Tag Archives: military maps

Order on the Border: Prologue or Retrospective View?


Border security was the hallmark issue of the Presidency of President Donald J. Trump–as of his candidacy–that proudly foregrounded a specter of racial division. The promise to expand the fences that had been barriers along six hundred and fifty four miles of bollard, chain link fences, and even helicopter landing pads that were military materiel from Vietnam were to be expanded to a continuous wall by the man who, Ayn Rand style, promised he was master architect and builder of a border security system, in hopes to get the costly concrete wall he imagined would be perfect for the border built. He won election in no small part because of the assurance “I’m very good at building things,” first and foremost a wall to Make America Great Again. The President who disrupted conventions of government by provoking a government shutdown in 2019 resisted the prospect he would “give up a concrete wall” in government negotiations, Chief of Staff Mick Mulvaney reminded the nation, and in visiting Alamo TX, on the eve of his departure form office, he seemed to be affirming the presence of the wall he wanted–he never wanted to have to “replace it with a steel fence” back in 2019–and to affirm the centrality of a concrete wall to the nation he ceased to lead.

Trump’s visit to the US-Mexico Border paid final homage to the achievement of building a border wall that was indeed of concrete and reinforced steel core seemed to create a shrine for an image of the border rooted in white supremacy, and no better site for such a shrine seemed to exist than Alamo TX. The very name of the border city in Texas few had ever heard of before it was designated as a site to salute the completion of four hundred miles of Border Wall near the Rio Grande Valley evoked a society based not only on the state’s funding of border defense, but a nation that was “founded, nurtured, and financed” on White Supremacy, as Ta-Nehisi Coats put it long before the Trump Presidency. In visiting “Alamo,” the outgoing President was not only visiting the border. He was affirming the centrality of the border wall as a monument to his followers, a memorial to border protection that was a dog whistle in its name. For the hybrid constellation of an “Alamo” along the Border Wall elevated the symbolic value of the southwestern border of the United States as if it were a battle-line to fight for the permanence of a color line long fundamental to American democracy, but long denied as a brutality of racist ideology naturalizing a social hierarchy in ways that were enforced by state power. If the visitation of the border provided a recurrent site for Trump to affirm his candidacy, Presidency, and indeed to wield and exercise executive authority by appropriating billions on the construction of a border wall–without even knowing if it is effective–the border wall articulated a vision of state.

The Border Wall was an icon of the Trump Presidency, a prop for his public political persona as President of the nation, and a site of illustrating the commitment to the defense of borders, fulfilling the syllogism there are no strong countries without strong borders–or that, per Ronald Reagan, “a country that cannot control its borders is not a nation”–as if the border were going to vanish from the map. And when Trump visited Alamo, eight days before leaving office, in a choreographed speech, he elevated the Border Wall to a spectacle. The visit on the surface sought to reprise a bond with the American people around construction of a Border Wall, and which he was proud at having allocated–or wrangled–$15 billion that the U.S. Congress had never appropriated. Designed to slow migrants and smugglers from crossing the border, but a token of an expanded system of border surveillance from helicopters, river boats, aerostatic blimps whose radar systems are Customs and Border Patrol’s “Eye in the Sky,” and military jeeps, and an archipelago of incarceration in detention facilities that deny migrants rights. But the concrete bastions he visited on the Rio Grande affirmed the spectacle of border defense. “The spectacle proves its arguments simply by going round in circles: by coming back to the start, by repetition,” as Guy Debord argued, “by constant reaffirmation in the only space left where anything can be publicly affirmed,” and the reaffirmation of the spectacle of the border seemed to ahistoricize and perpetuate the border wall as a defensive monument, refusing to obliterate and elide it from national memory, by eliding it with the border defense of Texas, before Texas was a state.

The visit to Alamo provided a fitting stage for the final lap of a “Promises Kept” tour, as it reprised the hostile border as a part of the American imaginary. Trump long claimed. that without borders. or border enforcement, “you don’t have a country,” as if a reinforced border was a needed affirmation of national security and identity and indeed–at least semantically–nationhood. He sought to summon dignity at the border, days after the fiasco of the insurrectionary staging of an assault at the U.S. Capitol, and warn then-President-elect Joe Biden not to destroy the wall lest he undermine immigration policies crucial to the nation, and erode the border to bring “calamity” to national security at the site he had long declared a national security threat. Seeking to both stop time, refocus national attention, and conflate myths of national identity at Alamo, the dog whistle of a defense of security at Alamo TX placed the border wall in the national mythos, to stay the prospect of these sections of concrete wall and levees from being dismantled, to keep alive the story of wall-building that he had long promised to the nation as he left office, casting it as a heroic effort of national defense and construction project that he had presented himself as the Presidential candidate as uniquely suited to create.

In the final hours of the Trump Presidency, with only four hundred and fifty miles of the border wall built, lest it be reduced to Ozymandian fragments for visitors to look upon his Presidency and despair, Trump visited the poured concrete wall at Alamo, TX, as if to greet the final testament to the achievements of his Presidency and to unveil to the nation completion of the legacy of his Presidency, as if it were a final campaign stop. Visiting a small section of Border Wall mounted on concrete levees around the Rio Grande became an occasion to reprise his commitment to national security, and the culmination of a heroic struggle of border-building and defense of the nation’s territory. The heroic struggle seemed less so, in the shadow of the tragically empty theater of the Capitol Riots, but perhaps it was the memory of his legacy he felt most able to leave: it served to epitomize the difference of “us” from outsiders, in a way that might better play to the nation than the raucous display of angry identities of flag-waving separatists, and set the tone of framing an ongoing future Presidential campaign, praising the Caesar-like monument for which he had secured federal funding, and insisting it would never be buried in the public imagination.

Indeed, among the colorful flags waved with exultation on January 6, 2021 that incarnated a social body excluding the entrance of African Americans or migrants into the nation, from Confederate Flags to III Percenters, angry at any change inclusion in a social contract that had persistently excluded those marked by ancestry and melanin from the state, the prominence of flags waved at the combat around the inaugural stands by MAGA shock forces of militia groups who cast the nation as white treasured the mythic defense of Tejano lands by militia at The Alamo as a foundational historical precedent and basis for “keeping America great,” embracing the image of The Alamo as a war that was fought both for liberties and for racial hierarchy against Mexican troops–an image nurtured not by the state, but by the powerful cultural currency of The Alamo in Hollywood as a proxy for a race war.

Even if the 2020 Presidential campaign was effectively over, the values of white supremacy that had long forged the alliance of pro-Trump separatists and deniers were kept alive by what seemed a hastily engineered visit to the border town of Alamo TX. After an incompetently ineffective summoning of minions to interrupt the counting of electoral votes by Congress, and to create a legacy for his Presidency, visiting Alamo to affirming a border wall as a monument built to keep “undocumented” Mexicans out of the United States, destined to survive even if his Presidency ended: insisting on a specter of the dangers of cross-boundary migration for America, the visit seemed perfect stagecraft for asserting the timelessness of the border wall as a legacy of defending the nation’s borders at a new Alamo, as insistently as AK47s were historically conflated with the role militias to “repel . . . danger” in 1788, and its ratification in 1789 as guaranteeing a “Right to Keep and Bear Arms.”

On his final state visit, six days after the insurrection, Trump seemed to steer national attention from the danger of domestic terrorists ready to assault the U.S. Capitol in combat gear to a racial specter of invading migrants, criminals, rapists, and seekers of asylum, collectively invested with criminal intent. As Trump had long presented the border wall as a site of military engagement–perhaps even of armed forces–the visit to McAllen and Alamo provided a means of continuing to fight the same battle over national identity, but to fight it at the border wall. The President had concluded his presidency by disrupting conventions of governing again, by refusing to recognize the popular vote’s results and inciting a riot that invaded the U.S. Capitol by minions waving flags from the lost campaign, which they insisted was not over, amidst an inverted American flag of distress, which militia groups had been regularly raised in protests about counting votes and ballots with accuracy over the previous months in Wisconsin, Georgia, Michigan, and Arizona, and has been displayed in discontent at the outcome of Presidential elections since 2012.

People rioting on the west side of the Capitol with Trump flags
Pro-Trump Protestors at West Side of U.S. CapitolThomas P. Costello/USA Today via Reuters

The sense of distress of the inverted flag that one protestor held signaled, in no small part, fear of failure to complete a continuous wall of two thousand miles in the desert promised to keep undocumented barbarians out of the nation. And as the center could not hold, days after the riot or insurrectionary attempt to end the certification of the electors, Trump concluded his Presidency in what might be a valedictory visit to the border as a site of materiality, as if to prove that it could hold, if his presidency could not. The intent to mythologize the border as a material statement of state power, and as an imaginary of the nation, was underscored by the visit to Alamo, TX–

Donald Trump Reviews U.S.-Mexico Border Wall at Alamo, TX Tuesday, Jan. 12, 2021
(AP Photo/Alex Brandon
)

–that recast the visit tot he border wall and concrete levee of the Rio Grande River as an occasion of state, and indeed a military event, to identify himself with the commitment of funds reallocated for the military budget to commemorate the construction of four hundred and fifty new miles of brand new wall along the southwestern border. Did President Trump imagine that doing so would enshrine the monumental status of the border wall would be elevated to the image of national defense? Although many had scoffed at his purposeful diversion of military funds to create the wall, which was not allocated funds by the U.S. Congress as Trump had demanded, the visit sought to cement the border wall in a project of military defense, assisted by the striking historical memories of the battle between Texian revolutionaries and the Mexican government in what later became Texas, in a battle that first redefined the US-Mexico border. If the Battle of the Alamo was famously lost by insurgents, it was thel Lost Cause: the often recited memory of the loss as an affront and injunction anticipated nationalism, and would inspire the Texan Revolt that led to the formation of Texas as a Republic; the line of the Rio Grande that Texans compelled the captured General Santa Anna to order the Mexican Army to retreat in 1836 below, nearly ten years before Texas was annexed as a state, created a new “line in the sand,” now drawn far South of The Alamo, and in the border town of what would be Alamo, TX. Indeed, the Texas flag of a militia, with the bronze six caliber “Gonzalez Canon” Spanish munitions seized by Tejano revolutionaries conflated arms, right to enslave, and defense of the national border–reprising the 1835 battle cry of Tejano colonist militia as a defense of ancient liberties with modern militia’s defense of bearing arms, in one of the most popular flags sold online during gun control debates of 2015, and a popular patch for militia.

Flag of Gonzalez Canon at Texas State Capitol

The “line in the sand” demanded no real logic or precedent or land claim. Its cartographic virtue lay in its simplicity: as a line drawn in the sand, traced by the drawn sword of Col. William Travis or by a Texian boot before infantry or soldiers, to incite them to battle, or even as a battle cry, the line required no real justification or legal precedent, or international recognition. This was not a line in the sand, but a wall in the sand, on a concrete pediment, dotted by American flags, lest we forgot who drew it, to sanction the cartoraphy of the border as a state affair, worthy of being the final public or private event of the Trump Presidency, affirming the crudest cartography of all: the line in the sand was invoked as the crudest technology of border cartography, and was the crudest of archeologies of the border, an assertion whose logic demanded no justification, but provided its own triggers of nationalism and national pride, and demanded no justification but could be unilaterally affirmed. A line in the sand could be drawn where the man who drew it, and determined as a line of defense.

As a myth, it demanded no formal explanation as a claim of sovereignty, but was affirmed by a simple signature, in a final signing statement bequeathing the legacy of the Trump era to the nation–a dog whistle, more than anything like a legal act. Was the cartography of the border an appeal to a mythical notion of national distinction, conjured to being to fabricate clear distinctions one wanted to call into being on a map? If this was a symbolic and performative act, the erection of the wall Trump sought to take responsibility and to celebrate, as well as to deny American reliance on immigrant labor, was designed to demean Mexican claims to sovereignty and elevating an oppositional ethnonationalism by building a wall along that line, in implicit reference ot the line drawn in the sand by the ragtag militia of defenders of The Alamo.

President Trump signs border wall plaque on Jan. 12, 2021, in Alamo, Texas
(Border Report Photo/Sandra Sanchez)

Trump seemed to salute the wall to turn his back on the abuse of Immigration and Customs Enforcement officers, and rather to praise their service in to the nation as he toured the border wall on January 12, at the same time as over two million people were on the border, seeking to migrate across it, 60,000 having been returned to Mexico from Texas, to wait for their claims to be processed in camps. For Trump desired to recast the border wall as a historical achievement of Making America Great, turning a shoulder on the institutionalization of family separations, crowded and abusive conditions in ICE detention centers, and overwhelmed immigration courts. “Building a massive wall that spans the entire southern border [of the United States] is not a policy solution,” President Biden would soon proclaim on his first day in office, pausing construction work on the wall and calling for a reassessment of the legality of its construction.

In declaring a “National Emergency Concerning the Southern Boundary of the United States” in February 2019, Trump would diverted billions of dollars to the construction of the border wall, he fiction of the boundary that Trump sought to affirm in his visit, and had demanded in unilaterally fortifying the border as a subject of national defense, in treated as a National Emergency, rested on the need to “protect” American security, demonizing how migrants stand to “put countless Americans in danger.” shedding American blood and taking American jobs in order to redirect $8 billion to the border wall as a boundary that needed to be defended for national interests, without legislative oversight.

The legitimacy of the border was, of course, deeply engrained in our history and tied to our national mythos in ways that Trump was keen to exploit by staging his final signing visit to a section of border wall in a town called Alamo: as a Representative to Congress, Abraham Lincoln, later no stranger to the loss of life to determine national borders, detected the “sheerest deception” on the part of then-President James Polk in blaming the aggressiveness of Mexican soldiers across the Rio Grande as part of a campaign to admit Texas to the Union as state that would expand territories tolerating slaveholding: rebuking the mythic sense of the Rio Grande as a frontier of the nation, the barrier across which Spanish troops were forced to retreat in the aftermath of Tejano insurrectionists motivated by their loss at The Alamo, Lincoln doubted whether unquestioned acceptance of the Rio Grande as a frontier could serve as a basis to declare war: to rebuke charges that Mexican aggressors had crossed the Rio Grande to shed American blood, and rebuking the necessity of a national military reprisals against Mexico as inevitable–given that the determination of the boundary was contested. But the image of the “line in the sand” that gained incredible affective power as a statement of revolutionaries and in the Mexican-American war, provided the crudest of notions of the border’s stability and indeed of the border wall, not needing any precedent in law or in a mutual accord, but oddly naturalized into the landscape, at home within the construct of manifest destiny far more than in the legal record.

The fiction of locating the boundary line of the nation at the Rio Grande was a but a convenient invention, Lincoln had insisted back in the 1848, as it was, while asserted by Texans who looked to military treaties they had dictated for confirmation of their inclinations to take land, able to be manufactured as a sharp-edged mental construct of affirming value. The border of the Rio Grande’s course, Lincoln had observed, was claimed on paper by Texas as a western boundary for reasons of self-interest, but never internationally recognized as binding,–and had indeed never recognized by Congress as a question of American jurisdiction. Rather than accepting the groundless claim of a sitting President that “the soil was ours, on which the first blood was shed” in the Polk administration, eager to avoid a needless war, sending an army to fight with those Mexican resident who themselves never submitted to American sovereignty, Lincoln in 1848 found little in the historical record to accept the Rio Grande as the “boundary” of the nation, based on a unilateral declaration of the State of Texas, let alone as a binding basis for a cause of war between Mexico and the United States based on aggrandizement. Lincoln in 1848 sought to query the grounds for defending a boundary lacking mutual agreement as a boundary to be defended by American military. But the defenders of the Alamo, Travis, Crockett, and Boone, have been celebrated as patriots of Texas, and as defenders of a white tradition in recent years, as the Cenotaph in which their ashes were said to be translated in 1936 were defended by the Texas Freedom force, who in May 2020 urged members to “Defend the Alamo & Cenotaph if the need arises,” seeing the Cenotaph, as the statute of Col. William Barrett Travis, sword’s point touching the ground at his feet as he struck a pose of public oratory, on a plinth on the old Mission grounds, in Travis park, as symbols of national defense to be guarded against vandalism.

When Lincoln distinguished the international boundary line from where states claimed jurisdiction, he questioned the validity of unilateral assertion of a boundary line. Veneration of The Alamo elevated the drawing of the sand as a sacred event, a shrine for the defenders of the fortress, whose ashes in the Cenotaph have created a powerful monument to Anglo defenders, Travis, Crockett, Bowie and Boone, beneath the commitment to “never surrender-never retreat,” recently celebrated by the white supremacist militia as the “This is Texas Freedom Force,” that has urged members to “Defend the Alamo & Cenotaph if the need arises” in late May, 2020, standing guard over the Cenotaph and the statue of Col. William Barrett Travis, commander of Tejano troops who defended The Alamo, holding his sword’s point on the ground as he struck a posture of public oratory on the grounds of the old Mission. While the statue of Travis on a plinth deferred the final results of the stand–the all-out assault assault ordered at dawn by Mexican General Santa Anna left all one hundred and eighty nine defenders of the Mission grounds dead, its facade reduced to war-like visage of ruins–the heroic defense was embodied by the line in the sand, the poweful metaphor of boundary drawing to which the border town Alamo gestured. And although Travis’ statue voted to be relocated from the landscaped park that was once part of the Mission’s grounds, the confederate monument sought to be relocated in 2017, it still stands by The Alamo grounds.

In declaring emergency surrounded by U.S. Border Patrol members, the primary enforcers of the border with ICE, the very men who who become his personal agents since their early endorsement of his candidacy, and who he later visited at Alamo, TX, at the end of his term. Surrounded by the border patrol agents whose number had hovered about 2,000 until 1985, whose number peaked beyond 10,000 by 2000, Trump celebrated a border that circumvented congressional appropriations and the law, provoking a spate of lawsuits from many states and environmental preservation groups, extending the declaration of a state of emergency at the border in February 2020, and again renewing it, as he left office, two days before Joe Biden’s inauguration on January 18, 2021.  President Trump was confident, playing it by the numbers, that lawsuits against the National Emergency only emerged from “blue” states he did not need to win to be reelected, counting on the border imaginary to be preserved.

The visit to Texas was an attempt to bolster that border imaginary, to the site where the greatest “immigration enforcement” efforts against refugee influxes had begun with deployment of a large, flexible, mobile Border Patrol Task Force, then in the INS, in the most severe “border build-up” in memory: “Operation Hold the Line” deployed armed Border Patrol officers along the border, along the McAllen Sector administrating the Rio Grande Valley, as Operation Gatekeeper grew along 194 border checkpoints to construct the first section of border wall on the western border, introducing a militarized border oriented toward stopping or physically halting the passage of unwanted migrants and refugees. If the San Diego initiative of “Operation Gatekeeper” evoked a mock-pastoral metaphor of the “gate” to cast migrants as animals, and mask the violence of migrant deaths–1,200 migrants died trying to cross the border from 1993-96, when it was in force, with the greatest number where Operation Gatekeeper was in force, as many more were detained as criminals. In parallel, “Operation Hold the Line” emphasized the placement of Border Patrol stations along the border, to compensate for perception of no coherent federal vision for the border management, to replace standard practices permitting migrants to cross the border before they were apprehended and deported, mandating continuous presence at the border of Border Patrol. Stationing Border Patrol across the border began in the lower Rio Grande valley, by a model of Border Patrol echoing Tejano defense of the line “drawn in the sand” at the Alamo, was later deployed at El Paso as “Operation Blockade,” staunching all cross-border movement.

The image of the defense of a “border” that existed as a “line in the sand” tapped a mythos of the Texas revolutionaries who defended The Alamo, a site of an old Mexican mission–a stone complex constructed by Spaniards in San Antonio as a Franciscan mission hat had, mutatis mutandi, become a garrison, for all of its Franciscan origins, venerated for its defense by Travis, as a line able to be drawn between the intermingling of Mexican and Anglo cultures, the mixture so intolerable it had to be defined along an edge. In rallying a small group of insurrectionaries hoping to defend The Alamo, and to extend the “rights” to extend plantation systems into Tejano lands, William Travis had drawn the “mother of all lines” in 1836 in the sands before the mission complex, perhaps the archetype of all maps of the southwestern border: in drawing a line before the assembled rag tag insurrectionary Anglo troops he would lead against the approaching Mexican General Antonio Lopez de Santa Anna. The line whose drawing is an archetype in all films about Texas gives narrative prominence to the defense along a line in American film, as if tracing an archetypal cartography as a topic of attention, tension, and crisis, that “visiting Alamo” seemed to seek to reprise for a President who was long in touch with television producers about choreographing his public appearances to present his political persona.

In a different cinematic key, outside the Trump canon of action films, John Sayles’ Lone Star referenced in the taunt of the owner of tire repair store in a border town who traces a line before his store to taunt the Anglo sheriff from across the border who is adamant in his cartographic convictions, “Bird flying south, you think he sees that line? Rattlesnake, javelina–whatever you got!–[once] halfway across that line, they don’t start thinking different. So why should a man?” The crossing by species of the border, especially at the rich and delicate habitat of the Rio Grande, stand in contrast with the lines that the American government has been increasingly insistent to draw, and that Donald Trump convincingly coupled to a display of national identity and a showpiece for Making America Great. Was it a coincidence that it was at The Alamo, according to the cheesy poster publicizing the Technicolor western epic written, directed and produced John Wayne, that the dangerous troops besieging The Alamo held Mexican flags, in what was openly mapped as a military confrontation at a border in terms of a race war, circa 1960, between latino extras and Anglo cowboy combattants, eager to hold their ground?

The image of the tactical defense of the walls of the old Spanish mission, since restored by the U.S. military as a shrine to national combat, has been memorialized in multiple dioramas emulating cinemascope as a historical struggle for identity, created in a recreationist model designed b Thomas Feely, has been recently expanded in a still more detailed diorama to incarnate the threat of Mexican troops flooding the walls of the citadel in San Antonio, showing at its central moment of dramatic tension the amassing of Mexican forces to breach the northern wall to show “how really doomed” its remaining defenders were as they remain to repulse the mass of armed Mexicans, placing 2,000 hand-painted pewter figurines in an dramatization of an action-packed version of this cartographically generational conflict, intended to replace the fifteen by thirteen foot diorama that already exists at the History Shop, just north of The Alamo. While such models are far from Alamo TX, the investment of the dramatic moment of history as an inspirational event–rather than a failed insurrectionary event–was channeled days after the Capitol insurrection, in Washington, DC, seemed to stage a dramatic pseudo-coup replete with its own historical myths, as if to affirm the inspirational value of the defense of the border as a national project.

Did the fantasy of a border that could be held again at The Alamo, or at least at the Rio Grande, create a powerful mental imaginary whose simplicity underlay the cartographic crudeness of the deep history of Trump’s border wall? Operations of controlling the border, as a fixed line, grew to hold an increasingly prominent place in the mental imaginary and mythos of border patrol agents near McAllen, as Border Patrol vehicles were increasingly stationed every hundred yards o the banks of the Rio Grande: as “Operation Blockade” reverted to “Operation Hold the Line” in El Paso, in the mid-1990s, it reflected the extension of the metaphor of a “line in the sand” at The Alamo to the entire border, and a basis for understanding the demand for “operational control over the international land and maritime borders of the United States,” borders that Trump would conflate with the identity of the nation. The expansion of Border Patrol Operations to stop migrant travel across the entire lower Rio Grande was amplified in the 2004 deployment of boats, fencing, and lighting along the banks of the Rio Grande to reduce migrants’ entrance across the border at a cost of $3.5 billion. The dream of instituting a “line in the sand” along the Rio Grande hoped that the invasive construction, amplified noise and lighting disturbed sensitive habitat and breeding behavior “temporarily” without adversity and “little permanent damage,” as if failing to consider the long-term nature of the “grand strategy” as it mutate into a multi-year project from 1997.

Border Patrol operations in the Lower Rio Grande Valley, Texas. Cartography by Eric Leinberger. 
Eric Leinberger/US Border Patrol Operations in Lower Rio Grande against Migrants, 2011

The expansion of both border patrol officers, 20,000 by 2010, mirrored the allocation of $7 million for steel fences across the border, which expanded to Trump’s public requests for $8 billion for a border wall likely to cost as much as $25 billion. The huge sacrifice to the nation of building the border wall existed not only in the squandering of funds, but the legitimizing of a mindset of criminalizing and detaining trans-border migrants–and discounting of migrants’ lives. Migrants detained during the Trump Presidency in holding facilities along the border or in detention centers were willfully administered without humanity or dignity by the Immigration and Customs Enforcement: detention centers were sites of systemic abuse, operating with impunity in a culture of “dehumanizing physical, sexual, and medical abuse,” in the eyes of one observer, left over-crowded as President Trump sought to make them monitory examples to migrants. “Look, this is tough stuff . . . I know we’d see a system that is overcrowded,” adding on Twitter, “Tell them not to come to USA– . . . problem solved!” “Where do these people come from?”

Trump asked with open arms at a pro-border wall rally in February, 2019, anticipating the Presidential challenge of El Paso’s Beto O’Rourke, stirring up anti-immigrant sentiment, but ignoring the daily violence at the archipelago of Detention Centers that were administered by ICE. The project of wall building however became a monument in itself, the logic of whose construction as a monument to the nation consigned to oblivion migrants’ fates by being recast and dignified as a military project, and a military struggle–an elevation of the building of the border wall to a struggle for national identity that was referenced in the reference to defending the border at the celebration of the completion of four-hundred and fifty miles of wall at an American border town called Alamo, where the line in the sand could be firmly drawn by blocks of reinforced concrete with a rebar core–presented as the completion of a promise long made to the nation.

Trump in El Paso: Dueling rallies show border wall support, opposition
MAGA Border Wall Rally at El Paso Texas, 2019

The policy separation of migrant families at the border began in late 2016, before Trump was inaugurated. It was extended without public debate over the policy, however, and dramatically escalated in Trump’s Presidency. If the wall concealed America’s dependence on migrant labor, it also concealed the extent of this rampant abuse of human rights. The systemic family separations at the U.S.-Mexico border expanded despite documentation of its abuse–there are many cases of losing, abusing, and even killing children increasingly detained in centers in southeast Texas–but Trump tolerated and shouldered abuse as he had directed attention to the construction of the border wall that was financed almost two years ago, with the declaration of a National Emergency as Congress refused to apportion $5.6 billion he requested for its construction, but a fifth of his original request, with the assertion that the nation faced “tremendous dangers at the border” that demanded a border wall, seeking to secure the desired funds without the congressional approval by hyperbole, to use funds apportioned for military construction projects to redirect to a border wall he cast as a project for American armed forces as the funds were not forthcoming–but meeting legal challenge as only projects in which American armed forces were engaged didn’t demand congressional apportionment, and as, it was widely noted, border apprehensions were in decline. The steep increase in detentions at the border was cast as evidence of the need to build the wall, as policies of detention and increased numbers of those detained by Immigration and Customs Enforcement created a sense of its increasing need.

But it was as true that the need for a wall as a shared cultural symbol grew to distract populations from the growing gaps of wealth, access to education, health care, and justice in the United States, and the growing wealth gaps between the super-wealthy and the rest diminished before the spectacle of the wall. The National Emergency was declared to secure funding for the border wall, concealing that the securing of the border was neither an emergency or a military operation, but a mythic redrawing of the border. Trump visited Alamo, TX in order to restore a timeless a mythic defense of the United States at The Alamo, linking the border wall with a mythic project of national defense, even if the defense of The Alamo during by Texian Revolutionaries was not fought at the walls of the old mission by the American government, but by the ancestors of the current vigilante groups and self-designated Patriots, who took in upon themselves to seize land that was Mexican–and under Mexican sovereignty–to claim it as part of the United States. The “Come and Take It” flags first flown as a symbol of defiance to Mexican soldiers in 1835 provided a false originalism that flew as it was elevated in the insurrectionary Capitol Riots President Trump had not distanced himself for several weeks; the defiant Confederate flag affirmed Second Amendment rights, and the President’s own rhetoric of “taking back the country,” familiar among militia.

Come And Take It': A Texan Symbol Of Defiance For Sale : NPR

The ease with which Trump described the building of the wall was in 2015 was confirmed by the visit to the border Alamo, by staging a revisionary and selective history of the border wall rooted in national triumphalism and American flags. Trump had convinced the American electorate building a wall across a border of almost 2,000 miles, extending from the Pacific to the Gulf of Mexico, across rugged topography was a piece of cake for someone so practiced in construction was itself a map-trick. Trump in fact possessed little sense of the practicalities of building in such terrain, and barely registered the scale of the problem save its effectiveness of a wall that would render the legal identity of the migrant opaque. Rather than dwell its logistics or practicalities, Trump had promoted the performative promise of constructing a border wall in his campaign–displaying pseudo-maps promising national security–whose simplicity lay in its denial of rights of migrant, a simplicity of evacuating rights by the border wall that was a subject of pleasure, an inspirational image whose financing he presumed that the office of the President would help waive established mechanisms of appropriating necessary funds.

The image of the fantasy wall bounding the nation, concrete punctuated by what seem hexagonal towers of surveillance, was attributed to “The People,” as a new embodiment of the nation, separate from international conventions or law.

What Trump owes his supporters, and now, the country | PBS NewsHour
2016 Presidential Candidate Trump Shows Border Wall Map Allegedly Given by 2015 Rally-Goer in Fayetteville, NC/
Johnathan Drake/Reuters

The fantasy of the border wall that Trump was offered at a political rally for his candidacy was completed at Alamo. The evocative name of continued resistance, and refusal to give up, was evoked by the place-name alone of one town near where the border wall spanned Hidalgo County that popped as a trigger for transmitted memory far more than the other towns the section of border wall passed near Ft. McAllen–‘Mission’, ‘San Juan’, ‘Weslaco’, ‘Mercedes’, and Brownsville, a frequent stop of border visit, and popped out of the map for some time. Plucked from the map, its prominence drowned the fate of migrants or the protected areas the Trump administration sought waivers to cut through from 2017, wrangled by 2018 as regions the wall was only permitted to extend by declaring a National Emergency at the border; Customs and Border Patrol waived environmental regulations in the Lower Rio Grande, as regulations preventing construction of border wall in protected lands were extended to the western regions through 2019. Was the Rio Grande Valley not a model for the waiver of environmental regulations limiting construction that President Trump long sought to wrangle?

Border Wall | Sierra Club
Proposed Levee Wall Constructed in Rio Grande Valley, 2017
Expanded Levees Proposed along Rio Grande Valley
Existing and Proposed Border Wall beside the Rio Grande River and Valley (2017)/Sierra Club

By late August 2019, the problem of extending the border wall and levees along the lower Rio Grande Valley still remained on Trump’s front burner, and the nagging question of how to extend these sections of existing border wall in a defensive line along the windy course of the Rio Grande near McAllen was a thorny question of securing needed exemptions.

As a realtor, Trump was habituated in the construction of hotels and golf courses to move around regulations and obtain special clearances with the ease he might move across the globe’s surface, and as he flouted regulations and Congressional approval by declaring a National Emergency in February, 2019, to circumvent budgetary approval, allowing himself to flout regulations as in the past. As a real estate promoter, Trump had mostly used maps to skirt regulations, gain tax breaks, tax-forgiveness, or debt relief, to generate much vaunted “gross operating products” to “pay as little in taxes as possible.” Tax-avoidance is the major strategy of wealth preservation of the ultra-wealthy, and the range of tax breaks that Trump gained in what constitutes as public assistance benefit all fifteen buildings at the core of his Manhattan real estate empire; circumvention of regulations of appropriation was the only way to achieve the building of the border wall, and was probably what Trump meant, if anything, when he argued that his expertise in building would allow the border wall to be publicly funded, even if he argued that deal-making skills would allow construction of a “big, beautiful wall” that no previous President had been able to deliver–and which demanded a voice outside the corrupt American political class.

Donald J. Trump, left, with Mayor Ed Koch, center and New York Gov. Hugh L. Carey, pointing to a rendering of what would become the Grand Hyatt Hotel, in June 1978. A crucial factor behind the hotel’s construction was 40-year tax break that has cost New York City $360 million to date.
Trump at June, 1978 groundbreaking for Grand Hyatt, Associated Press

The wall was a symbol of the popular mandate on which Trump promised to deliver, providing a monument of public safety no other president had been able to offer. The very narrative of its imminent construction had long offered a performative basis to save the Trump presidency, returned to several times as if it were a promise that was the basis of his alleged popular mandate and a demand for safety only he could meet or discern. If Trump clothed the construction of the wall and its funding in questions of border security, and the needs of economic and criminal security that he argued the lack of a border wall imperiled, arguing for the basis of domestic security to attract the broadest base, as an act of love–“you build a wall around your house not because you hate the people on the outside, but because you love the people on inside” (January, 2019), Tump was selling us a vision of domestic security akin to luxury living at a remove from the city’s sounds and diversity, concealing the economic dependence of the nation on immigration, and the violence of the border security apparatus, more costly, perhaps, if far less beautiful than the “big, beautiful wall” he promised.

Love? The wall emblematized an independence from international protocol or conventions, and human rights requirements, as a “line in the sand,” and was able to be drawn in the sand as the site to build the towering, opaque wall able to blot out what lies across the border, replacing the sovereign state with a model of border defense of earlier eras, eras predating sovereign claims we would recognize, and suggesting a Hobbesian state of nature. Trump saw the wall as, one might argue, a similar part of the landscape, able to blend seamlessly with its surroundings and necessitated by them.

–in a performance of sovereignty, rather than a sovereign discussion with other states: the border wall was long for domestic consumption as a spectacle, if it was argued, and presented, to be , and was involved in a mythos of the nation that was for domestic consumption, displacing claims of sovereignty in the ceremony of defining a dichotomous divide by fiat, on a reality show that was for national broadcast, rather than framed by a language of international law.

Trump staged his final visit to the border at Alamo, TX, seeking to savor the triumphant construction project he now cast as a monument of national achievement of what he had campaigned would be akin to the Eisenhower Highway System, funded by defense appropriations even if they unapproved by congress, but The wall provided a monument to the Trump Presidency, emblazoned with his name or his signature, as if in a gambit to claim that the structure deserved to be named after himself. He visited the poured concrete levees on the Rio Grande as a fruit of his presidency, the only concrete walls left of the entire border wall, which was vertical steel beams filled with concrete to replace fencing, but judged to meet the “operations requirements of the U.S. Border Patrol” in 2019–until, that is, they were found easy to be sawed through by a circular saw. Such “high security fencing” would cost 1.6 billion, but a fraction of the $25 billion Trump desired to allocate for border building, promising at the start of work “not only on some new wall, [but] . . . fixing existing walls and existing acceptable fences” very quickly. He had accelerated the pace of border construction in ways that seemed to be timed to the election, and had probably planned to visit the border wall for a final time in his Presidency, win or lose the election, as a platform of expanding the need for allocating more funding to the wall. When he came to “highlight his administration’s work on the border wall,” the valedictory visit sent the message that he. had done his hardest to keep the barbarians on the edge of the empire on the other side of the border, and sought to transmute into the national memory.

All of this was far from the town of Alamo, and even father from the mythic imaginary of The Alamo that had assumed a sacred importance in many Americans’ collective memory that Trump was eager to transfer to the Border Wall. President Trump’s visit was to a site near McAllen, Texas, rather than The Alamo, but the questions of how they were related quickly rose to the surface of newswire accounts. AP and other news outlets quickly reminded the nation, as the White House had left it unclear, that the city of Alamo TX near the military base was, indeed, not The Alamo in downtown San Antonio. But Trump had long claimed to love the uneducated, and the faithful, and the possible geographic confusion seemed an opportune way to fulfill the mission of the trip to tally achievements by affirming the threat came from south of the border at his term end–and elicit continued fears that the failure to complete border construction projects would not Keep American Great less cross-border flows of population continued to be stopped, as important to the nation as the historic “border conflict” by the so-called “defenders of the Alamo,” who had in fact started an insurrection in Mexican province.

As if visiting an outpost on the border of the empire where he sought to protect barbarians from invading, days after having incited riots that had staged an actual insurrection, at a rally where the President claimed Democrats “threw open our borders and put America last,” reminding them at President Biden would “get rid of the America First policy,” he ceremonially visited the border as if to mythologize it. Trump arrived in full regalia, as if denying his loos, but as if visiting the groundbreaking of a new hotel, accompanied by city officials, as if it were a privileged site of national defense, near the river whose meander had long defined the international boundary between Mexico and the United States, and indeed was a return to the Rio Grande Valley he had already visited to discuss border security in January, 2019, and sought to confront questions of the need to seize privately owned land to do so by eminent domaine. If the border wall was to be tall, daunting, fitted with flood lights, sensors, cameras and an enforcement zone that was a hundred and fifty feed wide was a steep goal, Trump treated government shutdown as a small price for 450-500 miles of border wall on track to be completed by the end of 2020, promoting a border wall whose construction would be completed by March 2021.

It still existed, even if that moment in history would never arrive. And although the story was told of population movement across the border, another story could be told about the disappearance of the boundary that almost seemed imminent by the mid-1990s, even as anti-migrant feelings grew: the expansion of the transboundary cooperation along much of the border that responded to the growth of the border region to almost a billion inhabitants in the 1990s, through which increasing billions of exports moved yearly–$3.3. billion at the San Diego checkpoint alone by 1990–that led Border Mayors Conference to request a transboundary zone allowing free movement to all of twenty five miles, as the increasing economic importance of the boundary brought an increased interest in drawing a boundary able to define the exclusivity of the wealth of an imagined community of Americans from outsiders, as a porous border region seemed less in control of the United States government, and almost a separate nation.

The line between nations that Trump chose to emphasize along the river delta where Alamo TX is located and which Trump visited is one of the sole places along the entire US-Mexico border where steel panels appear, fully mounted on large concrete levees. As one of the rare sites where the concrete wall that Trump promised actually exists, it became an important backdrop to conclude his Presidency in a final photo op, as well as to rehearse a new national imaginary.

The visit to the concrete levees of the Rio Grande Valley that were mounted by concrete-core steel fencing were a display of Presidential authority on a line drawn in the sandy riverbanks far from the Alamo, as newspapers had to remind their readers, but provided a tableaux vivant of sorts, eight days before the end of Trump’s presidency, to defend the necessity of drawing a firm line in the sand.

President Trump Visiting Border Wall at Alamo, TX, January 12, 2021–Alex Brandon/AP

The actual geographic distance between Alamo TX and The Alamo seems to have shrunk symbolically, if the car ride was still three and a half hours: Trump seemed to treat his visist as a retrospective view on the grand project of national redefinition on which he had coasted as he teared up in remembering the “great honor” after working so “long and hard” on the border wall as he found himself “here in the Rio Grande Valley with the courageous men and women of Customs and Border Patrol.” The encomium that he planned to the four hundred and fifty miles of wall built so far was an occasion of deep personal bonding with the built, akin to the ties Trump promoted to many real estate projects of construction over the years, on which he had affected the same deep tie by affixing his name in ways that we had understood as a promotion of his brand as much as a canny extension of self to a distributed global network. He had forged deep bonds to the wall, so it was difficult to decide where the wall ended and the candidate–or the man–began, as the monument he had promised so fulsomely from the declaration of his candidacy became a sign of the nation, a sign of national security, and a sign of the vision of national security that he, Trump, and only he could promise, akin to the visions of luxury lifestyle that he, Trump, could guarantee and promote.

The term that he had served out, and was now coming to a close, became an occasion to express, in mock humility, his gratitude for the very experience of having “gotten to know [the members of the Border Patrol] very well over the last four years,” praising the “incredible . . . really incredible” people at Border Patrol he had promised the wall to be built, and was now there to say he had delivered, and the promised were indeed kept. “We got it exactly as you wanted it–everything!–including your protective plate on top . . . for extra protection,” he noted, the real estate promoter returning as he surveyed the levees, and the reinforced concrete, ignoring the detention centers and the human lives lost in its construction, as well as the habitat destroyed, a concern which he was successful at having dismissed. The delivery of border wall concluded a transactional relation to the Border Patrol, as much as to protect the nation. Looking at the reinforced concrete structure with heavy slats, Trump channeled his identity as a builder that could be cemented with his status as an American President, explaining how it was “steel,” “concrete inside steel–and then its rebar–its rebar–a lot of heavy rebar inside the concrete,” channeling his inner engineer–“as strong as you’re going to get and as strong as you can have . . . . 100% of what you wanted!” The swansong speech promoting the achievement of an “extraordinarily successful building of the wall on the southern border,” of four hundred and fifty miles bookended Trump’s October 2018 speech at Calexico, CA, to commemorate the construction of two hundred miles of a “full wall system” looking suspiciously like a fence.

Gregory Bull, AP/President Trump Approaches Improvised Podium at Calexico, CA (Oct 26, 2018)

The border wall sections that had been commemorated for three years running revealed increments of two hundred miles by rolling out the border as a prop–a talking point, and a monument, more than an accomplishment. As monuments, each roll-out of border wall and affixed with the commemorative plaque crediting construction to President Trump staged a new era of border protection and defense. But the monuments to the militarization of the border wall and exclusion of refugees from the nation was based not on actual precedents, or a map, but gestured to a new national imaginary, and increasingly did so by comparisons to mythic events of the nation, rather than to actual events, migrant surges, or need.

Trump’s speech before the concrete levees in Alamo TX seemed uncoded. He deliver hope and a prayer that the piece of national infrastructure would survive as a personal legacy. But the comparisons he made were deeply coded, from the billing of the wall as a project of national infrastructure to the gesture to celebrating the militarization of the border at a city called Alamo, which effectively placed the border wall on two imaginary maps, neither coinciding with the lay of the land or the geographic situation of the border wall as a project of massive environmental destruction of sensitive habitat, inhumane treatment of detained migrants, and disrespect or acknowledgement of a world of increased displaced persons and refugees. Trump had bizarrely compared to the Eisenhower National Highway System from his campaign of 2015 would survive as a personal legacy for national development and will ensure memories of the success of his Presidency defending national security. When Donald J. Trump had first refurbished a political identity, he not only added a middle initial to his name in the fashion of Eisenhower, but presented “America’s Infrastructure First” as in the mold of Eisenhower, promising a transition that echoed the commander of allied forces in hopes to “implement a bold, visionary plan for a cost-effective system of roads, bridges, tunnels, airports, railroads, ports and waterways, and pipelines in the proud tradition of President Dwight D Eisenhower, who championed the interstate highway system”–as a basis for his credibility and perhaps legitimacy as a President. To be sure, the marquis project of a Border Wall System exhausted the budget and federal funds available. But in the way that Eisenhower mandated the highway system be federally funded as a national defense program in 1954, linking the need for roads to imminent the fears of nuclear attack, as much as for transportation needs, based on his experience in rebuilding Europe, the massive cost of the Eisenhower Highway System–which had unprecedentedly cost the United States $101 billion, far beyond the original federal bond that Congress had approved, provided the only comparable form of expenditure to the border wall that he had proposed. Even as the cost of the border wall had expanded,–and left President Biden noting that stopping the construction Trump had arranged by classifying it as a National Emergency might save the incoming administration $2.6 billion, freeing up needed funds for needed projects of national health, border barriers would have become the most pricey piece of infrastructure in the nation.

If being run by the Army Corps of Engineers, the visit to Alamo TX keeps alive the defense of the border and conjures the streaming of Mexicans over another wall, and the gesture to the improvised insurrection of The Alamo that might be effectively enlisted as a new model of service to an imagined nation. As he looked at the wall, the outgoing mused in his final days in office, unsubtly reminding his audience of the potential sacrifice to the nation of stopping the project, that the current wall was “as strong as you’re going to get and strong as you can have.” His audience new well that all bets were all off about building more wall in the Biden administration, and his words seemed to seek to rile up his long-term allies at Customs and Border Patrol, whose union had been the very first endorsed his presidential candidacy, excited by the priority he gave building a border wall in the first days of his campaign. For this real estate promoter turned salesman of a vision of the nation was most familiar with maps as a basis to evade building codes, zoning restrictions, or municipal regulation, by means of winning exemptions through wand-waving reclassifications that seemed a sort of grand opera of “deal”-making.

For Trump, such canny framing metaphors as a reference to infrastructure and a visit to Alamo helped to frame the project of the wall as one of national defense, requiring a reclassification of budgetary appropriations, and indeed fast-track prioritization as a project of national need. Both Eisenhower’s unprecedented achievement of infrastructure investment and the saber-rattling reference to The Alamo seemed to reframe the project in credible terms for a base, independent from the lay of the land or the practicalities and logistics of the border terrain: both metaphorical gambits removed the wall from the map, and mapped the border wall within a new logic of nation-building. Such reference to the Eisenhower Interstate, a model of expansion of infrastructure that had creeped up on the nation slowly, to become part of its national identity over time, had slowly created the expanse of national highways that fit with doubling of highwasy after World War I in the United States, as, the paved mileage of but 257,000 miles grew over time to almost 522,000, as the plans Eisenhower had laid were solidified as the Federal-Aid Highway Act would pave concrete interstates of 41,000 more miles–and adding 5,000 miles beyond Eisenhower’s mandated 41,000 miles of interstate provided, few have noted, a memorable event in Trump’s life, whose construction was elevated as a powerful model of what passed for public service in Trump’s youth. If Trump had ben celebrating the building of four hundred and fifty miles of wall, Trump framed the innovative nature of his future vision of a nation that was walled, by many more miles, as well as securing an image of the strength and identity of the nation that he had tried to cement. Eisenhower, famously, had mandated the project of the interstates during the Cold War as a project of national defense of the economy, in the event of attack, allowing federal dollars to flow to local projects. Was it only coincidence that Trump entertained audiences at his rallies, as if flying a trial balloon from August, 2105, “Maybe someday they’ll call it the Trump Wall,” he mused early in his candidacy, recognizing the power and unique privileges that the office of Presidency might bring. The fantasy became a near-actuality in his public platform as a candidate when by December of the same year he described the “Trump Wall,” in mid-July 2016, after he left the official campaign trail, promising a project of needed national infrastructure “someday named after me.”

The final days speech delivered with the dateline “Alamo” was hardly valedictory. It affirmed the section completed border wall as a great piece of infrastructure almost a personalized as a gift to the nation’s security. He cast his visit to the wall as forward-looking, for the right audience, as what might be a personal salute to his legacy of border defense, the trademark promise Trump made as an American politician, was not a retrospective but a final epideictic of the promise to Make America Great Again, elevating the conceit of a mythical defense against “illegal aliens” on the southwest border he had personalized as integral to the logic of his Presidency and the prime evidence of Presidential authority. Trump’s Presidency, he wanted to claim, might be remembered as a time of the building of a similar basis of the nation’s strength and architecture, as he sought to secure the centrality and preeminence of concrete wall-building to a vision of the nation. From his speech, one would think the wall had become a testimony to the strength of the nation in the Trump Presidency, and he championed the vision of the nation’s strength that he had long sought to promote, as if to celebrate and acknowledge a change in the topography of the nation and people’s relation to the nation, analogous to the highway system. It hardly mattered the drive to The Alamo was a couple of hundred miles, on Route 35 (three hundred and nineteen miles) or Route 37 (just short of two hundred and forty miles); the symbolic link of the wall to the nation was echoed, despite that quite considerable real world distance, to the map between a place symbolic of saving of a vision of national identity and a mission to defend national lands and liberties.

The link left salient during his speech was perhaps the greatest and most significant take away for the right audience, as it was its figurative intent: even in the light of failure of one battle at The Alamo, the fight was long, ongoing, and would in the end prevail as a new vision of the nation, and in the end, win out as a definition of the border in the national imaginary: if Representative Abraham Lincoln saw little precedent for the border to be drawn on the Rio Grande either in treaties or in law cases that showed recognition of the river as a mutually consented boundary line, save in the conceit of manifest destiny all abolitionists and Republicans disdained locating justifications of the border in God-given right to territorial expanse, Trump appealed to the very manifest destiny for which Lincoln demanded proofs in visiting Alamo–a “line in the sand” grounds to defend a nation, reprised as a myth of national defense in 1836, heroized by John Wayne in technicolor in the 1962 extravaganza Wayne starred, directed, and produced to promote Cold War principles of national defense.

The Alamo,” uncredited poster (1961)

While Trump had increasingly used history both strategically and purposefully as a distortion of bonds that tied the nation and its citizens, the heroic battle that the visit referenced was more likely the film version of The Alamo as a racialized struggle of white defenders against Mexican extras playing invading forces: the film, which itself downplays the location of The Alamo in Mexican Territory, and indeed the status of Texas as a Mexican state that belonged to a nation which prohibited slavery and enslavement, provided an iconic image of division that mapped onto Trump’s intent to divide the nation as he had devoted the summer of 2020 to address a broad and merciless left-wing attack to “wipe out our history,” conscripting numerous iconic images of the nation as props in his attempt to divide the nation by staging iconic patriotic tableaux to evoke a dogmatic use of historical memory.

The skill of wielding historical memory to further divides that was on show for most of 2020–from Trump’s bemoaning of attempts to “demolish our heritage” were long tagged along racial lines, from the defense of memorials and monuments to confederate soldiers, slave-owners, and anti-abolitionists he sought to preserve in our national memory, to the statues of colonizers as Christopher Columbus, who had introduced trade in enslaved peoples, to expand a sense of moral reckoning in response to social justice movements, opposing an official “patriotic” history against those who would “defame” our heritage, not acknowledging the erection of monuments to Confederate soliders belonged to a Jim Crow era designed to glorify segregation and disenfranchisement. Did the gesture of a visit to Alamo not situate the border wall in a context of defending a “line in the sand,” at the site of “Operation Hold the Line”? If this was not rationalized similarly, it was meaningful to members of the Border Patrol he visited there.

Trump Uses Mount Rushmore Speech to Deliver Divisive Culture War Message -  The New York Times
July 4, 2020/Anna Moneymaker, New York Times

The President has long lavished attention on the projected construction of border as if inhabiting the role of the public official, the enabler, and the fixer all at once in the unveiling of an even more majestic and far more grandiose national monument. Without ever conceding the election–and indeed instructing those who supported his candidacy in 2020 to “never give up, never concede,” Trump appropriately visited the border city that was named after a spirit of independence revealed in the refusal of the armed insurgents of 1835 to ever leave the garrison in Tejano lands that they sought. to hold, as if to hold off the advancing Mexicans soldiers that were valorized as creating a needed “barrier of safety to the southwestern frontier” long, long before it was ever described as a border, back in 1836. If that struggle was remembered in its day as a battle waged, as Stephen L. Austin wrote, in a May 4, 1836 letter to Senator L. F. Linn of Missouri, “by the mongrel Spanish-Indian and Negro race, against civilization and the Anglo-American race,” preserving what was enjoined to be “remembered” in public memory as a purification of ethnic and racial contamination.

The preservation of the memory of these insurgents as heroes had led them to be extolled President Trump in a historical pantheon, among public models of American heroism in a fiery State of the Union address of May, 2020 that extolled “our glorious and magnificent inheritance” as an alternative history to that of civil rights. He had praised the “beautiful, beautiful Alamo,” urging that all school children in America continue to learn the names of the “Texas patriots [who] made their last stand at the Alamo–the beautiful, beautiful Alamo,” beside the name of pilgrims who landed at Plymouth Rock as a foundational myth of the nation that confirmed its Manifest Destiny, eulogizing the defenders of the Alamo beside Wyatt Earp, Annie Oakley, and the Pilgrims at Plymouth Rock as Americans who “changed history forever by embracing the eternal truth that everyone is made equal by the hand of Almighty God.” Supported in their seizing of the Alamo-and the lands of Texas–by Trump’s hero, Andrew Jackson, who saw the benefits creating a “slavocracy” extending plantation lands across the South; the New Orleans Bee 1834 lamented the racial degradation Mexico embodied in bemoaning “the unfortunate race of Spaniard, Indian and African, is so blended that the worst qualities of each predominate.”   The visit to Alamo TX, named after the rebels whose leader had solemnly vowed “I shall never surrender and never retreat” seemed quite opportune as Trump sought to re-iterate the notorious vow he took January 6 to never give up and never concede.

The Associated Press

The speech memorialized a refusal to concede or Alamo to make a final performance of border security before the Rio Grande, and to acknowledge the depth of his commitment to boosting border security. The very emblem of the Alamo was among the flags of current militia who had arrived for the January 6 riots, and a powerful emblem of the Texas militia groups who had defended the commemoration of The Alamo as a nationalist cause, verging on white nationalism. In returning to the Rio Grande Valley, Trump announced in the Texas border town of Alamo that the border wall had progressed from a development project as “completion of the promised four hundred and fifty miles of border wall” he exaggerated as either in “construction or pre-construction” at pains to deny he had left the “wall,” the impressive centerpiece of his political promise to America, as scattered unbuilt fragments, after having rallied his candidacy behind the construction of a continuous concrete wall.

The collective struggle was ongoing and undying, in the post-Presidency of Trump, as the project of wall-building, he insisted, would continue in the appeals he had made in his candidacy, American flags draped behind him, to the flags behind him as he spoke at the wall he had guaranteed would be built, and the wall that would be a reason that folks had once sacrificed their lives. It is hard to imagine the huge costs of this project of wall building, and the expanse of an archipelago of detention centers that now existed along the border of the United States. (One might remember that it was in the Austrian border village of Braunau a son was born to the Customs Inspector Aloïs Hitler was born a future Führer.)

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Filed under border barriers, border cartography, border wall, Donald Trump, US-Mexico Border, US-Mexico Border Wall

Sneak Attacks?

The anniversary of the bombing of Hiroshima gives one pause as it marks the emergence of a world of remote military strikes conducted by GPS, or on a UTM grid that cast agency at a distance from ethics or ethical choice. One thinks not only of the global cartoons of global expanse that seemed to unroll geopolitical spaces for their American readers, but of the new ethics of point-based precision. For the point-based maps created vertiginously elevated the subjectivity of their readers across the 40,000 maps produced between 1941-45 by the U.S. Army Map Service so as to remove them from a shared ethical framework of humanity. The framing of military invasion as a game of geospatial dominance discounted the massive incalculable loss of human life in campaigns of prolonged fire-bombing and atomic holocaust.

Indeed, the narrative this cartoon bears traces of how this new spherical global space suggested suggested a territorial dominance across the new spaces of air travel: the cartoon that appeared after the atom bombs were dropped on Hiroshima and Nagasaki on August 6, 1945 are particularly striking as it appears to remove any sense of the agency of atomic holocaust; it cast the explosive logic of the atom bomb as a delayed quid pro quo response to the “Jap Sneak Attack” of 1941; it asked readers to consider not the effects or impact of the atom bomb, but, rather evasively, who really was “the Fellow who Lighted the Fuse,” as if he were to blame: before any images of the destruction of both cities was described, the Chicago Tribune included testimony of Enola Gay crew members, hailing from Chicago, as an exclusive, with a discussion of the physics of atomic bombs and a reminder that a number of B-29 bombers were posed for further destructive missions. The front-page color cartoon hid the explosion of the Atom Bomb over Hiroshima, offering an occluded view on a spherical globe: in colorful Hearst style, the cartoon map was the sole visual documentation of the bomb’s effects, masking the devastation of its impact by the geopolitical logic that led to dropping an atom bomb.

Carey Orr, “the Fellow Who Lighted the Fuse,” American Newpaper Repository

Who, indeed, was making the sneak attack? If the yellow and orange hued pyrocumulous clouds caused by atomic blasts suggested the fireball of a nuclear or atomic explosion, the cartoon clearly referenced not only the explosion that left 200,000 estimated dead in its immediate aftermath, but the fireball of the atomic explosion as a sunset of the Japanese Empire. The first dropping of an atomic bomb on civilian population by the United States–

–was sunset of the Japanese empire, seen from the empyrean perspective of the navigation of aeronautical space that allowed its delivery at precise global coordinates.

To be sure Hearst Newspapers had long promoted the Pacific as a theater of national jingoism in which the Hawai’ian islands were exaggerated as a potential site of struggle, frequently distorted as of defensible American interests; Hearst Newspapers Sunday Section of comics portrayed the contest in cartoons of racist tenor, as an antiquated samurai in full ceremonial armor confronted a spry Uncle Sam.

Windsor McKay, 1913

But the explicit use of a spherical projection to accentuate the aerial targeting of sites of bombing in Japan–and indeed of Japanese civilian populations–was both an assertion of the mastery of the maps that aviators followed in releasing Little Boy and Fat Boy, and a sense of the logic of the spherical projection as the conclusion of World War II. Early in the Pacific theater’s military expansion, to be sure, the Japanese Empire had carefully mapped the island in the paper maps that the imperial army drafted for all its soldiers to hold in fold-out versions in elegant form to foreground specific aerial and marine routes to the islands historically inhabited Japanese famers–

–the mountainous outcropping of islands righted by oceanic waters were remapped as the target of aerial bombers attack in 1941 in ways that the atomic bomb was imagined to respond as an analogous incursion into territorial rights. The results were far more terribly destructive, but seen as cementing the territorial retreat of Japanese empire across the Pacific. To be sure, the attack on the United States Naval Base had killed 2,300 Americans in 1941, when Japanese planes attacked the Mighty Seventh Fleet, sinking twelve ships and destroying the U.S.S. Arizona completely destroyed and capsizing the U.S.S. Oklahoma. But the logic of the global map creates a terrifyingly false equality of quid pro quo, or an eye for an eye, in spatial terms, linking the continuity of the spherical projection that enabled the American bombers to target Hiroshima and Nagasaki as a commensurate response to the 1941 Air Raid on Pearl Harbor External in the U.S. Territory of Hawaii: the logic of the globe seems to smooth over the unprecedented destruction of the atomic bomb’s payload for American newspaper readers.

Yet in ways that are perhaps impossible to map, or to take stock of in its full consequences, the atomic fireball left massive human fatalities and injuries in its immediate radius, far beyond the devastation at the site of impact where buildings were flattened, leaving third degree radiation burns far beyond its alleged target, striking civilians both more violently and more deeper within the logic of war than was ever imagined. As if treating the sinking of the U.S.S. Arizona and capsizing of the U.S.S. Oklahoma as attacks on the actual landlocked states in the territorial United States, the treacherous logic of the continuity of the map’s surface created a false equivalence for cartoon readers that recast the dropping of an atomic bomb as a glorious imperial gesture.

The popular newpaper cartoon for the Hearst Sunday daily provided a rationalization of the explosion in maps that provide a continued basis for reflection on the scope of aerial bombardment, departing from the maps of worldly retreat of Japanese Empire on which American newspapers had focussed and were created by late August 1945 by the U.S. Army Information Branch, as if to justify the impact of one devastating attack.

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Filed under atomic age, geopolitics, globalism, Hiroshima, World War II

National Security and Personal Bests

Was it only a coincidence that on the eve President Donald Trump boasted in his State of the Union address of an era “we no longer tell our enemies our plans” that the release of a live global heatmap pinpointed the location of U.S. military installations?  The release by Strava Labs of a spectacular heatmap that celebrated the routes where folks exercise worldwide suggested the flows of itineraries of physical exercise by running, biking, or skiing in stunning lines to reflect increased intensity, that appeared as if engraved on a dark OSM base map.  Indeed, the open nature of the data on military positions offered to any viewer of the heatmap seems as pernicious as culling of internet use long engaged in by the NSA, but for the state–as well as for the safety of soldiers who share their location, or fail to use security settings, as they exercise while completing military service abroad. Is this approaching a new level not only of broadcasting plans to an enemy, but failing to protect military positions in internationally sensitive zones?

While the map had been around for several years, its detailed update was so much more comprehensive than the 2015 version included–and was released in a time when internet observers scrutinize data visualizations.  The updated heatmap was a big deal for how it illuminated the world in a ways that few had seen, both in its own architecture of a spectacular network of athletes that reflected its expanded use, and the huge data included in aggregated routes for training, but illuminating clear divides between its users; but it gained even more attention foregrounding the presence of isolated groups of athletic performance abroad with an eery precision and legibility that quickly raised concerns reminiscent of the scale of unwanted intruding or monitoring of physical actives, even in an app that based its appeal in the data density of tracking it provided.  While promising individual privacy or anonymity, the benefits promised by the fitness app seemed almost a runaround of the appeal of PGP, Tor, and Privacy Badger that promised a degree of privacy by encrypting data from online trackers and privacy self-defense; rather than ensure the anonymization of the internet connections, however, the platform posted patterns of use whose legibility did not violate individual privacy, so much as state secrets.  Indeed, the surprising effects of how the Strava app made individuals suddenly legible so that they popped out of darker regions was perhaps the most striking finding of the global heatmap, as it illuminated stark discontinuities.

The newly and vastly amplified dataset included zoom functions of much greater specificity:  so richly detailed Strava was charged with betraying once secret locations of U.S. military worldwide, even if unknowingly, and creating a data vulnerability for the nation the would have global effects.  The heatmap made stunningly visible rasterized images of the aggregate activity of those sharing their locations that it gained unwanted degree of publicity months after it went live in November, 2017, for revealing the actual location and global military presence of American soldiers tracking their exercise and sharing geodata–including American and European soldiers stationed in the Middle East and Africa, and even in South Korea.  Although the California-based fitness app rendered space that seemed to celebrate the extent and intensity of physical exercise in encomiastic ways, as if the app succeeded in motivating invigorating exploration of space, and tracking one’s activity that guaranteed anonymity by blending data of its users in brightly lit zones, as for the Bay Area–

 

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–the image that had clear implications of announcing its near-global adoption registered in the more isolated circumstances that many members of the American military increasingly find themselves.  The data set that Strava celebrated in November, 2017 as “beautiful data” on the athletic playgrounds of the world took an unexpected turn within months, as Strava came to remind all military users to opt out of sharing their geodata on the zoomable global heatmap, that aggregated shared geodata, lest secret locations of a global American military presence that extended to the Middle East and Africa be inadvertently revealed.  Whereas the California fitness app wanted to celebrate its global presence, the map revealed the spread of secret bases of the U.S. military in a globalized world.  The map of all users sharing geodata with the app were not intended to be personalized, but the global heatmap showed bright spots of soldiers stationed in several war zones.

The narrative in which the map was seen changed, in other words, as it became not a data dump of athletic performance across the world, that was able to measure and celebrated individual endurance,  but a narrative of hidden military and intelligence locations, tagging CIA operatives and overseas advisors by indelibly illuminating their exercise routes in a field of war in ways that seemed to foretell the end of military secrets in a world of widespread data-sharing. And Strava Labs for their part probably didn’t exactly help the problem when they took time to assure the public that they indeed “take the safety of our community seriously and are committed to work with military and governmental authorities to correct any sensitive areas that appear” in the web-maps,” as if to assure audiences they privileged the public interest and public safety of their users.  (But as much as addressing public safety in terms of operational security, Strava’s public statements were limited to caring for the community of users of the app, more than actual states.  The disjunction reveals very much:  when Strava labs saw their “users” or customers as the prime audience to which they were faithful, they indeed suggested that they held an obligation to users outside of loyalty to any nation-state, and indeed celebrated the geographical distribution of their own community across national frontiers.)  Indeed, the app’s heatmap disrespected national frontiers, by suggesting an alternate space of exercise that was believed and treated as it had nothing political in it.

In contrast, the landscape that American President Donald Trump presented in his first chest-thumping first State of the Union returned to the restoration of American security seemed incredibly to deny the consequences of recent availability of military geodata and indeed military base locations, in announcing that in his watch, we “no longer tell .  our enemies our plans.  For whereas President Trump boasted the return to an era of national security and guarded military secrets, the app broadcast a pinpoint record of the global dispersion of American troops, military consultants, and CIA “black” sites and annexes.  Indeed, for all the vaunted expansion of the U.S. military budget, the increased vulnerability of special operations forces has been something that the United States has poorly prepared for, although the release of the heat map prompted Gen. Jim Mattis to undertake a review of all use of social media devices within the military, so shocked was the news of the ability to plot geographical location by the exercise app. If the activities tracked and monitored in the hugely popular fitness app suggested a world taking better care for their patterns of exercise, it revealed scary patterns as a proxy to chart American presence that map the recent global expansion of the United States military in the beauty of its global picture across incandescently illuminated streams–

 

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–as when one zoomed down to those running in Kabul, and geolocated the movement in ways that betrayed military footprint from intelligence personnel to foreign operatives to contractors overseas.  The data harvested on its platform appears to endanger American national security–and offers new ways to combine with information culled from social media–as it seems to pinpoint the bases around which military take their daily runs.

 

Strava sites?Strava heatmap, Kabul

 

The recognition of the scale of personal tracking by soldiers sharing data on exercise apps grew as one exploited the heatmap’s scalability, and examined areas in which few locals were using it–or had access to the First World problem of registering how many miles one ran.  While the data was not only sourced from Americans, the anonymity of the aggregate map–which can be viewed in multiple shades–provided an image of ghostly presence that seemed particularly apt to describe concerns of security and suggest an aura of revealing secret knowledge.  The cool factor of the Strava map lit up the hidden knowledge that echoed the longstanding surveillance of the communication records of Americans in the bulk data collection that the Patriot Act allowed, although now the dragnet on data use was being done by private enterprise, suggesting an odd public-private sharing of technology, as what had been viewed as a domestic market suddenly gained new uses on an international front.  The poor data security of U.S. forces abroad reminded us that we are by no means the only actor collecting bulk data, but also the scale of digital dust that we all create as we entrust information about our geographical locations to companies even when they promote the value of doing so to be salutary.

Multiple accusatory narratives quickly spun about whether the release of the new global heatmap by Strava Labs constituted a breach in national security.  The soundbite from the State of the Union proclaiming a “new era” described changed conditions by referencing Gen. Michael Flynn’s charge, first raised during the 2016 Presidential campaign on national television news,  that the United States had sadly become “the best enemies in the world” during the Obama years, as he attacked the government of which he had been part for being itself complicit in how “our enemies love when we telegraph what we’re doing” by not maintaining secrecy in our military plans.  Flynn’s assertion became something of a meme in the campaign trail.  And President Trump sought to reference the fear of such changes of a past undermining national authority abroad when he claimed to bring closure to lax security, choosing to message that the loopholes that existed were now closed, and respect had been achieved.  The fictionalized imaginary landscape seemed to distract America from danger or unemployment in celebrating its arrival in a better economic place.  The message seemed as imaginary as the landscape of an employed America, which had arrived in a better economic and place.

General Flynn’s metaphor of telegraphing was even then quaintly outdated, as if from a different media world.  But the allegation that had become a meme on alt right social media during the campaign to discredit military competence, gaining new traction as data security became increasingly a subject of national and international news.  Since President, despite having quickly issued one of executive orders that he has been so fond of signing on cybersecurity, Trump has in fact been openly criticized for a lack of vision or of leadership in addressing  national vulnerabilities in cybersecurity.  As President, Trump has preferred to pay lip service in the executive order, by far his preferred medium of public communication, to the growing frustration of a number of cybersecurity advisors who resigned before clarifying best practices of grid security.   Broad sharing of geodata by military and intelligence raised red flags of security compromises; it would, perhaps, be better raise a clarion call about our unending readiness to aggregate and be aggregated, and the unforeseen risks of sharing data.

The patterns of tracking exercise–biking, running, swimming, windsurfing–created striking pictures in aggregate, reflecting the collective comparisons of routes and itineraries, and showing a terrain vibrant with activity.  But while the app did not specialize in tracking individual performance or local movements, the new context of many apps transformed foreign counties where military travelled to sites where their data sharing stood out.  The sense of accessing the platform was so second nature to American soldiers moved across space, in fact, ignorant of the platform on which it was aggregated and its effects–or the audiences before who it was broadcast and displayed.  The ability to detect bright spots of athletic engagement around American bases, military camps, and CIA outposts suggested an unwanted form of data-sharing, RT television newscasters proclaimed with undisguised pleasure at the ease with which soldiers could be observed in different locations across the Middle East, from Saudi Arabia to Afghanistan, to Pakistan, and crowed that Americans are so unwary about being surveilled so as to provide evidence willingly of their own global footprint’s size.

 

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It’s striking that government secrecy has become a public hallmark of the Trump administration.  But if Trump wanted to inaugurate the start of a fictional landscape of securing state secrets in his first State of the Union address, his words were pronounced with no acknowledgement of the release of the heatmap and the concerns of leaking security operations.  The map that Strava labs designed to celebrate the global extension of a triumphal image of the expansion of exercise in a triumphal image appeared in new guise as the latest example of breached military security secrets–suddenly made apparent at high resolution when one zoomed in at greater scale to Syria, Somalia, Niger, or Afghanistan, and even seem to be able to track the local movement of troops in active areas of war, and not only identify those bases, airfields, and secret annexes, but map their outlines that corresponded to the laps that soldiers seem to have run regularly around their perimeter while sharing their geodata publicly, or with the app.  While the app was designed to broadcast one’s personal best, as well as log one’s heart rate, sleep patterns, and performance (personal data which remained private), it collated in aggregate the patterns of activity across national borders.

For its part, Strava had only boasted it could “create the ultimate map of athlete playgrounds” by rendering “Strava’s global network of athletes” in a stunning heatmap from directly uploaded data.  If there was a sense that the “visualization of Strava’s global network of athletes” described a self-selected community, the beauty of the data set created from 13 trillion data points provided a new sense of exercise space, as if it sketched a record in aggregate of individual endurance, or a collective rendering of folks achieving personal bests.  But the illuminated “maps” of the global network of those exercising and the distribution of US military bases and sites of secret involvement raises complex issues of data-sharing, and the shock at the intersection of leisure space and military secrets–somewhat akin to the stern warning military commanders issued to years ago about using Pokemon Go! in restricted areas of military bases, mapping a comprehensive global map of military over-extension is an odd artifact of globalization.  And it was odd to see RT seize on this issue, as a way of describing the presence of the actors they id’d as “Uncle Sam” to suggest how zooming in on the global map revealed the reach of the United States in Afghanistan or Syria, as if playing a computerized game to see where clusters of forces might be illuminated, as if to exploit fears of revealing military secrets through geolocated data.

The story was pitched on RT suggested a market-driven surveillance network of which the Americans were themselves the dupes.  In its own spin on the story, RT reported of the leaks with glee, for rather than arriving from hackers, or Russian-sponsored hacking groups, military security was compromised by the very tracking devices, it was argued, that soldiers, military intelligence, and CIA officers wore.

 

 

 

 

 

By imposing outlines of national maps on the dynamic rasters of the web map that Strava released, the position of military forces or advisors indeed seemed able to be roughly revealed as military secrets by zooming into locations, much as RT announcers asserted, as if the “bracelets” of fitbits provided tools to geolocate soldiers as if they were manacles, reminiscent of the ankle bracelets given to many parolees, sex offenders, or prisoners, by using a GPS tracking system to monitor released inmates all the better to monitor their acitivities, in a practice that has only grown in response to overcrowding conditions in many federal and state prisons–GPS tracking systems were billed as able to save prisons up to $9,500 per inmate, or up to $25 a day; but rather than provide tools to surveil non-violent offenders, the effective monitoring of military bases and what seem CIA field stations provided a multiple security vulnerabilities of unprecedented scale.

But the real story may have been how so much data was available not only for state eyes, but for a broader public:  in an age where surveillance by the state is extending farther than ever before, and when we need, in the words of Laura Poitras, “a practical and metaphorical road map for navigating the post-9/11 landscape,” the maps of Strava have shifted the landscape of surveillance far from the state, and deflected it onto the internet.  For the far greater geographical precision and detail of a diverse user group may prefigure the future of data sharing–and the increased vulnerabilities that it creates.  The live data map broadcast not only an image of global divides, but of the striking patterns of the aggregation of geodata that reminded us of  the pressing problem of data vulnerability in the military’s extended network of secret military bases and dark sites.  Indeed, when a student at the Australian National University in Canberra, Nathan Russer, first noted that the Strata search engine created an Op-Sec catastrophe for leaking locations of US military patrols and bases, his observations unleashed a storm of pattern analysis and fears of compromised national security.  It indeed seems that the vaunted agility that allowed American forces to deploy in much of the world could now be readily observed, as we zoom into specific sites of potential military involvement to uncover the presence of Americans and assess the degree of involvement in different sites, as well as the motion through individual sites of conflict.  The spectral map that results suggests something quite close to surveillance–at time, one can scrape the place of individual users form the app’s web map–but that is dislodged from the state.

The notion of a private outsourcing of data surveillance to the public sphere is hardly new.  One can think, immediately, of Facebook’s algorithms or personal data-harvesting or those of search engines.  Although the U.S. Department of Defense has urged all active military abroad to limit their active presence in online social media, no matter where they are stationed, the news reminded us yet again of an increased intersection between political space and social media, even if this time the intersection seems more shaped like a Moebius strip.  The divisions within a global geographic visualization of Strava’s users reminded one of a usage landscape that suggested a striking degree of continuity with the Cold War–with an expanded iron curtain, save in scattered metropoles–whose stark spatial division reminded us of the different sort of lifestyles that public posts of athletic performance reveals.  As much as showing a greater openness, the heat map suggests a far greater willingness of posting on social media use:  the intersection suggests a different familiarity with space, and a proprietary value to the internet.’

 

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Indeed, in only a few months to notice how American soldiers’ presence in coalition military sites suddenly popped out in the darker spaces of the Syrian Civil War, where different theaters of action of coalition forces that include American soldiers are revealed, and panning back to other theaters can indeed revealed the global presence of U.S. military and intelligence.  Against a dark field, the erasure of any sense of national frontiers in the Strata labs data map suggests the permeability of much of the world not only by interactive technologies but by the isolated groups of soldiers who deal with the stress of deployment by bike rides and runs while they are stationed in Afghanistan.

 

 

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Although the fitness app saw its aggregation as registering geodata in the relatively apolitical space of physical exercise, fears of political and national security repercussions ran pretty high.  Indeed, the tracking of running laps, cycling, and daily exercise routines revealed U.S. military bases in Syria so clearly that it proved a basis to locate and orient oneself to an archipelago of U.S. military activity abroad in the global heat map, and lit up American presence in Mosul, Tanff, north of Bagdad and around Raqqa, providing a historical map able to pinpoint airfields, outposts, and secret stations in the war against the Islamic State.  Security analysts like Tobias Schneider argued they helped track the movements and locations of troops and even extract information on individual soldiers.  In place of an image of the global contagion of tracking exercise, the patterns of performance provided a way to look at the micro-climates of exercise on a scaling that were not otherwise evident in the arcs of the impressive global heatmap.

Sissela Bok classically noted the ways that secrecy and privacy overlap and are linked in some collective groups, as the military, but the absence of privacy or secrecy on much of the Strava Labs heatmap raised questions of the increasing difficulties to maintain a sense of secrecy or privacy in an age of geographically growing war.  In an age when more and more are living under surveillance, and indeed when the surveillance of subjects has only begun to gain attention as a fact of life, the fear of broadcasting an effective surveillance of exercising soldiers seems particularly ironic–or careless.  The practices of secrecy were more than lax.  For the United States military has in fact, quite vigorously promoted Fitbit flex trackers among pilot programs at U.S. bases to lose calories, and provided devices that measure steps walked, calories burned, and health sleep as part of its Performance Triad;  Fitbit trackers were provided as part of a pilot fitness program from 2013 with few issues raised about security, and placing restrictions on American soldiers’ use of mobile phones, peripherals, or wearable technologies would limit military volunteers.  (The Pentagon has in all distributed 2,500 Fitbits as part of its anti-obesity program, in more flexible wearable form, without thinking of the information that they broadcast.)  Yet soon after the map appeared, folks noted on Twitter with irony that “Someone forgot to turn off their Fitbit,” and it became a refrain on social media by late January, as the image that tracked American military outposts not only in Kabul, but in the Sahel, Somalia, Syria and Niger all popped out of a global map–embodying the very outlines of the camps around which military run.  ‘

Although the U.S. National Counterintelligence and Security Center informed the intelligence community of dangers of being tagged by “social media postings,” the imagined privacy of exercising soldiers is far less closely monitored than should be the case–resulting in a lack of clear vigilance about publishing Strava data.

 

Runing In Kabul.pngKabul, Afghanistan, in Strava Labs global heatmap

 

The heat map so strongly lluminated itineraries users ran, biked, or skied, tracked in incandescently illuminated streams, and even zoom in on specific locations, where they stand out from considerably darker zones of low use of the app, that some national security officials wanted the app to take time to take the maps offline so that they could be scrubbed; worries grew that one could even to scrape the itineraries of individual soldiers who exercise on military service in the heatmaps.

But the two fold ways of reading of the map’s surface suggest that their contents were difficult to free.  The same map celebrating the app’s global use revealed deep discrepancies between the brightly illuminated areas of high-use and data input and its dark zones.  Data mapped on Strava’s website also seems to enable one to id the soldiers using the Strava app with far greater certainty than foreign governments or non-state actors had before, in ways that would create multiple potentially embarrassing problems of delicate foreign relations.  While in part the fear may have derived from the hugeness of the dataset, the fear of being compromised by data raised an increased sense of emergency of a security being risked, and fears of national vulnerability.  Partly this was because of the huge scale of geospatial data.  The updated version of the heatmap issued by Strava Labs illuminated the world in a way that few had seen, and not only because of its greater specificity:  Strava had doubled its resolution, rasterizing all activity and data directly uploaded, and optimizing rasters to ensure a far richer and more beautiful visualization, along glowing lines to reflect intensity of use that looked as if they were in fact vectors.  It made its data points quite beautiful, stretching them into bright lines, eliminating noise and static to create a super smooth image that almost seems to update the Jane Jacobs’ notions of public space and its common access–and the definition of spaces for exercise.

To some extent, the highlighting that the app did of common routes of exercise seem to mirrored the metric of walkability, the measurement of active transportation forms like walking and biking and stood as a surrogate for environmental quality.  The fitness map improved on the walkscore or its cosmopolitan variants, by involving its users to create a new map of exercising space.  The abilities to foreground individual and collective athletic performance in a readily accessible map provided what must be admitted is a pretty privileged view of the world; but the self-mapped community it revealed gained a new context just two months after it went live, as the map drew attention to the patterns it revealed of using an app to track one’s activities, as much as register work-out trails.

 

San Fran Strava dataset  San Francisco in Strava Labs Heatmap

 

The new map attracted attention not only for the fitness crowd, a self-selecting demographic, in short, but as an interesting extension of the beauty and the huge amount of datasets it uploaded and digested in a highly legible form:  indeed the legibility of the data that was able to be regularly updated online suggested a new form of consensual surveillance.  The data-rich expansion of what was the first update to the global heat map of users that Strava Labs issued since 2015 encoded over six time more data, and promised a degree of precision that was never even imagined before, notably including correction for GPS distortions and possibilities of new privacy settings, in ways that amplified its ability to be seen as a tracking device most notably in those areas where the aggregate of Strava users was not so dense, first of all those military sites where American military and operatives were stationed and perhaps secretly engaged, but gave little thought to the day sharing app installed on their Fitbits or iPhones, and may even have seen the data-sharing function as a source of comfort of belonging to a larger exercise community.

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Filed under data aggregation, data maps, data visualization, information economy, state secrets

Finding Aleppo in a War-Torn World

The deep frustration at being able to map the Syrian civil war around Aleppo–combining the actual inability to map the factions in the conflict, and the actual unmappability of the deeply unsettling destabilization of civil society in the five-year civil war which is waged by outside actors, as much as by the Syrian government–has sapped confidence in the ability to negotiate a cease-fire or indeed to find a civil solution to a conflict that has both created an ongoing flow of refugees and destroyed civil society in the region, as well as an equilibrium of power.  And the more we are frustrated in being unable to map the conflict and its descent into inhumane violence, the more violent it has become and the farther removed from being able to exist again as a country.

 

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Any theater of war is extremely difficult to endow with coherence in a map–one speaks of the “fog of war” to describe the clouded experience in the confusion of military conflicts.  But the difficulty of gaining purchase on the extent of the destruction of the ancient city of Aleppo that is particularly troubling–and troublingly matched by the difficulty of mapping or imagining the targeting of the city and Aleppo’s inhabitants and the refugees who have left the city.  The failure to describe, document, or respond to the costs in the sustained aerial bombardment in recent months seems an abdication of ethical responsibility before such escalated destruction that almost fails to acknowledge its scope.  The terror of aerial strikes against civilians have led to the targeted destruction of schools and hospitals in the rebel-occupied regions of the city hard to imagine, as a besieged city is isolated from the world.  While we don’t have access to the maps and plans that were used during the sustained engagement of rebel forces in Aleppo, and have rather watched screen-shots of the diminishing areas of the region “held” by “rebel forces” over months, those very images distance us from the human rights tragedies that is occurring on the ground with the dismantling of public health care and social institutions, as if extending so many false possibilities of the tenuous grasp over territory of opposition groups.  With unclear data on suffering, deaths, refugees or destroyed buildings in the encircled city, we map territory as the clearest index of the balance of war, but ignore the scale or scope of its ongoing bombardment and destruction, as the country has not only “gone dark”–

 

 

–but the city destroyed under unimaginable sustained assault.

 

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News wire sources have tried to “map” the extent of those lines areas held in the heavily bombed city, to be sure, in recent months.  But the absence of clear lines of jurisdiction or control of a battle that is increasingly waged from a move–but shown as if it were a land war–echoes the military divisions of cities in ways that seem incommensurate with the suffering or mischaracterization of the actors of the war, and the lack of limits with which the Assad regime has enlisted foreign help to destroy its former cultural capital and economic hub, as if trying to efface the opposition that it has for so long successfully tarred by their association to ISIS and the Islamic State–and as a media blitz has tried to portray the battle in Aleppo as a fight against ISIS rather than a defining moment in the escalation of military forces against one’s own people by Bashar al-Assad.

Even though the aerial attacks on Aleppo began as early as July 2012, the escalation of attacks by Russian bombers that began to target buildings and humanitarian supplies with intensity from July 2016.  While we were in the midst of the farce of our recent American Presidential election, we have watched maps of the Syrian conflict at an odd remove, depicting the city the city as a multi-colored sectored region, as if a point of stasis in slippy map of sovereignty, as much as a focal point where five different forces seem to lock horns.  The disservice of these opaque colors seem to erase and to be done such a deep disservice with Microsoft Paint.  And as we do so, we can only fail in an attempt to chart the intensification of suffering that is only like to increase in coming months, as the shrinking green lands held by rebel forces have depicted the so-called “situation in Syria” in increasingly disembodied fashion.

 

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As we watch the layers of colors, trying to map the levels of conflict from an empyrean remove that has echoed the official policy of not putting “boots on the ground,” we fail to account for the destruction of houses, massive departures of residents, targeting of humanitarian assistance and destroyed infrastructure and human services in the city.  The layers with which we discriminate a war-torn city set to conceal terrifying human costs in the rather terrifying palette of pastels in its curious camouflage, as if to hold out hope for an amicable solution, but to erase the destruction of civilian lives, hospitals, residences, or food and needs supplies that tried to arrive in the light green rebel-held areas of the city that suggest an island around the Citadel of Aleppo.

 

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For the limited information about Aleppo’s continued destruction by aerial attacks as well as bombardments makes the extent of the human costs its destruction increasingly difficult to render with coherence.  This absence of this coherence perhaps leadt some twenty-nine million to be struck by viewing the dazed five-year old Omran Daqneesh and the tragically bloodstained face from which he gazes somewhat stoically and looks at his bloodied hand–as if dazed to be transported from the scenario of violence in which he lived to what seems a setting of sanitized medical care, his blood-stained face contrasting to the clean orange cushions of an emergency ambulance.  The transferal of Omran from the battlefield like context of Aleppo to the emergency health care vehicle show him dazed not only at his change of context, but almost in shock of being in a controlled ambulance in which he sits, if a sign of hope, is also emblematic of the inability or difficulty to bridge the controlled context of medical and clinical care of the Emergency Medical Services and the rubble of the besieged city, almost the negative image of a controlled environment:  the image circulated by Aleppo Media Centre was emblematic of the dissonance between the emergency services and the onslaught of bombs where civilians are targeted daily amidst the rubble of the besieged city, so that the dazed look of poor Omran seems a substitute for our own helpless bewilderment at the war crime of the sustained aerial bombing of Aleppo’s buildings, health care providers, hospitals, and inhabitants.

 

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If the image is manipulative–and difficult to include in yet another post on Aleppo–its power seems to derive from the failure we feel between inability of the child who touches his hand to his head, to take stock of his head injury as he tries to process the loss of his family, after being carried by an emergency worker into the new setting of an ambulance.   The image was so poignant it was shared so widely all over the world on Facebook, as we searched collectively for an emblem of good, of one child rescued from the violence of Aleppo–as nine million Facebook users tried to transcend the broken windows, destroyed buildings, and slim hopes for the survival of Aleppo’s citizens, increasingly targeted in inhumane ways to which we are so unable to respond.

For if there is a lack of any coherent purchase on the city’s destruction on such an unprecedented scale of its bombardment, even for the Syrian Civil War, the saving of one child after his family was lost allowed the survival of a child to exist in the blood-streaked face of the five-year-old Omran Daqneesh that circulated globally on social media seemed finally to locate a “face of the Syrian Civil War” against the city’s dire destruction.  Indeed, the actual improvised settings of health care in eastern Aleppo–

 

624143740-graphic-content-wounded-syrians-are-seen-on-a-table-in_1-jpg-crop-promo-xlarge2Thaer Mohammed/AFP/Getty Images

 

–continued as bombs continued to strike the neighborhoods and where the living and dead lay beside one another in emergency rooms that lacked adequate medical supplies.  The absence of medical assistance or facilities, even as Bashar al Assad rejects the last proposal proposed by the United Nations for a local truce that recognized any claims to separate sovereignty of rebel forces, if it was not armed, arguing that it was a violation of “national sovereignty,” seems to have invited an endgame of increased military raids, as the “area held by rebel forces” has shrunk in recent days to a small region curving around the medieval fortified Citadel, sandwiched between advancing regime forces.

 

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The garishly bloodied face of Omran, the sole survivor of an air strike on his family home in Aleppo’s rebel -held territories, seemed a ghost, but served as a respite from images of the dead, and his transport to an ambulance from the horror of Aleppo seemed a promise of the future.  The image posted by the Aleppo Media Center provided little orientation to the actual struggle, but the apparent shock of the contrast of Omram’s evident transport, his face and T-shirt covered in dirt and blood, to safety offered more than a reprieve from image of dead children:  seated in an ambulance, fingering his bloodied head, his place provided a bizarre juxtaposition of a world of safety and medical supplies who had moved from the bombing of his family’s building in a war-torn city we can barely map.  The arrival of the child into a setting of Western safety almost seemed an image of the precareity of saving a child out of its destruction, and preserved an odd ability of hope even as airstrikes would soon hit four hospitals in east Aleppo, and continue to target civilians.

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Meditating on Europe’s Map: Napoleon in Saint Helena, according to Vincenzo Vela

Even though one can barely detect the differentiation between land and sea from the capital letters labelling the Atlantic Ocean [OCEANO] or Mediterranean [MARE MEDITERRANEO] in the folded map resting across a seated Napoleon Bonaparte’s knees, it’s clear he looks at the topographic map with melancholy.  The look seems a way of looking back on the expansive remapping of Europe in the Age of Empire Napoleon had inaugurated, if also an image that recalls the Emperor’s famed strategic brilliance on the battlefield it is filled with despair, slipping across his legs at his final moment in life.  Does the close attention to the lettering on the map suggest a melancholy relation to the map as territory, and the map as emblem of a lost dynastic dreams?  Leaving the map in a moment of reverie seems a way of saying goodbye to the world that Bonaparte had created.

Napoleon is not looking at a map that marks the advance of troops across Europe.  Rather, this sculpted figure is somewhat lost in a reverie over a map, or finds the map slipping from his command and easy consultation.  Bonaparte’s often imposing figure slouched is hardly studying the map unfolded on his knees, which he holds beneath a clenched fist; as the map almost slips off of his legs, as if to fall to the floor, is he saying goodbye to the transiency of worldly empire?  Or is he contemplate the tiresome set of battles that he once waged across Europe, expanding and defending an now-faded empire?

Napoleon as a young soldier or commander of the Italian Army was often shown with his hands on a colored map, as if tracing his battles and a token of military strategic genius, who planned his attack on detailed maps of terrain where he would engage the enemy–

 

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The iconic value of the map served as a reminder of the European map he had redefined.

 

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In his marble sculpture of the moment of Napoleon’s death, the sculptor Vincenzo Vela captured the melancholy of consciousness of death in Bonaparte’s turning of attention from the map.  His stare out to the viewer, as if ignoring the map lying in his lap, foregrounded his relation to the detailed legibility of the surface of the printed unfolded map of Europe at the moment of death.  The map, in this moment, was less the tool of strategic engagement, but almost slipped off of the knees of a pensively abstracted, slouching Napoleon Bonaparte, as he stared abstractedly and with intensity into space, as if he had already left the earth after being defeated after his surprising return from exile.

 

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Vela dedicated himself to rendering the map as something like a veil for the psychology of the aging Bonaparte.  Although Napoleon’s eyes are not clearly visible for its viewers, the sculpture captures the distance between the Emperor and the map, and the aging Emperor’s relation to European stage through his meditative reflection on the intent reading of maps in a monumental memorial statue of bronze, cast in Paris, which created a strong sense of the Emperor’s relation to the map and tools of surveying that were prized by the French–long after the cult of the Emperor had passed.

The figure of Napoleon reading a map of Europe was based on a larger marble statue first shown in the Universal Exposition of 1867.  Maps are the only media able to illustrate the sweep of Napoleon’s ambitions and his massive military campaigns:  the famous statistical map of the progress and retreat of the Napoleonic army’s voyage to Moscow lies at the end of a long tradition to process the scope of forces, men, materiel, and logistics in the Empire.  From the massive ambitions for land surveying, epitomized by the project of mapping during the Egyptian campaign, wonderfully studied by Anne Goldlewska, to administer his empire, to the many maps on which he charted military victories and battles, maps were screens for imperial claims in Bonaparte’s empire.  But it also recalls Napoleon’s unique military employment of maps, if it is retrospectively melancholy in its reading of the maps on which his battles were sketched–or the celebratory tricolor maps that, for Joseph Roth, he distributed as Emperor to his soldiers, marked the sites of military victories across half of Europe and the Mediterranean, extending to Egypt.

Maps were, in part, Romantic visions of the new relation of empire to space:  not only was Napoleon well-known to study maps assiduously on the eve of military engagements as tactical aids, noting sites of battles, but purposefully collected a wide range of them in his personal library, which he studied the maps in their specifics.  He made pinpricks in his personal engraved map of the Empire of 1812, lined with silk.

 

Napoleon's personalMap of French EmpirePierre-Jean Chalencon

 

The relation of the Emperor to the map is particularly melancholy, and, in a sense, a memory of the imperial title that he lost.  The use of maps that the General Napoleon had repeatedly made to vanquish enemies was a recurrent motif in the legend of the emperor as a strategic genius.

Could it be, one reflects the claim of Bernard Coppens, that a recently discovered blood-stained map, claimed to be the very one that Napoleon used in directing the strategy of his troops at Waterloo, the final battle at which he was defeated, offered evidence that the error transmitted in a map created a crucial error in how French forces approximated the location of Wellington’s troops,leading Napoleon to lose his final battle and disorienting his relation to the battlefield that fateful day, due to an error of the repeated loss of material in hand-printed maps?  If it indeed left him aiming canons in a direction that did not serve his cause, as Coppens argued, the printing error would have left Napoleon suitably disoriented as he tried to grasp his relation to  the battlefield, it is argued.  The conjectural scene evokes how the novelist Joseph Roth depicted he despairing disorientation of Bonaparte’s final days as general in the novel Hundred Days, and the psychic shock of a time when the map suddenly no longer corresponded to the territory.

The theory has encouraged considerable speculation by historians of maps that affirmed their study of the printing process on the vagaries of the mediation of information in the age before universal standardization, and a morality drama that reclaimed the centrality of maps in one of the most famous battles of all time.  The introduction of errors with the printing of an incorrect hand-drawn map reflects links between Napoleon’s use of maps and military genius, and the role of maps in mediating space.   The image of the reliance on an inadequate hand-drawn map introduced into the printed maps he consulted creates a lovely occasion to reflect on the mythology of Napoleon’s consultation of maps to strategize and reflect upon his past victories:

 

three maps and that consulted by NB at WHand run map and the errors in perpetuated in the printed map that seems used at Waterloo

 

If the recent claim reflects the reliance on maps as tools of strategy, it condenses the deep trust the Emperor had in maps, but was no doubt also closely tied to the  interest in the historical mapping of empire that Bonaparte and the nineteenth century knew well, and the uses of maps in imagining empire.

The possibility of the map as a key to victory lay in how it offered a new way to imagine strategies of military violence.  Roth describes, in Die Hundred Tage, the crazed emperor, having lost his reclaimed Empire after he had retreated from the lost battle of Waterloo, facing interrupted sleep in the the Elyseé, the very night after his abdication, and turning, engrossed in a set of maps as he even plotted the possibility of an impossible, final victory, suddenly able before his maps to “fathom why he had been so blind,” as “All at once, he felt illuminated as if Grace had come over him and he could guess, better yet know the plans of his enemies; he lured, outwitted, trapped, entangled, beat and destroyed them; the country was finally free, but he continued to drub the enemy, far beyond the frontiers; he had already reached the coast, the English were escaping in their ships to the safe shores of their island . . . ”  The reading of the map is a final refuge, but also the occasion of the greatest nocturnal hallucination, liberated from reality:  “He was not actually reading the map.  He was instead visualizing the actual villages, the hamlets, the roads, the hills, the battlefields, and suddenly all of the beloved comrades of his youth rose up again . . .  He would with the resurrected dead alone.  It would be the greatest battle of his life, the most wonderful, the most brilliant . . . ”

 

Napoleon's personalMap of French Empire

 

A new consciousness of mapping a monumentalized relation to expanse perhaps inspired the historical maps of the Roman Empire’s expanse in the historical atlases of the nineteenth century as tools and forms to define the relation of territory to state.  Mentelle and Malte-Brun’s Atlas de la géographie universelle ancienne et modern (Paris 1816) moved (or jumped) between classical antiquity to contemporary geopolitics.   The consciousness of maps as vehicles to explain past empires to audiences created a new imaginative remapping of precursors to the nation state:  A.H. Brué mapped the empire of Alexander the Great, the Roman Empire of Constantine, and ancient Egypt among the maps in his 1822 Atlas universel de géographie physique, politique, et historique, ancienne et moderne; its second edition inserted a map of Charlemagne’s Europe between the ancient world and Europe’s political landscape in 1789.  Despite a growth of historical map making, Christopher Black noted Charles V. Monin’s later 1847-8 Atlas classique de la géographie, ancienne, du Moyen Age, et Moderne included “no maps for the period covering Europe for the period between the tenth century and 1813” (Maps and History, 41).

The gauntlet for comprehensive mapping had in a sense been thrown after Napoleon’s death, by Christian Kruse’s Atlas und Tabellen zur Übersicht der Geschichte aller europäischen Länder und Staaten (Leipzig 1802-18) which used maps to direct readers’ attention to the question of territorial control along clearly defined frontiers across time–a concept more relevant to the nineteenth century than earlier times.  Later historical atlases designed as schoolbooks essentialized the national frontier; as the 1820 Historischer Schulatlas oder Übersicht der algemeinen Weltgeschichte, which effectively distilled world history to fourteen maps, or lavishly produced Historischer Hand-Atlas inculcated students and readers about their relation to the historical formation of national civil space, as well as orienting them to world history.

As the genre of historical atlases had indeed emerged, whose increasing focus emerged as an artifact of the emergence of the modern state, that extended the historical premium that the Emperor placed on the map as a strategic tool:  the epitomy of this cartographical narrative is the expansive Historisch-geographischer Hand-Atlas zur Geschichte der Staaaten Europa’s von Anfang des Mittelalters bis au die neueste Zeit by the retired Bavarian army officer Karl von Spruner, whose third edition of 1880 was expanded by Theodor Menke considerably expanded its first edition of 1846.  The background of this atlas, printed in Gotha, marginalized economic or social topics, in favor of military campaigns, political boundary lines, and the German contribution to world-history as well as the divisions of German-speaking lands.  The bias is apparent in this historical atlas, which took pains to frame historical events from a uniquely German-centered perspective:  the single map of Waterloo emphasized, for example, the contribution of Prussian forces more than of Admiral Nelson’s English fleet.  The background story of its reprinting and expansion was the Franco-Prussian war, of course, which was also the background of Vela’s statue of the defeated Napoleon, left to contemplate a map.

The consciousness of mapping a relation to space, and a local relation to space, is the major source of melancholy in this portrait of the resigned and vanquished Napoleon–immediately bought after it was displayed by Napoleon III.  The revision of the romantic figure in the form of a modern melancholy before the map of Europe is a sort of history of regret or of what was not:  his fist covering the region of the fated march to Moscow and disastrous return in which so many troops either deserted or died, the map suggests a historical map that was not to be, as the unfolded map seems to slide off of his knee, and its reader seems almost aware of the incompleteness of the very dream that it offered.

The bronze copy of the statue shows a Napoleon nodding off, but whose clenched fist suggests the mastery that had finally eluded him, which now appeared located in the map whose well-worn use seems evident from its creases, but which seems to be about to flimsily fall to the ground as if to elude the dying Emperor’s final powers of concentration.

 

Napoleon Views Europe

(Ben Weider Collection, Napoleon Museum, Montreal)

The monumental statue is striking for the considerable detail that is lavished on the inscription of the map of Europe, however, and the muteness of the register of the printed map, which bears a simple inscription of the political boundary lines of the continent and the difficult terrain over which the French imperial troops had travelled during their bitter loss:

 

 

The Map of Europe Nap Holds

 

What was Napoleon III thinking when he bought it at the very moment that he saw it on display?  He must have recognized the appeal of Vela’s verismo and the sculpture’s evocation of psychological regret, a far cry from the romantic image of Napoleon as world-conqueror.   Now confined to one island, left to contemplate his worldly defeat and what might have been, the statue is something of a modern image of melancholy, as well as something of an anti-historical atlas, as it ran against the grain of the tradition of Spruner’s popular atlases which focussed on distilling history to a sequence of maps of individual states.  The map, declarative and decidedly non-narrative, faces the dying or haggard Emperor in Vela’s “Last Days of Napoleon” as if the encounter between former emperor and map was the primary occupation and obsession of the former emperor’s final days.

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Filed under Bonapartism, engraved maps, French Empire, Napoleon Bonaparte, Napoleonic empire