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Russian Blues

The projected map was a subliminal reminder of the stakes of the speech Vladimir Putin delivered to the Federal Assembly.

For all its modern appearance, the glowing map of the Russian Federation that recalling a backlit screen, seemed an updating  of Soviet-style theatricality and state spectacles.  As if in a new theater of state, the map of a magnified Russia seemed to cascade over a series of scrims that framed Putin’s head during the annual State of the Nation address, which he had moved to weeks before he stood for reelection to a fourth term from its traditional date.  Putin was projected to win the election, but projecting the map under which he stood identified him as a spokesman for Russia, and identified his plans with the future of Russia–

 

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–and allowed him to present a “State of the Nation” that projected the future global dominance he foresaw of Russia within the world, and allowed him to present an argument of protecting the boundaries of Russia, and the Russian Federation, even in an era when boundaries and the mapping of boundary lines are not only contested but increasingly without clear meaning.  Putin’s involvement in aggressive actions beyond the borders of the Russian Federation–whether in the American elections, as all but certain, if of unclear scope; the invasion of Crimea and Ukraine; or in the elections of Brexit and Hungary, or poisoning of Russians in other countries, all distracted national bounds.  But all were presented, in a cartographic sleight of hand, as a vision of Russia as a state of the twenty-first century.  If our current maps no longer follow the “jigsaw puzzle” of the map that the icon of the luminescent map recalled, and the global reach of Russia’s missiles that he claimed could not be intercepted.

 

Russian Missiles

 

Remapping the Russian Federation was the central take-away from Putin’s speech to the Duma–even while allowing that “we have many problems in Russia” with twenty million Russians living below the poverty line, described the need to “transform infrastructure” and claimed that Russia faced a significant turning point in its history, which would alter its relation to space.  Indeed, the argument that Russia “had caught up” with the mapping systems that were used by the American military since the 2003 Iraq War–one of the first international conflicts that Putin had encountered as President of the Russian Federation–and suggested the lack of clear limits to frontiers, or anti-missile rockets to the global scope of a new generation of nuclear-power Russian ICBM’s.  A statement of the resurgence of Russia–and a renewed defense of the foreign policy of the Russian Federation–all but erased or whitewashed Russian military presence in Georgia, Ukraine, and Crimea, presenting the arrival of Russia on a global stage through an awesome holographic map.

The map offered something of a “warrant” or guarantee of the arrival of the Russian Federation on a global stage, and provided viewers a reassuring image of Russia’s prominence on the global map, despite the fairly dire state of domestic affairs and the limited plans for expanding national employment or social welfare.  The value of the map, mesmerizing in its illustration of the entirety of the Russian Federation, provided an illustration of foreign policy and argument of expanded powers of global intervention, by which Putin, former head of state security, sought to suggest its arrival as a ‘strong state’ despite the historical challenges and setbacks of earlier regimes, and what Putin has long seen as “the greatest geopolitical catastrophe of the century,” the break-up of the Soviet Union.  The map met the need to bolster Russian self-esteem, and indeed identifying esteem with the territorial protection of “Russian rights,” irrespective of the boundaries that were drawn or existed on other maps.  For while erasing Russian intervention in Chechnya, Georgia, Crimea, Kyrgyzstan, and Ukraine, the map sought to project an image of the consolidation of Russian abilities for “global governance” as an extension of Russian sovereignty.

It is striking that the map was a reflection of the manner in which Putin had long understood or seen the invasion of Iraq in 2003 as an extension of American claims to sovereignty, in violation of international law, and the new image he wanted to create of Russia’s similar abilities to ignore national boundaries and boundary lines.

 

Putin weapon launchVideo grab from RU-RTR Russian television (via AP), Thursday, March 1, 2018, allegedly portraying Russia’s firing of a nuclear-powered intercontinental missile

The map affirmed the arrival of a new consensus in the Russian states and ethnic republics–members of which were assembled before him–to recognize the arrival of a new role that Russia could occupy and would occupy in the global map.  Indeed, the made-for-television map of the Russian Federation suggested the new relation between local and global–and of Russian sovereignty and international abilities for “global governance” that would be guaranteed by an expanded arsenal of nuclear weapons, in ways that demonstrated the expansive reach of Putin’s Russia far beyond its boundaries, in ways that would upstage the American use of GPS in the Iraq War, and the precedent that that war set, in Putin’s mind, for flouting international law in the assertion of American sovereignty–despite the multiple logical problems that were avoided in making such a claim.  But it seems that much as George W. Bush’s headstrong rhetoric of fighting “terrorism” was adopted wholesale by Putin in subsequent violations of the sovereign rights of Ukraine, Crimea, or Syria–and the justifications for defense of Russian interests as the same as sovereign grounds.
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The broadcasting of Russia’s possession of a new generation of intercontinental ballistic missiles, unable to be intercepted, as well as designed to frighten the United States or a feign to enter into an arms race, were presented as the basis for illustrating the lack of Russia’s need to respect any cartographic lines or continental divides.

1.  The pre-election State of the Union address, as if a continuation of the diatribe Putin launched against the West for “trying to remake the whole world” unilaterally and in accord with its own interests, provided a broadside of the determination of Russia to defend its own interests, rather than seeking through military invasion or moving of its troops across borders to “reinstate some sort of empire.”  But his discussion of how “turning points” in history determined the foundation of cities in Russia and its relation to “space” seem on the point–and a bit of pointed positioning in regard to Russia’s future positioning on a geopolitical map.

As if to respond to the ion, Putin focussed most theatrically on its development of “invincible missiles” and nuclear-powered arms as defensive weapons in a two-hour address before a packed hall that was punctuated by repeated ovations and applause.  He  omitted any mention of Russian presence abroad, but focussed attention on the Russian nation as able to protect its allies adequately and preserve its place in a “rapidly changing” world where some states were bound to decay if they did not keep up with the pace of change.  As an almost entirely male audience uneasily awaited Putin, turning in their seats, greeting each other, staring ahead stonily or smirking and nervously straightening blue ties.  All faced the glowing blue map projected above an empty stage in the new venue, as if into their minds, as if in preparation for how Putin would remind them of the problems of charting Russia’s future course, even as they may have been most satisfied with the unprecedented foreign influence Putin had achieved in much of Europe, Hungary, England, and the United States.  When Putin took stage with triumphal music, describing how the “significance of our choices, and the significance of every step we take . . . [will] define the future of our country for decades,” and a new time for Russia to “develop new cities and conquer space” after maintaining the unity of the federated nation and its stability in the face of great social and economic difficulties but still faces the danger of “undermining [its] sovereignty.”

 

Map crisper curved

 

Projected onto multiple scrims, the glowing image of the Russian Federation lit by glowing centers of population echoed Putin’s discussion of stability, and the need to affirm the “self-fulfillment” of all Russians and their welfare through new economic policies, which he assured them had nothing to do with the upcoming elections, but cautioned that the failure to create technological changes would lead to potential erosion of its sovereignty despite its huge potential.

The glowing national map dominated the room overwhelmingly in which the three-term President spoke, describing the as he aimed to win an election to continue his Presidency through 2024, and convince all Russians of his leadership of the nation.  Below the map, unsmiling, Putin solemnly addressed the nation as if he were its architect and the protector of its bounds; indeed, the projection of the fixed bounds of the Russian Federation onto a set of screens behind him seemed to celebrate its continued power vitality after three terms of Putin’s presidency, even as he recited fairly grim statistics about the state of the national economy.  Describing the need to enhance its civil society and democratic traditions, Putin raised the prospect of once again “lagging behind” other nations, its body politic undermined by a chronic disease, and define Russia’s future, if its modernization was not affirmed in the face of .  The continued coherence of the nation reminded viewers that, notwithstanding threats of dissolution after the fall of the Soviet Union two decades ago, and a reduced GDP and natural resources, the Russian state was back.

The map of Russia was projected in isolation from the world, but the image that resembled a back-lit glowing screen became a basis for projecting the power Russia had regained on a global stage.  Rather than imitating the graphics of a paper map, the iridescent blues, splotched with centers of population, called attention to the permanence of the Russian Federation’s borders and affirmed its new place in the world.  The bounds of Russia were protected, the triumphalist image implied, but the place of Russia on the world stage was implicitly affirmed even if it was shown in isolation:  rather than showing people, or including any place-names, the map magnified the idea of Russia, and its futuristic projection suggested the continued power of Putin to transport the nation to modernity, its boundaries protected and affirmed and its defense of allies acknowledged.  While Putin had recently accused the United States of triumphalism, insisting that Russia was indeed “self-sufficient” and denying Russia was “encroaching on its neighbors” as “groundless,” he seems to have relished a new triumphalism, and famously continued to present the invincible military weapons Russia had developed–lasers, ICBM’s, which, nuclear torpedoes, and nuclear-powered cruise missiles–which, while not revealed “for obvious reasons” would definitively displaced the United States from a position of global power and could penetrate US Defense Systems with ease..

 

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Filed under geopolitics, globalism, nuclear strikes, Russia, Russian Federation

Finding Aleppo in a War-Torn World

The deep frustration at being able to map the Syrian civil war around Aleppo–combining the actual inability to map the factions in the conflict, and the actual unmappability of the deeply unsettling destabilization of civil society in the five-year civil war which is waged by outside actors, as much as by the Syrian government–has sapped confidence in the ability to negotiate a cease-fire or indeed to find a civil solution to a conflict that has both created an ongoing flow of refugees and destroyed civil society in the region, as well as an equilibrium of power.  And the more we are frustrated in being unable to map the conflict and its descent into inhumane violence, the more violent it has become and the farther removed from being able to exist again as a country.

 

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Any theater of war is extremely difficult to endow with coherence in a map–one speaks of the “fog of war” to describe the clouded experience in the confusion of military conflicts.  But the difficulty of gaining purchase on the extent of the destruction of the ancient city of Aleppo that is particularly troubling–and troublingly matched by the difficulty of mapping or imagining the targeting of the city and Aleppo’s inhabitants and the refugees who have left the city.  The failure to describe, document, or respond to the costs in the sustained aerial bombardment in recent months seems an abdication of ethical responsibility before such escalated destruction that almost fails to acknowledge its scope.  The terror of aerial strikes against civilians have led to the targeted destruction of schools and hospitals in the rebel-occupied regions of the city hard to imagine, as a besieged city is isolated from the world.  While we don’t have access to the maps and plans that were used during the sustained engagement of rebel forces in Aleppo, and have rather watched screen-shots of the diminishing areas of the region “held” by “rebel forces” over months, those very images distance us from the human rights tragedies that is occurring on the ground with the dismantling of public health care and social institutions, as if extending so many false possibilities of the tenuous grasp over territory of opposition groups.  With unclear data on suffering, deaths, refugees or destroyed buildings in the encircled city, we map territory as the clearest index of the balance of war, but ignore the scale or scope of its ongoing bombardment and destruction, as the country has not only “gone dark”–

 

 

–but the city destroyed under unimaginable sustained assault.

 

aleppo-sept-2012

 

News wire sources have tried to “map” the extent of those lines areas held in the heavily bombed city, to be sure, in recent months.  But the absence of clear lines of jurisdiction or control of a battle that is increasingly waged from a move–but shown as if it were a land war–echoes the military divisions of cities in ways that seem incommensurate with the suffering or mischaracterization of the actors of the war, and the lack of limits with which the Assad regime has enlisted foreign help to destroy its former cultural capital and economic hub, as if trying to efface the opposition that it has for so long successfully tarred by their association to ISIS and the Islamic State–and as a media blitz has tried to portray the battle in Aleppo as a fight against ISIS rather than a defining moment in the escalation of military forces against one’s own people by Bashar al-Assad.

Even though the aerial attacks on Aleppo began as early as July 2012, the escalation of attacks by Russian bombers that began to target buildings and humanitarian supplies with intensity from July 2016.  While we were in the midst of the farce of our recent American Presidential election, we have watched maps of the Syrian conflict at an odd remove, depicting the city the city as a multi-colored sectored region, as if a point of stasis in slippy map of sovereignty, as much as a focal point where five different forces seem to lock horns.  The disservice of these opaque colors seem to erase and to be done such a deep disservice with Microsoft Paint.  And as we do so, we can only fail in an attempt to chart the intensification of suffering that is only like to increase in coming months, as the shrinking green lands held by rebel forces have depicted the so-called “situation in Syria” in increasingly disembodied fashion.

 

syria97410fps.gifThomas Van Linge/Newsweek/@arabthomness

 

As we watch the layers of colors, trying to map the levels of conflict from an empyrean remove that has echoed the official policy of not putting “boots on the ground,” we fail to account for the destruction of houses, massive departures of residents, targeting of humanitarian assistance and destroyed infrastructure and human services in the city.  The layers with which we discriminate a war-torn city set to conceal terrifying human costs in the rather terrifying palette of pastels in its curious camouflage, as if to hold out hope for an amicable solution, but to erase the destruction of civilian lives, hospitals, residences, or food and needs supplies that tried to arrive in the light green rebel-held areas of the city that suggest an island around the Citadel of Aleppo.

 

Rif_Aleppo2.svg.pngNovember 1, 2016/Kami888

 

For the limited information about Aleppo’s continued destruction by aerial attacks as well as bombardments makes the extent of the human costs its destruction increasingly difficult to render with coherence.  This absence of this coherence perhaps leadt some twenty-nine million to be struck by viewing the dazed five-year old Omran Daqneesh and the tragically bloodstained face from which he gazes somewhat stoically and looks at his bloodied hand–as if dazed to be transported from the scenario of violence in which he lived to what seems a setting of sanitized medical care, his blood-stained face contrasting to the clean orange cushions of an emergency ambulance.  The transferal of Omran from the battlefield like context of Aleppo to the emergency health care vehicle show him dazed not only at his change of context, but almost in shock of being in a controlled ambulance in which he sits, if a sign of hope, is also emblematic of the inability or difficulty to bridge the controlled context of medical and clinical care of the Emergency Medical Services and the rubble of the besieged city, almost the negative image of a controlled environment:  the image circulated by Aleppo Media Centre was emblematic of the dissonance between the emergency services and the onslaught of bombs where civilians are targeted daily amidst the rubble of the besieged city, so that the dazed look of poor Omran seems a substitute for our own helpless bewilderment at the war crime of the sustained aerial bombing of Aleppo’s buildings, health care providers, hospitals, and inhabitants.

 

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If the image is manipulative–and difficult to include in yet another post on Aleppo–its power seems to derive from the failure we feel between inability of the child who touches his hand to his head, to take stock of his head injury as he tries to process the loss of his family, after being carried by an emergency worker into the new setting of an ambulance.   The image was so poignant it was shared so widely all over the world on Facebook, as we searched collectively for an emblem of good, of one child rescued from the violence of Aleppo–as nine million Facebook users tried to transcend the broken windows, destroyed buildings, and slim hopes for the survival of Aleppo’s citizens, increasingly targeted in inhumane ways to which we are so unable to respond.

For if there is a lack of any coherent purchase on the city’s destruction on such an unprecedented scale of its bombardment, even for the Syrian Civil War, the saving of one child after his family was lost allowed the survival of a child to exist in the blood-streaked face of the five-year-old Omran Daqneesh that circulated globally on social media seemed finally to locate a “face of the Syrian Civil War” against the city’s dire destruction.  Indeed, the actual improvised settings of health care in eastern Aleppo–

 

624143740-graphic-content-wounded-syrians-are-seen-on-a-table-in_1-jpg-crop-promo-xlarge2Thaer Mohammed/AFP/Getty Images

 

–continued as bombs continued to strike the neighborhoods and where the living and dead lay beside one another in emergency rooms that lacked adequate medical supplies.  The absence of medical assistance or facilities, even as Bashar al Assad rejects the last proposal proposed by the United Nations for a local truce that recognized any claims to separate sovereignty of rebel forces, if it was not armed, arguing that it was a violation of “national sovereignty,” seems to have invited an endgame of increased military raids, as the “area held by rebel forces” has shrunk in recent days to a small region curving around the medieval fortified Citadel, sandwiched between advancing regime forces.

 

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The garishly bloodied face of Omran, the sole survivor of an air strike on his family home in Aleppo’s rebel -held territories, seemed a ghost, but served as a respite from images of the dead, and his transport to an ambulance from the horror of Aleppo seemed a promise of the future.  The image posted by the Aleppo Media Center provided little orientation to the actual struggle, but the apparent shock of the contrast of Omram’s evident transport, his face and T-shirt covered in dirt and blood, to safety offered more than a reprieve from image of dead children:  seated in an ambulance, fingering his bloodied head, his place provided a bizarre juxtaposition of a world of safety and medical supplies who had moved from the bombing of his family’s building in a war-torn city we can barely map.  The arrival of the child into a setting of Western safety almost seemed an image of the precareity of saving a child out of its destruction, and preserved an odd ability of hope even as airstrikes would soon hit four hospitals in east Aleppo, and continue to target civilians.

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Filed under Aleppo, data overlays, human rights, Syrian Civil War, Syrian Free Army