new normalcy” of wartime attacks by aerial bombers and, from 1941, the scourge of V-2 rockets, as much as they reveal the scale of the destruction of local buildings in an apparently objective way.

2004Bomb Damage Maps/London Metropolitan Archives/City of London Police

We map place to know where things lie but when we map bomb strikes, we map an erasure of place, tracing the outlines of how space was once occupied by place.  Maps might try to take stock of the devastation of bombings and air raids–but they can only hint at the scope of what occurs on the ground, and the varieties of maps made to understand the impact of the early ballistic missiles that arrived in London’s Blitz give their viewers an inescapable premonition of the scale of the increasingly prevalent maps made since World War II.  The attempt to comprehend the blasts of rockets from drones, the maps of the London Home Office, despite their antiquated hand-drawn format, are unavoidable premonitions of later data maps that tally the scale of strikes against sites, from Afghanistan, Waziristan, and Pakistan, or the bunker buster or cluster bombs that demolished Aleppo, in their failure to describe the violence they try to process.  Even as we fail to fully map the consequences of their destructiveness or understand the threshold each event has surpassed, the Bomb Damage Maps remind us of the impossibility to comprehend the scale of local devastation.

Gravity’s Rainbow begins with the strike of one of the V-2 rockets that hit London in scattershot plots from 1944 in “sudden demolitions form the sky,” from the arrival of V-2 impact at Greenwich, 000 longitude–the zero meridian.  The location immediately raises the question of whether their arrival can be mapped to reveal of any notion of causality.  Despite attempts to find some causality in their pattern, the proposition that “Things only happen” as we accommodate to their occurrence increasingly seem evident.  For despite any attempts to parse their distribution by Poisson distributions, the arrival of V-2 rockets lack causation.  Where the “meteoric plague of V-weapons” hit across London was a subject of increasing professional concern, as the smoldering craters from which ragged smoke curled in the London landscape–and which Pynchon so chillingly evokes–provided paranoid interpretations as their distribution was tried to be understood as something created by human agency, dumped on civilians in a way intelligence seeks to try to grasp in Pychon’s elegant–and sadly increasingly quite timely and timeless–novel.  The destruction of their sudden arrival is emblematic of a new order of terror–a new threshold of terror that is shattered by the scale of bombing targeted civilian populations in World War II, and shattered the era that preceded it in ways that can never be clearly mapped or given logical structure, try as hard as we may.  Slothrop’s map suggests an uncanny mapping of eros and thanatos, mapping the “sexual Other, whom he symbolizes on his map, most significantly, as a star, that anal-sadistic emblem of classroom success with permeates elementary education in America,” Dr. Treacle has it, that so spooks his superiors.

Pynchon confessed to have been quite consumed when consulting period-specific Baedecker guides found in Cornell University’s bookstore for research on novels.  As a young author, he systematically “looting the Baedeker for “all the details of a time and place I had ever been too, right down to the details of the diplomatic corps” in a story set in Egypt–so “Could Willy Sutton rob a safe?”–for atmospheric passages in stories–as well as no doubt maps.  And his account of a map of the threshold of bombed out wartime London becomes the centerpiece of an extended interrogation on human agency and contingency, as well as destruction psychic and physical:  the patterns of Slothrop’s sexual conquests in London map, in an uncanny way, “match up square for square” with the sites of bomb-strikes, and immediately direct collective attention to the mechanics of such apparent skills precognition:  once photographed and projected over the actual statistical maps of bomb strikes, “girl stars and rocket strike circles [are] demonstrated to coincide,” in ways that provide the invitation to try to understand the mechanics of the effects that the substance that triggers poor Tyrone’s apparent reflexive stimulation that the arrival of V-2 rockets somehow provokes, “as quickly as two days, or as slowly as ten” from the strike, and “with a mean [time-]lag of about 4 1/2 days.”

The eery embodied precognition triggered in Slothrop’s penis before the arrival of each V-2 rocket–an arrival that impacts his mind because of Pavlovian conditioning, trace the psychological landscape of these early ballistic bombs, itself pushed past subjects’ zero threshold in wartime London.  It probably doesn’t bear saying that they map a threshold we have continued to traverse.  If used to spin further apocalyptic narratives haunted by “our common nightmare The Bomb” that Pynchon described as haunting his fiction and so much else, the maps provide something like a palimpsest of these fears.  Long before searching for reactions before “this slow escalation of hopelessness and terror in the few ways open to us,” the record of a titration-like destruction of the cityscape that the Bomb Damage Maps reveal provide an amazing contemporary, if quite cartographically removed and antiquated, Baedeker to trace the expanding mental landscape comparable to Pynchon’s account of Slothrop’s attempts to grasp the shifting landscape of the Blitz.


Bombed out london from St Pauls

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Filed under London Blitz, military maps, Thomas Pynhcon, Vietnam War, war crimes

Hostile Homelands: A. B. Yehoshua Excavates Jerusalem’s Boundary Lines

The Palestinian mutely contemplates the Separation Boundary whose sheer concrete constitutes an exile from his homelands with apparent irony.  We can’t say what passes through his head, this blurred figure, eerily posed like Rodin’s Thinker.  The out of focus figure seems somewhat traumatized, however, by the sheer concrete walls that divide or reconfigure two halves of the city that he once knew as a home.  We are all to ready to project his traumatic relation to the the contested boundary lines of contemporary Jerusalem, where concrete walls cuts Palestinians from the very regions of a city they long inhabited as it seeks to redraw its map, as if to further traumatize its residents.  For a city which has long been praised because of its integrity in the religious imagination, and translated to a nation a term that was long reserved for applying to a people, the sharp divisions that the boundary wall has mapped in Jerusalem is both palpable and insurmountable and a pragmatics of division that is oddly and paradoxically described as intended to preserve the integrity of the city, by defining its place and security in the public imagination.

Yet the trauma of the Palestinian is not, literally, on most maps constructed of Jerusalem or of the Holy Land.  Indeed, the trauma of excluding Palestinian presence in the city that the Jewish state has adopted plans to occupy fully, and the provocation of publicly acknowledging it as a capital, seems to seek to enshrine the trauma in maps.  For the boundary barrier expanded the line of Israeli control over the contested city–and even exceeded the territorial claims the so-called Green Line of the 1949 Armistice, or the pre-1967 bounds–but were never intended to provide a territorial boundary for the state.  If those bounds were treated as the new boundary of a national territory after 1967, the expansion was tired to be remapped by the progressive construction of the barrier or boundary wall much further in recent years, as if to over-write and banish earlier memories of settlement, and to stake a rewritten Israeli sovereign relation to the city, now provocatively defined as a national capital on maps.

At what cost?  The project of a unified Jerusalem will hardly conceal the deeply pained relation to the territory, however, and seems destined to only augment its military defense.  At this point, it may be opportune to return to the historical excavation of the pained nature of these boundaries–and the compromises that they create in the occupation of lands–is addressed in deeply psychological terms in A.B. Yehoshua’s Mar Mani, a novel measuring the growing costs of such a divide, which attempts to peel back the historical layers of mapping a personalized Jerusalem among Mediterranean Jews and Jews of central Europe–in ways that throw into relief the intensity of a psychological concentration that takes the holocaust as its justification for the fulfillment of a Zionist project for retaking the Holy Land and settling long stateless Jews in a Jewish state.  While often cited as a justification for the existence of Israel as a state, Yehoshua includes the genocide of the Second World War in his novel about five generations of a family who settled in Jerusalem, but throws the history of their tortured relation to place in a far broader

The border boundary that divides Jerusalem is increasingly taken as emblematic of an utter divide between populations, illegal and asserting itself to be a concrete evidence of the application of the law:  the boundary wall seems to deny any past habitation and any past, to create a new realty of borders, even as it seeks to affirm and inscribe a new divide in the city, even if under the pretext of protection from terrorist attacks.  But the broad historical conflicts of claiming Jerusalem as a Jewish city–even in the face of a Palestinian majority presence–and ruling it as a sovereign part of a Jewish state, rather than one the acknowledges its multiple ethnicities, conceals the tortured relation to place that is the result of denying any voice to its original inhabitants.  Building the boundary reminds us of the existential quality to any line of partition, and the deep effects with which it immediately effects the place and its inhabitants.  The wall, one might say, stares back at the man, sheer concrete without any sense of history or human habitateion, to protect the area extending past the Green Line as if to fix its future movement in the historically shifting map in stable terms.  This unstable map–which seems poised to be shifted once again, for national gain, in the 2017 annexation of the new construct of “Greater Jerusalem” including settlements along the West Bank, transforming a place previously without integrity to fulfill a prophecy of the “expansion” of the city as a part of the Jewish state, using a term of false if apparent neutrality to conveniently conceal and not account for the historical presence Palestinian inhabitants of the same place.

The wall is a remapping of history, and human habitation, after all, and a defense of claims by the Israeli state, built as if concretizing a timeless prophecy, and built as a timeless construction.  The remapping of space and the space of Jerusalem seems the subject of the e classic novel of A.B. Yehoshua about six generations of a Jerusalem family whose intent to throw the immediacy of the current conflict into historical relief continues to have bearing on the apparent absence of population in the retracing of shifting boundaries and the claiming of sovereignty over lands that, in the historical myopia that sees the utter tragedy of dehumanization of the Holocaust–or the condition of statelessness–as the fulcrum for its foundations if not the justification of its existence, but removes its borders and boundaries from history or from the land’s inhabitants, by cartographically declaring it to be an almost timeless truth of territorial advancement and an iconic image without need for an explanatory legend.


Shifting borders.png


The Palestinian man who pauses as if processing the unlitateral imposition of the boundary struggles to read its place in a spatial map in a city that has so often been remapped, and remapped seems to try to undo the extent to which its sheer concrete seeks to erase any element of contingency within its overlapping pasts, or any alternate  future.  The Palestinian who so wistfully regards the wall of sheer concrete bisecting Jerusalem’s West Bank, he seems to question from his hill-top perch the possibility of return to a homeland and his reconfigured relation to place by being walled off from his former homeland, as if looking on the ancestral lands which were tended by members of his family, without an ability to make legal claim to them:  the problematic issue of the transmission of a relation to place, and the construction of a Jewish nation of fixed boundaries are examined in affective terms in the powerful 1993 classic novel Mr. Mani, where the negotiation with the psychic power of the ties to a bounded nation become both the starting point–the first of five dialogues is set during the offensive Lebanon War waged in defense of the safety of Israel’s northern boundary–and unpacks, onion-like, the psychic relations over a long twentieth century about the effects of the unilateral practice of boundary drawing not on the Jewish state, but its inhabitants.

To begin from the image of the most recent boundary wall of the Separation Barrier starts to unpack the relation to place that the novel explores from a point after it was written, but that includes a Palestinian perspective in its unravelling of a genealogical transmission of a troubled relation to place.  The pain of exclusion, despite international media attention, has rarely been captured as a trauma of the Jewish state, but the map that it creates of Jerusalem’s new boundaries–and the boundedness of the state of Israel by the Israeli military–demand to be situated in a map not only of borders, but detail the pain of their creation, and the psychological relation to their imposition.  As Ursula K. LeGuin has noted that “The worst walls are never the ones you find in your way.  The worst walls are the ones you build yourself,” the Separation Barrier is an attempt to define the boundaries of settlement along the West Bank, whose electronic fences, concrete barriers, observation towers, lookouts, and armed patrols block movement in ways deemed a violation of international law–but has provided a new boundary line by which Israel has laid claims to the West Bank.  (For a clearer focus on Yehoshua’s novel and its illumination of boundary-drawings, readers might do well to skip ahead to later sections of this post,  §12-14 and especially §14-30.)

The Barrier lays claims to the integrity of Jerusalem.  In ways that affirm impassible structures for Palestinians across roads and routes to travel, it is both a confiscation of lands and an important claim to possession of lands of fixed boundaries  It creates a state of amnesia of former claims to homelands–or of lost relations to land as the Israeli state increasingly redrew its boundaries form the first U.N. Partition Plan after World War II in 1947–in ways that have increasingly redrawn the defensible boundaries of Israel’s birth or emergence as a ‘modern’ nation of fixed boundaries, which, as it has grown in proportion to the disproportionate population growth of the region–albeit the four-fold increase of Jews is met by a five-fold growth of Palestinians.





How was the Jewish nation created as a Nation but in the unilateral imposition of new boundary lines?  The settlement of Jerusalem has recently taken its most violent form of remapping in the creation of a wall that cuts off Palestinian residents from their former homelands.  But the deep drive to remap the city as a new homeland for the Jewish nation after years of exile has created a problem of exile of its own that demands to be mapped less in terms of the historical imposition of constantly revised borders than the untenable nature of the continual remapping of Jerusalem’s settlement and identity in unilateral ways, as if the promise of mapping did not have to account for or respect the demographic entanglement that increasingly defines the region, but which its maps have been designed not to preserve–and increasingly to serve the interest of defining and defending the territory of Israel as a nation-state.

The Israeli Separation Barrier that increasingly divides Jerusalem remaps relations of Palestinians and the Israeli state in an increasingly provocative and fraught ways within the Holy City, by openly redefining an individual relation to it as a place.  Organized by a network of checkpoints, ID controls, and incursions into land that was once Palestinian, some fifty years after the unification of the city in the Israeli state was defined by the 1967 war, the sheer concrete wall built to unilaterally and definitively remap the region continues to the remap–and mishap–the relation of the state to the country’s inhabitants.  The historical purpose of the Separation Barrier was indeed to remap the city of Jerusalem and its safety in a Jewish state, at a remove from its Palestinian residents.  Such a forced remapping was explicitly acknowledged by Israeli Prime Minister Ariel Sharon’s on senior advisors as seeking to “give order to space” on the eve of the Wall’s construction, able to reshape how “people relate to places” in a region where human relation to place is not only very sedimented but particularly strong as it has been contested for so long.  The framing of a new relation to place by such open boundary drawing does not arise from precedent–or from being passed down across generations–but elevates the cumulated effects of boundary drawing designed to protect and exclude.


Greater-Jerusalem-2009.jpgSeparation Boundary or “Security Fence” in red; greater Jerusalem outlined in blue; the historical Green line of 1948-67/palmap, 2009


The almost compulsive redrawing of the boundary lines on the map, while often seen as a continuation of Zionist principles or Zionism, suggests a new notion of the nation of fixed and defensible frontiers, distinctly unlike the Jewish nation that was transmitted in the diaspora or that was nourished in the nineteenth century: and the novelistic unpacking of the transmission of a deeply affective tie to that nation is the subject of the five generations of the Mani family encountered in the isolated dialogues in A. B. Yehoshua’s 2009 Mr. Mani, which places the even if it was written before the creation of the Separation Boundary redefined the geography of Jerusalem.


1.  While often presented as the extension and culmination of a scriptural claim to inheritance, the transmission of a legal notion of the nation demands examination as a transmission of a shifted notion of the nation, and the excavation a generational sense to the increasingly defined boundaries of Israel as a Jewish nation–and the sentimental or affective relation to the boundaries of the nation as lines needing to be defended to ensure that nation’s safety–demand excavation as a deeply affective relation to place, transmitted less in legal or logical terms, than as a deep-running mental map framing a relation to place that is fashioned and reconfigured across generations more than transmitted whole.  Although the Separation Boundary that maps a relation between Israelis and Palestinians in blunt terms–“us here; you there”–is argued to be a Zionist principle and precept, but exist as an effect of a sustained drawing of boundaries less as lines that were crossed, or could be crossed, than as mapping a nation able to be militarily defended with its own deep psychic effects.  While the Separation Boundary is a new rewriting of the defense of these boundaries and of a psychic attachment to place, drawing boundaries in ways Israeli novelist A. B Yehoshua early tried to excavate what he saw as attempting to contain tensions by framing and codifying a fixed relation to a space of settlement.  The expansion of settlements around Jerusalem through 2011 that the Barrier seems to defend–


Population increases in Settlement areas around Jerusalem.png


While the Separation Barrier authorized by Ariel Sharon as a means to define the border between Israel–and of Jerusalem–to the West Bank eroded the justice of Palestinians and their place in the Israeli state, it created a new height for this redrawing of boundaries.

John Berger argued, in a short 2002 essay on borders, reprinted in Hold Everything Dear, grew after the events 9/11, as the building of walls came to constrain movement; the activity of wall-building was observed by Berger  to be tied to an emptying of language about homelands–such an emptying was “the essential activity of the building of walls–walls of concrete, of electronic surveillance, of missile barrages, frontier controls, and opaque media,” he argued–that reinstated once fluid boundaries across which people moved through lived space along territorial oppositions, invested with inflexible legal authority that obscured the absence of legal precedent.  The Palestinian who watches the newly built boundary of Israel, and contemplates the authority of its presence in his life in almost existential manner, poses a question of mapping a personal relation to space and place, as well as providing an emblem of the exclusion of Palestinians from the land they once inhabited.  For if the drawing of new borders undercuts the long process of the historical negotiation and renegotiation of borders, creating a deeply dangerous sense of historical amnesia, the erosion of the past habitation of space seems deeply weakened by the relatively sudden imposition of this sheer concrete boundary–first called a “barrier,” to acknowledge its role in obstructing the motion of populations, if to downplay its constructed nature, by tractors, but in ways that obfuscated the separation of Palestinians from their lands, so much as the act of segregation it created by treating its construction as a means that “gave order to space” so much that it would become the new “reference line” for all future negotiations, whose monumental would over-write previously negotiated maps.

But isn’t it also a line of exile?  If so, this sense of exile demands to be mapped as the genealogy of a complex spatial imaginary.   Created in the name of security, and in an age of globalization designed to erase boundaries and barriers, the rise of the barrier has deep needs to redraw the occupation of territories despite the lack of legal precedents.  First termed a ‘fence,’ and then a ‘wall,’ erases the deep psychic effect of the eight-foot tall sheer concrete Barrier with four-meter ditches dug on either side, a no-man’s-land monitored throughout by electronic surveillance, and the insurmountable division between place and alienation from place it creates.  Studded with twenty-foot observation towers every two hundred meters, the massive military investment in its construction is a remapping of a city that was once multi-ethnic, and is increasingly referred to in the news as an “apartheid wall” if far more commonly termed a “security fence,” “security wall,” “separation barrier,” and “separation wall,” or even mystifyingly cast in an odd litotes as a “concrete fence.”

The persistence of linguistic confusion underscores Berger’s point:  while designed to be disinterested in language, the creation of the Separation Boundary by Israeli Defense Forces is designed as a categorical division of the holy landscape.  If walls are built all over the world an illusion of security from Berlin to the West Bank, the size of the Separation Barrier, over four times as long and over twice as high as the Berlin Wall, obscures the absence of legal precedent in its creation of a new cartographical reality.  For it serves to cut residents definitively from their lands by a remapping of classical proportions that interrupt daily lived experiences and claims to land in ways that are not able to be ignored for those who live there.


nigelwallstory483Wall around Qalqiliya (August 1, 2003)/ The Electronic Intifada


allthewallsGuardian (2003) (interactive map)


2.  The deeply alienating function of the eight-foot tall Separation Barrier creates deep psychic consequences and ramifications unable to be ignored.  It could only be regarded with some resignation, and anger.  Rewriting the border is only the most recent sovereign defense of Israel as a state and territory building boundaries to defend Jewish claims to settlement that revise earlier national bounds, affirming possession of lands.  If they are argued to echo the experience of exile ritually transmitted among generations in the Jewish nation, the experience of galuth long mystically interpereted and understood as an exile from God, and a removed promised land and deferred promise,  as if long prepared to be inhabited, the depth of psychic inheritance suggests a much more complex remapping of lands, mapped less as a direct inheritance than an oddly amnesiac transmission of spatial imaginaries of exile, running against the demographic realities of the entanglement of local populations, and intended to assert new security needs.  Rather than it reflects the repeated traumas of the transmission of practiced movement across and outside boundaries, the Separation Barrier is rooted in the creation of an erasure of personal experience:  the monumental separation barrier is not a “natural” reclaiming of place, but works in traditions of the remapping of the Holy Land as a region of settlement and residence, and its fortification as a borderline by Israeli Defense Forces removes residents from their homeland, as much as recreate a a sense of exile–rather, it recreates the deep pain of ignoring residents that has been transmitted among generations of settlers of Jerusalem.

As Scholem identified the pain of exile in the nineteenth century that was interpreted as an exile from God, the pain in the figure perched contemplating the sheer unscalable concrete of the Separation Barrier from the nearby hilltop, is far more concrete:  he sits in mute dialogue with the reshaping of East Jerusalem; as much as he is consumed by the pain of staking a return, he resents claiming a national identity of fixed borders.   If the sense of exile was transmitted across generations, as a psychic inheritance, the Separation Barrier cannot be so clearly mapped, but shares psychic roots in a clearer spatial imaginary.  As much as it can be symbolically excavated as a relation to God, the psychic relation to the mapping of territories of the Israeli nation across generations were a theme mapped by A. B. Yehoshua , an activist and member of a old Jerusalem family, invited viewers to reflect in his 1990 novel Mr. Mani, which moves across five generations from the present to earlier eras of mythical proportions in the framing of Israel as a nation of fixed frontiers, from Israel’s 1982 Lebanon War, where Israeli Defense Forces first openly defended Israel’s northern frontier as a nation.

Instead of mapping a psychic inheritance of exile, Yehoshua’s meditation on the five Mani men map in tortured ways the defense and definition of these boundaries as an artifact of the state.  Rather than being cast in terms of a genealogical transmission of a lineage with a promised destiny, the tortured history of the declaration of boundaries emerges across five chapters or books each set in historical moments receding in time that raise questions about the naturalization of the boundaries of the Israeli state and the contradictions of the definition of Israel as a nation and the transmission of ideas of the Jewish nation.  Rather than provide a continuous history, the specific moments of each one-sided dialogue with five male members of the Mani family, or framed as reminiscences of dialogues with Mani men, has the effect one only gradually appreciate of inverting of the transmission of knowledge from father to son–haged or story-telling to meet the injunction of telling the story between generations long cultivated in exile–by suggesting how deeply rooted is the pain of settlement among Jewish families as they emerged from the diaspora, in ways that map an extended historical reframing of the history of settling Israel–a post-modern pentateuch.  While the inspiration of this structure may be partly happenstance–Yehoshua was of a fifth-generation Jerusalem family, but the interlocking structure of their testimonies offer a genealogy of the nation–and the sense of a nation–the uncovering of the psychic relation to the map that emerged from the late eighteenth century, as much as the galuth cultivated in the diaspora, created a relation to national boundaries of which the Separation Barrier may be the result, and the most painful inheritance of a deeply fraught relation to place.


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The Arid Region of the United States and its Afterlife: Beyond the 100th Meridian

The map may not be the territory.  But it powerfully orients relation to the territory–and to the presence of water in the land, as well as the land itself.  Indeed, the mapping of how the “Arid Region” of the United States could be settled by John Wesley Powell created as the second Director of the United States Geological Survey, a post he held from 1881–1894, but which he had first expansively described in 1878.  The United States Congress followed Powell’s recommendation to consolidate the western surveys into the new U.S. Geological Survey, and he long sought to create a map capturing the fragile water ecology of the American West.  The completion of his classic report on the region first suggested a new relation to the distribution of water in the region in ways that would best serve all of its residents, and in his later map, he tried to articulate so clear a relation to the region’s future settlement.  Powell’s view on the need for systematic irrigation of the region stands in almost polemic relation to the place that the western states held in the spatial imaginary of the Homesteading Era:  indeed, his insistence that led to the charge to undertake a systematic irrigation survey of lands in the public domain of the wester United States in 1888, long a topic for which he had agitated, and his map of the region reflected a demand to integrate a topographic survey, hydrographic survey, and engineering survey of the region.  Perhaps the map offered a new sense of the territory, if “territory” includes the waterways that would be able to adequately irrigate all open lands.


Arid Region of US


For the reception of Major John Wesley Powell’s attempt to map what he called the “Arid Region of the United States” reveals both he difficulty in mapping the relation of water to the land, and the appeal that a piece of paper might gain over time.  The detailed map provided something of a ground plan and register of how the arid region might be best inhabited, and of the relation to the land and landwater of a region’s inhabitants.  And it provides an early recognition of problems of water management and distribution in the western states–captured in its naming simply as the “Arid Region” as if to set it apart from the plentiful water in other regions–that later eras began to appreciate in ways that Powell’s contemporaries were less able to see in his ambitious attempt to reorganize the management of its regions around its multiple inland watersheds that he had hoped to canalize.  For Powell’s ambitious 1890 remapping of lands west of the 100° meridian in the United States tried to encompass their unique aridity and to pose a solution for its future inhabitants with special attention to its drainage districts–as discreet riverine watersheds.


Arid Lands ReservationsArid Region of the United States (1890); detail


The best practices that motivated Powell’s map as a basis to orient the government to the land’s groundwater.  The distinctive scarcity of water in the western states became evident in a time of sustained drought, giving unexpected currency to how Powell’s map reoriented readers to the “Arid Region of the United States.”  The brightly colored map to which the explorer, geographer, and anthropologist not only dedicated an extreme amount of attention in his later life, and of which he became something of an evangelist, suggests a early recognition of the scarcity of water and its management, in an era when there is a specter of considerable anger around poor practices of water management in much of the western states, tempered by an expectation that groundwater would be available for farming and irrigation.

The rivers in the United States are quite widely distributed, leaving much of the western plateaux at a distance from riverine waterways–


Western Rivers.pngTim Sinott


–and the image of Virgin Land so deeply ingrained across that regions settlement that its unique character of low rainfall and widely dispersed water sources was erased in the spatial imaginary which replaced the detailed map Powell of the administration of groundwater in the western states that Powell had created with his surveying team as a guide to the region that he knew so well, and which he sought to communicate when he became second director of the United States Geographical Surveys (1881–1894).  The governmental office did not give him authority to organize , but to create a new map that might better organize the nation to the lesser rainwater in what was known as the Great American Desert.  For Powell attempted to re-orient homesteaders to the imperative of western migration through the map, by organizing water administration and the future prospect for canalization in order to grow prospects for the irrigation of the region and its future farmlands that have considerable ethical power to speak to us today.

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Filed under climatology, data visualization, drought, environmental stewardship, water management