Monthly Archives: December 2017

Ink-Jet Wonders and Other Printed Curiosities

The appeal that was exercised by a newly discovered set of gores that arrived at Christie’s announced was considerable.  The map constituted one of the first mappings to show the place of America on the globe–and indeed to map the globe as a globe.  The considerable attention that the gores slated to go to auction in mid-December attracted must have lain not only in their rarity, but the cult of priority of the naming of place.  The gores exemplified the declarative role of mapping to designate place, as well as a geometric organization of global continuity shortly after the discovery of the new world, but it was hard to imagine that the appeal of the gores in our increasingly pixelated, pointillistic, and fragmented mediated sense of space was not in the solidity with which they seemed to embody “America,” both on the map and on a globe.

The gores were highly valued as the first image that mapped America–and assigned it a name–whose almost cultic prestige had grown allowed viewers view a watery western hemisphere, since described by antiquarians as the “birth certificate” of America, in an ahistorical but nineteenth-century fashion, for bestowing the name of the European navigator Vespucci on the continent that he had described in a set of letters that widely circulated in Europe from 1503, and provided a written account that oriented readers to to the New World, describing a vicarious sort of witnessing the unknown that expanded the demand for global maps as they were widely reprinted.   Amerigo Vespucci described the long shorelines of a New World  that allowed a distinctively modern way to view a rapidly expanded image of the inhabited world, and allowed Waldseemüller–even if the humanist cosmographer who had trained as a theologian rarely travelled beyond his town of St. Die, near Strasbourg, but exploited the printing press to reconcile Vespucci’s findings with precepts of map projection derived from cutting edge cartographic tools.  And when he adopted the format of the mathematician Apian to render the world on gores, he used the graphic techniques of projection to lend solidity to the first narrations of the New World.  So it was quite surprising that the forged copy of gores that almost made it to auction in 2017 belonged to the same visual culture of online images–the culture of image capture and digital reproductions–as what seemed a worm-eaten sheet of printed paper was found to be created by tools of digital photographic reproduction, with little human trace of an engraver’s hand, although they seemed strikingly similar to the long unknown image of a material rendering of the post-Colomban world.


MUNICH WALDSEEMULER in Peckham, 1504:1510pngUniversity Library of Munich, ULM Cim. 107#2. Courtesy of University Library of Munich

Indeed, the similarity between the online diffusion of the image and the reproduction of the fake seems a modern rewriting of the intense attention that Waldseemüller and his circle of geographers in St. Die embraced the tools of early modern engraving to design multiple woodcut maps in the first decades of the sixteenth century, in order to meet a fast-growing market for globes that lent legibility to the world.  But the new forms of legibility that the online reproductions prized–so distinct from the printed images of the early sixteenth century–seem something like a moral fable of the different levels of spatial legibility of different ages, if not two period eyes.  The gores that cosmographer Martin Waldseemüller and his St. Die circle had designed were printed in 1507 had been long prized as the earliest example of an identification of the New World as America, in honor of Vespucci.  In an elegant description of the entire surface of an earth as yet not fully known, but able to be mapped in a woodblock form, the gores adopt and incorporate aspects of recent engraved maps and nautical charts in a synoptic visual digest.  The gores form part of a distinctly cosmographic project of rendering the world on a graticule of parallels and meridians, and vaunting the adoption of an ancient global geometry for transposing the curvature of the inhabited surface of the globe to a sectional globe of two dimensions, despite their limited toponymy, and balance their comprehensive coverage with the treatment of the map as a canvas to advertise the new naming of America, expanding the map’s surface far beyond the manuscript tradition of Ptolemaic maps and orienting viewers to the predominantly watery surface of the world.




The single sheet that seemed early modern map gores for a short bit of time seemed to belong to the first records naming the continent after the navigator, and clearly gained their value as such as a piece of paper:  the announcement of a new discovery of the sectional rendering of the world’s surface by regular intervals of thirty degrees appeared to offer an early geographic primer modernizing Ptoleamic geography, based on the first nautical charts of the new world.  The attempt to chart global space for Renaissance readers who remained in Europe were long associated with the cosmographer Martin Waldseemüller, the mathematically-trained theologian and cartographer known for creating several global maps, and for writing one of the first treatises of cosmography to adopt Ptolemaic principles to explain and describe the principles for mapping the New World.  By announcing the adoption of a new set of tools as a new descriptive framework in a manner similar to his 1507 cosmographic wall-map, which unified the nautical charts of America Vespucci with a Ptolemaic framework of world-mapping; the sheet of map gores supersede traditional nautical charts in a form of world-making.

Indeed, the single sheet seemed to seek to promote universal geometric tools to unify an expanded global expanse:  the new sense of the “cumene” would not be recognized by Ptolemy or ancient mappers, and gave an expansive portion of its surface to oceanic expanse, registering a new conception of a terraqueous world.  The graphic image following Ptolemaic principles of projection incorporated Vespucci’s accounts and nautical maps in a new model of cosmographic knowledge, inviting readers to experience vicariously his travels to the New World, and to understand the greater value that he attributed to maps and cosmographical knowledge to arrive at this site across the ocean in another world:  much as Carlos Fuentes has recently offered an indelible picture of the epistemic paralysis of the monarch Don Felipe, a barely disguised version of Philip II, as a semi- autistic ruler doubting the existence of a new world that was not comprehended in the palace to which he has withdrawn in Terra Nostra (1975), a massive novel whose literary structure mirrored the tripartite structure of the palace Philip II commissioned to include maps of all the Spanish possessions, the embodiment of the globe on a set of twelve elegant map gores would condense and rebut such the imperial stance of utter disregard to the new world that possessed Fuentes in his novel.  The careful construction of the globe’s surface onto indices offer a global purview that might be called the first age of globalism.


1. Waldseemüller’s single sheet map condensed the cosmographic principles the he had followed in series of elegant wall-maps that foregrounded the artifice and difficulty of the composition of the world map.   Waldseemüller and his circle had actively promoted standards of global legibility, using Ptolemaic precepts in a triumphal manner to celebrate the power of naming, charting, and mapping new lands for European audiences that invited ways of telling, describing and narrating Europeans’ spatial relation to a new world.  The large wall-maps that he produced in over a thousand copies promoted modes of reading globalist relations  facilitated by copious textual cartouches and inventive decoration, that underscore its cosmographical nature as a product of writing, drawing, and design to affirm the growth of oceanic expanse that defined the continents.  The wall map was hardly free of what Edward Tufte might call “chart junk” on its exuberant margins, but conveyed tthe excitement of heralding a new graphic synthesis of a global map over which Vespucci presided in one lunette, adding continents of a new hemisphere to the known globe, offered a cartographic solution to a problem of ordering terrestrial space.


Vespucii On Map

Waldseemuller-Map-631Martin Waldseemüller, Universalis Cosmographia secundum Ptolomei Traditionem . . . . / Library of Congress



The image is no less than celebration of the new status of cosmographical arts that elevate the medium of engraved images to tools of global description.  If the twelve-sheet c wall maps Waldseemüller’s school composed, designed, and whose engraving they closely supervised set a new standard for the elevation of cartographical skill from a technical craft to a new model of knowing and seeing–and a way of making epistemological claims, as much as using transmitted forms, in ways that linked the art of mapping as a scribal technology to cultures of telling, describing, and demonstration, the wall maps invite viewer’s eyes to comprehend space outside a situated position.


Waldseemuller_map_2Martin Waldseemüller, Universalis Cosmographia secundum Ptolomei Traditionem . . . . / Library of Congress


In a counterpart to the large wall maps that he designed and sold, Waldseemüller expounded the modern precepts to orient one in space and synthesize global knowledge by parallels and meridians in his Introduction to Cosmography (1507).   The slim volume,  the basis for his identification with the unsigned gores, seven as a manifesto for the twelve-sheet engraved global wall map, over which preside busts of Ptolemy, the ancient geographer who formulated the mathematical precepts of terrestrial projection on a graticule, with America Vespucci, combined the modern experience of navigation with the ancient precepts of learning and naming place.   Waldseemüller himself never travelled far beyond his native Strasbourg, but invested the map with authority to communicate geographical knowledge as a token of modernity of embodying a global geographical knowledge, albeit a modernity now displaced by the grid.  Waldsemüller’s projection has the energetic displacement of the authority of a nautical chart, echoing how Vespucci declared his competency in his letter to arrive at the New World even “without the knowledge of sea charts” prized by navigators, being “more expert in navigation than all the pilots of the world.”   The gores staked a similar model of expertise of reckoning and calculating distance and place by a new matrix of latitude and longitude that they embody:  the preeminence of the graticule as an epistemological tools of global geography that expanded the scope and nature of geographical knowledge lasted some four hundred and eighty years until it being displaced by grids.  Indeed, the value that the map was readily assigned suggests its survival in a distinctly post-scribal culture of mapping.

Did the value that the auctioneers assigned the map gores reflect these grandiose knowledge claims?  The gores elegantly translated knowledge of the earth’s newly discovered hemisphere to indices the viewer could readily process and digest, foregrounding the new name that it proposed for the continent named after the Italian navigator.  But they assumed a new status in the age of digitized maps, and Google Earth images of global interconnectivity, which may have been paradoxically elevated by the newly antiquated image they acquired.  Rather than being sold as emblems of knowledge, the new image of the gores that Christie’s claimed to bring to public auction had gained an immeasurable status after the earlier auctioning of similar gores for above a million dollars, not to mention the unprecedented price that the United States Library of Congress agreed to pay in 2003 of $10 million for the sole surviving edition of the large wall map Waldseemüller had engraved, the one copy of the thousand-odd he had printed, of which it was something of the poorer cousin, but which had been widely touted as the “birth certificate” of America, and the map on which Waldseemüller had proposed using the name of the Florentine navigator Vespucci who had described the long coastlines of the New World in his printed letters.

The set of map gores, a complementary spherical map that Waldseemüller had described making, provided an early image of global totality that gave a similar dominance to the line–indeed, the geometrically determined line–to orient viewers to a global surface.  When the late historians of cartography David Woodward and J.B. Harley tersely defined the map in “purposely broad” terms, at the outset of the monumental History of Cartography, an extremely elegant series since expanded over multiple volumes, as “graphic representations that facilitate spatial understanding of the world of things, concepts, conditions, processes, or events in the human world,” they may have been thinking of the graphic lines of the gores as such a facilitation of spatial understanding.  For the gores process the encounter with the New world, the travels of the navigator, and the recovery of Ptolemaic precepts of world-mapping, and the naming of the newly discovered continents in the western hemisphere on a clearly graphic construction.  Woodward and Harley’s emphasis on “graphic representations” recuperated the ancient Claudius Ptolemy’s use the Greek verb  γράφειν (graphein), or “to write,” and Waldseemüller’s assimilation of that verb of the act of writing to engraving tools; it caused much revision, even by Woodward himself, of its lack of allowance for cross-cultural comparisons, but suggests a significance of writing systems as a mode of ordering space.  Waldseemüller appropriated the authority of the verb in print, giving the engraved line a deictic sense of displaying space–


Single Sheet UNM


Waldseemüller School, 1507 Globe Gores/Badische Landesbibliothek


–in a map of globular design of the sort that Woodward idealized as the culmination and embodiment of cartographical principles, in a globular map of the sort that was more readily defined in a more familiar globular form by 1583, here shown in two images of the same year in “universal rendering of the newly discovered parts of the world,” printed in Italian, or discovered parts of the world, which emphasize nautical travel as the basis for the incorporation of place on the globe, and reveal the increased scope of geographical exploration in the intervening eighty years.


Globular Italian Map Parte del Mondo Ritrovato 1583





More broadly, however, “graphein” might be understood as the trace of the human that orients themselves to the world, hand-drawn or manually rendered.  These were soon shown to be absent from the gores:  indeed, the blurring of the very lines of the gores that went to auction suggest that they belong to a new visual culture of scanned images and photographic reproduction.  The very traces of graphical operations were permuted and erased in new ways, as is the sense of a human presence, in ways that suggest the distance of our own visual culture from Waldseemüller’s world, in ways that the forger never intended.

In their groundbreaking History of Cartography, David Woodward and Brian Harley had celebrated the line as the means of graphical orientation, in what now seems an elegy to the art of printing.  An unforgettable image remains clear in my head of David Woodward in his basement, in Madison, WI, running maps off a letterpress printer, and hanging them to dry on strings by clothespins, and his love of the ink applied to the engraved plate to present a precise rendering of space.  But the fake set of gores that reached auction were not printed or drawn, let alone in the Renaissance or during Waldseemüller’s life, but probably printed some five hundred years later, from a scan of the map in the James Ford Bell Library’s website.

The gores that arrived at auction this December suggest far less of a clear trace of a human hand, and perhaps belong to a different visual culture of online images.  Indeed, the astronomical value that the single sheet was invested may be a symptom of our entrance into a different visual culture of mapping–indeed, the sheet that seemed to be valued at more than a sheet of gold of the same size suggests the fetishization of the paper map in an era of web-based mapping, and mobile GPS.  The fake gores suggestedthe translation of Ptolemaic terms to a visual culture that privileges the dot and the grid as a basis for orientation, rather than the engraved line, but where the aura of the writing of space persists, and the paper map fetishized in a world that increasingly relies exclusively on mediated digitized images.  The set o fraudulent gores is itself something of a post-modern artifact,–less concerned with the authorities of narratives of discovery, but able to admit the false authority of the map as objective, and almost ready to accept the value of its aura even if it was only an image grab printed on old paper.

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Filed under fake maps, globalism, globalization, Mapping the New World, media studies

Clipping Bears Ears

The recent demotion of Bear’s Ears and the Grand Staircase-Escalante as national monuments pose risk of a deepening widespread and almost inevitable alienation from public lands.  The tenuous status of public lands was apparent in the mandate of protection after intense lobbying of the American Petroleum Institute and other players in the energy industry to cut the limits of National Monuments across the United States, in ways that stand to redefined American West.  And even as our so-called President touts his relation to the common people, apart from the political class, the proprietary relation to public lands that he seeks to instill by removing protected lands of national monuments like Bears Ears stands sadly at odds with the longstanding image of the identification with the legends of the white man in the open space of the American west’s sun-drenched outdoors, whose landscape was open to the grit of white, male conquest of an empty space–although the decision to remove Bears Ears from the list of protected lands suggests an abandonment of that image of the heroic cowboy, replaced by the disillusioned world-weary post-industrialist capitalist character we seem to have as American President.


Trump and Wayne in western backdrop.jpg


For Trump has definitively moved away from that imaginary, and the image of the open frontier, or of this land is your land, this land is my land, into a vision where the very same land is now poised to be opened to mineral extraction and prospecting, reducing the area once identified with the West to an area defined by the priority of industrial claims, and transforming it to a terrain inviting the colonization by extractive industries.  With his pursed lips, and evasive eyes, turning his back on a monumental landscape of the West, President Trump appears oblivious the destruction of space to occur across the national monuments opened to prospective mining, extraction of resources, and mineral industries, as if to deny their history, and allow the big rigs of extractive industries to enter to repossess those areas they have claimed on the map.

The preservation of a national monument that would rejoin fragmentary Indian Lands, indeed, was the strategic scope of the declaration of the two regions as part of our protected national heritage, in an attentive to remove previously protected lands from mineral prospecting in southern Utah, with the aim to improving the local economy and attract investment to the state now represented by Mike Lee and Orrin Hatch, who have both advocated the proposal to open the region to prospectors, with far less concern for its future of the country–responding to heavy lobbying by uranium mining company Energy Fuels Resources, which provoked a widely criticized Interior Department review, Trump issued executive orders that shrunk the monument to newly reduced boundaries.  For Hatch, eagerly labeling the designation of the national monuments as “unjustified federal land grabs,” evoking the increasingly militant anti-federal lands movement, particularly strong in Utah, who act as if the government had hidden interests in staking claims to a territories form wildlife refuges, conservation areas, national parks, or national monuments, summons a misguided anti-government credo as a basis for ending public lands.


Protection of National Monument of Bears Ears would expand claims to native lands in Southern Utah/Joe Burgess for New York Times


In replacing a sense of “goods” for the nation worthy of protection by the federal government–the purpose of the Antiquities Act of 1906, which expanded executive ability to conserve areas for preservation of their historical or scientific interest–to a vision of the executive asfacilitating abilities for exploitation of national space, and ensuring energy extraction.

The result is to threaten fragile material evidence of the region’s prehistoric inhabitation in a site recently put off-limits to oil and gas exploration on account of its use value to extractive industries, contesting the inherent value of preserving an area that has been considered among the most “endangered” historical sites in America.




The rewriting of what constitutes a national monument is quite a sense of a sharp change in history, marked by an inevitable separation of the landscape from the past.  The shift of Bears Ears from a site worthy of conservation,seems definitively erased as the revelation of the minerals, oil, and gas that lie beneath the ground within the earlier boundaries of the former National Monument.  The possibilities of extraction had been mapped in surveys of the mineral resources of the region, which focus not on the delicate nature of its environment; the map of minerals ignores sacred remains lying on the surface in its boundaries, and foreground them, rather than the delicate ecosystem of animals and pure water.  Indeed, its pollution would irreparably compromise the region, and replace the reasons cited for its historical and cultural value to its exchange value.

Are we in danger of mipmapping not only our national patrimony, but future?  It is almost as if Trump is following a new map, provided by the extractive industries with which he has thrown in his lot.  And in place of preserving individual sites of antiquity, this map shifts from the above-the-ground complex ecosystem and archeological ruins previously cited as warranting protection for future generations and for the nation:  what was a “good” for the nation is in the course of being redefined, as the underground “goods” able to be extracted displace those lying on the surface of a bioregion of southeastern Utah currently in danger of being compromised–even as the newest national monument in the intermountain desert protected by Bears Ears Inter-Tribal Coalition largely in recognition of widespread evidence of its historic inhabitation.  While Trump argues at his own tribal rallies, exultantly insisting “we’re into [clean air and water” also, folks–but you don’t have to turn off all business!” even as the EPA rolls back clean air and water rules, the absence of attention to environmental preservation in the national monument is striking and mind boggling, if not a relinquishing of duty.

By revoking the region’s status as a national monument, and reducing the protected area to almost 80 percent of the current Bears Ears National Monument and the Grand-Staircase Escalante National Monument by 45 percent, Trump has divided Bears Ears into two smaller regions, to allow access to the red, mineral-rich areas, in particular, following on the recommendations of his Interior Secretary drastically to shift the status of a considerable range of national monuments that would include the historic mesas.



The new geography of the national monument suggests a vision that is stubbornly and insistently reduced to mineral resources, flattening the historical value of the region and replacing any sense of its place by mapping it at a dangerous remove, and foregrounding the value of its industrial resources above its landscape.  Walter Benjamin’s Angel of History could not see the destruction of the open spaces of lands until after they have occurred, of course, at which point they lie at the feet of the Angelus Novus, who is propelled forward in time, seeing only the wreckage at his feet; but the rewriting of the material relation to the land–and the symbolic relation to the land–constitute a broad remapping of the place of the west and western lands within our minds.  If labor was the exploitation of nature for Benjamin, the exploitation of nature rests both on material labor, but the remapping of the landscape we once saw as part of historical memory as a nation to a material resource, destined to be opened to a growing energy market, and be converted into petroleum and gas.  Trump has, in short, turned his back on any romantic concept of the open spaces of the west, with some uncertainty, as he seems to take a step into an unknown future of open access to energy resources mapped as lying under these once hallowed grounds, which stand to become transformed into an industrialized landscape, and changed beyond recognition, without a sense of what we have lost.

We are in danger of losing any sense of the picture on the ground.  The map of resources seems to compromise the map of the land by local inhabitants, or indeed the picture of the region on the ground of a lived landscape, filled with rich traces, and freshwater streams, that has long held status as a sacred site in our national imaginary as a frontier.


Wlderness Photography Bears Ears


The accelerated arrival of an entirely new relation to the land, as extractive industries that has been used to demote Bears Ears from a nationoal monument stands to transform open spaces that were once identified with the mythos of the nation.  The resulting removal of all regulations that the reduction of national monuments would mean fails to understand the monument as an ecosystem of environmental integrity, and indeed the historical value of the lands as sites:  it is almost as if the difficulty of defining the value in a society which uses GPS to map locations on a UTM projection to locate mineral deposits and sites of potential petroleum drilling–and erases the holistic image of a vanishing landscape that has long been so central a part of our national patrimony.  For by reducing the land set aside in the National Monument to questions of cash flow, the administration seems to have decided to use a map to abstract the Bears Ears area to the value of resources hidden beneath its historic landscape.


Mesas of the Valley of the Gods in former Bears Ears National Monument near Blanding, Utah/Alex Goodlett for The New York Times


The revisionary mapping of public lands that has occurred within the Trump administration is no less than a dramatic revision of national priorities.  It reveals something like an amnesia of the relation to the land, now seen as an antiquated practice of political regulation, and a rhetoric of opening valuable historical regions to mineral prospecting, in ways that no President has ever elected to disrespect one of his predecessors by rescinding the area of a designated monument that a president has decided to set aside.  In ways that shifts our relation to our own futures and pasts, the remove of the landscape suggests a remapping of priorities and space, removing protections from red rock canyons where some 10,000 artifacts remain.  As parcels of that landscape increasingly stand to be leased to extractive industries, despite the fragmentation of open lands across western states.  Indeed, the encroaching the interests of the American Petroleum Institute on what was once understood as preserved wilderness has become a way to rewrite the state’s relation to federal lands, and indeed the patriotism of the protection of public lands of longstanding historical value.  In ways that reflect the deep anger at the protection lands negotiated by the Obama administration–and done so in a way that tried to involve community stakeholders over time, if concluded late in the Obama Presidency–and the obscuring of claims historically made from 1976-2010 alone in the region once defined as Bears Ears–


–the division of the national monument into two rumps opens many of the areas where mining claims  were staked, and allows further claims to be made, as well as encourages easy transport of extracted materials from the historic grounds, by denying their claims to historical value.  Indeed, by reopening many of the BLM claims on the region, the decision to parse Bears Ears from a continuous monument seems a give-away to extractive industries.

The gains of that lobby in asserting their claims and rights to access mineral deposits and veins stands to emerge as one of the largest land grabs in American history, reshaping the notion of the protection of public lands and access allowed to drilling, pipelines, and mines on federal lands, as if definitively abandoning any concept of the value in their preservation for posterity.  Indeed, only by recasting the role of government as securing lands worthy of protection as a case of undue restraint on business can the dire effects of  the plans for expanding private leases on public lands be failed to be recognized as a shifting the preservation of historical legacies to permit widespread industrial leases on federal lands in ways that abandon and relinquish a clear long-term view of their value.  When Interior Secretary Ryan Zinke questioned whether a third of Interior employees were “loyal to the flag” before the National Petroleum Council, a petroleum industry group–and desired to reduce the “physical footprint” of the Interior Department by reducing the civil service employees who he sees as obstacles to opening up the permitting process for oil-drilling, logging, uranium mining, and energy development he sees as President Trump as having a legal mandate to accelerate, Zinke seems to make an end-run around the public custody or preservation of increasingly fragile lands of sacred resonance to many of the residents who most prize its integrity.


Bears Ears Buttes Big expanseGeorgy Frey, Getty Images/National Geographic


Valley of Gods, in Bears Ears National Monument 


Indeed, the agressively regressive attacks that the Trump administration has made on environmental regulations or responsible custodianship of public lands–leading states to file suit against the Environmental Protection Agency and EPA administrator Scott Pruitt for rolling back agency policies of designating areas of dangerously high ground-level ozone in unprecedented ways–is mirrored in the attack on protecting public lands, on which the Interior Secretary seems to have no endgame save leasing them to industry.  The agressiveness with which Zinke has taken aim at the government’s custodial role over wilderness and public lands–some of the few places where undisturbed ecologies exist–suggest a widespread attack on the notion of wilderness.  Is it possible that the Trump administration is preparing to excavate any federal mandate to protect historic lands, as well as to allow the expansion of extraction across previously protected lands?

When Interior Secretary Zinke complains “I can’t change the culture without changing the structure,” he suggests a broad disbanding of regulations accumulated over time with local groups after consideration of public impact that he wants to cast as obstructionists and arbitrary bureaucrats.  Yet when Zinke suggested that “Fracking is proof that God’s got a good sense of humor and he loves us,” he conjures a terrifying hybridization of manifest destiny and unrestrained corporate greed.  Zinke’s initial review of a full twenty-one National Monuments on federal land stand to change the landscape of the American west.  For in removing acreage of interest to private industry from federal protection, in a particularly short-sighted move under the quixotic banner of energy independence, the Trump administration seems bent on allowing the very federal lands protected by government for posterity to be treated as lots able to be leased for private development, without appreciation of their historical, cultural, or sacred value.  The map of National Monuments under “review” suggest a euphemism analogous to downsizing, and a shift in the conception of the custody of national lands–including the Grand Canyon–that seems to prepare for the excavation of what were the most protected federal lands.



Reduced Monuments


The expansion of national monuments currently designated “under review”–which has led to the recent declaration shrinking Bears Ears and renaming two protected areas that constitute but a rump of the once National Monument he Obama administration named after substantive negotiation with local stake-holders, reveal the dangerously unconsidered course by which protected public lands stand to be declassified in order to meet the demands of private industries, many of whom have already mapped mineral deposits or previously leased mines in their ground.  Zinke tweeted images of how he rode to his first day as Secretary on Interior on a horse named Tonto, sporting a ten gallon hat, flanked by the US Park Police, in a coded gesture to fulfill the demands of farmers and outdoorsmen:  the self-designated cowboy of Trump’s cabinet was on his way to eliminate protected status of federal lands, ready to remap most delicate open areas for extractive industries and the environmentally toxic mining and drilling of fossil fuels, in the name of energy independence:  if intended to evoke Theodore Roosevelt’s commitment to the outdoors, the dark garb and black hat suggested apt funereal garb to preside over the dismemberment of the American West.  But the usurpation of an identity as a cowboy outdoorsman in which Zinke has cultivated seems an apt metaphor, if unintentional, for the disenfranchisement of native inhabitants of a land that has been hold sacred for generations, and is a priceless repository for cultural artifacts and prehistoric ruins, as well as a priceless fossil record of dinosaur bones.


Zinke Goes to Work.png


Zinc’s cultivation of the image of a cowboy outdoorsman who loves western open lands exemplifies a dangerous sort of double-dealing.  For his policies he adopts run rampant over protection of the most fragile federal lands.   And despite presenting a public face of affection for the outdoors concealing the agenda of energy industries to shift the landscape of the American West, the re-dimensioning of public lands and National Monuments opens them to coal industries and petroleum and uranium mining.

The redrawing of Bears Ears is isolated, but foretells a terrible vision of the curtailment of federal lands by future leasing, drilling, and mining–at the same time as curtailing access to parks by substantially raising their entrance fees nationwide.  Nowhere are the fears of opening lands to drilling more feared than in the Alaska’s Wildlife Refuge.   Yet under the quixotic directive of ensuring “American energy dominance” the koan of the Trump administration, and the meaningless slogan “Energy Is Good,” the charge to remove regulations on coal, drilling, and oil pipelines are cast as a means to confirm our prosperity and energy independence as a nation, in deeply misguided ways that are based only on doublespeak, but epitomized by the withdrawal of any sense of custody for the increased scarcity of undisturbed open lands, or an obligation to future Americans.

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Filed under American West, Bears Ears, environmental preservation, federal land protection, national monuments