Category Archives: immigration

The False Imperative of the Border Wall

Donald Trump’s most astounding victory–predating and perhaps enabling his astounding electoral victory as President–was to remap the mental imagination of Americans, and reconfigure proximity of the United States to its southwestern border in the public imaginary.  The goal of this insistence is no less than a remapping of civil liberties, based on his insistence of the need for border security and constructing a Border Wall, and preferably doing so in all caps.  

 

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Condemning “obstructionist Democrats” are the party of “open borders,” and obstructing the work of law and order agencies such as ICE–the Immigration and Customs Enforcement–agents or his beloved Border Patrol, and for filling the national need for border security, and the project of building “the wall,” a super-border structure that would both prevent cross-border migration deemed ‘illegal.’  The construction of border psychosis is evident in the large number of Republican governors of states that have been elected two years into the Trump Presidency–

 

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–as the question of “governing” states most all the southwestern border–save California–has created a new “block of red” that has been generalized to much of the nation, rallying behind the America First cry to defend borders, build prisons for immigrants deemed illegal, and work with federal agencies to apprehend such immigrants, denying their lawful place or rights to work in the United States.  For much of this map of governors, now that the Republican party is increasingly the Party of Trump, reveal the uncertain terrain of the undocumented immigrant, and the massive circumscription or reduction of human and civil rights, as well as a fear of failure to manage immigration.  Although current findings of sixty-nine competitive districts in the 2018 election include many border states–sixty-three districts of the total are held by Republicans before the election, a considerable number of the “battleground states” lying near or adjacent to the planned Border Wall, according to a Washington Post-Schar School survey

 

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–where calls for wall-building originated.  The magnification of the border in the electorate’s collective consciousness was a gambit of electoral politics and staple of the Trump campaign for the Presidency, and it conjured the unprecedented idea that a single President–or any office-holder–might be able to shift the borders of the nation, or guarantee their impermeability to foreign entrance.  The striking appeal of the border was not seen as a question of border protection but rather the construction of a wall, evident in the expansion quasi-tribal collective rhythmic changes at rallies, now repeated as if in a non-stop campaign.  Although the focus of most buildup of the border has been to update existing fencing, the calls for fix-it-all border protection plans gained sufficient appeal to suggest a potential shift in the nation’s political terrain.  Even though Donald J. Trump was, for practical purposes, a quite parochial perspective based in New York and Manhattan, and perhaps because Trump’s own expertise in national building projects was as limited as with working within the law, the project was first floated by the candidate as if from the sidelines of national politics, treating the project as akin to protecting a two-mile southbound side of the Henry Hudson Parkway in Manhattan, beside his pet real estate project, Trump Place, at 220 Riverside Drive, through an Adopt-A-Highway Project, and that the border wall was essentially the same need of securing .  (Although the prominent sign was itself quickly vandalized to read “STOP TRUMP”  as Trump won the Presidency, needing to be replaced, the return of the defaced sign promising the riverfront side’s maintenance was far less an act of good citizenship than a vanity act.)

 

Jon Comulada/Upworthy

 

New York City limits the Adopt-a-Highway program to individuals, companies or organizations, rather than to political candidates and campaigns seeking publicity, but since the Trump Organization maintained the section since 2007 or earlier, it gained an exemption–and a tax write-off for its contributions to maintenance.  And when he spoke to residents of the territory currently known as “America,” Trump seems to have treated the proposed Border Wall as an almost similar project of beautification, and a project of protecting what was his, in a proprietorial way that seemed to conflate his own identity and person with the country, as the current sign conflates his name with the Trump Organization, as his recommendations have contained as little familiarity with the site, scope of the project, or terrain, as many have noted, treating the construction of a continuous border wall as a detail designed to beautify the country, even though the border includes 1,288 miles currently without any pedestrian or vehicular fencing, gate or protection.

 

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It almost seems that the proposed border wall had not been “mapped” per se, so much as it was a rhetorical promise for the sort of project Trump would like a President to do–and a project whose magnitude appealed to his sense of personal vanity.  He praised the benefits of the construction of the wall as a need to “get it done” and imperative that responds to a state of emergency–a national emergency that sanctioned the suspension of existing laws.  The emergency, as Trump saw it, was created by crime, gang violence by MS-13 members, who he has called “animals,” and a source for a loss of low-wage jobs.  The acknowledgment of the need for the wall is virtually a form of patriotism in itself; recognition of the need for the country has become a way to participate in a new nationalism of strong borders–a nationalist sense of belonging that was opposed to the agenda of those unnamed Liberals without clear purchase on the geopolitical dangers and a failure to put America First.  President Trump has argued that the “larger context of border security” necessitates the wall.  Trump has come to repeatedly proclaims in his continued rallying cry stake out a new vision and map of American sovereignty, and indeed of territorial administration.  Evoking a new tribalism in openly partisan terms, Trump even promoted with impunity the false belief that Democrats have united behind an “Open Borders Bill,” written by Dianne Feinstein–distorting the #EndFamilyDetemtion protests and “open borders movement” with an actual legislative bill.  More to the point, perhaps,

The very crude geography and mental mapping that animates this argument is repeatedly a staple of Trumpian rhetoric.  As if  thick red ruled line could be drawn atop a map, Donald J. Trump has become the outsider political voice able, as a builder of vain monuments, to claim the ability to build a new structure able to replace existing border fences, and provide a continuous monument at endless concealed costs, without any acknowledgement of the people who have long moved across the border on the ground.   The transposition of this tribalism of border separation into a partisan dichotomy has promoted and provoked an apparently Manichean opposition between political parties around the defense of the US-Mexico border, and the building of a Border Wall, in an attempt to define the differences between Democrats and Republicans around the issue of the defense of national safety.

 

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President Trump has not only made immigration into a platform for his campaign and for his party:  the stubbornly intransigent logic of Trump’s oppositional rhetoric has not only remapped the nation in mind-numbing ways.  The fixation on the fixity of the border as a means to “Make America Great Again” erases the historical instability of borderlands in the United States, in its place projecting the image of fixed boundaries:  the exact shift in the image of national territoriality seems a not only shift on the border, but a decisive replacement of an inclusive state.  And even as Trump’s recent rallies are–as of September–still interrupted by “Build that wall!” tribal chants, leaving Trump to lie openly by claiming “The wall is under construction,” he reminds us of his need to evoke an inexistent barrier for which such intense desire has developed among his supporters that it is indeed a talisman by which America will, indeed, be able to be Made Great Again.

Continually crying about the urgent need for “building the wall,” even if it would be in violation of international law, is cast as a state of emergency which would reduce crime, the illegal presence of gangs, and existential dangers, and a promise made without acknowledgement of any who live outside America’s national borders, or any foundation in civil law.  The promise to finish “building the wall” is cast as a simple question of volition, in almost pleading tones, that can be addressed to the entire nation as an ability to cathect and commune with the nation in simple concrete terms, no matter the distance at which they live to the actual border.  It is an exercise in the geographic imaginary, in short, and a nearly ritualized deceit which Trump labors to sustain–as if a Border Wall could be conjured into existence as a leap of faith.

 

 

 

Identifying the dangers to the nation as lying external to it, the discourse of the wall have created a subtle remapping of sovereignty, on an almost emotional level.  It focusses on the border, as an imagined line, rather than on people who move across it, laws or citizenship–placing demonized dangers as lying beyond the border and outside of the nation-state.  The disproportionate focus that has been directed to the border–a distortion of attention that is epitomized and focussed on the desire for a continuous “border wall”–functions as a deeply dehumanizing way of remaking the nation, and remapping national priorities, around a fiction and a distinctly new discourse on nationhood, that is mapped by vigilance to the border, rather than to the course of law or to individual rights and liberties.

If maps provided tools for defining and symbolizing nationality, the conceit of the need for a border wall symbolized and also creates a notion of nationhood based less on ties of belonging than on boundaries of sovereignty that exclusion people from the state.  Mapping is long based on ties of exclusion.  But the focus of intense attention on stopping border-crossing and transborder permeability as replaced a logic of maintaining protections on equality or access to the law in the interior, shifting the attention of the nation of spectators by a deeply cruel trick of remapping the nation’s priorities.  For the political rhetoric of creating a fixed border has effectively magnified the borderlands, through the terribly exaggerated violent pen-stroke of an Executive Order casting the border as a vital key to national security, and increase the proximity of the nation to the southwestern border in the political spatial imaginary.  

Is it any coincidence that the same government to elevate the symbolic mapping of a wall on the southwestern boundary of the United States has reduced the number of refugees that it agrees to admit from war-torn lands, already reduced by half through executive orders from the number of refugees accepted in 2016, a limit of 45,000, to a new ceiling of “up to 30,000 refugees” beyond “processing more than 280,000 asylum seekers,” in line with the current 2018 count of barely over 20,900 by mid-September, but now for the first time less than the number accepted by other nations.  Turning a cold shoulder to the crisis in global refugees is ostensibly rooted in a responsibility to guard its own borders, and “responsibility to vet applicants [for citizenship] to prevent the entry of those who might do harm to our country” and reducing grounds for asylum–even as the numbers of global refugees dramatically escalate dramatically world-wide–as if intentionally setting up obstacles for travel, and setting policy to openly prosecute any cross-border travel that was not previously authorized, and actively separating many asylum seekers from their families to deter them from pursuing asylum.

 

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New York Times

 

Such false magnification of problems of “border management” has defined a disturbing and false relation to a deeply distorted image of globalism, of fuzzy borders, and not only apparent but intentional distortion–

 

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–predicated on a false sense of national vulnerability, the urgency of greater border security, and the definition and elevation of national interests above global needs.

The rejection of refugees and closing of borders in the United States in the Age of Trump seems endemic:  if the country resettled some three million people since 1980, when modern refugee policy began, this year, the United States for the first time fewer resettled refugees than the rest of the world–less than half as many as the rest of the world.  The shuttering of borders is echoed in some 800,000 cases for asylum awaiting review, revealing a distorted view of the global situation that is mirrored by the blurred map behind Mike Pompeo’s head, and may suggest a global irresponsibility and deliberate disentanglement from world affairs.  But it also suggests a deep remapping of the place of the nation in the world, not limited to the State Department or Mike Pompeo, of imagining the greater proximity of the borderline to the mental imaginary, and a privileging of so-called sovereign rights over pathways of human flow.

The promised wall planned for the border of unscalable height is a bit of a blank canvas designed to project fears of apprehension onto those who would confront it, a barrier to prevent motion across the border by unilaterally asserting the lack of agency or ability to cross a line that was long far more fluid, in a sort of sacred earth policy of protecting the nation’s territory along its frontiers–and refusing the extend rights or recognition to those who remain on its other side.  Trump’s signing of grandiose Executive Orders as statements of sovereignty stand to reverberate endlessly in our spatial imaginary of the nation–while hardly warranted as a form of national defense, the border wall serves as a phatic act of sovereignty that redefines the function of national bounds.  Indeed, in a country whose history was defined by the negotiation of borderlands, the assertion of the long unstable border as an impermeable barrier seems a form of willed historical amnesia, as well as the fabrication of a non-existent threat.  The repeated indication of the southwestern border seems to seek to restore it to prominence in our national consciousness–and to see its security as being linked to the health of our nation–as if to make the current project of re-bordering an improvement of our national security–a process of re-bordering that is a performance of sovereignty, simultaneously symbolic, functional, and geopolitical in nature.  

The symbolic of sovereignty is far more insistent than the functional, and the symbolic register is the heart of its political meaning, if the structural need is promoted as a response to geopolitical actuality.  

 

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For the Trump train, the wall is a “smart” redefinition of the nation, rooted less in the accordance of civil rights or guaranteeing of human rights, than the subsuming of law to protection of a nation that we imagine as under assault.  If globalization has been understood as a process of “re-bordering,” where the lines between countries are neither so fixed or so relevant to political action on the ground, the border wall maps a defense against globalization in its rejection of open borders.  The proposed construction sets a precedent as an act of unilateral border-drawing, or willful resistance to re-bordering, by asserting a new geographical reality to anyone who listens, and by cutting off the voices of those powerless to confront it.  The deeply dehumanizing conceit of the border wall that was modeled in several prototypes deny the possibility of writing on their surface.

In ways that mirror the inflation of the executive over reality or the rule of law, the border wall serves to reinstate an opposition over a reality of cross-border migration.   And Trump seems particularly well-suited and most at home at this notion of reordering, which he has made his own as a construction project of sorts, where he gets to perform the role of the chief executive as a builder, as much as a politician or leader of a state, and where he gets to fashion a sense of sovereign linked to building and construction, to a degree that the builder turned political seems to be intensely personally invested and tied.  Although Trump has been keen to treat the notion of a border wall as a form of statecraft, the proposed border wall is all too aptly described as a an archaic solution to a twenty-first century problem–for it projects an antiquated notion of boundary drawing on a globalized world in terrifyingly retrograde ways.  For while the construction of the border wall between Mexico and the United States was mistakenly accepted as a piece of statecraft that would restore national integrity and define the project and promise of the Trump presidency to restore American ‘greatness’ rooted in an illusory idea of privilege, but focusses on the privilege of entering the sovereign bounds of the nation alone.  

The proposed wall maps a dramatic expansion of the state and the executive that continues the unchecked growth of monitoring our boundaries to foster insecurity, but creates a dangerously uneven legal topography for all inhabitants of the United States.  For Trump and the members of his administration have worked hard to craft a deeply misleading sense of crisis on the border that created a stage for ht border wall, and given it a semantic value as a need for an immigration “crack-down” and “zero tolerance policy” that seem equivalent in their heavy-handedness to a ban, but have gained a new site and soundstage that seems to justify their performance.  

While it is cast as a form of statecraft, the only promise of the proposed border wall is to exclude the stateless from entering the supposedly United States, and to create legal grounds for elevating the specter of deportation over the country.   For the author of the Art of the Deal used his aura to of pressing negotiations to unprecedentedly increase the imagined proximity of the entire nation to the border–by emphasizing its transactional nature in bizarrely in appropriate ways.  The result has undermined distorted our geographical and political imaginary, with the ends of curtailing equal access to due process, legal assistance, and individual freedoms.  Acceptance of the deeply transactional nature of the promise of a border wall during the 2016 Presidential election as a tribalist cry of collectivism–“Build the Wall!”–as an abstract imperative, removed from any logic argument, but rooted in a defense of the land.  The purely phatic statement of national identity was removed form principles of law, but offered what seemed a meaningful demand of collective action that transcended the law, either civil law, to affirm an imaginary collectivity of Americans without immigrants–and an image of a White America.  

The imperative exhortations that animated Trumpism, as it gave rise to multiple other inarticulate cries repeated on Twitter and at rallies, based on lies and false promises or premises–“Lock her up!”; “America First!”–fulfilled a need for membership and belonging at the expense of others, in ways that subtracted popular opinion–and a false populism of the Trump campaign–from the law.  By isolating the artifact of the wall as a sort of grail and site of redemption and religion of the nation, the tribalist cry “Build the Wall!” offered a false imperative that replaces reasoned discourse.   Trump sees fit to treat as a basis for shutting down the government, accordingly, and indeed as a logic for a brand of governing that doesn’t follow the “terrible laws” of his predecessors.  If the budgeting of a border was was earlier taken as a grounds to actually shutter the government, in 2017, the rehearsal of the threat to willfully “‘shut down’ government if the Democrats do not give us the votes [for] the Wall” once more unnecessarily equated the need for the border wall as a basis and rationale for government.  The Manichean vision of politics of a pro- and anti-border party has been determining in creating a vision of the United States where sovereignty is defined at the border, irrespective of responsibility for the stewardship of the country:  we built walls, impose tariffs, and end treaties, rather than acting in a statesmanslike fashion, and evacuate the promise of the state.  

Much as Trump earlier called for “a good border shutdown” in the Spring of 2017 cast the wall as a part of his notion of governance, the new threat treats the as a bargaining chip able to equate with an act of governance–even if the wall as it is described seems less about governance at all.  Trump rails against the passing of spending bills that do not foreground or grant a prominent place to the proposed border wall that he sees as a point of orientation needed for his constituents and that he still cherishes and his own introduction into national debate:  attacking legislative packages about spending bills that don’t include special stipulations for border security or the construction of a border wall, threatening on Twitter to suspend governmental functions altogether without knowing “where the is the money for Border Security and the WALL in this reicidulous Spending Billaon the eve of the arrival of an apporopriations bill to the White House in the Fall of 2018, as his executive functions seem as imperilled as his grasp on the Executive Branch,  of government: but the border wall retains centrality as the central promise he has made to the nation.

For the unwarranted and ungrounded promise to prevent the imagined threats of organized criminals, gangs, rapists, and drug dealers from entering the country–not that we lack many who are home-grown–through the border wall is a governance of exclusion, racial defamation, and promotion, which has little to do with governing at all.  The apt characterization of the border wall as being an inefficient and irrational fourteenth century solution to a twenty-first century problem by Texas U.S. Representative Henry Cuellar-D of San Antonio–riffing on the suggestion of U.S. Representative Will Hurd-R of San Antonio as a third century solution to a twenty-first century problem ineffective to secure cross-border migration, and gesturing to the new tribalism that the project affirms.  The imperative of the border wall is an insistence of tribalism over civil society, and a reflection of the increased tribalism we feel and see, but mostly feel and fear.  Indeed, it allows these fears to be mapped against cross-border traffic.

The imperative distorted and magnified what a border is and should be that shows little understanding of effective governance, and reclaims an old idea of the border–a fantasy, at root–that rejects the permeable nature of borders in an era of globalism, by rather affirming an imagined collectivity from which dangers–unspecified, but ranging from gangs to drugs to child trafficking–must be kept out.  Although an underlying problem is POTUS’ spectacular lack of understanding of how government works, or of the law, which he has spent most of his life reinterpreting, it reveals his conviction construction contains crisis in essentially fascistic terms, building a structure that has little contextual meaning, but seems to impress, as a negative monument to the the state that is located in a borderland of apparent statelessness, but which Trump seems more and more frustrated at his actual inability to change what still looks more like a rusting twelve-foot tall Richard Serra sculpture than the imposing frontier promised America–

 

imageRichard Serra, Tilted Arc (New York City, Federal Plaza, 1981-89)

 

–but whose offensiveness disturbs, upsets and angers the viewer in a truly visceral way. Resting on the edges of our own borders as the basis for a larger “border complex” that seems to steadily expand, the border complex is not only a unilateral dictation of border policies, but a relinquishing of any responsibility of governance of the inhabitants of the nation, treating the definition of citizen/non-citizen as a primary duality never explicitly adopted as central in American politics and history, but assigning this division a centrality rarely so clearly geographically expressed as a question of national territory.  

Even though the wall is a practical separation between territories, and an assertion of exclusive territorial identity, the imperative of the border wall that is repeatedly cast in urgent, existential terms, has presented itself in discursive terms both as a promise to the nation, in terms analogous to the Contract with America, that separated Americans from others, but which promised to strengthen Americans’ relation to the rest of the world.  The increased proximity of the nation’s inhabitants to the border and border wall was asserted in the Trump campaign:   the transactional status of the wall grew as a means to prevent multiple forces from endangering “our communities’ safety” as the border wall became a narrative plug-in for something like a promise of redemption from higher wages, untold economic dreams, and an acceptance of police security, as if a border can radically change the status quo of the American economy and local family safety.   The proposal of the border wall continues to exist in a deeply transactional sense for Americans, as geographic relations to the actual border has been erased so thoroughly for the border, under the guise of “immigration,” to become a national platform of a political party, and a new model to define and remap America’s relation to the world.

 

1.  The growth of global insecurity echoes profound anxiety at the realization that the lines of control of states cannot be so legibly or clearly mapped in the present moment, an anxiety it reflects by proposing to inscribe the border onto the landscape to make it visible to all and permanently fixed.  The false promise of the border wall has been able to gain meaning on an individual level, allowing each to invest it with meaning and feel proximity to, independent of their own actual geographic proximity–even if the result is to silence the violence that the proposition of such a border wall does to the rule of law.  If the long and energetic tradition of public mural painting that had origins in the Mexico of the 1930s provided a movement of energetic and energized monumental painting on open air surfaces in projects of humanity and considerable color.  But the elevation of their pictorial formal power moreover asserted a new public identity of the nation for observers.  In contrast, the artlessness of the empty screen of the border wall is an evacuation and denial of subjectivity:  the defining characteristic as a concrete surface of the proposed border wall is itss inexpressive surface, its denial of common humanity, and its assault on the collective narratives that were the subject celebrated in muralism.

The wall stands as a sort of rebuttal to a muralist tradition of inclusiveness–embracing varied styles from Rivera to Siquieros to Orozco–through the assertions of a new artistic idiom by which to involve viewers in a revitalized broad civic life.  The border wall is less an illustration of human will, than an image of the assertion of the reason of the state, understood less by legal principles than a tortured logic of exclusion.  For while the extant border was a site of recuperation of muralist public art, the new border wall serves to impose the fixity of the border as a site that offers no place to the individual refugee, migrant, or legal immigrant, but a blank canvas that symbolizes the absence of individual autonomy or subjectivity to cross the transborder space.  Indeed, rather than a collectivist statement of unity, whose monumental forms suggest a human struggle of collective identity and work, the construction of the wall is presented as a testimony of the need for an obstruction of the passage across the border to protect the nation, based on the knowledge and experiences of border communities, presented as a need to ensure and defend safety, national integrity, and economic power.  Like the symbolic language of muralism offered a replacement for the common iconography of sacred art, in its assertion of public identity, the border wall presents itself as nothing less than a new religion of the state.  While the comparison of the proposed border wall to the public panting of collective art muralism intended as an call to collective national consciousness and unity in post-revolutionary Mexico is a provocative comparison to the elevation of sovereign authority over the border by building a wall, the magnification of the border by the project and prospect of building a border wall has served to elevate a perilous image of nationhood, based less on ties of commonality, collective identity, or a rich historical legacy of individual involvement that muralists proposed than an unhealthy focus on the border as a site of danger, a frontier needed to be vigilantly guarded, and a threshold whose guarding substitutes for the defense of civil laws.

For in claiming to protect and secure the nation, the border wall becomes a performative exercise of the religion of the state, as much as it serves as a defense of political sovereignty.  The authority of the US-Mexico border wall, in unintentionally, seems to stand as an open rebuke and rebuttal to the hopeful ideals and huge figures in images of dynamic abundance such as the monumental Allegory of California (1931) by which Diego Rivera depicted the rich bestowal of gifts on of a heroic mother earth figure of California, in San Francisco, whose monumentalism addressed individual viewers by an almost tangible allegory of local abundance —

 

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–which set a basis, in one of the first large projects of the painter in the United States, set a basis for a new tradition of public moralism in western states.  The interchange between active labor, earth, and a united countryside, if not a united narrative of nation, offered an optimistic personification of a monumental Gaia-like state, who, her resources liberated by workers, grants “gold and fruit and grain for all” of its residents, the revolutionary art of Siqueiros that heroized his country, or the twined histories of the Americas that José Clemente Orozco organized of tragic but truly epic historical scope of the Ancient Migration and the Migration of the Human Spirit, extending the collectivist spirit of revolutionary nation.  Affirming a discourse of white privilege, indeed, rather than inclusion, the border wall is an imperative of religion of the nation that girds the border as a sight of defense, mapping the other as outsider in relation to the needs of the state, rather than celebrate the human subject as a force that is part of nature or culture. Rather, the proposed border wall seems to exist outside culture or nature, as an imperative to an endangered and threatened civility of the status quo.

The border wall erases the spirit of the migrant as it prevents migration, alleging compelling reasons of state and the new logic of the religion of the nation that replaces the law and any appeal to the law in its urgency.   Rather than portray a giving sense of the heroism of migration, indeed, the wall interrupts any freedom of migration and transborder or transnational citizenship, reducing citizenship to a notion of territoriality and land, by bounding the terrain of citizenship and affirming a new ordering of space, and a political theology about the boundaries of the state, and the subtraction of citizenship or rights from the “enforcement zone,” “border zone” or denial of the rights of political representation or legal status for all transnational migrants in the “dead zone” of the borderlands.   The absence in this zone of rights of the subject–the refugee, migrant, or itinerant subject–is paramountly defined by their statelessness and inability to fit between strict categories of sovereignty, rather than motion across states being celebrated as a point of access to the bounty of the land, or of the migration of the spirit as a celebration of the recuperation of a modern individual political identity.  By demonizing the practice of migratory mobility, as if by a principle of “earth-first” binding of the nation, the border inverts the celebration of the human spirit

 

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panel21Jose Orozco, Migration of the Modern Spirit (panels 1 and 21) (Dartmouth University)

 

There was a resurgence of the discursive practice of the political messages contained in  muralism as a form of public art in the resistance to decorating the border with monitory signs.  Is the Border Wall not only a map, but also a rebuttal to this tradition, and indeed to the painting of public rebuttals to the wall through paintings and commemorations in the past?  The absolute absence of any affect or visual address within the intentionally blank, sterile and almost industrial character of the wall seems in hidden dialogue or rebuke of an aesthetic of direct involvement of the viewer through its mute surface and corresponding evacuation or denial of individual human rights.  

 

1.  The triumph of industry, of rich historical cultures, or even of cultural conquest and revolutionary violence is compellingly replaced by the absence of any trace of human making or creation–or individual subjectivity–within the surface of the proposed border wall, which rather stands to deny individual liberty:  in place of an aesthetics of broad political involvement, the denial of the presence of those on the other side of the border wall stand as a vicious act of disenfranchisement, and even a denial of human subjectivity.  Indeed, if the heroic or epic narratives of monumental figures engage viewers in a pedagogic manner in muralist traditions by illustrating a narrative of nation, the proposed wall suggests a blunt lack of any national narrative, save the denial of the subjectivity of those on the other side.

 

 

 

The talismanic nature of these “prototypes”–mock ups slightly removed  the border–was meant to evoke the prominent place of the border wall, and to restore or reinforce  in the psychological and mental imaginary of our new national space.  Repeated throughout the Presidential campaign as if a mantra, evocation of “the promised wall on the southwestern border” has redefined a relation to the nation–and indeed been presented as a form of love for the nation–by the master builder who would be US President.  And although the request for a “solid, Concrete Border Wall” in March, 2017–described as the President’s building medium of choice–became a secret state project, as “too sensitive” to be released by a Freedom of Information Act, by the Department of Homeland Security, designed to meet demands to be impossible to tunnel under, and impenetrable to sledgehammers or other battery-operated electric tools for at least an hour, seem something of a simulacrum of the state that is both all too obstructive for actual migrants and cherished by many Americans, and prevents the transformation of previous parts of the border wall to public sites of commemoration–remembering the suffering of those who attempted safe passage, or indeed of mural-art that has attempted to assert the fluidity of cross-border transit.

 

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–or that try to imagine the perspective that the future of the border wall will create for the migrant subject who is excluded from hopes of cross-border transit.

 

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Trump Vows To Build Border Wall Between Mexico And The U.S.

Justin Sullivan/Getty Images

 

Even as the proposed US-Mexico border wall is presented as girding the nation against multiple dangers, the new bounding of the nation that prevents any intervention or artistic transformation of the wall, by stating its own absolute authority as a re-writing of the nation.  The permanence of the models of the wall seem not so tacitly or subliminally suggested by the physics form of one of the mock-ups, which references the form of a flag, as if to suggest its similar permanence as can image and record of the nation, and proof of the nation’s continued existence, as if the nation could not exist without it:  indeed, the flag-like proportions in mock-ups suggests a new flag for the nation.  As the promise of the border wall has allowed such a range of audiences to cathect to the national boundary–a sense that was perhaps predicted in the repainting of a section of the existing border wall of welded metal and steel near San Diego–the very site where a caravan of Central American migrants would arrive where they were taken by President Trump as an illustration of the fear of the dangers of cross-border immigration–the wall suggested a sort of surrogate for the purification of the country, restoration of the economy, and an elevation of the minimum wage, wrapped into a poisoned promise of poured concrete.

It was no surprise that a group of Mexican-American veterans chose to paint a segment of the older wall near Tijuana in 2013 as if a mural that mirrored the use of the inverted flag to stage a signal of distress to the nation:  indeed, the deported former navy who chose the wall as a site for a cry of emergency and national belonging:  teerily prescient of the flag-like nature of the mock-ups, sections of which uncannily resemble a vertically hoisted flag, the wall sections painted by disabled veteran Amos Gregory, a resident San Francisco resident, who completed the painting with twenty deported veterans, recuperated the tradition of moralism to create a new story of the wall, where crosses of dead migrants replaced the stars of the stars and stripes, as if to appropriate the wall to a public narrative of nationhood.

 

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The inverted flag that a group of U.S to paint the flag, but expressed shocked at charges of using an iconography “hostile toward the United States of America,” and chose the inverted flag as a distress signal–to show honor to the flag, and to “mean no disrespect” to the nation, but to raise alarm at its  policies.  His dismay when asked to remove the mural by US Border Patrol sent a message of censorship as an attack on freedom of expression; Gregory incorporated crosses to commemorate on the wall the migrants who died seeking to enter the United States for better lives and livelihoods,  undermining the ideals of freedom he cherished.  By placing their memory on the wall, he sough not to dishonor the flag, but to use it as a symbol of extreme gravity that respects its ideals–and the etiquette of flag display, in the manner  future protests at the marginalization of migrants seeking asylum as they enter the United States at its border zone.

 

distress at Ptotest

 

The current mock-ups suggest, if unconsciously, an actual evacuation of patriotic ideals.  The MAGA President might have been conscious of how several of the so-called prototypes suggested a flag turned on its end, as if in a new emblem of national strength–

 

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–as if to offer them a new symbol of the nationalism of a new nation.  The segment of this prototype recalls the flag suspended vertically, as on a wall or over a door, above the border that has become a prominent character in the current President’s Twitter feed, and evokes the ties between terrorism and immigration that Trump has long proposed the government recognize and acknowledge, despite having few proofs of these connections, acting as an assertion of the implied criminality of all immigrants who do not cross border check points by legal protocol, no matter their actual offense.

 

1. The compact about the construction of the border wall has, against all probability, become the latest in faux populist promises since the Contract with America to pose fictive contracts of illusionary responsibility and reciprocity to the democratic process, and have provided new tools of assent.  At the deepest level, the wall exists in this discourse of urgency not as a proposition, but as an actuality that need only be built, and cannot–or need not–be mapped, less the practicalities of consequences of its construction by acknowledged.  The border wall, viewed in its prototypes, is somehow an expression of the unmappability and existential quality of the border wall that Trump wants; alien from its surroundings, and existing as an obstacle to entrance, it is a redefinition of the border from a site of passage to an obstruction.  The affirmation of the border as a “real border”–which Trump repeatedly ties to the status of the United States as a “real country”–seems to mean an impassible border, which lacks any negotiation, but is recognized as an element of the nation that needs to spatial location but acts to strip all outsiders of their their rights.  All attempts to map the border as a spatially situated place  seem to stand as a challenge to undo the imperative of the wall’s construction.

The faux consensual ties with the electorate perpetuate a fiction that a democracy runs on the contractual obligations between a government and populace, but have early been so focussed on geographically specific terms.  But in an age of anti-government sentiment, the icon of the wall has become an effective icon of describing the ineffectiveness of prior administrations, and an iconology embodying the new role of the executive in the age of Trump:  in an age of global mapping that seems to disrespect and ignore borders, we imagine migrants moving across them with the aid of GPS, or Google Maps, empowered by the location of border check-points on their cross-border transit,–

 

Google maps borderGoogle Maps

In a rejoinder to these fears, the proposed border wall would map a continuity among the stations in different sectors administered by the US Border Patrol, already strikingly dense, and apparently easy to connect by a solid wall–

Border Checkpoints

 

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Strongman on the Border

The border was closed and immigration authorities simply ‘at capacity,’ announced newspapers, after a Caravan of migrants from Central America arrived.  In rejecting the ability to process new arrivals who lacked necessary papers of transit, the papers parroted a an anti-immigrant line, revising the southwestern border from a line of passage, or space of transit, in what seemed a meme about the border as a threshold of legality-as if a line defines the legality of those who cross it. The image that suggested migrants atop the wall, or of others scaling a dilapidated section of slatted border fence near San Isidro–“through a dark, treacherous canyon, notorious for human trafficking and drug smuggling”–collapsed multiple tropes of border-crossing on the least likely of targets:  a peaceful procession through Mexico that began on Easter Sunday, crossing borders to call global attention to migrants’ rights.

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While the simple visualization of the course of the procession that wound through Mexico City from the southernmost border of Mexico cannot trace the mental geography on which the arrival of migrants was mapped in the United States, the progress of Central American migrants was viewed and mapped by Donald Trump and FOX in terms of the desire to see their arrival from behind the proposed $18 billion border wall that has become a contentious object of debate.  As the number of arrests along the border has grown above 50,000 for the third straight month in a row, and more children separated from parents in an attempt to broadcast cautionary warnings about the dangers of attempting to cross the border, or to appeal to existing immigration laws by asylum pleas, stories of migrants that the proposed wall would silence are increasingly difficult to silence or contain, and the human narratives of migrants are increasingly difficult to place behind the imaginary screen of an insurmountable border wall,–which of course does not exist, save as a mental construct–but is cherished as one and difficult for many to relinquish or deny.  Even though there is no structure corresponding to the height, thickness, and architectural design that Trump had treated audiences during his campaign, the Caravan threatened to remind us that the wall didn’t exist, despite the attention that has been lavished on its proposed construction at a cost of an estimated $18 billion, far below what actual costs might in fact be.

The specter of the arriving migrants from Guatemala, El Salvador and Honduras–the triumvirate of “failing states” that Trump has demonized and sought to distance the nation–seemed cast as an oddly unstoppable “horde” that had defied Mexican immigration authorities who had not turned them back, and whose arrival was magnified as a threat to create a persuasive image that reminded the nation of the urgent need for the wall.  After months of dehumanizing migrants as faceless hordes, poised at the border, migrants seemed to have arrived at the border fencing, about to breach an inadequate barrier that is a relic dating from the era of the Vietnam War.  The news of the progression of the Caravan–and clouded interpretation of what their aims for crossing the United States’ southwestern border truly were–led them to become a poster child for the urgency with which Donald J. Trump has so stridently advocated the construction of a “real wall,” with an intransigence that almost embodies the physicality of an actual concrete wall, a month before the construction of the border wall began in San Diego and Calexico, CA, replacing some fourteen miles of improvised border fencing that was long ago made of scrap metal to “secure our border” as a way to “make America great again.”  The promotion of building the border wall was a way to ensure “public safety” followed repeated images of migrants attempting to scale or protest before existing improvised fencing–

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-whose inadequacy to deal with the border threat Trump had relentless ridiculed as useless during his Presidential campaign.  The danger of cross-border traffic that Trump had repeatedly magnified circulated back to prominence within the national media with the arrival of the migrant Caravan.  The hope for the migrants to gain asylum in the United States was immediately questioned as their true agenda was assumed to be one of evading the border controls before the Wall was built–and the immigration laws that would permit their entry changed.

If the announcement of the construction was a feign of a a show of strength, and promoted as a basis for national pride, it was an insult to migrants petitioning for asylum, as the promotion of the border wall as a sign of national security debased the notion of the nation as one of laws and civil society.  The promotion of the wall as a slogan of nationalism remapped the nation in relation to the border, after all, in the Newspeak of social media and twitter–“Strong Borders are Security”, “Immigrants are Criminals”; “Refugees are Terrorists”–the border wall protected national security and projected the idea that all migrants were illegal.  The spatial imaginary of the border wall echoed the longstanding claim, made without evidence, that the immigrants at the border were “the worst” of their society, and for allowing an untold number of undesirables to enter the the nation.  As well as protesting the treatment of the United States”the dumping ground of European Refuse” as an insult to the nation, the insult was accepted by the nation.  The blame rests on citizens who are accept the very immigrants Europe does not want.  The image, which appeared just before Bartholdi’s “Statue of Liberty” was erected in New York Harbor, raised objections to accepting those rejected by Europe’s crowned heads, of dubious value to the nation that echoed Trump’s position.

European Refuse.pngKendrick, “And We Open Our Arms to Them” Life Magazine (July 12, 1885), 

The very chaotic narrative of depositing “human refuse”–a group of former colonials identified as “not like us” but being advanced by an invisible broom–was repeated in the image of the approaching Caravan, as the legitimacy of their requests for asylum from Central American nations were questioned, and suggested to be fundamentally an illustration of disrespect for the law.  The “Caravan” of over 1,000 migrants seeking a better life was widely mapped as a threat to sovereignty and law, recasting a protest march that promoted migrants’ rights as an invasion of sovereign space–and a grounds to deny migrants’ rights.  The  tweets of President Trump directed the attention of the country to the border to query the status of the migrants who were headed to the nation, as he announced instructions  “not to let these large Caravans of people into our country”–magnifying the migrants as a national threat through a dichotomy between “them” and “us.”   The anxieties about immigration policies that Kenrick’s cartoon registered panic at the caricatured faces of the new arrivals.

In announcing an intent of illegal entry across the border, Trump once again conjured the need for a border wall, as if trying to co-opt the message of migrants to create an image of a cross-border threat.  The construction of border walls against an “existential threat to the nation”–as did the former commander of the southern border who was named Trump’s director of Homeland Security and now his Chief of Staff—creates an urgency for protection that corrodes the possibility of an open society.  Kelly’s disparagement of migrants as “people who would not easily assimilate into the United States,” “overwhelmingly rural,” from countries where “fourth, fifth, and sixth grade education are the norm,” described them with the same disdain as Kendrick’s cartoon from the early Life of the 1880s protested the insult by which ex-colonials were sent to the United States as to Australia or India, which had indeed become “dumping grounds” for convicts, remittance men, and socially unwanted cast-offs, as well as seeing them as barbarians who threatening the social fabric of the United States.  The disparagement of migrants who are seeking asylum as uneducated, of rural origins, or indeed, as Kelly’s remarks must have reminded his audience, criminals.

ICE 2014 arrests gangs--ms13?ICE Arrests of undocumented immigrants, 2014

The disproportionate warnings of a “border threat” or “trouble at the border”  telegraphed on Twitter was inserted in a narrative rooted in the plan to create a border barrier of cast concrete in August 2015, in the heat of the Presidential election–a mission that crystallized support behind Trump’s campaign.  Trump insisted that the border wall he advocated wasn’t rhetorical, symbolic, or virtual–a space defined by hi-tech monitoring–but an impervious barrier that would succeed where other poor-quality fencing had failed.

The build-up of the arrival of the migrant caravan ran against the disproportionate attention that Trump had drawn to the border.  As Trump pedaled the fiction that the wall had already been begun, newscasters on FOX mapped a showdown by the approach toward the border of “that scary migrant caravan” of Central Americans with American law enforcement as inevitable, placing the migrants in a narrative of unwieldly crisis of immigration management on the US-Mexico border.  In ways that intersect with a broad unease of increased immigration–often manifesting itself in extreme xenophobia, othering and racism–a vaguely masked anti-immigrant sentiment that has growth in the United States over the last four to five years which Trump has deftly exploited. For the ‘border wall’ was recognized code for a thinly disguised racism, captured in John Kelly’s characterization of the Caravan–and migrants–as “overwhelmingly rural people” not capable of assimilating, who “don’t have the [necessary] skills” to do so, and are “overwhelmingly rural people,” as if ignoring just how dependent U.S. farms are on immigrant labor.

The disproportionate attention the Trump and his planned border wall directed to the southwestern border made the region seem far more immediate to all Americans–and defined the Caravan’s approach as national news.  Although the formation of such “Caravans”–a name not coined by Americans, though it gained new spin in the mouth of President Donald J. Trump, who had grown frustrated with an uptick in U.S. Border Patrol metrics of illegal entry–the tactic that was long adopted by advocacy groups to foreground migration difficulties was used by the group Pueblos sin Fronteras, or Peoples without Borders, whose name was seen as revealing their opposition to the redefinition of the southwestern border of the United States, which has also been mapped onto the wall–creating a reflexive panic at the sight of large crowds of unidentified migrants marching toward the border.  The legal and physical obstacles that Trump promised to place on Mexicans or Central Americans seeking entry to the United States were always twinned, but the arrival of the migrant Caravan seemed to give it a new urgency, and to legitimize, as a suddenly mainstream demand of border management, the ability to control human cross-border flows.

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The march was described disdainfully as a “political stunt” in media, as the Attorney General and Director of Homeland Security demonized the “Caravan of migrants.”  Trump had promised the nation a border wall unlike the reclaimed corrugated metal fencing in Tijuana, but made of  “precast [concrete] plank,” a protective barrier far more powerful and robust than the inadequate fencing he treated as “a joke” and a disgrace to the nation, and which the multitude of migrants were seen as able to cross, but in need of immediate arrest and detention in a fantasy of border enforcement.  If Trump had promised to be a strongman at the border, the old border wall seemed indeed flimsy obstacles, unable to stop even the crowd from the Caravan who arrived to petition for asylum at San Ysidro, CA.

Migrants arrive at Tijuana

The peaceful protest of the Caravan de madres centroamericanas, to use their full name, was recast as a march of opposition to Trump’s border policy, while for Trump, as some three hundred odd members of the Caravan arrived at San Isidro, a recognized port of entry, in five busloads, and mounted on a fence made of repurposed scrap metal became for President Trump evidence of a crisis of sovereignty.  In response to a crisis he seemed to have created on Twitter, he ordered the Department of Homeland Security to “stop the caravan,” displaying his knack for sound bytes and slogans, and imagine that, searching for the right string of capital letters on his keyboard,  only “a strong, impenetrable WALL. . . will end this problem once and for all”–even if the problem lay with the places the migrants had fled.  The motion of “migrants,” now cast as “illegal aliens” in the right-wing press, even as they hoped for a miracle from god able to “touch the hearts of immigration agents,” was not able to be seen clearly by many, even if their course was carefully mapped over the previous month in increasingly colorful reportage.

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Filed under 2016 US Presidential Election, Donald Trump, immigration, mapping the US-Mexican border, unauthorized immigrants

Refugee Traffic Scars the Globe’s Surface

Almost any graphic is inadequate to represent the plight of displaced refugees.  The aggregate numbers astound: the sixty countries from which 30,000 people were forced to leave their countries each day over the previous year.  While these numbers reflect only those designated candidates for asylum and refugee status–and do not reflect the extent to which those fleeing from persecution and have expanded so dramatically–the image charts the number of asylum-seekers that grew to over 1.2 million in 2014.  Yet the quantities of those considered for refugee status can hardly be adequately processed, let alone mapped in aggregate–or the recognition of refugee status processed on Europe’s borderlands.  The map of refugee flight in red arcs across a map lacking political frontiers and boundaries seeks to foreground just how frantic the desperate search for pathways to new homes have become, and how wide-ranging these itineraries.  If they seek to provide a sort of negative to the privileged paths of an age of increased air travel and suggest the desperation of forced spatial migration, they silence the actual stories of refugees.

What sort of stories does this simplified map simply omit?  The stories of those journeys are interrupted by death, while they are far smaller, of course remain absent:  the perilous trajectories of individuals fleeing Syria, Iraq, Africa, Indonesia, Afghanistan and Pakistan however risk not only their lives, but increasingly their legal status as they undertake huge geographic migrations in search of new homes elsewhere, traveling by boat, on foot, or along paths promised by human traffickers.  The sleek image, despite its attempted accuracy, shows the intensity of itineraries as embossed on the map as if to disfigure the notion of global unity that runs against the very narrative of global unity implicit in a iconic equidistant azimuthal projection centered on the North Pole which emphasized global harmony as World War II was tried to be forgotten, which as the official flag adopted by the United Nations adopted in October, 1947 promoted an image of global unity:

 

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Harrison Polar Map/Official UN Flag

But the problem of effectively mediating the growing plight of stateless and displaced from “hot-spots” across the world poses not only a problem of the geographic imagination, but of the ethics of mapping.  For the aggregate mapping of those deserving or awarded refugee status not only presses the limits of the data visualization, bound to simplify itineraries of refugees far more fragmented and indirect than can be mapped, but that no data visualization can group the individual stories that the sheer numbers of those displaced by conflict and violence are barely possible to comprehend.  Refugee traffic suggests a level of instability difficult to condense in any map:  and is “traffic” not a fatally flawed metaphor, suggesting a possibility of monitoring or policing, bureaucratically inflected, blind to varied reasons for the rapid growth of refugees?

The hot-spots from which those crossing borders were readily recognized as refugees were increasingly focussed on wealthier countries since before World War II, but the growth in those granted humanitarian status as refugees had already been defined around clear epicenters back in 2007, when millions of the population in Pakistan, Syria, Palestine, and Iran were accorded status, after having crossed borders, as refugees, and large numbers of asylum seekers in the United States, Canada, and Europe had started to grow–the map, which seems an earlier version of the decentered azimuthal projection later chosen by the graphics editor and cartographer at the New York Times, similarly serves to suggest the global nature of a problem largely centered in the Middle East.

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WRSC

The choice of trying to map the data of those declared refugee to show the arcs of their arrival from global hot spots on a decentered azimuthal terrestrial projection aptly maps the crowding of the globally displaced in 2014.  But the choice of transferring the collective itineraries to a global projection–in a sort of perverse mapping of flight paths suggests the most deeply troubling side of global inter-connectedness, and perhaps its deepest source of stress–by scarring the world’s surface in a frenetic criss-cross of arcs.   UNHCR data of the global monitoring of refugees’ origins and points of arrival in new homes served to reveal an aggregate picture of resettlement in “Global Trends in Migration of Refugees” based on the accordance of refugee status, but in doing so erases the complex negotiation of the fate of asylum seekers, as well as the painfulness of the itineraries the globally displaced increasingly suffer.  Is it ethical to hope to draw equivalences of the growing problem those claiming asylum as refugees by showing their arrival along idealized clean arcs?

Are we in danger, moreover, of representing refugees by the designation that western countries who grant them asylum accord them, for lack of complete or adequate data of the dynamics of displacement and mass-migration?

1. The graphic seems apt by rendering a scarred world.  But it also seems an all too cool comment on the violent status quo, in which the number of displaced people raising risks by falling back on a modernist aesthetic that fails to capture the violence of displacement and indeed the placelessness of the refugees:  the distinctive azimuthal projection, whose particular properties orients the world around the common locus of refugees’ eventual destinations, so as to suggest the range of their flights, rendering the range of collective arcs of geographic displacement at a uniform scale.  Although the projection, which echoes the cartographical rendering of a global space in the flag of the United Nations, illustrates the actual global consequences of the heartbreaking tragedy of over fifty million refugees and internally displaced (IDP’s) across the world, their fortunes remain impossible to map, and difficult to visualize.  Indeed, despite the difficulties of mapping those displaced, and problems of protracted displacement that have eroded societies, images often remain far more powerful than maps.

 

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By mapping the aggregate destinations of the displaced by flared arcs, of uniform size, the visualization maps the eventual destinations of refugees, as determined according to the UN’s Refugee Agency, and foregrounds the question of their destination rather than the reasons for their displacement.  The costs of such an omission are considerable.  The question of how to represent displacement, and how to mediate the experience of the refugee, raises questions of how to visualize population within a map.  The record numbers of those forced to flee their homes over the past year raise questions of whether resettlement can ever be enough–and if the tragedy incurred by displacement, without a clear destination and often just beyond the borders of the country one fled, trapped in war zones, or stranded in temporary settlements, aggregate trends of displacement seem oddly removed from refugees’ experience.

For while the smooth arcs of geographic relocation data are compelling, they transform the often desperate flight of refugees by an aesthetics of minimalism that rather reduces the scope of the spatial displacement that the terrifying numbers of persecuted refugees experience, and foregrounds the sites at which the displaced arrive–perhaps to remind us of the distance of the United States’ retention of an annual ceiling of resettling 70,000 refugees–and not the unrepresentable scope of the violence of spatial dislocation and tragedy of searing social disruptions.  The deepest difficulty to represent is the precipitous slide toward poverty, hunger, and poor health care of most refugees, whose arcs of travel are both far from smooth, but so rocky and economically destabilizing that the challenges of orienting oneself to its crisis are indeed immense.  And they only begin to chart the number of internally displaced and causes and scale of displacement–and the lack of political will that protracted displacement and flight have created on the ground, in their abstraction of refugee flows.  For while the distribution of internal displacement challenges one to create a compelling graphic, the dynamics of displacement by the Norwegian Internal Displacement Monitoring Center across some sixty countries seem so difficult to embody–or process–that to demand clearer visualization to comprehend the scope of internal displacement of those who are rarely granted asylum–or are accorded the so desired status of refugees.

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IDMC

In its gesturing to the equidistant azimuthal projection of the United Nations, the visualization of refugee traffic evokes the clear ideals of the UN as an institution in its refusal to privilege a specific geographical centering.

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The focus in the visualization on UNHCR data of resettlement emphasizes a narrative of resettlement, even some sixty years after UNHCR first directed global attention to the “World Refugee Year” in 1959, with hopes “to encourage additional opportunities for permanent refugee solutions through voluntary repatriation, resettlement or integration, on a purely humanitarian basis.”  For in showing clean arcs that deliver the displaced, analogously to a frenetic set of flight paths, collapsing the time of one year, the tragedy of the unsettled are oddly ignored.  For although the flared arcs on the projection effectively pose questions to the reader about the impact of refugees’ arrival in Europe and wealthier countries, it shifts the question provocatively from the human rights abuses and disasters which provoke such flight–and ignores the terrifyingly young age of so many refugees, over half of whom are less than eighteen.

In seeking to grasp the scope of statelessness and displacement, and the psychic as well as economic questions of displacement, can’t we do better?

 

2.  Representing the global crisis of the displaced is by no means simple, and data visualizations are often inadequate to represent the travails of the refugee.  But although the movement of the displaced mirrors what UNHCR determined were the destinations of the displaced in 2014, the minimalist projection of terrestrial expanse oddly and dissonantly removes them from the humanitarian crises that created their displacement:  the countries noted in the terrestrial projection recedes into the background behind bright flared arcs that trace in aggregate the migratory paths refugees actually took in ways almost abstracted from experience–and in ways that may effectively unintentionally serve to diminish their plight by expressing it in an aggregate.  While an alternating focus on Southern Sudan, Syria, Iraq, Ukraine and Burma where many have been forced to flee their homes can afflict the most clear-headed with a temporary case of Attention Deficit Disorder as they puzzle at the multiple crises that convulse refugees to flee, leaving millions of Iraqis (2+), Syrians (3.2+), and Rohyingya to remain stateless, their flight is rarely linear, and the omission of the uncertainty of any refugee’s path or flight is troubling.

If the global visualization illustrates the increased intensity of the problem of displaced refugees over the previous year, even as it tracks the scars that divide it.  By using a set of specific points to another on a globe centered on where the greatest refugee traffic occurred, the data vis represents actual distances to countries of asylum, displaying pathways of asylum refugees took on a map of accurate distances, and traffic of truly global scope.  Although the densely crowded red arcs obscure much of France, Germany, and other sites of destination for the displaced as if to exaggerate an influx of to Europe, they illustrate a growing recognition that the scale of human displacement is a global crisis–as much as a crisis of resettling refugees.

The array of intersecting red arcs in the map underscores the proximity of an inter-related world, and provocatively foregrounds the increasingly global scope of a multiplying crisis of displaced persons that have come to scar much of the world’s surface.  The problem of how to synthesize the diverse local experiences displacing increasing refugees across the globe both internally and to other countries is resolved by using UNHCR data to map the growing traffic of the displaced that the we will increasingly be challenged to come to terms. Yet what of the image of interconnectedness that they reveal?  While foregrounded in an equidistant projection that renders evident the symbolic unity of around a nexus of departure of refugees from Africa, Syria, and Ukraine who arrive in Europe, the crimson arcs literally cut across the image of coherent harmony emphasized in the azimuthal projection, by locating sites at uniform distances to emphasize its unified image of the inhabited world–the same reasons it was adopted in different form in the flag of the United Nations–which also downplays the very national differences and frontiers more often inscribed in terrestrial maps, using an equidistant azimuthal projection of the world centered on its pole to project an ideal of global harmony.

The data visualization “Global Trends of Migration” foregrounds a marred world, however.  In it, the sites of refugees’ arrival is often even rendered illegible, disorientingly, by blotches of solid red created by converging flared red arcs.  Was there a somewhat alarmist decision to flare the ends of these arcs at the sites of the “arrival” of refugees, as has been suggested elsewhere by Martin Grand Jean?  For Grand Jean observes that in doing so, the concentration of apparent endings attract greater visual attention than the sites from which persons are displaced, or the intensity of the displacement:  we hide our eyes from the atrocities, in short, and the true nature of the crisis and humanitarian disaster, perhaps in ways informed by UNHCR data on the need to better process refugee flow.   One might go farther in this critique:  for in flaring such endpoints, the image not only oddly downplays the sites of emergency from which they seek asylum, and the unmitigated tragedy of those who remain displaced, but conveys a sense that the flights are smooth.

To be sure, the very term “traffic” that recurs to describe the “Trends in Global Migration of Refugees” seems a bit of an oblique misnomer.  It almost obfuscates the experience of those who were only recently forced to flee their homes, as much as render them for the viewer.  For the elegant aggregation of such a uniquely tragic dataset may not fully come to terms with the growing global tragedy of the apparently unmitigated spread of refugees from an expanding range of sites–and the steep human rights challenges the exponential expansion of global or internal exiles creates.  Although the attempt to synthesize UNHCR data and map those flows offer one of the clearest tools by which to process, comprehend and synthesize the rapid expansion of individuals who were forcibly displaced over the past year, and come to term with that expansion.  But it hardly comes to terms with the desperation of their travails or the difficulty of their departures.  Indeed, by covering much of Europe in busy red blotches it disarmingly foregrounds and describes the arrival of refugees who have successfully left their countries–more than the mechanics of their displacement.  And there is a sense, almost paranoiac, and to be resisted, that the arrival of these streams of refugees who enter the Eurozone almost threaten to cancel its identity.

 

Cancelled Europe?

 

What is lost in the image’s busily crowded surface is perhaps made up for by the frenetic intensity it uses to ask us to confront such trajectories of tragedy and desperation.  But as an illustration, the elegance of the visualization seems to mislead viewers through its concentration on a geometry of arrival–and the smoothness with which it invests the desperation of forced departures. Despite its impressive effects, there seem multiple reservations about the possibility of creating an adequate data visualization.  In translating the tragic dataset of forced migrations as a point-to-point correspondence, its simplification approximates the wide geographic itineraries of that the globally displaced have been forced to seek–and understates the tortuously complex paths they actually followed.

Indeed, tensions are implicit in the stark modernist aesthetics of rendering the paths of refugees and the global imperative to address the pressing refugee problems that raise questions of the ethics of mapping the displaced.  The cool modernist aesthetics of “Trends in Global Migration” obscure the messiness of refugees’ own lives.  In recent years, the Refugee Highway and others have sought to address in foregrounding the global “hotspots” of mass-migration–by combining qualitative and quantitative data.  They have tried to reveal what open routes exist for those seeking asylum and capturing the resourcefulness of the refugee–noting possible destinations of asylum, and sites of resettlement, or differentiating between routes taken in fleeing by land and sea to help viewers appreciate the scope of the refugee disaster.  In the image below, Refugee Highway reveals the presence of airplanes over industrialized nations where more refugees are apt to settle or seek asylum suggests the steep symbolic liabilities of Wallace’s stark “Global Trends.”

 

refugee highway map Refugee Highway-Legend The Refugee Highway

Another alternative visualization, proposed by Grand Jean on the basis of the very same UNHCR 2014 database, places less visual emphasis on the sites of refugees’ arrival, or sites of eventual asylum, but use similar lines as the red arcs of migration, apt for suggesting bloody scars  but less illuminating of the proportions of displaced and, as Grand Jean nicely notes, not weighted in any way, so that the 6,000 Mexican refugees that arrive in Canada are illustrated in an equivalent manner to the million refugees from Syrian territory that have arrived in Lebanon.  Gran Jean has generously proposed an alternative visualization that salutary in varying the thickness of lines that denote refugees’ displacement from sites of humanitarian crisis that confronts the limits of doing justice to the representation of displacement, sacrificing the modernist aesthetics of the image to ensure its greater readability:

Refugees-world

Martin Grand Jean

The attention Grand Jean returns to the sites of displacement can be easily rendered in ways that distinguish the different regions and countries from which the 14.37 refugees UNHCR registered have sought asylum, using color to start to distinguish the sites from which refugees were displaced–and start to diminish the information overload of the data visualization of this global crisis.

actual areas

Martin Grand Jean 

 

There is value to imitating the information overload created by the expanding crisis of global refugees, but it raises questions of the ethics of mapping disasters.  Much as it is difficult to comparatively map the multiplications of centers of forcible displacement, it is difficult to even heuristically approximate the varied qualitative circumstances of the world of the refugee–as much as one would like to grasp the extent of the desperation of exile from the boundaries and neighborhoods of one’s former home.

 

2.  The elegant economy of the jaw-dropping visualization in the Times of the refugee crisis compellingly transposes the aggregation of annual refugees to illustrate its deeply global nature.  The crisis of those forcibly displaced on a symbolic level by the harmony of uniform spatial relations–in the mode of early modern cordiform maps–although, of course, those thin red lines of scarification disrupt whatever harmony exists across the globe, despite the attention that it calls to its inter-relations, in the manner of the polar azimuthal projection surrounded by two olive branches of peace that was designed as an emblem of the United Nations to suggest the proportional representation of the continents, and lack of privileging one area of the world by Donal McLaughlin, who interest in the transparency of visual communication led him to propose its design in 1946 as a seal for the UNO.

The popularity of the visualization of “Global Trends” lies in its success in cleanly sorting a significantly large dataset in a readily legible terms in ways that insist on the proximity of accumulated crises dispersed across the globe in isolation from one another–but which affect the world and demand a global response.

 

Flag_of_the_United_Nations.svg

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One unarticulated if implicit institutional message of the equidistant polar projection in the “Global Trends” graphic is that it captures the pressure that the displaced place on the ideals expressed by the equidistant polar azimuthal projection featured on the UN flag.

Even if the very globalization of a refugee crisis makes it hard to focus on the status of those forcibly displaced or the context of collective hot-spots from which folks have fled, so clearly does it abstract individual itineraries of flight from their local contexts, the intensity of its busy red lines captures the overwhelming image of desperation, even if limited to those who have found asylum–not the refugee camps clustering on the borders of Syria, Sudan and Myanmar–it captures the intensity of forced migrations worldwide, if not the circumstances of their internal displacements or their deaths in transit and at sea.  The poor and often perilous conditions of the camps and settlements are left off of the map, as it were, as are the circumstances of ocean travel often brokered by human traffickers.

For the greatest lie and fabrication in the narrative of Global Trends of Displacement is the illusion it perpetuates that all refugees possess and have a destination–and indeed that all refugees arrive.   The extreme unmessiness of rendering the actual tragedy of refugees’ itineraries in purified form with a coolness worthy of Le Corbusier or Eero Salonen frames the crisis of refugees as if tracking airplanes’ movement or allocating resources.  To an extent, this is the result of the UNHCR dataset, which focuses on the arrival in camps or countries of asylum, rather than displacement or the camps were refugees and fleeing persons congregate along the borders of nearby countries.  But the visualization deriving from the data provides readers with a quite misleading illustration of the crisis at hand.  For in concealing local details, they obscure both the individual stories of sacrifice as well as the conditions or scarcities that has driven such a steep expansion of fleeing across what have often increasingly become quite shaky and undefined border-lines, readily renegotiated in theaters of war.

 

Sudanese refugees mappedUNHCR, Refugees from Southern Sudan by mid-December, 2013

 

Rather, the image created communicates an impression of cleanly engineered arcs of geographical mobility and direct paths to resettlement.  Unlike earlier visualizations, the elegant red arcing lines adopted in “Global Trends” present the UNHCR data as if to suggest that all refugees arrive–even though the dataset is of course only about those who do seek asylum and resettle elsewhere, and predominantly in countries far removed from their homelands.  This narrative of spatial displacement may obscure a deeper set of narratives of dislocation.

 

Global Trends in Displacement: Destinations New York Times

One sacrifices a sense of the local in the arching red lines in the gripping aggregation of global refugees over the past year in “Global Trends,” also pictured the header to this post.  The data vis indeed broached the difficulties of comprehending what has increasingly and ultimately become a global crisis at the end of an age of empire in readily comprehensible terms.  Although the paths of refugees’ flights threatens to muddy the specific travails from which folks are forced to flee in the data visualization, as well as their specific circumstances and travails, it synthesizes and processes the almost unsustainable streams of forced flights from refugee hot spots by foregrounding the actual routes of displacement–while misleadingly suggesting that all refugees found future homes.

Indeed, it maps the unmappable by mapping the pathways of those forcibly displaced:  yet of the 60 million displaced globally, the map focusses on the 14 million (almost a quarter of those displaced worldwide) who have left their countries in 2014 alone, offering what is probably an under-estimation of the encyclopedia of travails that can never, at another level, map or synthesize–as if the routes of fleeing can ever be adequately represented by being sketched on the perfectly engineered arcs akin to the smoothly engineered pathways of multiple airplane flights along which a very different demographic travels.  Refugees are of course unlikely to experience such travel, more characteristic of readers of the Times, who would surely be prone to recognize the map as a sad perversion of global flight paths, converging on Eruopean capitals, the United States, Canada, and Australia.

Global Trends in Displacement: DestinationsNew York Times

One feels only awe at the overwhelming nature this sort of dataset, itself difficult and dizzying to process because it offers little real cue for orienting oneself to the complex totality of narratives it collectively encodes.  Whether the augmentation of refugees worldwide can be seen as a quantifiable crisis–and removed from human terms and individual costs–is a question that cannot be here addressed.  But the conversion of the crisis into human flows is a compelling way to try to come to terms with how we’ve come to inhabit the world in rather chilling ways, by plotting some of the data from the United Nations High Commissioner on Refugees on a global projection centered on the primary areas of regional crisis–not without posing the question of why such a global focus of the refugee crisis exists.  The nexus of the refugee “crisis” is so widely spatially distributed, indeed, to leave its “focus” dizzying as one tries to better internally process the extent of displacement worldwide:

 

detail refugees map New York Times

 

3.  The frenetic business of the long distance “traffic” pictured on the global map can also be reorganized and viewed, or disaggregated, piecemeal, luckily,  in order to make some sense of the terrifying abundance–or obesity?–of the disturbing dataset whose aggregation reveals the close relations between countries in an age of globalization, if it cannot threaten to obscure the dramatic narratives of individual experience.  The data is condensed into misleadingly orderly (if dizzyingly distracting) mesh of intersecting red lines, arcing over the earth’s surface and boundaries–as if to capture the global nature of the crisis, but which painfully erase the multiple individual narratives of struggle, internal displacement, and blossoming of the unplanned cities of refugee camps, and the different material and environmental constraints against which refugees have to contend and struggle. The comforting illusion that each refugee has a destination–or endpoint–ignore the improvised settlements now dot maps of Jordan, Turkey, Chad and South Sudan, and hold some two million souls, or the deaths of refugees in transit or at sea–runs against the demand for an adequate dynamic map of their own, as if in a sort of reverse map of sites of human habitation inscribed on maps.

Such a map would describe dislocation in greater detail than the valiant ESRI “story map” of those refugee camps administered by the UNHCR, whose slippy map invites one to inspect the numbers of displaced in different camps, but stands at a significant remove from their actual circumstances or experiences of displacement of the story it purports to tell.

efugee camps ESRI Fifty Most Populous Refugee Camps (an ESRI story-map) ArbatDarfur Refugee Camp in Chad Arbat_Transit_Camp_3-3-2014 Arbat Transfer Camp for Syrian Refugees in Iraqi Kurdistan

4.  Could one rather include in such a map variables such as the length of time required for transit from each country, the amount of time required for transit, or the possibility of making such travel–all potential ways to represent the ordeal of displacement in ways that viewers might understand?  Or could one indicate the violence of the displacement in a quantitative way?

Indeed, the focus of the data vis on the routes of migration that refugees take runs against the widely accepted and reported truth that the number of internally displaced persons has expanded far beyond the growth of refugees seeking asylum in recent years–also reported by Sergio Peçanha–if the growth of IDP’s worldwide has surely increased the desperation of those refugees who leave countries of origin.

IDP's New York Times

The greatest single lie that this elegant map of refugees across the world tells in its distribution of a dataset is that all refugees have a destination to which the flee that can be mapped–a lie that the red arcs that imitate the paths of air traffic encourage.  For the paths of those fleeing are of course rarely so removed from the ground or so truly globalized in their dispersion.  In addition, there is a shift of attention from the sites where a truly unmanageable set of crises for refugees exists to the density of points of arrival in European countries as France, Germany, England, Italy, and Sweden, as well as Australia, Canada and the US–all rendered by but a single point or nexus of arrival, or destination–and often obscured by clotted red lines.  Does this detract the readers’ attention from the sites of humanitarian emergency that prompted the rush of refugees? The crowded the image evokes the image of something like a blood splatter, the result of the expansion of the intensity of combat in multiple theaters that, after all, set the mechanisms of displacement in motion, which the practice of aggregation erased.  In ways that imitate the The Refugee Project’s attempt to map arcs of resettlement of those seeking asylum since 1975 in interactive fashion within a single globe, the density of lines that converge in Europe and elsewhere suggest the deeply linked question of the global multiplication of forcibly removed refugees, and the proliferation of a forcible statelessness across so much of the modern world.

 

Screen Shot 2015-06-25 at 12.10.41 PMThe Refugee Project 

 

But, on the other hand, the visualization’s immediate popularity, registered by wide retweeting, responds to the cognitive difficulty–if not impossibility–of coming to terms in a clear-headed manner with the dizzying multiplication of growing numbers of refugees and internally displaced people in our increasingly destabilized world. There is considerable clarity in how the orderly arcs mirror the readily recognizable form of a map of destinations of flights, if there is something truly odd in how they represent the terrifyingly troubled transit of peoples in times of war.  Perhaps the map aptly captures in symbolic fashion the desperate flight from regions in its numbers alone, acting like a sort of blood splatter map on the world–although one where the wounds seem to lie in those countries that receive refugees, rather than the sites of the violence that provoked their transit.

For the greatest difficulty with the data visualization remains the remove of its narrative content from the subjective experiences of the refugees than the absorption of refugees in their new countries, and the apparent equivalence that it draws between both the proportion of refugees or the experiences of refugees from different countries.  Hence, the conspicuous inclusion of numbers of departed whose final destinations were a specific country and the foregrounding of the names of those countries that were most likely destinations in the developed world–the United States, Canada, France, and Sweden among them–several countries were a sharply xenophobic ultra-right has been recently recognized as on the rise. Take, for instance, the dispersion or draining of Syrian populations, which despite its orderly symmetry offers only a stripping of data to approximate the ongoing struggles on its disintegrating borders.  During the recent Civil War, some 11.6 million people, almost half of its entire population, have been displaced, half arriving in Egypt, and only a relatively fortunate few arriving in European or industrialized/westernized nations.  Representing the length of time required for resettlement would at least be a surrogate and index for the nature of the experience of refugees that would be a possibly more ethical model for mapping displacement than the dispersion of the Syrian population on simple arcs–without notation of how many displaced Syrians remain, and omit the distortion suggested below of a smoothly engineered migration from refugee camps.

 

Syrian refugee displacement New York Times

 

5.  The infographic maps but one corner of the dilemma of global refugees.  One way that the infographic must be read is in dialogue of the as-yet limited reactions of advanced economies to the growing global refugee crisis, to be sure, at a time when it may make less sense to retain the attitudes of protectionism and fears of immigration, evident in the expansion of only 70,000 refugees to the United States during Fiscal Year (FY) 2015 on the basis of “humanitarian concerns” as “in the national interest,” and the retention of limits of admissions in accordance with clear ceilings for each region.  For does such an imposition of such ceilings come to terms with the global desperation felt by the displaced?

admissions of refugees--refugee resettlement assistance FY 2015

White House

There is an obligation to come to terms with the steep fears of immigration and better help readers better wrestle with the plight of the displaced.

An untold understory of the infographic that is less evident in the image used in this post’s header is the considerable concentration of a huge proportion of refugees–some 85% by the count of the United Nations High Commissioner for Refugees–in one specific geographic region, and the lack of resources that are effectively able to be devoted to these refugees’ fates.  (And this may well be an underestimation of population flows among the internally displaced.)  The majority congregate in regions running from Turkey to Southeast Asia, past Ethiopia to Kenya and the Central African Republic, although one imagines that the displaced in Ukraine are just absent from the dataset, and less able to be accurately measured by the UN numbers.  The region populated by millions of displaced is circled by dotted lines below.  In each of these regions, most relatively impoverished, refugees are often exchanged among countries with limited resources to process compelling human needs–for example, Ethiopia holds  665,000 refugees from Somalia and South Sudan–where they are bound to press further upon limited existing resources and fragile economies.

85% refugees

 

What will be the result of these interconnections–and whether they won’t demand far greater global interconnectedness–is not clear.

But the ongoing expansion of refugees in areas where there is no clear governmental or administrative organization will prove especially difficult to map adequately, despite the compelling nature of the “Recent Trends” visualization, such trends are poised to expand in future years, especially from Ukraine as well as Syria and Myanmar.

Global Trends in Displacement: Destinations New York Times

It seems most likely that, at some level, the data visualization of the destinations of refugees as seeking asylum from their country of origin unconsciously records how far we have come from the optimism of picturing the possibility of global unity the United Nations auspiciously hoped to inaugurate in 1946–by the agency which compiled the UNHCR database.

600px-Emblem_of_the_United_Nations.svg

 

6.  There is a significant difficulty, of course, in mapping refugees and the increased clustering of camps that they create in so-called demilitarized border zones.  For each image condenses multiple narratives that one wishes one could tease out, but confronts an image in which one sees limited apparent possibility of resolution save further instability. South Sudan possessed some of the greatest emergency of the refugees of modern times and the twenty-first century both in the some 700,000+ asylum-seeking refugees in neighboring countries at most recent count and one and a half million plus internally displaced persons (IDP’s) within its fragile boundaries, many driven by intense food shortages as well as by an increasingly militarized and fearful situation:  almost a third of the country’s population lack food.  Emergency refugee activities have haven mapped in South Sudan from 2012.  Even as the subsequent refugee crisis generated in the Syrian Civil War has further pressed credulity, South Sudan exemplifies a refugee situation spun out of control with no clear resolution, before which one stares at the map agape,–almost conscious of the continuing inadequacy of ever resolving its narrative in the immediate future.  Back in 2012, UNHCR helpfully mapped refugee settlements (camps) and clusters of individual refugees–denoted in the second map of South Sudan below by inverted triangles; refugee settlements are shown by pink houses–spread both to camps in Ethiopia, and less organized communities on the borders of poor (and undeveloped) countries like the Democratic Republic of Congo or Central African Republic, states with their resources already spread thin.

 

images-16 Refugee Camps and Refuggees around South Sudan Aug 2012 2012 Sudan map legend

UNHCR By 2013, the number of displaced was combined with arrivals of those displaced from nearby areas and states:

 

1930_1366189226_province-orientale-january-2013

 

By 2014, about three-quarters of a million displaced persons were displaced and 4.9 million were in need of assistance as the borders continued to be particularly permeable and fear drove displaced persons out of the country:

 

179514-ECDM_20140318_SouthSudan_Refugees

 

The continued displacement of refugees has only grown considerably during 2015, with increased fighting in South Sudan and the Upper Nile states, at the same time as water and sanitation has continued to deteriorate across the region.  Spurring the possibility for increased refugees, food insecurity of food has grown–as food grows more scarce–in ways that the visualization leaves silent but might provide a telling under-map of the flow of refugees across increasingly fragile borders, in situation maps that foreground departure and the failure of containment within civil society.  Such maps obscure the systemic problems that are bound to make the tally of refugee counts only tic higher over time, perhaps, which might be revealed in deeper layers to suggest the levels of instability that afflict the region. One telling map to compare reveals the increasingly imperiled aquifers and drastically declining availability groundwater.

If we consider the drought to be located in California’s central Valley–a thin orange strip by the Pacific Ocean–the decrease in groundwater NASA satellites have mapped over the past decade quite dramatically extends across the Sudd Basin and Lower Chad Basin in Africa and the entire Nubian Aquifer System and the Congo Basin–as it groundwater shortages has drastically grown across the Arabian aquifer and Indus Basin over the same time.  Water is not the sole issue here, of course, but the unrest that scarcity provokes demands mapping, and GIS visualization, as a layer below the civil society, which in much of Africa and regions without and which never saw the need for infrastructures of water transport is no doubt particularly acute.

 

Global Water Storage 2003-13 legend UC Irvine

 

The consequences of depleted aquifers and groundwater across the Lake Chad Basin, Sudd Basin and the Nubian Aquifer System (NAS)–the greatest body of fresh water in the Nile basin,  and Congo Basin have provoked a catastrophe of global proportions, while we returned to the possibilities of the contagious spread of Ebola across the world as if it were the sole apocalypse on our mental radar for much of the past year. The rise of fatal–or near-fatal–the expansion of those attempting to flee food shortages and declining economies in Africa have appeared in or occasioned increasing news reports from the western media, as Italians have called in increasingly strident tones for all of Europe to turn its attention to focus on the flight of refugees in the Mediterranean ocean–which the Italian navy can barely respond to in adequate manner, and create a web across the Mediterranean simplified in the red routes below.  Already the most “deadly stretch of water for refugees and migrants” in 2012, the refugee crisis intensified in 2014–often encouraged by human traffickers who deceptively promise perilous passage that is often not followed through, perhaps making this current year–2015–the most deadly in recent memory for those attempting the crossing in ships as they flee humanitarian disasters in Libya in ways that have only begun to be quantified and mapped.

 

GUARDIAN MAPS MEDITERREANEAN MIGRATION ROUTESThe Guardian

 

01_Mediterranean-Sea

 

85188.adapt.676.2 National Geographic

 

The complex story of tragedy and loss that the map conceals is difficult to communicate in conventional cartographical forms, as the each circle represents the suspected or confirmed loss of human passengers.

 

mediterranean-460-1 New York Times

 

One understory to this migration, without doubt, is the huge refugee crisis across the Sub-Saharan continent, where 15 million have been displaced in the past year alone:

 

15 million displaced in sub-Saharan Africa

The “refuge flows” are oddly almost not with a human face, as if they seem a triangular exchange of goods.  As we map refugee traffic in a manner that suggests that the flows of people are removed from a dynamics of struggle on the ground, but guided by an invisible hand or able to be imagined as a coherent network of flow, as if they at times arrive and depart from the same place, we lose a sense of the human costs of the deep scars that they draw over the surface of the inhabited world.

 

Global Trends in Displacement: Destinations But these overlapping and crisscrossed waves of displacement, if terribly difficult to disentangle, are compressed into so many misleadingly orderly arcs:  their stark form and geometric curvature elided or erasef the struggle, or indeed desperation, that we know companies the experiences of all refugees, and show an image of migration that may be as good as it gets. It surely sends an alarm about the status and state of the stateless refugees forced to flee their homes that forces us to negotiate our own relation to the changed face of the world.  But its curved red lines decisively and assertively arrogate the numbers of those who have sought asylum into smoothly completed arcs in an oddly unproblematic way, given the scarcity of solutions at hand.

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Filed under data visualizations, global refugees, immigration, infographics, refugee crisis, refugees, Syrian refugees