Tag Archives: census maps

Oakland Represented Variously: What We See When We Map Oakland’s Inhabitants

The range of ‘open’ online data that is available for a city such as San Francisco showcases the city’s clear definition of a public space.  Although there are plenty of spaces of local meaning and importance in Oakland, from the site of Occupy near the mayor’s office to nearby Chinatown and Lake Merritt, or from Fruitvale Station to west Oakland urban farms and on to Alameda, the fragmented nature of public space is difficult to map coherently.

When it comes to public space, the East Bay and Oakland–despite a rich variety of parks, an estuary, and increasing vitality of Jack London Square–is a polycentric sprawl, its former downtown interrupted by freeways, and open boulevards dotted with closed commercial centers, beauty supply zones, or dense interchanges.  This is in part due to how little the diverse areas and neighborhoods of the city know themselves.  How to map the inhabitants of Oakland, CA, given the considerable diversity across neighborhoods?  Does it exist as a unified social space, or what image of the city emerges?  By looking at some of the census maps of the city, and mining the range of information compiled in them by displaying their data in mapped form, we can process and digest the complexly variegated nature to view its population’s profile.  (Indeed, the problems of politically representing the complex composition of a somewhat divided city were revealed in the most recent mayoral election of 2014.)

The sprawling city challenges the abilities of the social cartographer as much as the post-modern space of Los Angeles, even in this real-estate view.  Maps of any scale organize social space by relevance, preparing a selective record of its inhabitation and revealing networks for ready consultation.  Maps of any scale create a simulacrum or construct of social reality, as much as simply orient their readers:  the city’s salient features highlighted and network of organization explained, omitting other spaces and residents. We might start by acknowledging how the below bird’s-eye view of Oakland from c. 1900, of unknown origin, celebrating the city’s settlement and early Bay Area Real Estate:  the engraving showcases an open urban grid as an area becoming future realtors to its shores:  if mostly green and largely uninhabited, presents a prospective view of the city-port as a commercial center, showcasing notable houses of prosperous residents that distinguished Oakland’s built environment, and beckoning viewers to its estuary and the man-made shores of its new Lake as if to shift our attention from the city of San Francisco.

Oakland 1900

Elevated or “bird’s eye” views praising urban identity and architecture such as this anonymous print had a long tradition.  Such imagined constructions that gained currency as encomiastic forms, often complemented by poetic paens to their social harmony.  If the artist who engraved and designed the elevated map is not known, the presentation of the city’s growing physical plant and street structure echoed the architectural elegance of earlier urban views, as the visual encomia to the elegance of architectonic form of Venice in the virtuosic perspective designed by Jacopo de’ Barbari circa 1500 of his own creation.  De’ Barbari exploited skills of perspective to craft a graphic and pictorial encomia to his native city’s architecture and burgeoning wealth to trumpet its social distinction; an earlier elevated view of Florence, sold by the cartographer and engraver Francesco Rosselli similarly celebrated and displayed the architecture of his native city.  De Barbari famously employed to evoke the harmonious order of his city, also lying in close proximity to surrounding wetlands, by displaying its distinctive harmony–vaunting its delicate socio-political balance figuratively by deploying his mastery of creating a previously unimaginable perspective to considerable effect, showing the density of its architecture in the watery surroundings.

Jacopo_de'_Barbari_-_Plan_of_Venice_-_WGA01270

Even if much of present Oakland seems a bit of a blank slate, whose territory expands from its port and the man-made lake built to beautify its urban estuary, the print of c. 1900 divides plots and settled acreage, as the surrounding images of buildings that testify.  This is not only a pictorial space, but an attempt–as the Rosselli and de’ Barbari maps–to show the social space as harmoniously mapped to a pictorial space of representation, and distinguish the city as a microcosm of the world.  Both maps offer  sophisticated visual glosses on the ancient notion of a “chorography” or qualitative view of a community, elegantly overlaying and equating their imaginary perspectival space with he social spaces of each city.

Can we create a modern chorography of Oakland that both displays and comprehends its dynamic heterogeneity, or would the city split into social divides?  Google Maps clearly fails to do so, but what would a comparable mapping of Oakland’s populations look like, perhaps mapped from the ground up–in the manner that Jacopo labored to achieve?

OAK Topographical

There was clear redlining of much of the East Bay’s residential areas in real estate maps for the East Bay cities dating from the Depression, in which Home Owners Loan Corporation rated neighborhoods for the refinancing of mortgages  that amounts to a reflection of the value of property in the East Bay, and reveal an odd mosaic of the city that privileged some regions, but also include a clear redlining of those regions by the Bay and the main arteries of transportation that continue to define Oakland’s port.  The red-lining of the city’s residential areas in the New Deal structured the city’s social geography in  imaginary construction ofways that reflect the continued exclusion of African Americans and blacks from the market of legitimate home mortgage in much of America through the 1960s, described so compellingly by Ta- Nehisi Coates, and in Oakland not only reflect the deep divides in residential ownership but created social disparities but record scars that make the city’s future harmony particularly difficult to re-imagine.  The zones of imbalanced opportunities for home ownership that long existed in the city created perpetuated deep social divides among its residents, often left without the chances of refinancing that were available to many other residents from the 1930s in the United States, as its port and low-lying areas became victims to a classic image of “blight” with roots in its deep abandonment by the public good in ways not yet overcome.

OaklandBerkeleyHOLCmap

From the first settling after the San Francisco earthquake of the Oakland hills, the demographic divides Oakland’s settlement seem to have been reflected in the value of residential ownership in its neighborhoods in ways revealed in the fractures lines of the map of the Home Owners’ Loan Corporation, and which have continued to divide its neighborhoods even after a period of urban growth.  The absence of clear neighborhoods or community organizations around the major traffic arteries that Oakland has long been defined by at its port and older shipping canals created something like a social divide not only in this early HOLC map, but that has been perpetuated within the socioeconomic divisions that were so starkly reflected in the “red-lining” of urban real estate.

Redlining By the Shore

Even if Oakland has been billed a “livable city,” the “split personality” is revealed in the divides starkly illuminated by a map of social lifestyles generated by an ESRI tapestry charting dominant lifestyles–purple noting High Society; blue “upscale avenues;” teal “Metropolis;” light bright blue “metro trendsetters;” green “seniors;” and tan and brown “inner city,” “highrise,” or “up and coming.”

The map shows the city’s split personality:

esri dominant lifestyle est bay

In a year that boasted crowd-sourced mapping of the San Francisco Bay, organizing the demographic divides that continue to shape Oakland deserves our sustained attention–and the varieties of viewing the divisions and distributions in the settlement of Oakland’s space.  Unlike San Francisco, dominated by some 359 skyscrapers in its downtown and other regions, Oakland is far more geographically disperse and diffuse, with only a small number of buildings over fifty meters all clustered by Lake Merritt–including those noted in blue, under consideration or construction.
Skyscrapers in Oakland-  50 meters

The recent ambitious and brave investment intended to equalize these clear socioeconomic divisions and to prevent them from being perpetuated by public services from schooling to economic opportunity is a step in the right direction and, based on a back-of-the-envelop calculation, seems to have its priorities and direction of resources fairly straight in how it has decided to invest in Oakland’s neighborhoods’ futures.

OaklandOpportunityImpactOverview-1024x663Distribution of San Francisco Foundation’s Investment in Oakland

But how to frame and orient the viewer of a map of the city’s demographic divisions is fraught, given the difficulty of uniting Oakland as a whole, or even in abstracting an analogously unified image that connects its disparate inhabitants.  The network that bounds the city was advanced rather optimistically in a map that elegantly promoted the lost or abandoned system of Key Cars whose web linked downtown Oakland to the Temescal and Alameda–the infrastructure for the local economy that it did up until its complete dismantling by 1959.

Map of Oakland and Vicinity- Key Car System

The serviced networks that any map foregrounds, even one of transit routes, engage their readers by networks of inter-relationships.   The above map affirms a network of transportation for their rider, suggesting the ways that the infrastructure by which the Key-Car systems united downtown Oakland and the vicinity–much in the manner current BART maps promise to link everywhere in the East Bay in a radius to Point Richmond, Brentwood, and San Jose.  The current BART network may link the Bay Area, indeed, as Oakland seems to be forsaken as being the economic it was by transit authorities and Bay Area residents.

But Oakland is also a city whose social space was long both divided and eviscerated, as the network of streetcar transit was dismantled, the railroad stations that centered the town from the 1880s declined or closed, preparing for the razing of the West Oakland residences of many porters for the MacArthur maze, long before the collapse of the I-880 Cypress Freeway in the 1989 Loma Prieta earthquake–and the subsequent massive shifts in home-ownership as a large number of houses went underwater after 2007 led to a wave of foreclosures that was almost distributed across the city, and which redefined its social space once again.

FORE_MAP

The divides and diversity in Oakland make the mapping of the city of particular interest as tools to understand its social reality.  In a society where we are regularly mapped and surrounded by maps, the critical of reading maps is recognized as an important tool to negotiate and mediate lived social space.  What sorts of divides and continuities emerge in a city like Oakland, historically defined by considerable racial diversity and income disparity?  How to map so many variations in one place?

When Denis Wood and John Fels described the map as an ideological construction of space or territory, they took time to examine the surrounding ‘paratext’ to maps as keys or markers that revealed the ideological construction of the space within the “nature” of the map, created by interpretive legends and iconography, as well as the semiotic conventions of the map itself:  yet interactive urban maps provide much more of a creative cartographical conventions and treat the map as something like an open text.

In their critical examination of the authority inherent in the medium of the map, The Nature of Maps, Wood and Fels argue that the relation between a map and territory exists through how cartography–as much as cartographers–“constructs the natural world” in relation to other sign systems, construing the relation of a ‘map’ to ‘territory’ by how maps inescapably make their subject ideological.  Taking as their case in point maps of nature, they argue the order of maps demand assent from readers through what they call the ‘postings’ and the relays that the map creates to the world it ostensibly depicts, and the new understandings of space it creates.  Wood and Fels argue “relays” in maps, tied to the texts inherent in them or positioning in books or  paratexts, which uniquely promote the construction of meaning, effectively organizing complex mental spaces to understand nature in maps, whose structure demands assent to create truth-claims about nature, and transform the space of the natural world into a structure by which nature is spatialized as known.  The Barbari and Rosselli views assert an ideology of the local, spatializing the city as it is best viewed and encomiastically celebrated as a microcosm, even though the “paratexts” by which one reads a map are left tacit for their viewers.

Yet the map does not begin from an empty space, so much as it is rooted in a space that is inhabited:  it indeed tracks multiple networks of inhabitation.

Oak 1871 Birds Eye View

Tempting as it is to argue that social space fills in the empty space of a geographic region, the maps of Oakland’s inhabitants suggest a remaking of the city’s social space–and present an image of the remaking of that space viewed from the ground up.  For rather than providing a fixed or authoritative transcription of space that promotes “a standard scientific model” that creates a “mirror of nature . . . through geometry and measurement,” as Harley wrote was endemic to the discipline of cartography, or invest authority in a single map, the variety of Google Maps templates to plot data from the US Census for the years 2005-9 create a set of multiple maps in themselves each provisional, which they invite viewers to act by ordering their content.  It is perhaps no surprise that, in an age when maps proliferate, and we are both regularly mapped and surrounded by maps, the appeal of the website is that it provides tools to select variables and determine geographic parameters about the city that we can know:  indeed, their interactive nature provide a shifting notion of a map as a graphic fixity.  Wood and Fells primarily examined the organization of space within the printed map, critically reading map’s insertion in printed texts and their relation to the semiotics of written legends.

The compilations of maps based on census data offer, at a far greater granularity than other maps, to divide space by variable criteria of income, race, or level of education to offer what might be treated as elements of a composite picture of the city’s inhabitants–from the ground up–rather than demanding assent to a given cartographical record.  In a sense, the interactive maps below start a discussion about the nature of mapped space from which one can begin to examine the city’s social space.  The interactive map creates an open text whose variables and criteria users can create.

They provide a basis to question, critique and re-evaluate question the dominance of stereotypical categories of local violence or gangs as relevant descriptors of the city, but provide a bit more complex picture of its social composition.  For the interest of these maps lie in how viewers map them as simulacra against their mental maps, rather than in their mimetic claims:  ‘simulacra’ since all maps are both filters of information that parse the relevance of social space and embody a coherent order of space, providing deeply social tools for reading.   Rather assigning integrity to the map as a unique document, we can understand its ‘social life’ through how each creates and constitutes its own social reality for readers:  the Google Maps templates offer a basis to refract socio-economic distributions in the city, rather than fetishize the authority of the given map as a form that commands assent; the familiar templates increase the improvised nature of the comparative mapping exercise.  But Matthew Block, Shan Carter, and Alan Maclean are also particularly inventive graphic artists in how they use of Google Maps–especially in comparison to how it is usually used by others.

The interactive maps created from the Census Bureau’s American Community Survey provide tools to track social realities across the nation, and filters to view specific variables in each zip-code and neighborhood.  I’m interested how maps embody Oakland as a coherent entity, and in Oakland a test-case to examine maps as embodiments of space and to illustrate spatial divides, as well as to filter different aspects of social space.  The interactive maps devised by Block, Carter, and Maclean employ Google Maps templates to invite viewers to process the coherence and divides within data from the US Census in spatial terms, using data for the years 2005-9 to create multiple maps, generated on demand, that refract or mediate statistical realities in visual formats which provide compelling ways to embody and understand social realities from the ground up. The statistical “maps” map at stunningly finer grain that reality–by “Mapping America: Every City, Every Block,” as they boast–that use tools of mapping creative interventions to analyze the Bay Area and its inhabited landscape; the mapping forms offer tools more than vehicles to demonstrate variables of race, income, education, or presence of recent immigrants, offering alternative models by which the region might both be mapped and, by extension, surrogate realities by which its composition might be known.  As much as surrogate realities, they refract pieces of that reality that we must juggle and assemble for ourselves, less attentive to the semantics of the Google Maps frame than their content. One might compare them to conventional maps based on skimpier data, to which their detail and agility provide a sort of foil–starting from the graphic charting crime-density in the Bay Area based on the police blotter.

Berkeley:Oakland Crime Density

The map is surprising for how the area immediately around the campus is a thick blotch of indelible red, bleeding into its nearby areas and along Telegraph Avenue like indelible ink.  Most of this “crime” is based on calls to the Police Dept., including a significant number of calls about problems of noise around fraternity row:  the impermeable barrier both around campus can be explained by the different policing agency that supervises the university’s campus, and the boundary of the Berkeley Hills to the East.  Crime is mapped not only indiscriminately, but distributed to reflect the contours of public complaints, as much as actual crimes.  Although the red splotches and streaks around much of Oakland and focused in its downtown seems in keeping with the difficulty of maintaining control over the dispersive city, while around UC Berkeley are dense stains of intense crimson that corresponds to the frequency of calls that the local police receive near campus.  It is interesting to contrast the map to that of San Francisco–where a huge amount of crime is clustered in the downtown, near the Embarcadero, Tenderloin, and Mission and some pockets around Van Ness–in a broad field of relatively crime-free green.

SF Crime Density

And so, if we shift mapping forms to a sort of heat-sensitive map of the violence committed and reported, the hot-spots of Oakland are more readily apparent–almost as a diffuse miasma of violence spread over neighborhoods like a viral form whose trajectory is difficult to explain or track:  heat-sensitivity is an apt cartographical metaphor of the subject charted:

eastbay_violent crime

The map of hot-spots of violent crime provides a different picture, if a tragic one, extending along the city’s major streets deep into East Oakland.  One might ask how this maps onto the city’s racial diversity. Given common predispositions, it might make sense to reflect on the city’s composition with greater granularity.  Does violence correlates to the complex ethnic or racial distribution of the city?  or to income?  or to gangs, as often suggested?  The interest of the interactive maps lies how viewers map these simulacra against their own individual mental maps, as much as in their mimetic claims:  ‘simulacra’ since all maps are both filters of information that parse the relevance of social space, providing deeply social tools for reading.   Rather assigning integrity to the map as a unique document, we can understand its ‘social life’ through how each creates and constitutes its own social reality for readers. Aside from the heat-spots in West Oakland, race is not a determining factor in a clear a way at all, although the ethnic diversity of Oakland–a historically African American city with a rapidly shrinking number of areas dominated by African American populations.  It’s in fact striking that the greatest mix of black and hispanic Oaklanders in any neighborhood occurs on the edges of Oakland:  and that the island of Piedmont is the only area that’s white.

oakland-racial-map

Census Block legend

The same data can readily be re-mapped to present a distinctly different picture of the city, emphasizing urban diversity, by using the US Census Bureau’s data from 2005-9, using the American Community Survey.  Block, Carter and Maclean exploit the Google Maps platform to embed Census data in color-coded terms, which shows small pockets of African American concentration by light blue, but relative integration with the greatest concentration of Asians near Chinatown downtown.  The below aggregates units of fifty people, rather than proportional composition, to provide finer granularity of the population and of each neighborhood in Oakland, if in a less than dynamic manner:

Race in Oakland Google Mapped

Oakland’s complex diversity might well be compared to the clearer clustering in other urban regions of the Bay Area, where whites are more concentrated in clearly bound neighborhoods, and Asians similarly concentrated in areas around Golden Gate park (Inner and Outer Sunset)–if with considerable overlap of Asian and Hispanic populations in the Mission:

Mapping Race across Bay Area

%22Greater Mission%22

Far more sharply defined geographies of racial separation define New York City, where property values create the starkly demarcated racial composition of  Manhattan, and concentrations of blacks in outlying peripheries in the Bronx, New Jersey, Queens, and Brooklyn, as well as part of Harlem:

NYC Racial Map from 20005-9 census

We see a different picture of Oakland if we look at outside racial self-identification, but examine economic diversity at a finer grain in its neighborhoods.

Back to the Bay Area, stark income divides define the landscape of Oakland in this map of median family incomes in the same dataset, more than race:

Oakland Household Income Mean

More specifically, the map reveals clear divides and income troughs where median incomes have sunk below $25,000, often reflecting food deserts and islands of an evil toxic brew of desperation, hungry desire, and distraction:

Below 25,000

For Oakland, the website Spotcrime employs catchy icons to track arrests (handcuffs); arson (flames); assaults (fists); burglaries (masked faces under hats); robberies (men running with money-bags); shootings (cross-hairs); thefts (purple silhouettes of men running); and vandalisms (green cans of spray paint spraying red), creating a detailed map to set off mental alarms in the name of a call to “know your neighborhood’s dangers”:

Assaults, Arrests, Arson, Burglary, Robbery, Shooting, Theft, Vandalism

Even if the violence and theft are predominantly in low-income areas, where the map dutifully foregrounds these impressive icons, doesn’t it remove a lot about what good happens in the same low-income areas?  After counting 1, 077 shooting incidents in Oakland in 2011 with 1, 594 victims of guns–the largest category among which (140) belonged to minors, and the greatest sub-group 16-year-olds (40) and 17-year-olds (38)–John Osborne used Google Maps to represent in a fairly schematic way the urban distribution of fatal shootings by neighborhood:

Shooting Map in Oakalnd 2012

The terrifying concentration of aggregates off International Boulevard, a major thoroughfare in East Oakland, past Fruitvale Avenue, the overwhelming majority of whose suspects are male.  In abstracting each as discrete, of course, the map is less successful underlying ties to both prostitution rings or drug deals, so much as a platform to make claims about gangs or organized crime.  The following map of victims of shootings reveals an even somewhat scarier density in the identical area of West Oakland:

Victims in oakland 2011

What kind of image of Oakland emerges?  It’s difficult to map it clearly.  One striking effect of the greater scale and definition of the maps based on the 2010 census is that the considerable proportion of resident immigrants in the city, which reveals a considerably high percentage–often more than half and up to 70% if not almost 80% in West Oakland, across from Alameda–of foreign-born residents, which demonstrates a considerable geographic mobility among residents that seems specific to the area:  Oakland has long been a cosmopolitan center that attracted the displaced to its margins.

Oakland Foreign Born Map

Immigration is not criminality, but suggests the margins of the city are where the displaced arrive:  displacement might be something of a thread in Oakland’s history, from the arrival of (far more wealthy) San Franciscans after the 1906 earthquake in Piedmont to the Chinese-American railroad laborers who settled downtown, the railway porters whose families created a large community in West Oakland from the 1880s, and workers for the shipyards, or rich communities of Eritreans, Africans, Native Americans (Lakota or Dakota), Hispanic, Hmong, Vietnamese, Somalians and Congolese who most live in cheaper housing and are likely to be taken advantage of in varied ways.  As of 2004, Oakland somehow ranked tenth in the US for the largest number of immigrants, according to the 2006 Census, despite a less vigorous local economy, and almost 30% of its entire population is foreign-born.   The margins of the city somehow remain greater and far larger than its center.

But Oakland remains known, despite this mobility, despite the presence of city gangs, a more deep-seated and almost endemic presence and prime descriptor of the city.  One can–and many do–blame gang-violence, or the competition for turf; but the violence is difficult to separate from prostitution and drug-related crime, not necessarily competition between gangs or gang-related activities, even though gangs do suggest a culture of violence.

Gangs in Oakland

Gangs are difficult to measure, although the intensity of turf-wars would seem to make it easy to use the map as an indicator of violence.

Yet if one looks at a broader map of “gangs,” the variables seem impossible to keep constant, even in a hand-drawn map of gangs in East LA from 1978 purporting to decode ‘insider knowledge’ about a topography of violence, but provides only the sketchiest of tools:

1978-eastlos-gang-map-oplg-300x224

The difficulty of attributing meaning to the mapping of gangs is more apparent if one notes their widespread presence, given this–perhaps unreliable–map taken off of a “National Gang Map” which reveals a dramatic concentration of gangs and gang members in the Westernmost states:

National Gang Map

Perhaps their presence itself reveals an attempt to make meaning from life or to carve it out of one’s social terrain to the greatest extent that is possible. One compelling map maps educational attainment–with the brightest yellow indicating an inability or difficulty to complete High School at 70%–with less than high school completion hovering around 40% among families.

Education--Less than high School degree

In the Bay Area at large, the failure of education in the Foothill-International area is striking, and is doubtless also some degree of failure in socialization if not of public education, and maps a continuing challenge for the city’s School Board and public schools.

70% no HS Bzy Area

And a corresponding map of college-educated Oakland reveals a bounded drop in below 20%, more roughly characterized at 5-14% with a BA, with large numbers of closely bordering districts hovering between 5-8%:  this might be one measure of the cultural insulation and isolation of the region, if not a clear barrier to what is often described as an ‘achievement gap.’

College-Educated Oakland

Those empty tan regions are a measure of the difficulty of shifting a divide between different Oaklands, because it maps a cross-generational or at least temporal divide in the given area over time.  The heterogeneity of Oakland is nonetheless striking even in its inequalities, to turn back to map racial diversity of Bay Area generated in bright colors on the NYT website of Block, Carter and McLean, since it suggests a picture of considerable promise.

Racial Composition OAK in Bay Area

But of course a map is not a picture.   It is a picture of variability, which can shift depending on one’s chosen criteria.  In the distribution of income levels in North Oakland, aggregating incomes of twelve families reveals a telling integration of an income-mix more striking and apparent than the in the above demographic models:  despite a scattering of upper-income levels across this North Oakland area from Emeryville, across San Pablo, and up to Broadway Terrace and Grand Avenue, lower income levels are present virtually throughout the region, with the exception of East of Broadway, although Broadway provides a clear dividing line of high incomes and lower ones, and the 880 corridor below MacArthur dotted with light blue markers.

my-neighborhood-income-map

The color-coded map of relative incomes provides us with some possibly meaningful correspondences to the hot-spots in crime.  But I wouldn’t advance the sort of argument that maps crime–or gun-violence–onto variations in household income.  The pictures of the city offer limited tools that suggest possible sites of research that might help to connect these dots.  But they offer useful, ground-up mappings of the city’s inhabitants.

Processing the relations among inhabitants of Oakland offers a way to renegotiate your relation to the city as a whole.  Mapping is about navigating, as well as processing, a surfeit of information, and about making the connections among it, grosso modo, that exist.  The fine grain of the census maps provides both a corrective to our preconceptions, and the start of something like a more fair–and illuminating–map of the city’s social space.

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Filed under Oakland, Oakland CA, open data, Racial Diversity, US Census

Infographics in America

If the nineteenth century America has been often described as an era of geographic integration, perhaps no one more than the ambitious statistician Francis Amasa Walker created a new way of seeing the nation that foregrounded both the local differences that continued to divide the nation, but staked out the challenges for integration that the country faced in geographical terms.  His extremely influential 1874 Statistical Atlas, based on the unprecedented 1870 US Census that he directly supervised and made the case before Congress about the undeniable need for funding, whose maps created an image of the challenges of national unity that remained in the republic in the wake of the Civil War in which he had fought:  the Statistical Atlas extends the enterprise of the expanded Census, validating how statistics present a synoptic picture of the political economy–illustrating relations of the local to the polity across continuous United States as if processing part of a mental effort of consolidation.

Even before the unprecedentedly bitter electoral divide of 1876, Walker advanced maps as providing a new way to embody the polity through the visual records derived from statistical aggregates.  Although Walker’s subsequent tabulation of the data on immigrants in the late nineteenth century led him to fear their arrival as threatening the nation’s productivity, based on his perception of the depth of racial differences to the national polity, and encouraged others to do so, he advanced the embodiment of statistics in geographic maps, in ways no doubt influenced by his close collaboration with his father, the economist Amasa Walker.  In ways that prepared a basis for his use of maps to express the contested electoral results of 1876, Walker treated maps as coherent statements about the nation’s divides otherwise not able to be articulated, as a basis to start debate about the well-being of its political economy.  (His maps were so convincing, indeed, in framing a question of geographical organization, that they may have encouraged a narrative of continental integration only recently challenged by investigations into local and regional geographies.)

 

Walker's Image of the Nation's PopulationMapping Population Density in the US, 1870 (Francis Amasa Walker)

 

Susan Schulten has recently advanced the quite compelling argument that Walker’s innovations constituted gave the “invention of the infographic” distinctly American roots.  Her argument spoke appositely to the almost obsessive return in recent elections to infographics that suggested the likely tendencies of voters, and indeed often reframed a narrative of division into “red” and “blue” states–and even designated some “purple”–in ways that revealed an undeniable undercurrent that verged on obsession of questions of national unity and division that were of the very sort that Walker had similarly sought to address when he undertook the reformation of the decennial Census in 1869 at an amazingly young age of twenty-nine–no doubt with insight as to the ability to advance and illustrate the distinct distribution of space that the nation occupied.

Even as a staggering proliferation of maps of electoral zones flooded airwaves, newswires and web during the 2012 election, Schulten traced the invention of the American infographic to the innovative visualizations of data and government statics by an enterprising statistical mapper who after working to organize the 1870 Census, not only drew up a comprehensive reform of the census but treated its findings to create a “statistical survey” that came to  embody the nation’s political and economic unity.  While earlier Censuses were strikingly unscientific, Walker advanced issues of political economy in maps as an extension of his expansion of the decennial census, organizing the tabulation of population, agriculture, mortality and manufacturing data on 39 million Americans, and placing prime importance on geographically orienting statistics as tools to better visualize the nature of social and economic divisions after the Civil War in which he had fought and been grievously injured.

Walker’s maps framed the issue of integration in legible fashion–and produced them to allow the fate of the nation’s unity and division to be processed for a wider audience than would have otherwise confronted them–they did so since they readily processed statistics that went far beyond physical phenomena to chart the racial composite by which the national economy could be understood, moving beyond existing models of its physical geology–which he also included in the Statistical Atlas

walker-map-geologyPrinceton University (from Statistical Atlas, 1874)

–to attempts to embody the composition of its human inhabitants whose aggregates were earlier not clearly understood, in what was indeed the first public census to count African Americans who were former slaves as part of the nation’s fabric.

Colored in Aggregate

Colored Populations in the United States (1874) (Courtesy of Princeton University Library)

Walker’s advocacy of such choreographic statistical maps as snapshots of the political economy led to an invitation to join the editorial board of the New York Times–which he declined, probably since he continued publishing in competitors from Scribners’ Monthly to Harpers’ New Monthly, emerging as a public intellectual of originally progressive bent.  For Walker had convinced the US Congress to adopt a variety of projects that used recent lithographic techniques and statistical correlations to use the results of the 1870 US Census map an coherently compelling image of the nation’s situation for public debate.  If all maps reflect both the character and competency of their makers, Walker’s maps reflect the excitement and tenacity of mining data from the Ninth US Census of 1870 that he had compiled with congressional authority, compiling, correlating, and refining the image of the distribution of wealth, illness, and health to a degree that had not ever been earlier achieved.

He engaged in mapmaking in print as a form of public discourse that elevated the statistical map as a tool for envisioning the nation as an aggregate.  Walker’s early involvement with late nineteenth-century newspapers like the Springfield Republican Newspaper as well, from the late 1860s, at the Atlantic Monthly, in fact no doubt encouraged his trust in the power of such organs of public debate–and the power of printed supplements based on the US Census, several of which he published for Harpers’ New Monthly, as well as in Scribner’s Monthly, The Century and North American Quarterly, in ways that no doubt led to his conviction in the infographic as a way to shape public debate on political economy, population density, home servitude, and the working classes.  Walker’s position as Chief of the Bureau of Statistics and Taxes may have helped him use his position as Superintendent of the fifth US Census at just twenty-nine to present the project of the first Statistical Atlas of the country, a project which he expanded in the 1880 Census, whose unprecedented twenty-two volumes collected an even greater range of information than ever previously collated and greatly refined the unscientific nature of previous decennial censuses.

Francis Amasa Walker saw the U.S. Census not only as a way to view populations of states, but to expand the vision of and the likeness of the nation by the more arduous measure of density per square mile, and to then use that image to chart the distribution of the national population as a demographic tool.  He worked with the census to conceive of the map as a measure for mapping complementary sets of data, by mapping relations between density and select quantifiable variables, mapping population density against wealth distribution, literacy, childbirth rates and disease–but not voting preference–in maps that created a legible record of the country, whose public good he convinced the US Congress to fund Atlases in 1872 and 1873.  By transferring statistical observations into a detailed picture of the nation, he began from a base layer of the contours by which its population was distributed, without focussing on jurisdictional bounds, in ways that effectively augmented the independent authority of maps as media of sociological investigation and public communication to an extent that had never before been the case, but established a central place for detailed choropleths in the American Grain.

Walker's Image of the Nation's Population

The maps are stunning choropleths that exploit lithographic techniques to picture the national population in great detail.  Walker started from the initial map of density, using the census of 1870, of which he was superintendent at the age of 29, and whose possibility for converting into cartographical form he seems to have readily perceived.  The plans led to the publication in 1874 of the Census’ data, in an initial atlas that totaled just fifty-six pages, each map of which has a degree of detail never seen as a visual embodiment of the nation, but emphasized its distribution of population and industry to an extent never realized–and, at least among its readership, posited questions of national coherence that concretize concerns for the country’s political economy:

Mapping Density in US

Density of Population in 1870–including African-Americans as well as Whites

For the first time, they also offer a mode to integrate African-American former slaves within a national economy, and posit a detailed, comprehensive and analytic image of population density across the north and south that suggest the value not only of statistics but of imaging the nation and its divisions in a decennial census.  The embodiment of issues formed as Assistant Secretary of the Treasury placed issues of political economy before the eyes of their readers in especially effective ways.
The fine grain of variations provided a new way to look at the nation, as the compelling lithographic choropleths of Alexander Bache, by using line-engraving to chart the population rather than topography as their concern, or coastlines or hydrography, than the shifts that the 1870 census revealed.  If riverine paths were noted, the South looked distinct when one saw the vast “gaps” or absences of population in much of the rural areas of Kentucky, Tennessee, and Georgia, and indeed the concentration of the population most entirely along rivers where agricultural trade grew.
Population Distribution chloropleth
The image of population density dramatically grew in Ohio, Indiana, and Illinois, in ways that charted the new image of the nation, and must have posed questions of how  population density mapped onto the distribution of wealth, or, an extension of it, childbirth rates, in order to refine and better understand the picture of national population it put forth.
Virginia to Georgia Chloropleth

Things got more complicated and more exciting when Walker mapped the distribution of wealth among these densities of population, in ways that helped reveal the uneven distribution of incomes across the post-war nation, and revealed a conspicuous ongoing divide between northern and southern states that related to industry but also to the extreme impoverishment of much of the population in the southern states that would continue to be a contradiction and difficult conundrum in the nation:

Mapping the Distribution of Wealth

The sort of graduated shaded in maps that Walker created provided something of a counter-map to the symbolic uses of mapping as a way to envision national unity, and pinpointed questions of the intractable nature of differentials of wealth.  If pockets of wealth extended deep West into Iowa and Kansas, and lit up Illinois, Ohio, and Pennsylvania in deep auburn hues, the Mason Dixon line was a divide in how wealth was distributed whose light ochre and pockets of white were rarely interrupted by redoubts of wealth, almost entirely along the coast or select segments of the Mississippi River.  His maps adopted the recent precision of mapping population density against its distribution that had been pioneered by Alexander Bache’s compelling visualization of the records of the 1860 Census with the German emmigre engraver Edwin Hergesheimer

The detailed cross-tabulation of population and wealth seems a bit of an odd ancestor of the modern infographic, although their kinship is clearly recognized.  For the image of Walker demanded the sort of detailed attention as a picture of the nation to which the compacting of information or metadata in the range of infographics generated by GIS programs rarely provide.  If Walker anticipated GIS in a fashion, the rapidity of generating the infographic that synthesized metadata with amazing facility and rapidity rarely demands the sort of attention that Walker’s images command.  In part, the lithographic medium habituated viewers to the parsing of refined distinctions in the economic landscape that variations of shading revealed:  the starkest of our blue/red maps with some pink or light blue question marks are removed from the fine-toothed sort of distinctions drawn in the census, or from a similar statistical subtlety.

But the proliferation of the infographic so readily produced and tabulated provides less of a reference tool than an attempt to hold onto the permanence of a snapshot provides within the rapidly shifting and changing landscape that often seems adrift in the electoral sea.  The questions that Walker asked–distribution of wealth, literacy, disease rates–are rarely raised in the infographics we see most frequently, even excepting Fox News’ proclivity for the infographics that perpetuate stark divisions.  The ‘mediazation’ of the modern infographic as a labor saving device not for observers, but whose construction demanded a more limited investment of detailed attention, has created a new assembly-line production of images of limited refinement, whose authority rests on their mapping substrates, rather than on the measurements they mediate and encode.

The limited subtlety of the infographic suggests not only their ideological points, but a shift in what might be called, with the late Michael Baxandall, a “period eye” to express the tastes of interpreting images from media to the viewing map–the habitual practices by which we look to maps in an age of the rapid-fire production of new infographics each day for broad consumption and, also, ratings appeal–or how infographics snappily  process an argument in a bottom-line nature, rather than approach the social topography whose complexities we’d maybe rather not want to detect or explore at close range:

Affordable-Care-Act-1-C5918

Most items that bear the name of infographics might not be data visualizations, or even use the map as a tool to construct the meaning of its contents, since the map is so often and so readily abstracted from the territory. Maybe a map might even suggest what we might want to keep distance from, rather than to consider up-close:

Top Party Schools

These pilfered objects are a bit extreme, but their divorce from any sense of geographic meaning is somehow telling.  Sure, these are something like visual jokes, but they make the point I want to make about the liabilities and deceptiveness that the using maps to organize contemporary infographics reveal that adopt maps to bolster their suasive abilities as much as frame a problem.  The mock-maps–the second based on an episode of Ira Glass’s “This American Life” by E. J. Fox, from a series he titles “This American Infographic”– illustrate the problem of the need that cartographical infographics fill, of both adopting the authority of the map (without containing much geographic information) and of using it to display the ready access to metadata that most images of GPS presume–or, in the most banal but most common case, the weather maps on the Weather Channel–and that most folks expect.  Data-mining becomes replaced by graphic design tools imported from the world of advertising, and the maps are a blunt instrument to make blunt arguments, or present an image of the status quo:  the big parties happen at big state universities.

Maps are especially powerful tools to process information for viewers.   Some less ridiculous examples of infographics reveal some surprisingly similar attempts at using mapping forms or mapping syntax to preserve an illusion of omniscience and often to illuminate or make a comment about national unity.  But they also often use maps in ways that, unlike the maps  derived from government censuses that Walker examined with considerable care to demographic variables, conceals an absence of  analytically meaningful argument.  They treat the map as a form of metadata that reduces analytic specificity–from a map of the “battleground states” that effectively uses a format of mapping in order to suggest either the limited support for the Democratic party in the nation (by using a shade of yellow closer to red than blue) or indicate the deeply flawed nature of the democratic process to their viewers.

Recall the sort of maps that were all the rage when Schulten described Walker’s innovative practice, if you can bear it.  Rather than resting on numeracy or the tabulation of relative measures of difference by a statistical model, the map foregrounds the indeterminate nature of places where polling was within a margin of error, rooted less in mathematical literacy but in pollsters’ relative ability of prediction.  The mediazation of the map is removed from a mathematics of mapping or an expectation of refinement, for it is almost more of a symbolization of a politics of stasis or an electoral divide:

photo

The greater refinement of other maps that shaded “tending towards” in lighter colors foregrounded the unpredictable nature of voters’ preferences, more than the composition of the electorate, as they seem to table the question of national coherence or cohesiveness as a whole other issue.

2012-swing-state-map

In each of these admittedly varied cases, mapping indicates an aura of accuracy or invests a sense of stability in the face of indeterminate data.  The map is a totem by virtue of its processing of information from varied diverse sources, but the map blunts potentially far more precise tools that seem to divide the polity and focusses on electoral results.   The questions of numeracy that divide the nation are less based in a tabulation of data or statistical familiarity; the block-hues of states mute meaning analysis.

Blocks of red in the map seem possible of being emptied of geographic meaning.  One famous FOX infographic purported to identify a strategy for Republican victory, but undermined the very legitimacy of this potential scenario for the attentive few by mislabeling the states it purported to count with accuracy–as well as deceptively reinterpreting polling trends:

%22Western Path%22

The absence of an expectation of reading measurements beyond numerical addition are evident in a map more reminiscent of the refined criteria of a jigsaw puzzle than in puzzling questions of national unity or ideological difference:

electoral colors map

In part, ideological differences are just not that pronounced, and the maps are oriented to processing polling numbers that were changing like a stock-market ticker-tape, rather than providing a firm basis for a national portrait.  But the father of the infographic would most certainly not be pleased.  The adoption and diffusion of mapping forms in infographics provide metadata constructions perhaps most significant for how they quash related questions or discussions, by ordering a massive amount of data whose impression of preponderance is more likely to take away one’s breath than pose a question, and is almost always likely to conceal an argument.

To some extent, of course, the new elevation of infographics is the creation of the new media economy.  There’s an odd dynamic of devaluing of the analytic power of the map at the same time as elevating its explanatory power.  The map, in an age of reduced news content, seems to substitute for the strength of an analytic news story, as a GPS program produces a snappy infographic that seems both content-heavy and a pleasing amuse-bouche.  The need to process different news sources or on-the-ground informants might be both excused and avoided, where we can come up with a symbolic rendering of what happened, even if we don’t need to look so closely at what its causes or its actual ramifications were.  The absence of analytics in the infographic–which presents, as with the weather, the state of things as they are as an actuality that does not need further analysis or attention to local variation–is perhaps its most pernicious feature as a medium.  They stand at a remove from the maps that the great nineteenth century statistical geographer Francis A. Walker so valuably labored to design.

We develop infographics such as the following by crunching some obtainable numbers–in an image that unsurprisingly perhaps uses the residue of a weather map as its base–to tell a story that collapses multiple different narratives into a single set of information that the viewer can quickly process.  The iconic map that was diffused after the last election was less about fault lines or divisions in the nation, than a cartogram of the new image of alliances in the nation, where the entire midwest stood as a block of blue with the Western states:

Final_2008_electoral_cartogram

That is not to say that infographics can tell a subtler story of similarly chorographic proportions, to describe the image of unemployment in 2003, for example in the country:

choropleth of unemployment in US 2003

But at what cost?  Choropleths such as the below seem to remove individual experience from their comprehensive picture–and provide a “big picture” that is actually difficult if  to comprehend for all the metadata they synthesize.  And they present an intractable image of a social divide whose dark bands of dark blue reveal a density of those out of work that only grew by 2008 in the very same areas:

choropleth of unemployment in US 2008

There was a similar crunching of numbers at a remove from individual experience of tragedy in a map of electric outages suffered as a result of Hurricane Sandy, providing a purview of outages from Augusta to Raleigh.  The map is powerful and striking, but also elided the stories of its destructions or narrative of its meteorology with an easy infographic of a sort of least common denominator to everyone can easily relate of the lights going out.

infographic on power outages from Sandy

These maps erase their inhabitants. So what, then, we might ask, is the territory?

The ghost of Walker, and continued prestige of his aesthetics, have led Nathan Yau of Flowing Data to provide a comparable set of visualizations that embody our national territory, based on the ongoing statistical surveys of the American Community Survey of 2010, to “revive” the project of a Statistical Survey in the footsteps of his august predecessor, noting with some evident pain the absence of any plans by the US government’s Census Bureau to produce one after 2000, perhaps due to the high costs of the Census itself–and the recent Republican-led effort to even claim that the decennial Survey is an unconstitutional invasion of privacy–even though it provides the best basis for the apportionment of government funds, and one of the clearest demographic portraits of the country–that tarred the survey in no uncertain terms as “intrud[ing] on people’s lives, just like the Environmental Protection Agency or the bank regulators,” according to Daniel Webster, an inspiringly named first-term Republican congressman from Florida, who questioned the random nature of the survey as illustrating its “unscientific” value, despite its assessment of over three million American households in considerable demographic detail about their occupations, housing, literacy, languages spoken at home and at work, and levels of education, as well as their approximate computer use.

Perhaps with some premonition of the dangers of resting our democracy on the thin infographics consumed by watchers of television news, the self-published Survey Yau published online imitated the august elegance and clarity of Walker’s maps to point up the absence of needed visualization of the data that the Census compiles.  The images–able to be bought individually as posters–suggest the deep presence of Walker’s idiom of visualization within our current media circus, when the proliferation of news maps from various outlets and Graphics Depts. seem dislodged from the interest of the public good.  Yau’s project was may seem to have obviated need for an impartial assessment of all the data that the Census compiled.  Indeed, while the Times, which once offered Walker a seat on its editorial board, created a brilliantly colored set of interactive visualizations based on data from 2005-9, Yau offered nostalgic images that embodied the images of the nation that the government has puzzlingly withheld, with climatological and agricultural data that provide a similarly detailed atlas of the coterminous United States which, in an age overflowing with data visualizations, remind us of the need to preserve a picture of the nation to ensure we keep the public informed.

Yau

FlowingData

The detail of the maps, set in a sepia background with shadings that somewhat approximate the exacting palette of Hergesheimer’s half-tones, provide a set of gradations of population as revealed in the data of the 2013 ACS,

population-density

FlowingData

Or, to depart from the demographic and verge into the statistics of the environment, the distribution of levels of rainfall,

weather-rain

FlowingData

wetlands
water-landcover-wetlands1FlowingData

or landcover:

landcover-forest1

The data waits to be visualized, and the simple monocular visualizations capture its complexion with quite understated elegance.  While less rooted in concerns of political economy, the visualization hearkens back to a unified choreography that we often seem to lack–even if it only pictures tornadoes–in ways that go beyond the existential qualities of weather maps as records of the present day.

Tornadoes

FlowingData

To be sure, the political economy of the nation has become so fragmented that it is hard to visualize by such clearcut lines or shadings, even though the Times’ visualization of the American Community Survey similarly uses the map as a surface on which to throw the composition of the nation–and the nation’s cities–into relief, here drawing on the Survey to present the complexity of the population of an actually quite segregated New York:

ACS 2005?

from New York Times–“Mapping America: Every City, Every Block

Should such mages serve to whet your appetite for better visualizations that embody an accurate image of the nation, folks based in the Bay Area might want to check out how the students at UC Berkeley’s I-School stack up against Fox News, Huffington Post, the New York Times, and even Francis A. Walker, by looking at the results that are now showcased at http://www.ischool.berkeley.edu/newsandevents/events/finalprojects2013.  (The website promises to present recent graphic charts of Changing BehaviorsEnhancing Information Systems, and Information Organization and Tools that have been refined over the last three years.)

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Filed under data visualizations, GIS, infographics, political economy, statistics